Warning: Undefined array key "uid" in /var/www/html/omekas/themes/bootstrap5/view/omeka/site/item-set/praha-trasfondo-historico.php on line 10

Warning: Undefined array key "uid" in /var/www/html/omekas/themes/bootstrap5/view/omeka/site/item-set/praha-trasfondo-historico.php on line 30

Warning: Undefined array key "uid" in /var/www/html/omekas/themes/bootstrap5/view/omeka/site/item-set/praha-trasfondo-historico.php on line 34

Historical Background

To view images for each topic in the Glossary of Historical Background, click on the white bar and choose from the topics presented by the drop-down menu.

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2012 00007

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2012 00007



Bastión de las Palmas de San José, located on the corner of Tetuán and San José Streets in Old San Juan, was built in the 17th century in 1625 after the Dutch attacked Old San Juan. There is a masonry wall made out of stone and bricks that has a black-colored railing. There are brick steps, trees, two chairs sculpted with a cat figure, and people sitting on benches can be observed in the image. Bastión de las Palmas de San José was later turned into a park. The old headquarters of the El Mundo/Puerto Rico Ilustrado newspaper in Old San Juan can be observed on the right side of the image. It was built in 1923 by the architect Francisco Roldán Martinó. The building has elements of the Moorish Revival architecture style. It is painted cream, white, and gray. The building's facade has mosaics, pilasters, glass windows, and an ornamented balcony supported by corbels. Adjacent to it is an orange and white building. This building has a portico with square columns and doorways with transoms and white grilles. The rear of Capilla del Santo Cristo de Salud, also known as Capilla del Cristo, can be seen on the left side of the image. It was built in 1753 by the military engineer and architect Juan Francisco Mestre. The chapel has architectural traits of the Mudéjar architectural style and was built out of brick and stone. The side facade of the old Hospital de la Concepción, also known as Convento y Casa de Salud Siervas de María, is partially visible in this image. The building is painted cream and white. It has parapets, cornices, brown-colored lattice windows, and transoms. The San Juan Bay can also be observed in the image.

Arecibo Trip - 2014 00003

Arecibo Trip - 2014 00003



View of the building González Marín 101 in the coastal city of Arecibo. It is a building Neoclassic style in plastered masonry of two floors originally built for comercial and residential purposes. The front facade has three sections and the side one of four sections that are connected through a curved corner. At the ground level, a continuous base holds the building. Surrounding the front and lateral facade you can see a row of white marble cladding interrupted by a front door flanked by two lamps. The door is double made of glass as well as the windows covered by corrugated metal laminas, framed with white moldings. Dividing the two levels of the blue color building you can see a white cornice that at the same time holds the front balcony made in corbel without railing. The balcony has three double doors with windows made of wood framed with moldings and crowned with an entablature. The door from the middle has three pilasters that at the same time holds a pediment. Besides that, at the left side there are four double doors with wooden windows crowned with entablature. Outlining the corners of the building it appears pilasters that hold the superior cornice and a parapet that crowned the building as an open balcony. In the surroundings you can see more buildings with different characteristics and vehicles. It was built in 1908, is one of the last buildings design with the Spanish Neoclassic vocabulary in the island. From its beginnings the building had bank institutions until 1930, under the consequences of the great depression, First National City opened its branch, being the first bank of United States in the zone.

Building Freiría Hnos. & Co. in the Isabel II Street in the neighborhood of La Puntilla of the Old San Juan

Building Freiría Hnos. & Co. in the Isabel II Street in the neighborhood of La Puntilla of the Old San Juan



View of the building Freiría Hmnos & Co., in the Isabel II street at the neighborhood of La Puntilla of the Old San Juan. You can observe buildings with influence of the architectonic styles Neoclassic and Neo-renaissance. The building is painted cream and it has a brown stripe in the lower part, its doors are in the arch shape, some have grilles and it is notable a brown awning in the entrance. In the walls of its facade it has painted letters that say: "Moises Pazo Freiría" and "Freiría Hnos & Co". The building had a beer distributor company of the brand Blatz. At the front part it as a sign in red promoting that says:"Blatz Milwaukee Beer". To the left side you can observe a building that is green and terracotta, it has a small zinc roof and some painted letters that say: "Tel 46". To the right side there is a line of continuous buildings with power line poles and a sidewalk. At the background you can see the banks The National City Bank of New York and the Popular Bank of Puerto Rico. The first one has the name written on the building's facade and it has some large windows with green grilles. The Popular Bank is a building with influence of Art Deco style, it has a high tower with the name of the bank with metal letters and a clock. Around there is an alley, establishment signs, a school bus, paved streets with asphaltic concrete, power line poles, antennas, sidewalks and trees. Subsequently, this are became an apartment complex and the parking lot called La Puntilla.

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2013 00001

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2013 00001



Bastión de las Palmas de San José, located on the corner of Tetuán and San José Streets in Old San Juan, was built in the 17th century in 1625 after the Dutch attacked Old San Juan. This image was taken at night and displays a plaza with railings, four benches, people, trees, and a boundary wall made of stonework. Bastión de las Palmas de San José was later turned into a park. The Paseo de la Princesa can be observed on the left side of the image. A tower with a dome is located in the upper part of the old La Princesa prison. The building has parapets, cornices, lattice windows, and white moldings. This building was built in 1837 and was used as a prison until 1976, when it was closed down due to problems with its structure. The Puerto Rican government restored the building in 1992 to serve as the headquarters for the Puerto Rico Tourism Company. The architect, Miguel Carlo, was responsible for the building's restoration. There is also a sidewalk with street lights and several palm trees. The posterior part of the Capilla del Santo Cristo de Salud, also known as Capilla del Cristo, is on the right side of the image. It was built in 1753 by the architect and military engineer Juan Francisco Mestre. The chapel has characteristics of the Mudéjar architectural style. It was built in brick and masonry. The side façade of the old Hospital de la Concepción, which later became the Convento y Casa de Salud Siervas de María, can also be observed in the image. The building has several floors, parapets, cornices, and window openings can also be observed. The San Juan Bay and the coast of the municipality of Toa Baja can be seen from a distance.

Building Oliver - Arecibo - 2012 00015

Building Oliver - Arecibo - 2012 00015



Lateral view of the building Oliver in the coastal city of Arecibo. At the foreground, you can see a concrete fence with metallic grilles and parked vehicles in the street. The building has three levels with characteristics of the Neoclassic style made in fortified concrete. The side facade is divided in several sections horizontally, the base level and two superior levels. The base level has entrances under semicircular arches framed with moldings. Additionally, the arches are covered with metallic grilles. The second and third floor have double wooden doors and windows with rectangular persiennes with flat frames. The doors conduct to a balcony with balustrades secured by decorative brackets. It has balconies of a section with rounded corners and balconies of two rectangular sections. The balconies are flanked by compound flutted pilasters secured by a continuous cornice and under which there is a series of relief lion heads. Above the building you can see a balustrade decorated with roman amphorae. Besides that, at the right far end there is a building attached with roof tiles and an opening presided by a metallic railing and a cloth curtain. Also, you can see a sign on a far end. The building Oliver was built in 1914 with comercial and residential purposes. It is based in the same place that in 1765 the Spanish government built the Houses of the King until 1913 when it was demolished. This innovative building was the first one incorporating residential spaces and comercial establishment. Also, it was the first building built in the city with a chamfered entrance. Additionally, its richly ornamented design adopts characteristics of the Beaux-arts school and the traditional Spanish style. Through the years has been used as a residential space, comercial and headquarters of several foreign consulates that occupied that first floor. It was restored in the decade of 1980 and all the spaces assigned to residences became comercial spaces.

The Puerto Rican Athenaeum - San Juan (Old San Juan) - 2010 00002

The Puerto Rican Athenaeum - San Juan (Old San Juan) - 2010 00002



The Ateneo Puertorriqueño located at Puerta de Tierra in Old San Juan. It was founded in 1876 and constructed by the engineer Ramón Carbia Burt in 1923. It is the oldest cultural institution in Puerto Rico, also known as "la Docta Casa." Its architectural style is representative of the Moorish Revival style. It was nominated to enter the National Register of Historic Places in 1984. It is painted white and terracotta. The upper half of the facade has an eave covered by tiles supported by wooden corbels. It also has seven multifoil arches interrupted by eight pilasters with tiles on top. On the lower half of the façade, six pilasters support a semicircular arch and an entablature covered in tiles with floral designs. The doorway has "Ateneo Puertorriqueño" written at the top. On both sides of the pilasters, there are friezes in high-reliefs with representations of human figures sculpted by the Italian artist Arrighini. There are steps and streetlights in front of the entrance. The building also has glass windows with hinged wooden frames and a torch-shaped ornamentation in the upper right corner of the image. Trees, shrubs, a palm tree, a decoration allusive to the Three Wise Men, a flagpole, grass, and a traffic sign can be seen in the surrounding areas. The Ateneo Puertorriqueño was founded to promote the theater, music, film, literature, history, science, the moral and political sciences, and the visual arts in Puerto Rico.

House Marcos Juan Alegría - Dorado - 2012 00029

House Marcos Juan Alegría - Dorado - 2012 00029



Front and lateral facade of the house Marcos Juan Alegría, located in Dorado. This house presents shades of yellow, white and gray. The facade is distinguished by a porch accentuated by an ornamental block balustrade interrupted by a grill gate with spiral motifs. On the balustrade there are columns that secure the porch ceiling. The doors and windows are double with louvers, panels and transom windows with small turned bars. Additionally, one of the windows integrates an appentice. The roof is compound of several sections of gable roof covered with zinc. On the gables it is visible a small window with circular shape and another one with rectangular shape with louvers. In front of the house there is a small wall that covers a ramp and a stair with a curved tube that serves as a handrail. The house was built in 1914 as home of don Juan Alegría and miss Elisa Valles, whom raised there their children Cruz and Marcos Juan. They lived there for decades until the house was inherit by Cruz, the oldest child. After his death, it was inherit by Marcos Juan, so-called as don Tito. In the decade of the nineties Marcos Juan sold his property to the government of the municipality, who was in charge of restoring it and turn it into the Museo y Escuela de Artes Marcos Juan Alegría, that opened in 1998. The house, in addition, is a characteristic example of the type of architecture used in the residences at the beginning of the XX century.

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2013 00003

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2013 00003



Bastión de las Palmas de San José, located on the corner of Tetuán and San José Streets in Old San Juan, was built in the 17th century in 1625 after the Dutch attacked Old San Juan. This image was taken at night and displays a plaza with railings, four benches, people, trees, and a boundary wall made of stonework. Bastión de las Palmas de San José was later turned into a park. The posterior part of the Capilla del Santo Cristo de Salud, also known as Capilla del Cristo, is on the right side of the image. It was built in 1753 by the architect and military engineer Juan Francisco Mestre. The chapel has characteristics of the Mudéjar architectural style. It was built in brick and masonry. The side facade of the old Hospital de la Concepción, which later became the Convento y Casa de Salud Siervas de María, can also be observed on the left side of the image. The building is painted cream and white. It has parapets, cornices, and window openings. The roof of the old La Princesa prison can also be observed. The building has parapets and white moldings. This building was built in 1837 and was used as a prison until 1976, when it was closed down due to problems with its structure. The Puerto Rican government restored the building in 1992 to serve as the headquarters for the Puerto Rico Tourism Company. The architect, Miguel Carlo, was responsible for the building's restoration. The San Juan Bay and the coast of the municipality of Toa Baja can be seen from a distance.

Parish San Antonio de Padua - Barranquitas - 2012 00006

Parish San Antonio de Padua - Barranquitas - 2012 00006



Front view of the Parish San Antonio de Padua in the town of Barranquitas. At the foreground you can see the square Bicentenaria Monseñor Miguel Ángel Mendoza decorated with an ornamental iron gazebo, landscape areas, ornamental iron benches, light poles, decorative fountain and plastic awnings. In front of the square there is the Parish San Antonio de Padua. The parish has two levels with an eclectic design inspired in the styles Spanish Revival, Art Deco and Neoclassic. The front facade is painted with orange and brick color views, decorated with a niche secured by a bracket in where there is in addition a railing and a statue of Saint Anthony of Padua. There is front a window made of glass with a semicircular arch framed and flanked by pilasters. The facade it also has glass windows, an oculus and a curvilinear pediment crowned with a cross. Additionally, from the building it stick out a belfry decorated with finishes, cornices, moldings and is crowned with roofing tiles and a cross. The Parish San Antonio de Padua was built for the first time in 1792, nonetheless, it has to be rebuilt four times after being destroyed by several hurricanes. Finally, in 1933 was rebuilt with the current design and restored in the decade of 1980. In decade of 1930 the building also it was used as an academia that in addition, it has a cinema for the students that afterwards it was open to the general public keeping it in use until the decade of 1970.

City Hall of Arecibo - 2014 00002

City Hall of Arecibo - 2014 00002



View of the City Hall of the city of Arecibo. The building is of two levels made of brick masonry with typical elements of the Neoclassic style. It is painted with shades of salmon color and brown with white moldings. The facade is built horizontally with rustic base that covers part of the second floor. On the first floor there are three entrances over which there is an inscription that say: "Alcaldía" (City Hall). Also, there are several windows under semicircular arches and rectangular arches. The facade is divided with cornices hold by pilasters that extend to the second section and support the triangular pediment that crowns the building. Besides that, the superior level has seven double doors framed by thin pilasters that flank a blind pediment and curved. The doors of the far ends are shut in some balconies of a section and the three doors in the middle connect with a central balcony of three sections hold by brackets and shut in with ornamental metallic grilles. In front of the building they have up three flagpoles with the flags of Arecibo, Puerto Rico and the United States. Also, you can see vehicles parked on the street. The construction of the Arecibo city hall dates of the year 1866 under the Spanish control in the island. The first floor of the building was used as a prison while in the second floor where the offices. After the earthquake of 1918 the frontal facade suffered collapses so it was modified adding a clock tower until the year 1978 when they restore the building and bring back its original design.

Building of the Antiguo Correo y Corte Federal José V. Toledo at the Old San Juan

Building of the Antiguo Correo y Corte Federal José V. Toledo at the Old San Juan



Frontal view, from the Comercio street, building known as Antiguo Correo y Corte Federal José V. Toledo at the Old San Juan. The building is made up two parts. The first one was built in 1914 and it had the influence of several architectonic movements like, Beaux-arts, the Federal style and Spanish Renaissance. You can observe it has the pavilion shape and it has the colors cream and light gray. Is built with cement and limestone, its roof is covered with terracotta roofing tiles and its doors and windows are from by voussoirs and covered with green grilles. In front of the building you can see narrow stairs that form the main entrance of the building. The second building was built on 1940 and also has the influence of the Avant-garde movement and Venetian school. It has the aspect of a tower with roof extension with the shape of lanterns, part of the roof is covered with roofing tiles and it has the colors cream with light gray. Its windows and doors are also formed by voussoirs. You can find the building intercepting the streets Comercio and Tanca. You can observe other buildings around like, the Popular Bank of Puerto Rico, Ochoa building and what it was the American Colonial Bank. Additionally, you can see on its surroundings bus, kiosks, automobiles, sidewalks, power lines, light poles, a flagpole with the United States flag, people, and the paved streets with paving stones. The opened lot that is in front of the building became the municipal parking lot Doña Fela.

Building Oliver - Arecibo - 2012 00001

Building Oliver - Arecibo - 2012 00001



Side view of the building Oliver in the coastal city of Arecibo. The building has three floors with characteristics of the Neoclassic style in concrete. The lateral facade is divided in six sections. Horizontally, the building is divided in two parts, the base level and two superior levels. The second and third level have door openings and rectangular windows with flat frames. The openings conduct to a balcony with balustrades supported by decorative brackets. There are small balconies with rounded corners and balconies of two rectangular sections. Between the balconies there are flutted pilasters that support an entablature with ornamental frieze, continuous cornice and dentils. Crowning the building you can see a parapet with balustrade and roman amphorae. Also, you can see an extension of the construction on a smaller size with glass doors and glass lattice style windows crowned with amphorae. The chamfered corner the parapet is interrupted by a curvilinear pediment. The building Oliver was built in 1914 with commercial and residential purposes. It is based in the same place that in 1765 the Spanish government constituted the House of the King until 1913 when it was demolished. This innovative building was the first one incorporating residential spaces and comercial establishment. Also, it was the first building built in the city with a chamfered entrance. Its richly ornamented design adopts characteristics of the Beaux-Arts School and the Traditional Spanish style. Through the years has been used as a residential space, comercial and headquarters of several foreign consulates that occupied the first floor. It was restored in the decade of 1980 and all the spaces assigned for residences they became comercial spaces.

San Vicente de Paul Catholic Cemetery – 88001249

San Vicente de Paul Catholic Cemetery – 88001249



Perspective of the mausoleums and tombs at San Vicente de Paúl Catholic Cemetery in Ponce, representative of the funerary architecture of the early 20th Century. The mausoleum of the Serrallés family stands out with characteristics of the Neoclassical style, such as columns with Ionic capitals, a cornice followed by an ornamental band, a parapet, and a pyramidal roof crowned with a cross. It also has a door framed with moldings and a small cornice. Numerous tombs are visible around this mausoleum, some bordered with balustrades, others adorned with plaques and sculptures in niches, pillars, crosses, and flower pots. The buildings of the city of Ponce can be seen in the background. The San Vicente de Paúl Catholic Cemetery was erected, blessed, and administered by the Vincentian Fathers for the exclusive use of the wealthy Catholic residents of Ponce and opened in 1901. The layout follows the Spanish tradition of having two main axes forming a cross, and its tombs and mausoleums span varied architectural styles typical of the Spanish Classical Revival through to Art Deco. These display sculptures in marble, granite, and pink Ponce stone, interspersed with less sophisticated funerary monuments designed by unknown local craftsmen. The cemetery also exhibits a group of niches built below ground level, thus giving the effect of catacombs. Many were abandoned or moved to the Ponce Civil Cemetery due to the high cost of maintenance and strict regulations set by the administration.

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2013 00007

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2013 00007



Bastión de las Palmas de San José, located on the corner of Tetuán and San José Streets in Old San Juan, was built in the 17th century in 1625 after the Dutch attacked Old San Juan. Bastión de las Palmas de San José was later turned into a park. This image was taken at night from the posterior of the old Puerto Rico Chamber of Commerce building. The building was designed in 1926 by the architect Antonín Nechodoma to be the headquarters of the Federal Land Bank of Baltimore in Puerto Rico. It was previously known as the San Juan Securities and Supplies Lonja. It was acquired by the Puerto Rico Chamber of Commerce in 1937 and was sold to a private party in 2019. The building is painted orange and white. It has hung windows, hinged windows, and a portico. A boundary wall made of stonework, a railing, and planters with shrubs can be observed. There is another building painted gray and white next to this building. It has white moldings, parapets, cornices, and lattice-style and glass windows. Behind this building is the Banco Popular of Puerto Rico. The building is painted cream and represents the Art Deco architectural style. It was designed by the architect Chauncey W. Riley and was built by the engineers Juan M. Beltrán Carrasquillo, Manuel Miró y Saurí, and José Benítez Gautier. One of the towers has a clock and a sign that reads "Banco Popular." The Paseo de la Princesa pathway can be seen on the right side of the image. Trees, palm trees, and streetlights can be observed. The semicircular roof of Dock 1 in San Juan Bay can also be observed. The old José V. Toledo Courthouse building can also be observed, representing several architectural styles such as Beaux Arts, Federal, and Spanish Colonial Revival. The building was designed by Oscar Wenderoth and is painted cream and terracotta. It has two towers crowned by lanterns with pinnacles and Spanish tiles. Rectangular glass windows and parapets can be observed. The building entered the National Register of Historic Places in 1986. Several high-rise buildings can also be seen on the other side of the Bay.

Banco Popular de Puerto Rico - San Juan (Old San Juan) - 2012 00010

Banco Popular de Puerto Rico - San Juan (Old San Juan) - 2012 00010



Banco Popular of Puerto Rico located in Old San Juan. It was inaugurated in 1939, designed by the architect Chauncey W. Riley, and built by the engineers José Benítez y Gautier, Manuel Miró y Saudí, and Juan M. Beltrán Carrasquillo. The bank was built where the Banco Territorial y Agrícola of Puerto Rico was originally located during the 19th century. The building is representative of the Art Deco architectural style. The image is a distant view of the Banco Popular of Puerto Rico from Tetuán Street at night. The upper half of the building has a sign with white lights that reads "Banco Popular," and there is a clock underneath it. On the left side of the image is a building with a balcony, balusters, cornices, pilasters, semicircular arches with keystones, and wall lamps. Automobiles and a paved street can be seen in the center of the image. The old Puerto Rico Chamber of Commerce building is on the right side of the image. It was designed in 1926 by the architect Antonín Nechodoma to be the headquarters of the Federal Land Bank of Baltimore of Puerto Rico. The building was previously known as the San Juan Securities and Supplies Llotja. It was acquired by the Puerto Rico Chamber of Commerce in 1937 and was sold to a private party in 2019. The building is orange and white. It has stairs with railings, rectangular windows, and two columns supporting a sign in Spanish that reads "Chamber of Commerce." Next to this building is a blue and white building with parapets, cornices, and balconies with wooden double-leaf windows.

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2013 00002

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2013 00002



Bastión de las Palmas de San José, located on the corner of Tetuán and San José Streets in Old San Juan, was built in the 17th century in 1625 after the Dutch attacked Old San Juan. This image was taken at night and displays a plaza with railings, three benches, people, trees, and a boundary wall made of stonework. Bastión de las Palmas de San José was later converted into a park. The Paseo de la Princesa can be observed on the left side of the image. A tower with a dome is located in the upper part of the old La Princesa prison. The building has parapets, cornices, lattice windows, and white moldings. This building was built in 1837 and was used as a prison until 1976, when it was closed down due to problems with its structure. The Puerto Rican government restored the building in 1992 to serve as the headquarters for the Puerto Rico Tourism Company. The architect, Miguel Carlo, was responsible for the building's restoration. There is also a sidewalk with street lights and several palm trees. The posterior part of the Capilla del Santo Cristo de Salud, also known as Capilla del Cristo, is on the right side of the image. It was built in 1753 by the architect and military engineer Juan Francisco Mestre. The chapel has characteristics of the Mudéjar architectural style. It was built in brick and masonry. The side facade of the old Hospital de la Concepción, which later became the Convento y Casa de Salud Siervas de María, can also be observed in the image. The building has several floors, parapets, cornices, and window openings can also be observed. The San Juan Bay and the coast of the municipality of Toa Baja can be seen from a distance.

Buildings at the Tanca Street of the Old San Juan

Buildings at the Tanca Street of the Old San Juan



Frontal view of the Tanca street and the buildings that are on its surroundings. You can observe that the street is paved with two different materials, part of it with paving stones and the other with asphalt. There is a white building in front that reflects influences of the architectonic style known as Second Empire. It has roofs with attic, cornices and dormer windows. The building accommodated during the beginning of 1900 the companies Plazuela Sugar Company and the C.O. Lord & Company. The last years that was in use, it was a First Bank branch. Next to it there are two buildings of a smaller size. One is painted with the colors gray and green, it has a balcony and two balconets with metal railings and wooden door. The other is painted with green, has arches and wooden doors on the first floor and an extense balcony with metal railings and rectangular doors with lattice on the second floor. At the lower part to the right you can see the building Ochoa, known originally as J. Ochoa y Hermano, that was built in 1924. It has cream color with light green touches, it has metal windows with glass persiennes, an establishment sign with yellow color that says: "Western Union", arches on the first floor facade and mosaic ornaments on the pilasters capitals. To the left side you can see the building Antiguo Correo and Corte Federal José V. Toledo, that has the architectonic influence of the styles Beaux-arts and Federal. Is painted cream color, has a roof with terracotta roofing tiles and its walls finishes with bossage, grilles, railings and green curtains. Around it you can see people conglomerating at the building's entrance, moving cars and some parked, wide sidewalks, light poles, power lines, a flagpole, establishment signs, benches to sit down, trees and bushes.

House Marcos Juan Alegría - Dorado - 2012 00018

House Marcos Juan Alegría - Dorado - 2012 00018



A detail of the main facade of the house Marcos Juan Alegría, located in Dorado. The house is made of matched lumber and presents shades of yellow that alternates with white and gray. The window is double with louvers, panels, transom window with turned bars made of wood and an appentice. Additionally, you can see a column that is part of the roof support from the porch. The roof presents several sections of gable roof and on both gables it shows a small window with circular shape and another one with rectangular shape articulated by louvers. These gables also are covered with a type of mesh. On the eave there is a gutter. Next to the house Marcos Juan Alegría there is another residence made of concrete with awnings and windows with horizontal lamas made of aluminum like persiennes. The house Marcos Juan Alegría was built in 1914 as home of don Juan Alegría and Mrs. Elisa Valles, whom raised there their children Cruz and Marcos Juan. They lived there for decades until the house was inherit by Cruz, the oldest child. After his death, it was inherit by Marcos Juan, so-called as don Tito. In the decade of the nineties, Marcos Juan sold his property to the government of the municipality, who was in charge of restoring it and turn it into the Museo y Escuela de Artes Marcos Juan Alegría, that opened in 1998. The house, in addition, constitutes a characteristic example of the type of architecture used in the residences at the beginning of the XX century.

Parish San Antonio de Padua - Barranquitas - 2007

Parish San Antonio de Padua - Barranquitas - 2007



Front view of the Parish San Antonio de Padua in the town of Barranquitas. At the foreground it can be seen the square Bicentenaria Monseñor Miguel Ángel Mendoza decorated with iron benches, landscape ares and light poles. Crossing the street, where there are several vehicles, is near the parish made with masonry with balustrade interrupted by a metallic grille and stairs. The parish has two levels with an eclectic design inspired in the styles Spanish Revival, Art Deco and Neoclassic. The front facade is painted white with light green details, decorated with a double door made of wood framed and flanked by pilasters. Above the door there is a niche secured with a bracket with a statue of Saint Anthony of Padua that is under a glass window with a semicircular arch framed and flanked by pilasters. The facade also has glass windows, a framed oculus and a curvilinear pediment crowned with a cross. Additionally, from the building it stick out a belfry decorated with finishes, cornices, moldings crowned with roofing tiles and a cross. The Parish San Antonio de Padua was built for the first time in 1892, nonetheless, it had to be rebuilt in four times after being destroyed by several hurricanes. Finally, in 1933 was rebuilt with the current design and restored in the decade of 1980. In the decade of 1930 the building also was used as academia that in addition, had a cinema for the students that afterwards was open to the general public keeping it in use until the decade of 1970.

Banco Popular de Puerto Rico - San Juan (Old San Juan) - 2011 00001

Banco Popular de Puerto Rico - San Juan (Old San Juan) - 2011 00001



Banco Popular of Puerto Rico located in Old San Juan. It was inaugurated in 1939, designed by the architect Chauncey W. Riley, and built by the engineers José Benítez y Gautier, Manuel Miró y Saudí, and Juan M. Beltrán Carrasquillo. The bank was built where the Banco Territorial y Agrícola of Puerto Rico was originally located during the 19th century. The building is representative of the Art Deco architectural style. It is painted cream, white, and green. It has a curved facade with rectangular glass windows, metal frames, and overhangs at the top. It also has a row of square windows with metal frames. The main entrance has twelve bas-reliefs with stained-glass windows and four images of human figures interspersed, repeating each one three times. There is an inscription in Spanish in the center that reads, "Dedicated to the service of Puerto Rico. Banco Popular de Puerto Rico". There are also high reliefs with two eagle figures above the entrance. Carli's Fine Bistro and Piano restaurant can be seen next to the building. It has glass double-leaf doors with metal frames, tables, and white chairs in front of them. There are automobiles and shrubs in front of the building. The Finlay building is on the left side of the image, located on the site of the former Citibank building and later home to the Old Harbor Brewery. This building is painted cream and white. It has moldings, parapets, cornices, dentils, window openings, and pilasters.

Building of the Antiguo Correo y Corte Federal José V. Toledo Viewed from the San Juan Bay

Building of the Antiguo Correo y Corte Federal José V. Toledo Viewed from the San Juan Bay



View of the San Juan Bay and four buildings that are known are (left to right): (1) San Juan Customs, (2) Popular Bank of Puerto Rico, (3) Antiguo Correo y Corte Federal José V. Toledo and (4) Ochoa building. You can observe that the building that is at the center is the Antiguo Correo y Corte Federal José V. Toledo, which it has the influence of several architectonic movements like the Beaux-arts, the Federal style and the Spanish Renaissance. Is built with cement and limestone, it has cream and gray colors, part of its roof is covered with terracotta roofing tiles and another part has a tower aspect with roof extensions with the shape of lantern. Its doors and windows are formed by voussoirs covered with green grilles. The building to the right is known was the Ochoa building. This building has cream color with light green touches, it has metal windows with glass persiennes, arches at the first floor facade and mosaic ornaments on the capitals of each pilaster. You can observe several antennas on its rooftop. To the left you can see the upright building of the Puerto Rico Popular Bank that has the architectonic influence of Art Deco. Is painted with white color and it has yellow stripes between the wall sections on each window. There is a tower that stick out from its rooftop and has some letters forming the name of the building with an analog clock that marks the time. Further to the far left end you can perceive the San Juan Customs building that is painted with pink color and it has the influence of the architectonic style of Neo Spanish Colonial. Is built with reinforced concrete and it has architectonic elements like pinnacles, crestings, arches and columns extensively decorated and ornamented with mustard color, green, white, red and blue. It has an entrance gate that is supported by two columns with pink color and at the top has finishes with spherical shapes with white color. Additionally, you can observe that in the surroundings there are trees, bushes, palm trees, automobiles, people, power lines, a ship, sidewalks, cobblestoned streets and the pier that is in front of the bay.

San Vicente de Paul Catholic Cemetery – 88001249

San Vicente de Paul Catholic Cemetery – 88001249



View of the main entrance to the San Vicente de Paúl Catholic Cemetery in Ponce, representative of funerary architecture of the early 20th Century. This entrance is accentuated by an iron gate flanked by two masonry pillars. Behind the entrance, mausoleums stand out with ornamentation, window grilles, parapets, pinnacles, and Neoclassical details such as the dome. In the center, the pantheon of the priests of the order of San Vicente de Paúl stands out, characterized by a baroque-style canopy that protects the altar and the tomb. At one end of the street leading to the cemetery, a sidewalk and a fence topped with ironwork and interrupted by a gate leading to a house with a decorative grille are notable. The San Vicente de Paúl Catholic Cemetery was erected, blessed, and administered by the Vincentian Fathers for the exclusive use of the wealthy Catholic residents of Ponce and opened to the public in 1901. The layout follows the Spanish tradition of having two main axes forming a cross. Its tombs and mausoleums span varied architectural styles typical of the Spanish Classical Revival through Art Deco. These display sculptures in marble, granite, and pink Ponce stone, interspersed with less sophisticated funerary monuments designed by unknown local craftsmen. The cemetery also exhibits a group of niches built below ground level, thus giving the effect of catacombs. Many were abandoned or moved to the Ponce Civil Cemetery due to the high cost of maintenance and strict regulations set by the administration.

First Baptist Church of Caguas - 2013 00007

First Baptist Church of Caguas - 2013 00007



View of the building of the first baptist church of Caguas, currently known as the Centro Musical Criollo José Ignacio Quintón. The building has two levels made of masonry and its style is eclectic since it combines elements of the Romanesque and Gothic architecture. At the foreground, it can be seen an open metallic grille and power line poles. Besides that, the front facade of the building is presided by a portico with gable roof secured by brackets and covered by roofing tiles. There is an inscription in relief that says: "Centro musical criollo José Ignacio Quintón" (Creole music center José Ignacio Quintón) that crowns the entrance arch in the portico. The rest of the facade is decorated with wooden windows with persiennes under semicircular arches crowned with entablatures and sunrise transoms made of wood and glass. Also, it can be seen a pediment with continuous cornices and an oculus with stained glass framed with moldings. Additionally, from the building it stick out an octagonal belfry tower decorated with cornices, openings covered by metallic grilles, a vertical stained glass, two balconies with a wooden door framed with moldings. some railings secured by brackets and crowning the tower, a capital and roofing tiles. In the surroundings it can be observed adjacent buildings and vehicles parked on the street. The old first baptist church of Caguas was the first from this denomination, built in 1908. After being in use for several years, it was moved to another building, so the government of the municipality acquired the building to restore it. Since its renovation, it was converted in a museum of the music named Centro Musical Criollo José Ignacio Quintón. Additionally, it is the headquarters of several municipal musical groups.

Building Oliver - Arecibo - 2012 00019

Building Oliver - Arecibo - 2012 00019



Frontal view of the building Oliver in the coastal city of Arecibo. The building has three levels with a chamfered corner that works as main entrance. Is made of fortified concrete inspired by the Neoclassic style. The facade is divided in several sections. Horizontally it has two parts, the base and two superior levels. In the base, through the chamfered corner there is an entrance under a semicircular arch framed by continuous moldings. Besides that, the second level has rectangular doors openings with flat frames. The openings conduct to a semicircular balcony with balustrades secured by decorative brackets. The balcony is flanked by flutted pilasters secured by continuous cornices under which there is a series of relief lion heads. In the surroundings you can see more buildings with shades of pink, yellow and orange with different characteristics. The building Oliver was built in 1914 with comercial and Residential purposes. It is based in the same place that in 1765 the Spanish government built the House of the King until 1913 when it was demolished. This innovative building was the first one incorporating residential spaces and comercial establishment. Also, it was the first building built in the city with a chamfered entrance. Additionally, its richly ornamented design adopts characteristics of the Beaux-arts school and the traditional Spanish style. Through the years has been used as a residential space, comercial and headquarters of several foreign consulates that occupied the first floor. It was restored in the decade of 1980 and all the spaces assigned to residences became comercial spaces.

Arecibo Trip - 2014 00006

Arecibo Trip - 2014 00006



View from the cathedral San Felipe Apóstol in the costal city of Arecibo. At the foreground, you can see a crowned pedestal with an ornamental finish. To the right far end you can see an end of the building Oliver, that has three levels with characteristics of the Neoclassic style with fortified concrete. The lateral facade is divided in several sections. Horizontally, the building is divided in two parts, the base level and two superior levels. The second and third level have door openings and rectangular windows with flat frames. The openings conduct to a balcony with balustrades secured by decorative brackets. There are small balconies with rounded corners and balconies of two rectangular sections. Between the balconies there are flutted pilasters that support an entablature with ornamental frieze, continuous cornice and dentils. You can see a parapet with balustrade and roman amphorae crowning the building. Also, you can see an extension of the construction with a smaller size with glass doors crowned with amphorae. In the chamfered corner the parapet is interrupted by a curvilinear pediment. The building Oliver was built in 1914 with comercial and residential. It is based in the same place that in 1765 the Spanish government built the House of the King until 1913 when it was demolished. This innovative building was the first on incorporating residential spaces and comercial establishment. Also, it was the first building built in the town with a chamfered entrance. Additionally, its design richly ornamented adopts characteristics of the Beaux-arts school and the traditional Spanish style. Through the years has been used as a residential space, comercial and headquarters of several foreign consulates that occupied the first floor. It was restored in the decade of 1980 and all the spaces assigned to residences became comercial spaces. Besides that, to the left far end you can see the City Hall. The building has two levels of brick and masonry with typical elements of the Neoclassic style. The facade is built horizontally with a rustic base that covers part of the second level. On the first floor there are entrances and two windows under semicircular arches. The facade is divided with cornices supported by pilasters. The superior level has five double doors framed by thin pilasters that flank a blind pediment and curved. The door of the far ends are shut-in on some balconies of a section and the three doors in the middle connect with a central balcony of three sections supported by brackets and shut-in with metallic ornamental grilles. In front of the building there are three flagpoles with the flags of Arecibo, Puerto Rico and the United States. The construction of the city hall of Arecibo dates of the year 1866 under the Spanish control in the island. The first level of the building was used as a prison while in the second level were the offices. After the earthquake of 1918 the frontal facade of the building suffered collapses so it was modified adding a clock tower until the year 1978 when they restore the building and bring back its original design.

Building Oliver - Arecibo - 2012 00003

Building Oliver - Arecibo - 2012 00003



Lateral view of the building Oliver in the coastal city of Arecibo. The building has three floors with characteristics of the Neoclassic style in concrete. The side facade is divided in three sections. Horizontally, it is divided in two parts, the base level and two superior levels. The second and third level have door openings and rectangular windows with flat frames. The doors are flanked by compound flutted pilasters that support the entablature with ornamental frieze, continuous cornice and dentils. Crowning the building you can see a parapet with balustrade and roman amphorae. Through the balustrade you can see an extension of the construction in a smaller size with glass doors and lattice style windows made with glass. The building Oliver was built in 1914 with comercial and residential purposes. It is based in the same place that in 1765 the Spanish government built the House of the King until 1913 when it was demolished. This innovative building was the first one incorporating spaces for residences and comercial establishments. Also, it was the first building built in the city with a chamfered entrance. Its richly ornamented design adopts characteristics of the Beaux-arts school and the traditional Spanish style. Through the years has been used as a residential space, comercial and headquarters of several foreign consulates that occupied the first floor. It was restored in the decade of 1980 and all the spaces assigned for residences became comercial spaces.

Casa Cautiño - 84003137

Casa Cautiño - 84003137



Side view of Casa Cautiño in the town of Guayama. The single-level Neoclassical style house is made of masonry and wooden beams. The wooden double-leaf doors and windows have lattice-style slats covered by ornamental iron grilles. As an ornamental element on the upper section, a masonry cornice and a parapet supports decorative masonry flowerpots. A portico is supported in the front by six thin wrought iron columns bordered with ornamental details. An ornamental iron railing borders the space between the columns. The portico is finished with an uninterrupted masonry cornice with continuous moldings on its borders. The front facade has five openings under semicircular arches flanked by fluted pilasters. The doors are crowned with sunrise transoms, and reliefs with floral motifs and garlands are seen between each opening. Also visible is a sign in Spanish that reads: "This property is being restored by the Institute of Puerto Rican Culture and sponsored by the Municipal Administration directed by Hon. Miguel Díaz Tirado," and a vehicle parked up front. To the far left is the Charles W. Drees Methodist Church, and to the far right, next to the house, there is a wooden scaffolding. Casa Cautiño was built in 1887 by the architect Manuel Texidor. It's been used as a home, an Insular House, and headquarters for the U.S. Forces. In 1969, the house was remodeled by architect Frank Molther, who respected its original design and reproduced the same style. But in 1979, the house became the property of the Institute of Puerto Rican Culture, which restored it and turned it into the Casa Cautiño Museum.

View to the Ochoa Building From the San Juan Bay

View to the Ochoa Building From the San Juan Bay



San Juan Bay with view towards buildings nearby to the port area of the Old San Juan. You can observe a pier with two vessels. One is a small boat that transport passengers and that is attached to a balustrade and the other is a bigger ship that is docked directly in the pier area. The building in the center is the Ochoa building, which is painted with the cream color with light green touches, it has metal windows with glass persiennes, antennas on its roof, arches on the first floor facade and mosaic ornaments in the capitals of each pilaster. To the right side there is a white color building with an establishment sign that says: "Dole", indicating that there is located the canned fruit production company. The building that are to the left are the Antiguo Correo y Corte Federal José V. Toledo and the San Juan Customs. The first one is cream color with terracotta roof and it has influence of several architectonic movements like Beaux arts, Federal style and the Spanish Renaissance. Is built with concrete and the colors are cream and gray. Part of its roof is covered with terracotta roofing tiles and the other part has the aspect of tower with roof extensions with lantern shape. Its doors and windows are formed by voussoirs covered with green grilles. Further to the left you can see the building San Juan Customs that is painted with pink color and has influence of the architectonic style Spanish Renaissance. Is built with reinforced concrete, has a sentry box followed by a fence that goes along the bay, also, it has a gate that is attached to a column with pink color and at the top it has finishes with spheric shape with white color. On its surroundings you can see automobiles, power lines, people, trees, palm trees, bushes and a construction of a building further in the distance that has red flags at the top.

Oliver Building - 86002764

Oliver Building - 86002764



Side view of the Oliver Building in the coastal town of Arecibo. The building has three levels, and the facade is divided into seven sections. Horizontally, the building is divided into two parts: the ground floor and two upper floors. The base is formed by an arcade of semicircular and horseshoe arches framed by continuous moldings crossing the pillars at the impost level. Under the archway are double-leaf wooden doors crowned with sunrise transoms. The second and third levels have rectangular doors and windows with flat frames. The openings lead to a balcony with balusters supported by decorative corbels under which are a series of lions' heads in relief. There are small balconies with round corners and balconies with two rectangular sections. Between the balconies, fluted pilasters support an entablature. Crowning the building is a parapet with a balustrade and Roman amphorae. Next to the building, cars are parked on the street. The Oliver building was innovative as it was the first building in Arecibo to utilize the urban concept of apartment living together with commercial viability. It was the first to incorporate reinforced concrete construction methods in the Arecibo region. It also was the first structure in Arecibo to address the street and plaza on a diagonal by using a chamfered corner entrance. In brief, the building represents the arrival of modernization and then current urban concepts in the northwestern region of Puerto Rico. Architecturally, the ornamentation reflects the Beaux Arts School of thought, spreading Europe and America, arriving in Puerto Rico with Spanish influence, and incorporating elements of traditional Spanish design, such as arcades and massive wall articulation. The Oliver Building was built in 1914. Over the years, it has been used as a residential and commercial space and headquarters of several important foreign consulates. It was restored in the 1980s, and all spaces allocated for housing were converted into commercial spaces.

Building Badrena in the Old San Juan

Building Badrena in the Old San Juan



Frontal view of several buildings in the street Comercio at the Old San Juan. The building that is located at the center is Badrena, it has four floors, is painted with gray color and its windows with glass persiennes. On its roof it has an establishment sign that says: "Lippit & Simonpietri Inc. Seguros y Finanzas" and it has another sign a wall that says: "Dole" in red color. From the right side of the Ochoa building that has influence of the Neo-renaissance architectonic style, the color is cream with green touches, it has metal windows with glass persiennes, arches in the first floor facade and mosaic ornamental the capitals on each pilasters. To the left side it has a building with gray and mustard colors, it is a press and stationery shop, it has arches, pilasters and moldings. The windows and doors are made of wood and it has an awning of green color on the first floor. In 1915 this building had a cinema called Tres Banderas. The building that is further to the left is dark gray color, light gray and white, it has glass windows and a sign of an establishment with red letters that says: "Inter American Insurance Agency". You can observe a parking lot with automobiles, and other vehicles like bus and trucks are traveling on its surrounding. Additionally, there is a kiosk of street vendor, poles with power lines wiring, a paved street with cobblestones, sidewalks. bushes and people. Subsequently, this group of buildings next the Ochoa building passed to be one building in which there is a CVS pharmacy, Polo Ralph Lauren store and a luxury apartment complex called Harbor Plaza.

Oliver Building - 86002764

Oliver Building - 86002764



Close view of details from the balcony of the Oliver Building in the coastal town of Arecibo. On the second level, there are openings with wooden doors. The openings lead to balconies with balusters supported by decorative ornamental corbels under which are a series of lions' heads in relief. A fluted pilaster can be seen at the right end of the balcony. The Oliver Building was innovative as it was the first building in Arecibo to utilize the urban concept of apartment living together with commercial viability. It was the first to incorporate reinforced concrete construction methods in the Arecibo region. It also was the first structure in Arecibo to address the street and plaza on a diagonal by using a chamfered corner entrance. In brief, the building represents the arrival of modernization and then current urban concepts in the northwestern region of Puerto Rico. Architecturally, the ornamentation reflects the Beaux Arts School of thought, spreading Europe and America, arriving in Puerto Rico with Spanish influence, and incorporating elements of traditional Spanish design, such as arcades and massive wall articulation. The surroundings of the building have parked cars and people walking by. The Oliver Building was built in 1914. Over the years, it has been used as a residential and commercial space and headquarters of several important foreign consulates. It was restored in the 1980s, and all spaces allocated for housing were converted into commercial spaces.

Building Lippit and Simonpietri at the Comercio Street of the Old San Juan

Building Lippit and Simonpietri at the Comercio Street of the Old San Juan



Badrena building in the Comercio street in the Old San Juan. You can see that the building is painted with different shades of gray and that it has two sighs with establishments names. One is at the rooftop and says: "Lippit & Simonpietri Inc. Seguros y Finances" (Lippit & Simonpietri Inc. Insurance and Finances) and the other one is on one of the walls and says: "Dole" in red color. It has rectangular and square openings in which there are windows with the shape of glass persienne. The building that is located to the right is the Ochoa building that has influence of the Neo-renaissance architectonic style, it has cream color with light green touches, has metal windows with glass persiennes, arches on the first floor facade, and mosaic ornaments in the capitals of each pilaster. You can see that in three of its arches have signs with information about the establishment. The building to the left is gray and mustard colors, it has a gable roof design, pilasters, moldings, glass windows and a wooden door. There are letters painted on the wall that say: "Stationery" and "Etiquetas y Cartelones litografiados" (Lithographed labels and posters). In 1915 this building was a cinema called Tres Banderas. You can observe around it automobiles, bus, a bus stop with people, a wide paved street with cobblestones, sidewalks, power lines, antennas at the roofs and trees. Subsequently, this group of buildings next to the Ochoa building became one building in which there is a CVS pharmacy, the store Polo Ralph Lauren and a luxury apartment complex called Harbor Plaza.

Building Oliver- Arecibo - 2012 00020

Building Oliver- Arecibo - 2012 00020



Close-up view of the building Oliver in the coastal city of Arecibo. The building has three levels with characteristics of the Neoclassic style made of fortified concrete. The facade is divided in sections and the third level has openings of double doors and rectangular wooden windows and persiennes with flat frames. The opening conducts to a balcony with balustrades secured by decorative brackets. The balcony on the chamfered corner is curved and is secured by decorative brackets. Between the balcony there are compound flutted pilasters that support an entablature with ornamental frieze, continuous cornice and dentils. Besides that, you can see that the building is crowned by a parapet with balustrade and roman amphorae. In the chamfered corner is interrupted the parapet by a curvilinear pediment decorated with relief details. The building Oliver was built in 1914 with comercial and residential purposes. It is based in the same place that in 1765 the Spanish government built the House of the King until 1913 when it was demolished. This innovative building was the first on incorporating spaces of residences and comercial establishment. Also, it was the first building built in the city with a chamfered entrance. Additionally, its design richly ornamented adopts characteristics of the Beaux-arts school and the traditional Spanish style. Through the years has been used as a residential space, comercial and headquarters of several foreign consulates that occupied the first level. It was restored in the decade of 1980 and all the spaces assigned to residences became comercial spaces.

Parish San Miguel Arcángel - Cabo Rojo - 2011 00015

Parish San Miguel Arcángel - Cabo Rojo - 2011 00015



Facade of the Parish San Miguel Arcángel, located in Cabo Rojo. It is parish presents different shades of yellow that alternates with orange details. The entrance is compound by three-centered arches flanked by pilasters that secure a triangular pediment that integrates dentils. The transition to the second level is accentuated by a stringcourse and a pair of cornices elevated by pilasters. Also, it is notable the oculus and the windows with glass leaves and with semicircular arch shape. On one end of the second level of the facade stand out a triangular pediment with dentils crowned with a cross, while in the opposite side it stick out the tower of the church, in whose belfry it shows arches, clocks, moldings and a dome. The parish is surrounded by a fence articulated by a balustrade interrupted by piers with finishes and a gate made of grilles with spiral motifs. At the front part there is a monument with the statue that commemorate the Puerto Rican writer, politician and historian Salvador Brau Asencio. The Parish San Miguel Arcángel was designated historic monument under the Law Number 150 of June 18, 2004. Its history is linked to the foundation of the town of Cabo Rojo through Royal Order from the king Charles III of Spain from December 17, 1771. Since September 29, 1783 this church dedicates to the patron of Saint Michael Archangel and two years later initiates the construction of the temple. In this church, in addition, there are the birth certificates of Ramón Emeterio Betnaces, Salvador Brau Asencio and the legendary pirate Cofresí. In its bicentennial it was plant a guayacan tree next to the square.

Church of the Holy Trinity – 86002766

Church of the Holy Trinity – 86002766



View of the main and side facades of the Church of the Holy Trinity, located in the town of Ponce. The church is made of concrete, combining elements of the Neo-Gothic and Spanish Neo-Colonial styles, and follows the typical cruciform plan, formed by a double-height nave with a transept located to the west of the semicircular apse. The rectangular facade, crowned by a double semicircular arched belfry with bells and a cross, is flanked by buttresses and includes a circular window at the height of the second floor. The main entrance has a cubic plan that includes a semicircular arch with iron railings, a Spanish-style tile roof, and whitewashed walls contrasting with the rest of the unpainted building. On the side, the semicircular arch-shaped openings and the roof tiles stand out. A small garden surrounds the building, and pillars modulate a railing fence. Also notable are a bus station and several traffic signs in Spanish stating: "No entre, Tránsito, Terminal Abolition Taxi No Estacione." The Church of the Holy Trinity was initially established in Ponce in 1873 by a group of non-Catholic residents of the Protestant religion after the fall of the Spanish Monarchy and the passing of the Law of Tolerance in Worship. The building was constructed from materials received from England as a gift from Queen Victoria to her English subjects abroad, among these a cast bell bearing the date 1870. In 1874 the monarchy was re-established in Spain, and religious intolerance was reversed, forcing the church to close its doors until July 25, 1898, when American troops entered Ponce. By 1923, the original wooden church had fallen into disrepair, so funds were raised to build the present concrete church, completed in 1926.

Building Oliver - Arecibo - 2012 00018

Building Oliver - Arecibo - 2012 00018



Frontal view of the building Oliver in the coastal city of Arecibo. The building has three levels with a chamfered corner that work as a main entrance. It is made of fortified concrete inspired by the Neoclassic style. The facade is divided in several sections. Horizontally, the building is divided in two parts, the base level and two superior levels. In the base, through the chamfered corner there is an entrance under a semicircular arch with balustrades secured by decorative brackets. The balcony is flanked by flutted pilasters secured by continuous cornices under which there is a series relief lion heads. In the surroundings you can see more buildings with shades of pink, yellow and orange with different characteristics. The building Oliver was built in 1914 with comercial and residential purposes. It is based in the same place that in 1765 the Spanish government built the House of the King until 1913 when it was demolished. This innovative building was the first one incorporating residential spaces and comercial establishment. Also, it was the first building built in the city with a chamfered entrance. Additionally, its richly ornamented design adopts characteristics of the Beaux-arts school and the traditional Spanish style. Through the years has been used as a residential space, comercial and headquarters of several foreign consulates that occupied the first floor. It was restored in the decade of 1980 and all the spaces assigned to residences became comercial spaces.

Parish San Francisco de Asís - Aguada - 2011 00001

Parish San Francisco de Asís - Aguada - 2011 00001



Parish San Francisco de Asís, Aguada. The design of this catholic church presents influences of the gothic architecture and the Neoclassic. Its facade is made up of a central body with a cross on top and two lateral towers. It stand out the use of lancet arches that repeats in the towers as well as in the central body. In the center there is a portico with four thin columns and a slope roof. Above the portico roof there is a sign with the dates 1924 and 1936. On the second level of the facade you can observe an arch inside of which there are seven thin lancet arches with stained glass, flanked by two pilasters crowned with pinnacles. In the quadrangle towers you can distinguish different levels and all present lancet arches. On the second level, three thin arches, the one on the center is taller than the other two. The third level has three thin arches of the same height and one of the towers has a clock. The fourth level has a lancet arch inside of a triangular shape. Each tower ends with a dome, lantern with lancet arches, spires and a small cross. The building is surrounded by a concrete fence, the piers of the fence have pots with plants. Also, there is a steel gate with two piers with lamps. Both the church and the fence are painted with a grayish green color with the borders and details with white color. In front of the church, crossing the street, there is the square where you can see a statue of Christopher Columbus.

Building Martinez Hnos. & Co. Sucrs. in the Depósito Street in the Neighborhood La Puntilla of the Old San Juan

Building Martinez Hnos. & Co. Sucrs. in the Depósito Street in the Neighborhood La Puntilla of the Old San Juan



Building Martinez Hnos. & Co. Sucrs. in the Depósito street of the neighborhood La Puntilla in the Old San Juan. You can observe the buildings that are in the Depósito street in corner with Puntilla street, they have influence of the architectonic styles Neoclassic and Neo-renaissance. In front there is a building painted with white and terracotta sections. It has quoins, moldings and cornices, arches on its doors and windows, steel grilles, double doors made of wood with lattice, small rectangular glass windows and steel sunset transoms. On the wall of its facade it has painted black letters that say: "Martinez Hnos & Co. Sucrs". There are two buildings that follow and are painted with cream color and terracotta. They show similar designs with arches, moldings, cornices and rectangular doors. The first of them has two flagpoles secured in the corners of its walls, some green steel grilles, sunrise transoms and some letters in the entrance that are green color and say the name of the company that is on that building. The adjacent building to that one, has a part of the gable roof, two arches that are sealed and an entrance with a green awning. The last building of that sidewalk is white, it has two floors and rectangular doors and windows. To the left you are able to see part of a building that painted light blue with terracotta, possess arches, double wooden doors with lattice, sunrise transoms, steel grilles with terracotta color and some black letters on its wall. Nearby there are paved streets with asphaltic concrete, sidewalks, power line poles with transformers, street light units and pipelines in the buildings. Subsequently, this area became an apartment complex and the parking lot called La Puntilla.

Building Oliver - Arecibo - 2012 00007

Building Oliver - Arecibo - 2012 00007



View of the building Oliver in the coastal city of Arecibo. The building has three floors with characteristics of the Neoclassic style in fortified concrete. The lateral facade is divided in sections. You can observe the third floor that has openings of double doors and rectangular wooden windows and persiennes with flat frames. The openings conducts to a balcony with balustrades. There are small balconies with rounded corners and rectangular balconies. Between the balconies there are flutted pilasters that supports an entablature with ornamental frieze, continuous cornice and dentils. You can see a parapet with balustrade and roman amphorae crowning the building. Also, you can see an extension of the construction on a smaller size with doors and glass windows crowned with amphorae. In the chamfered corner the parapet is interrupted by a curvilinear pediment decorated with relief details. The building Oliver was built in 1914 with comercial and residential purposes. It is based in the same place that in 1765 the Spanish government built the House of the King until 1913 when it was demolished. This innovative building was the first one incorporating residential spaces and comercial establishment. Also, it was the first building built in the city with a chamfered entrance. Additionally, its richly ornamented design adopts characteristics of the Beaux-arts school and the traditional Spanish style. Through the years has been used as a residential space, comercial and headquarters of several foreign consulates that occupied the first floor. It was restored in the decade of 1980 and all the spaces assigned for residences became comercial spaces.

City Hall of Arecibo - 2014 00003

City Hall of Arecibo - 2014 00003



View of the City Hall of the city of Arecibo. The building is of two levels made of brick masonry with typical elements of the Neoclassic style. It is painted with shades of salmon color and brown with white moldings. The facade is built horizontally with rustic base that covers part of the second floor. On the first floor there are three entrances over which there is an inscription that say: "Alcaldía" (City Hall). Also, there are several windows under semicircular arches and rectangular arches. The facade is divided with cornices hold by pilasters that extend to the second section and support the triangular pediment that crowns the building. Besides that, the superior level has seven double doors framed by thin pilasters that flank a blind pediment and curved. The doors of the far ends are shut in some balconies of a section and the three doors in the middle connect with a central balcony of three sections hold by brackets and shut in with ornamental metallic grilles. In front of the building they have up three flagpoles with the flags of Arecibo, Puerto Rico and the United States. Also, you can see vehicles parked on the street. The construction of the Arecibo town hall dates of the year 1866 under the Spanish control in the island. The first floor of the building was used as a prison while in the second floor where the offices. After the earthquake of 1918 the frontal facade suffered collapses so it was modified adding a clock tower until the year 1978 when they restore the building and bring back its original design.

Buildings in the Presidio Street in the Neighborhood of La Puntilla of the Old San Juan

Buildings in the Presidio Street in the Neighborhood of La Puntilla of the Old San Juan



View towards the building that are located in the Presidio street of the neighborhood of La Puntilla in the Old San Juan. You can observe a paved street with asphalt that has to its right a line of adjacent buildings. The buildings are built with concrete and some in masonry, they show influence of several architectonic styles like the Revival, Neo-renaissance, Art Deco, Beaux arts and Neo-Moorish. This is notably the architectonic elements that it can be seen on its facades. The buildings have balconies with balustrades, appentices, crestings and finishes, cornices, architectonic moldings, battlements, gable roofs with dormer windows, double wooden windows, balconets and double doors with lattice. These buildings are residential and one of them is a auto repair shop and it has an establishment sign that says: "Amador Hnos". At the background you can observe the building of La Princesa Old Prison that is painted with white, it has a dome, lantern, and a pediment on the facade wall. Behind it there is part of the defense rampart that is along of the La Princesa Promenade and at the background a building painted with pink. To the right it stick out a building that is painted with white and has arches with columns and mosaics with moorish influence. This building used to be the magazine and the newspaper called El Mundo, subsequently, became a comercial building. Afterwards, this area became the parking lot La Puntilla.

Beneficencia Asylum Building - San Juan (Old San Juan) - 2015 00001

Beneficencia Asylum Building - San Juan (Old San Juan) - 2015 00001



The old Beneficencia Asylum Building (Asilo de Beneficencia) is located in the Ballajá neighborhood of Old San Juan. It was inaugurated in 1844 and designed by architect Pedro García and the engineer Santiago Cortijo. The building is representative of the Neoclassical architectural style. It is painted yellow, white, green, and brown. The main facade of the building has two rectilinear pediments, one of which has high relief in its tympanum. The upper part of the main entrance has four pairs of Ionic columns, balconies, and green-colored wooden double-leaf doors with semicircular arches. The lower half has four pairs of white Doric columns with green-colored double-leaf doors and semicircular arches. These columns support an entablature that has an inscription on the metopes. The facade also has extended cornices and green-colored wooden lattice double-leaf windows framed by semicircular arches and white flat moldings. In front of the entrance is a stepped wall with railings. The building is fenced off by metallic grilles supported by various square pillars. The old Beneficencia Asylum Building later on became the headquarters of the Institute of Puerto Rican Culture. El Bastión building, built in the 19th century and served as living quarters, storage, and a jail for the Spanish troops, can be partially observed on the left side of the image. The building is painted white and has parapets. The main entrance has brick arches and a relief at the top. Later, it became a self-managed cultural center by the ACirc Association (Asociación de Artistas de Circo y Artes de Calle de Puerto Rico), an association dedicated to the arts. The street where El Morro is located, part of Jardín Paseo de Ballajá, a water fountain, people, automobiles, palms, trees, streetlights, and boundary marker posts are also visible in the image. The San Juan Bay can be seen in the distance, with the mountains and a coast view of the towns of Cataño, Toa Baja, and Guaynabo.

Bastión de la Derecha de San Justo y Pastor - San Juan (Old San Juan) - 2013 00002

Bastión de la Derecha de San Justo y Pastor - San Juan (Old San Juan) - 2013 00002



Aerial view of the section of the boundary wall in Old San Juan known as the Bastión de la Derecha de San Justo y Pastor which protected Puerta de San Justo during the Spanish Colonial age. The construction of the Puerta de San Justo was completed in the year 1639. Cobblestone pavers of the Recinto Sur street, a white building that has a balconet with iron railings, a sidewalk, people, planters with flowers in them, and shrubs can be observed. The image displays the upper half of the sentry lookout post, which was built some time between 1766 and 1790. It has a dome, cornices, and a keystone. A water fountain attached to the wall in the Jardín del Paseo de la Princesa can be seen on the right side of the image, as well as some grilles attached to square terracotta-colored pillars. There are two cruise ships docked in port 1 in the Bahía de San Juan. The old José V. Toledo United States Courthouse can be observed, which has traits from several different architectural styles such as: Beaux arts, Federal, and Spanish Colonial Revival. The building was designed by Oscar Wenderoth and is painted cream and terracotta. The building has a roof covered by Spanish tiles and it was entered into the National Register of Historic Places in 1986. The side façade and one of the towers of the old Ochoa building, which was designed by architect Pedro Adolfo de Castro y Besosa, can be observed in the image.

Banco Popular de Puerto Rico - San Juan (Old San Juan) - 2012 00001

Banco Popular de Puerto Rico - San Juan (Old San Juan) - 2012 00001



Banco Popular of Puerto Rico located in Old San Juan. It was inaugurated in 1939, designed by the architect Chauncey W. Riley, and built by the engineers José Benítez y Gautier, Manuel Miró y Saudí, and Juan M. Beltrán Carrasquillo. The bank was built where the Banco Territorial y Agrícola of Puerto Rico was originally located during the 19th century. The building is representative of the Art Deco architectural style. It is painted cream and white. It has a curved facade with rectangular glass windows, metal frames, and overhangs at the top. There are also parapets with railings and a sign that reads "Banco Popular." The Finlay building is on the left side of the image, which was located on the site of the former Citibank building and was later home to the Old Harbor Brewery. The building is painted cream and white. The building has moldings, a fluted pilaster, sunshades, windows, and glass doors with metal frames. There is a red and black sign at the top that reads "Harbor Brewery Lobster House." On the right side of the image is the top part of the old American Colonial Bank, which later became the Ponce Credit and Savings Bank. This was the first American bank established in Puerto Rico. It was built in 1899 by contractor Frank Bond Hatch. It is currently known as the Restaurante Triana. It is painted red and white. The Spanish Colonial Revival style influences its architecture, and it has an eave covered by tiles and supported by corbels. There are shrubs, street lights, palm trees, and automobiles throughout the image.

Beneficencia Asylum Building - San Juan (Old San Juan) - 2015 00002

Beneficencia Asylum Building - San Juan (Old San Juan) - 2015 00002



The old Beneficencia Asylum Building (Asilo de Beneficencia) is located in the Ballajá neighborhood of Old San Juan. It was inaugurated in 1844 and designed by architect Pedro García and the engineer Santiago Cortijo. The building is representative of the Neoclassical architectural style. It is painted yellow, white, green, and brown. The main facade of the building has two rectilinear pediments, one of which has high relief in its tympanum. The upper part of the main entrance has four pairs of white Ionic columns, balconies, and green-colored wooden double-leaf doors with semicircular arches. The lower half has four pairs of white Doric columns with green-colored double-leaf doors and semicircular arches. These columns support an entablature that has an inscription on the metopes. The facade also has extended cornices and green-colored wooden lattice double-leaf windows framed by semicircular arches and white flat moldings. In front of the entrance is a stepped wall with railings. The building is fenced off by metallic grilles supported by various square pillars. The old Beneficencia Asylum Building later became the headquarters of the Institute of Puerto Rican Culture. Adjacent to the building is the old Insular Madhouse. This building is painted yellow, mustard, and white. It has parapets, quoins, cornices, rectangular windows, and a terracotta-colored lantern crowned by a pinnacle. This building was later known as the School of Arts and Design. The street where El Morro is located, part of Jardín Paseo de Ballajá, a water fountain, people, automobiles, palms, trees, streetlights, and boundary marker posts can be observed on the right side of the image. The Castillo San Felipe del Morro and the glacis can be observed in the distance. The masonry walls, the embrasures, two sentry posts, and a tower can also be observed.

Building Oliver - Arecibo - 2012 00008

Building Oliver - Arecibo - 2012 00008



Lateral view of part of the building Oliver in the coastal city of Arecibo. At the foreground, you can see a concrete fence with metallic grilles and parked vehicles in the paved street. The building has three floors with characteristics of the Neoclassic style in fortified concrete. The lateral facade is divided in several sections horizontally, the base level and two superior levels. The base level has entrances under semicircular arches framed with moldings. Additionally, the arches are covered by metallic grilles. The second and third level have double wooden doors and windows with rectangular persiennes with flat frames. The doors conduct to a balcony with balustrades supported by decorative brackets. There are balconies of one section with rounded corners and balconies of two rectangular sections. The balconies are flanked by flutted pilasters supported by a continuous cornice and under which there are severa relief lion heads. The building Oliver was built in 1914 with comercial and residential purposes. It is based in the same place that in 1765 the Spanish government built the House of the King, until 1913 when it was demolished. This innovative building was the first one on incorporating residential and comercial spaces. Also, it was the first building built in the city with a chamfered entrance. Additionally, its richly ornamented design adopts characteristics of the Beaux-arts school and the traditional Spanish style. Through the years has been used as a residential space, comercial and headquarters of several foreign consulates that occupied the first floor. It was restored in the decade of 1980 and all the spaces assigned for residences became comercial spaces.

Church of the Holy Trinity - 86002766

Church of the Holy Trinity - 86002766



View of the front facade of the Church of the Holy Trinity, located in the town of Ponce. The church is made of concrete, combining elements of the Neo-Gothic and Spanish Neo-Colonial styles, and follows the typical cruciform plan formed by a double-height nave with a transept just west of the semicircular apse. The facade is rectangular, crowned by a double-arched semicircular bell gable with bells and a cross, flanked by buttresses and a circular window at the height of the second floor. The main entrance has a cubic plan that integrates a semicircular arch with iron railings and a tiled roof in the Spanish style. The walls of this entrance are whitewashed and contrast with the rest of the unpainted walls. A small garden surrounds the building. The Church of the Holy Trinity was initially established in Ponce in 1873 by a group of non-Catholic residents of the Protestant religion after the fall of the Spanish Monarchy and the passing of the Law of Tolerance in Worship. The building was constructed from materials received from England as a gift from Queen Victoria to her English subjects abroad, among these a cast bell bearing the date 1870. In 1874 the monarchy was re-established in Spain, and religious intolerance was reversed, forcing the church to close its doors until July 25, 1898, when American troops entered Ponce. By 1923, the original wooden church had fallen into disrepair, so funds were raised to build the present concrete church, completed in 1926.

Press Building, Stationery and Lithography at the Marina Street in the Old San Juan

Press Building, Stationery and Lithography at the Marina Street in the Old San Juan



Buildings located at the Marina street of the Old San Juan. You can observe building that are located in front a wide street. The building that is in the center is a press and stationery that is painted with white, mustard and terracotta colors, it has on its facade pilasters, cornices, moldings and a green awning on its entrances. One section of the building works as a separate establishment and it is a night club. On its entrance it has a sign that says: "Bay View Host Club". On 1915 this building was a cinemas called Tres Banderas. It is followed by a building that it was an insurance company called Inter-American Insurance Agency, it has dark gray and light gray colors, its windows are glass sash and it has wooden doors. To the left there is the Badrena building, this one has two different shade of gray, has a sign on one of its walls that says: "Dole" with red color. There are rectangular and square openings in which there are persienne glass windows. The one that is located to the far left end is the Ochoa building that has influence of the Neo-renaissance architectonic style, is cream color with light green touches, it has metal windows with glass persiennes, arches on the first floor facade and mosaic ornament on the capitals of each pilaster. On the surroundings you can see a paved street with concrete, some antennas on some roofs, an alley, sidewalks, barrel containers on top of some wooden plates, power lines, an automobile and trees. Subsequently, this group of buildings next to the Ochoa building they became one building where it has a Caridad pharmacy, the store Ralph Lauren and a luxury apartment complex called Harbor Plaza.

Parish San Miguel Arcángel - Cabo Rojo - 2011 00014

Parish San Miguel Arcángel - Cabo Rojo - 2011 00014



Facade of the Parish San Miguel Arcángel, located in Cabo Rojo. The entrance is compound by a three-centered arch flanked by pilasters that secured a triangular pediment with dentils. The transition to the second level is accentuated by a stringcourse and a pair of cornices elevated by pilasters. Also, it is notable the oculus and the windows with glass windows and with semicircular arch shape. To one end of the second level of the facade it stand out a triangular pediment with dentils crowned with a cross, while on the opposite side it stick out the tower of the church, in whose belfry it shows arches, clocks, moldings and a dome. The parish is surrounded by a fence articulated by a balustrade interrupted by piers with finishes and a gate. At the front part there is a monument with the statue that commemorates the Puerto Rican writer, politician and historian Salvador Brau Asencio. Also, it is visible a van and a light pole. The surfaces of the parish present yellow and light chestnut shades. The Parish San Miguel Arcángel was designated historic monument under the Law Number 150 from June 18, 2004. Its history is linked to the foundation of the town of Cabo Rojo through Royal Order of the king Charles III of Spain from December 17, 1771. Since September 29, 1783 this church is dedicated to the patron of Saint Michael Archangel and two years later initiates the construction of the temple. In this church, in addition, there are the birth certificates of Ramón Emeterio Betances, Salvador Brau Asencio and the legendary pirate Cofresí. In its bicentennial it was plant a guayacan tree next to the square.

Building at the Start of the Depósito Street in the Neighborhood La Puntilla of the Old San Juan

Building at the Start of the Depósito Street in the Neighborhood La Puntilla of the Old San Juan



View towards the beginning of the Depósito street in the neighborhood La Puntilla of the Old San Juan. You can observe buildings that have influence of the architectonic styles Neoclassic, Spanish Revival and Neo-renaissance. From a distance you can observe the building San Juan Customs that is painted with pink and it has a pyramid roof with terracotta roofing tiles, glass windows painted with white, moldings and cornices. Also, you can see part of the building of the Antiguo Correo y Corte Federal José V. Toledo that is painted cream color and it has the shape of a tower with lantern, ornaments on its corners and voussoirs windows. The building has the architectonic influence of the Beaux-arts and the Federal style. The building to the left is painted white, with pilasters, capitals, bases, cornices, moldings, sunrise transoms and transparent ornamental blocks. In front of its facade it has a sign with oval shape with white and red color that says: "Shelvador Crosley Appliances Méndez Electric Corp". The building that it follows is white and brown color with two floors, possess moldings, cornices and doors with rectangular shape, additionally, it has sash windows to the outside made of glass and metal. The two buildings that end on that sidewalk show moldings, cornices and arches. To the right there is the building Sobrino Izquierdo Inc., that is painted with light blue and it has crestings on its roof. Nearby you can see paved streets with asphaltic concrete, sidewalks, power line poles, transformers, an automobile, a person from a distance and trees. Subsequently, this area became an apartment complex and the parking lot called La Puntilla.

Church of the Holy Trinity - 86002766

Church of the Holy Trinity - 86002766



Interior perspective of the nave of Iglesia de la Santísima Trinidad, located in the town of Ponce. The church is made of concrete, combining elements of the Neo-Gothic and Spanish Neo-Colonial styles, and follows the typical cruciform plan, formed by a double-height nave with a transept located to the west of the semicircular apse. It features an ornamental railing and circular opening accentuating a choir gallery. The choir gallery is above the main door, exposed by a semicircular arch and a transom flanked by two fans. On the sides, the windows framed in semicircular arches with glass panels between concrete pilasters stand out. The roof is built of wooden beams forming a gabled roof. The interior walls lack any ornaments. The Church of the Holy Trinity was initially established in Ponce in 1873 by a group of non-Catholic residents of the Protestant religion after the fall of the Spanish Monarchy and the passing of the Law of Tolerance in Worship. The building was constructed from materials received from England as a gift from Queen Victoria to her English subjects abroad, among these a cast bell bearing the date 1870. In 1874 the monarchy was re-established in Spain, and religious intolerance was reversed, forcing the church to close its doors until July 25, 1898, when American troops entered Ponce. By 1923, the original wooden church had fallen into disrepair, so funds were raised to build the present concrete church, completed in 1926.

View toward Building 250 - Calle de la Cruz - San Juan (Old San Juan) - 2014 00001

View toward Building 250 - Calle de la Cruz - San Juan (Old San Juan) - 2014 00001



Building in Calle de la Cruz 250 in Old San Juan. The building has characteristics of the Neoclassical architecture style and is painted pink and white. The façade of the building exhibits deterioration in some areas. The upper half of the building has parapets, cornices, dentils, and a frieze with triglyphs that has an ornamentation in the metopes. There is a balcony supported by brackets, four parapets, eight lattice double doors with fanlights, keystones, and circular openings. The lower half of the façade has three window openings covered by white panels and wooden panels that are framed by three semicircular arches. The walls has several flat moldings in a rectangular shape. Adjacent to this building is another building that is painted red and white. It has parapets, cornices, two balconies with iron balusters and doorways with semicircular arches. Next to this building is another building that is gray and white. It has several parapets, balconies, and balconets with iron balusters supported by brackets. There is a partially visible building on the right side of the image that is painted yellow and white, has cornices, parapets, a balconet with lattice double doors, and flat moldings. There are people, a sidewalk, automobiles, and a street in front of the buildings. There is a wall with three rectangular openings, two of which are covered by white panels and one with a wooden panel that is framed by white-colored semicircular arches. The wall has a sign with the number 250. The upper half of the openings has four ornamented brackets that are supported by four braces. There are also rectangular moldings and a sidewalk.

Intersection of Comercio Street with Cross Street in the Old San Juan

Intersection of Comercio Street with Cross Street in the Old San Juan



Buildings at the Comercio street intersection with the Cross street in the Old San Juan. You observe a wide paved street with cobblestones, it has automobiles parked in front buildings and moving buses getting passengers. At the background there is the building Antiguo Correo y la Corte Federal José V. Toledo that has influence of architectonic movements like Beaux-arts, Federal style and the Spanish Renaissance. Is built on concrete and limestone, it has cream and gray colors, part of its roof is covered with terracotta roofing tiles and other part has the aspect of a tower with roof extensions in the shape of lantern. Its doors and windows are formed by voussoirs covered with green grilles. There are other buildings to the left, starting with the Ochoa building that is cream color with light green touches, it has metal windows with glass persiennes, antennas on its roof, arches on the first floor facade, and mosaic ornaments in the capitals of each pilaster. The following building is known as the Badrena building, it has four floors, is painted with color gray and its windows are glass persiennes. On its roof it has an establishment sign that says: "Lippit & Simonpietri Inc Seguros y Finanzas" (Lippit & Simonpietri Inc Insurances y Finances), and there is another on the wall that says: "Dole" in red color. The edification with gray and mustard colors next to it, is a press and stationery, it has arches, pilasters and moldings. The windows and door are made of wood. In 1915 this stationery was a cinema called Tres Banderas. The building that is further to the left it has dark gray, light gray and white, it has glass windows and an establishment sign with red letters that says: "Inter-American Insurance Agency". Additionally, there is a green kiosk, power line poles, a trashcan and trees. Subsequently, this group of adjacent buildings became one building, in which there are a Caridad pharmacy, the store Polo Ralph Lauren and a luxury apartment complex called Harbor Plaza.

San Juan National Historic Site - 66000930

San Juan National Historic Site - 66000930



Perspective from Castillo San Felipe del Morro towards the San Antonio bastion, the Santa María Magdalena de Pazzis Cemetery, La Perla community, and Castillo de San Cristóbal, all located on the north coast of San Juan. In the San Antonio Bastion area, a sentry box crowned with a dome and the crenelated wall parapet stands out. Also visible is a building that served as a gunpowder warehouse or ammunition depot and a swimming pool that was part of Fort Brooke’s facilities in San Juan. A chapel with a round floor plan, semicircular arches, a dome, and a lantern bears the same name as the Santa María Magdalena de Pazzis Cemetery. The houses of La Perla community are seen on the lower part of the city wall, while on the opposite side are the Old San Juan city buildings. In the background is visible Castillo de San Cristóbal, which constitutes the inner line of defense that guarded the land area and is connected to Castillo de San Felipe del Morro by the walls that extend to the north and south of the city. Castillo San Felipe del Morro is a fortification built under the Spanish colonial regime starting in 1539 and completed approximately in 1790. At the end of the 16th century and the beginning of the 17th century, the Morro was transformed from its original shape as a medieval tower to a thick-walled masonry fortress capable of resisting the impact of cannonballs. During World War II, El Morro was used as an observation point by the U.S. Army base known as Fort Brooke and several facilities were built on its grounds, such as a swimming pool, a golf course, a cinema, and soldiers’ housing.

Casa Cautiño - 84003137

Casa Cautiño - 84003137



Front view of Casa Cautiño in the town of Guayama. The single-level Neoclassical-style house is made of masonry and wooden beams. The wooden double-leaf doors and windows have lattice-style slats covered by ornamental iron grilles. As an ornamental element on the upper section, a masonry cornice and a parapet supports decorative masonry flowerpots. A portico is supported in the front by six thin wrought iron columns bordered with ornamental details. An ornamental iron railing borders the space between the columns. The portico is finished with an uninterrupted masonry cornice with continuous moldings on its borders. The front facade has five openings under semicircular arches flanked by fluted pilasters. The doors are crowned with sunrise transoms, and reliefs with floral motifs and garlands are seen between each opening. Also visible is a sign in Spanish that reads: "This property is being restored by the Institute of Puerto Rican Culture and sponsored by the Municipal Administration directed by Hon. Miguel Díaz Tirado," and a car parked on the street in front of the building. To the far left is the Charles W. Drees Methodist Church. Casa Cautiño was built in 1887 by the architect Manuel Texidor. It's been used as a home, an Insular House, and headquarters for the U.S. Forces. In 1969, the house was remodeled by architect Frank Molther, who respected its original design and reproduced the same style. But in 1979, the house became the property of the Institute of Puerto Rican Culture, which restored it and turned it into the Casa Cautiño Museum.

Town Hall - 85003046

Town Hall - 85003046



The Town Hall, also known as the City Hall of the coastal town of Mayagüez, is an imposing two-level building in a Neoclassical style made of reinforced concrete. Its front facade can be observed from the Cristóbal Colón Plaza, decorated with flat Corinthian columns and pilasters extending to the second level, dividing the building into several sections. An entablature with cornices, mutules, and dentils unites the building horizontally, while on the ground floor, double-leaf wooden and glass windows stand out under framed semicircular arches. On the second level, the windows rest on solid, flat railings between the pilasters. A three-section portico protrudes from the building, supported by six Corinthian columns that hold a triangular pediment decorated in the center with a recessed oculus. Three arched wooden double-leaf doors lead to the interior of the building, while on the second level, three rectangular wooden and glass double-leaf doors give access to balconies with concrete railings. It is topped with an imposing clock tower, which displays sets of double Corinthian columns at each end and crowned with a copper vaulted roof, a lantern, and a pinnacle. The Town Hall was originally built in 1845 following the Spanish model established in the Laws of the Indies, but it was built again in 1926 by architects Rafael Carmoega Morales, Antonio S. Burés, and Fidel Sevillano Espinosa after being destroyed by the 1918 earthquake. The new building, in Neoclassical style, emulated the North American model of a City Hall.

View Towards the Entrance of the Puntilla Street in the Neighborhood La Puntilla of the Old San Juan

View Towards the Entrance of the Puntilla Street in the Neighborhood La Puntilla of the Old San Juan



View towards the start of the Puntilla street in the neighborhood La Puntilla of the Old San Juan. You can observe the entrance of the street with adjacent buildings that have influence of the architectonic styles like the Spanish Revival, Neo-renaissance and Neoclassic. At the background there is the Customs building painted with pink, it has a hipped roof with terracotta roofing tiled, arches, coat of arms, friezes, consoles, spirals, coupled windows, designs with the foliage shape, pilasters, capitals, sunrise transoms, windows with metal and glass, awnings, green grilles, garage doors and wall lamps. To the right you can observe part of the building Old Arsenal of the Spanish Navy with a small bordering wall and a grass area. To the left there is a pink and white building that has a chamfered wall, stucco treatment on its walls, and balconets with steel balustrades. The next building to the left it painted with dark gray, possess pilasters, moldings, cornices, an establishment sign, sunset transoms and is built in masonry. From a distance you are able to see at the top of the Popular Bank building and one of the towers with lanterns of the Antiguo Correo y Corte Federal José V. Toledo. Nearby you can observe a truck parked, paved streets with asphaltic concrete, sidewalks, power line poles and street lights. Subsequently, some buildings of this area became an apartment complex and the parking lot La Puntilla.

Building of the Inter-American Insurance Agency in the Comercio Street of the Old San Juan

Building of the Inter-American Insurance Agency in the Comercio Street of the Old San Juan



Building of the insurance company Inter-American Insurance Agency in the Comercio street of the Old San Juan. You can see a wide street that is paved with cobblestones and it has several buildings around. The edifice in the center it has the colors dark gray, light gray and white, it has glass windows with the shape of sash and an establishment sign with red letters that says: "Inter-American Insurance Agency". To its right side there is a building that is a night club called Bay View Host Club, it has the colors cream and green with pilasters and moldings. In 1915 the same building was a cinema called Tres Banderas. To the left there is a station for car services that is part of the automobiles distribution company Adrián Nelson, Inc. It is color dark gray with white and it has the architectonic influence of the Neo-renaissance with arches and doors decorated with quoins, moldings and patera. Additionally, you can see a small size dark green and terracotta cafeteria. It has an establishment sign on the roof that says the name of the cafeteria "El bosquecito" and promotes the soda Crush of orange flavor. Around it there are power line, antennas on the roofs, a flagpole with the flag of the United States, a ramp to up to the street and trees. Subsequently, this group of buildings adjacent to the Ochoa building became only one building in which there is a Caridad pharmacy, the store Polo Ralph Lauren and a luxury apartment complex called Harbor Plaza.

Banco Popular de Puerto Rico - San Juan (Old San Juan) - 2012 00016

Banco Popular de Puerto Rico - San Juan (Old San Juan) - 2012 00016



Banco Popular of Puerto Rico located in Old San Juan. It was inaugurated in 1939, designed by the architect Chauncey W. Riley, and built by the engineers José Benítez y Gautier, Manuel Miró y Saudí, and Juan M. Beltrán Carrasquillo. The bank was built where the Banco Territorial y Agrícola of Puerto Rico was originally located during the 19th century. The building is representative of the Art Deco architectural style. It is painted cream, white, and green. It has a curved facade with rectangular glass windows with metal frames. The main entrance has twelve bas-reliefs, located on each side of a stained glass window, and four images of human figures interspersed, repeating each one thrice. There is an inscription in the center that reads "Banco Popular de Puerto Rico. Banco". The entrance is flanked by two high reliefs of an eagle figure. A canvas awning, people, trees, street lights, and a paved street can be seen in front of the bank. On the right side of the image is the old American Colonial Bank, which later became the Ponce Credit and Savings Bank. This was the first American bank established in Puerto Rico. It was built in 1899 by contractor Frank Bond Hatch. It was later known as the Triana Restaurant. It is painted red, cream, and white. The Spanish Colonial Revival style influences its architecture. The lower part of the building has arcades supported by pilasters, cornices, and circular shaped ornamentations. The upper half has an eave covered in tiles supported by corbels; it also has parapets with railings, double-leaf doors framed by pilasters, and semicircular pediments at the top. Another building is next to it, painted green and white. It also has architectural traits from the Spanish Colonial Revival style. The building has cornices, dentils, parapets with balusters, and double-leaf doors with triangular pediments.

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2012 00023

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2012 00023



The old Arsenal of the Spanish Navy in barrio La Puntilla in Old San Juan. The building represents the Neoclassical architectural style and was built in 1800. It is painted white, gray, and dark blue. An open-air corridor with arcades that have white moldings, cornices, openings with wooden double-leaf doors, and a brick floor can be observed. A window opening with white moldings and a wall lamp supported by brackets can be seen in the background. On the right side of the image is the side facade of the Madres Carmelitas chapel. This building also represents the Neoclassical architectural style and is painted pink, cream, and white. It has a semicircular dome crowned with a terracotta-colored lantern. It has cornices, semicircular arches, and two wall lamps supported by brackets. In front of the facade is a yellow-colored scaffolding, two orange construction barrels, and a person. The La Puntilla condominium can be seen on the left side of the image. It is painted orange and cream. The eaves, balconies, and window openings can be observed. The roof of the United States Customs House, also known as the "Aduana de San Juan," can be partially seen in the distance. The Banco Popular of Puerto Rico, whose architectural style is Art Deco, is painted cream and can also be observed. It was designed by the architect Chauncey W. Riley and built by the engineers Juan M. Beltrán Carrasquillo, Manuel Miró y Saurí, and José Benítez Gautier. Other high-rise buildings, utility poles, and trees can also be observed. Later on, the old Arsenal of the Spanish Navy was used for exhibitions and as administrative offices of the Puerto Rican Institute of Culture.

Godreau House - 86000894

Godreau House - 86000894



View of the south side of the living room of the Godreau House located in the town of Ponce. This house is made of wood with a zinc roof, and unlike most of the Neoclassical architecture of Ponce from the beginning of the 20th century, it stands out for its innovative concepts of residential construction design of that period. A set of chairs stands out, including four rattan rocking chairs around a coffee table with a vase. A chandelier hangs from the wooden ceiling, while a wide carpet mainly covers the floor. The windows and double-leaf doors integrate translucent stained glass and decorative grilles. A molding and small cornice crown each. Between the space of the main door and the windows, there are vents. The vents and curtains are also located above the interior doors. A wooden and rattan piece of furniture and a panel with louvers is seen through one of the interior doors. In the room's corners, several pieces of furniture are also visible, such as a display case, a mirror, a table with a lamp, and another with a vase. The interior walls reveal floral motifs and the marbling technique. The Godreau House was built in 1919 by master builder Julio Morales and designed by engineer Julio Conesa as a wedding gift from Miguel C. Godreau to his wife, Leonina. Innovative architectural elements such as the three-part plan layout, the use of semicircular arches, stained glass doors, and the marbling technique worked on by the European architect Juan Bertoli Calderoni, a resident of Ponce, make this residence significant.

Building Oliver - Arecibo - 2012 00009

Building Oliver - Arecibo - 2012 00009



Lateral view of the building Oliver in the coastal city of Arecibo. At the foreground, you can see a concrete fence with metallic grilles and parked vehicles in the paved street. The building has three levels with characteristics of the Neoclassic style in fortified concrete. The lateral facade is divided in several sections horizontally, the base level and two superior levels. The base level has entrances under semicircular arches framed with moldings. Additionally, the arches are covered by metallic grilles. The second level has double wooden doors with rectangular persiennes and flat frames. The doors conduct to balconies with balustrades supported by decorative brackets. The balconies are flanked by flutted pilasters supported by a continuous cornice and under which there is a series of relief lion heads. The building Oliver was built in 1914 with comercial and residential purposes. It is based in the same place that in 1765 the Spanish government built the House of the King until 1913 when it was demolished. This innovative building was the first one incorporating residential spaces and comercial establishment. Also, it was the first building built in the city with a chamfered entrance. Additionally, its richly ornamented design adopts characteristics of the Beaux-arts school and the traditional Spanish style. Through the years has been used as a residential space, comercial and headquarters of several foreign consulates that occupied the first floor. It was restored in the decade of 1980 and all the spaces assigned for residences became comercial spaces.

House Marcos Juan Alegría - Dorado - 2012 00028

House Marcos Juan Alegría - Dorado - 2012 00028



Detail of the main facade of the house Marcos Juan Alegría, located in Dorado. The house is made of matched lumber and presents shades of yellow that alternates with white and gray. The window is double with louvers, panels, a small transom window with turned wood bars and an appentice. The door shows similar characteristics since it is visible panels, louvers and a small transom window with turned wood bars. Additionally, it is notable a balustrade with gate and with ornamental blocks from which there is a column that gives support to the porch ceiling. In front of the house it stand out a small wall that covers the access ramp and a metallic handrail with curved shape. The roof of the house presents several sections with gable roof and on the gables it is visible a small window with circular shape and another one with rectangular shape articulated with louvers. The gables are also covered with a type of mesh. On the eave it is also visible a gutter. On the side there is a wall with a electric meter and a gate. Right next to it there is another house made of concrete with awnings and windows with horizontal aluminum lamas kind of like persiennes. The house Marcos Juan Alegría was built in 1914 as the house of don Juan Alegría and miss Elisa Valles, whom raised there their children Cruz and Marcos Juan. They lived there for decades until the house was inherit by Cruz, the oldest child. After his death, it was inherit by Marcos Juan, so-called as don Tito. In the decade of the nineties, Marcos Juan sold his property to the government of the municipality, who was in charge of restoring it and turn it into the Museo y Escuela de Artes Marcos Juan Alegría, that opened in 1998. The house, in addition, constitutes a characteristic example of the type of architecture used at the beginning of the XX century.

Entrance to the Puntilla Street in the Neighborhood La Puntilla of the Old San Juan

Entrance to the Puntilla Street in the Neighborhood La Puntilla of the Old San Juan



Entrance view of the Puntilla street in the neighborhood La Puntilla of the Old San Juan. You can observe several buildings that are adjacent to the street, among them there is the building San Juan Customs, the building that has the company Sobrino Izquierdo Inc., and the Popular Bank of Puerto Rico branch. The buildings have influence of the architectonic styles Art Deco, Spanish Revival, Neo-renaissance and Neoclassic. The Popular Bank of Puerto Rico can be seen from the distance with its tower and the letters of its name. Further down you can see a building painted with gray and yellow with crestings on its roof, balconies with yellow steel balustrades, entrances with moldings, cornices, ornaments and sash windows to the outside. On its roof it has a sign that says: "Cinzano". To the right you can observe the pink building of the the San Juan Customs that possess an entrance with arches, coat of arms, pilasters, capitals, bases, spirals, brackets, ornamentation in the shape of foliage, coupled windows, green steel grilles, and awnings on its windows. To the left you can see a gray and yellow building that has moldings on its roof and awnings of its windows. Nearby you can see power line poles, street lights, sidewalks, paved streets with asphaltic concrete, an automobile and trees. Subsequently, some building of this area became an apartment complex and the parking lot called La Puntilla.

Side View of Buildings in the Marina Street of the Old San Juan

Side View of Buildings in the Marina Street of the Old San Juan



View of all the building that are nearby to the Marina street in the Old San Juan. In front you can see a building gray color with white that has an entrance marked by a wine awning and two establishment signs. One says: "Nash" and the other says: "Shell ICA TCP". On one of the walls of the building there is an advertisement painted with red promoting the brand "Coca Cola". The edifice serve as the service station Adrián Nelson. You can appreciate the details that has influences of the architectonic style Neo-renaissance with arches, pilasters, rosettes, capitals, quoins, pateraes and moldings. Also, you can observe that the windows and doors are made with metal and that in two of the arches have finishes of sunset transoms. Subsequently, this became a restaurant known as Señor Frog's. To its right side there is a building of three floors green and pink color. In the front part it has letters drawn with white that say: "Sea Breeze Night Club". It has coupled windows, roofing tiles and grilles in the first floor windows, glass double windows, moldings and small columns. On its sides there is an entrance with an yellow awning and two signs, one that promotes the brand Coca Cola and another that says: "Caribe Bar". Subsequently, the space that was occupied by this building became the Hotel Rumbao of the Old San Juan. To the left there are buildings like the Banco Popular of Puerto Rico that has architectonic influence of the Art Deco. Is painted with white color and it has a tower that stick out from its roof with some letters that forms the name of the building and a analog clock that is showing the time. Then, you can appreciate the building Antiguo Correo y la Corte Federal José V. Toledo that has influence of several architectonic influences like the Beaux-arts, the Federal style and the Spanish Renaissance. It is built with concrete and limestone, is cream color and gray, part of its roof is covered with terracotta roofing tiles and other part has the aspect of tower with roof extensions with lantern shape. Also, there is the building Ochoa painted with cream color, with metal windows with glass persiennes and antennas on its roof. On its side there is the edifice that used to be the stationery and the Bay View Host Club. It is cream with mustard color and gray with green, it has arches, pilasters, moldings and its windows and doors are made of wood. In 1915 this building was a cinema called Tres Banderas. The following building is dark gray color, light gray and white and it was the insurance Inter-American Insurance Agency. Nearby there are poles and power lines, an alley paved with cobblestones, sidewalks, a gasoline pump, signs that indicates places and that promotes brands, a piece of defense rampart, a wide avenue paved with asphaltic concrete, a person walking, antennas, trees and bushes. Subsequently, the group of buildings to the left became only one building in which there is La Caridad pharmacy, the store Polo Ralph Lauren and a luxury apartment complex called Harbor Plaza.

House Marcos Juan Alegría - Dorado - 2012 00013

House Marcos Juan Alegría - Dorado - 2012 00013



The interior of the house Marcos Juan Alegría, located in Dorado. The house is made of matched lumber and it is painted yellow alternated with white details. The mediopunto separates the room in two areas of which has been furnished with a ratan sofa and a plaque with the inscription: "Don Marcos Alegría, padre de los artistas doradeños. Nació en Dorado en el año 1916 y a través de su fructífera vida, consagrada al arte y la educación, ha contribuido a la formation de las Cuevas generations de artistas doradeños. Hon Carlos A. López Rivera" (Don Marcos Alegría, father of the artists from Dorado. He was born in Dorado in 1916 and through his successful life, dedicated to the art and the education, has contributed to the formation of the new generations of artists from Dorado. Hon. Carlos A. López Rivera). The mediopunto is also distinguished by two columns that secure a horizontal panel crowned with small vertical bars made of wood forming a type of grill. The door are double and present an frieze articulated by an ornamental wooden draft. Between the door and hanging from the walls there are several frames with paintings and images. Also, it is visible a hanging lamp. This house was built in 1914 as home of don Juan Alegría and Mrs. Elisa Valles, whom raised there their children Cruz and Marcos Juan. They lived there for decades until the house was inherit by Cruz, the oldest child. After his death, it was inherit by Marcos Juan, so-called as don Tito. In the decade of the nineties, Marcos Juan sold his property to the government of the municipality, who was in charge of restoring it and turn it into the Museo y Escuela de Artes Marcos Juan Alegría, that opened in 1998. The house, in addition, constitutes a characteristic example of the type of architecture used in the residences at the beginning of the XX century.

El Cortijo - Barranquitas - 2012 00039

El Cortijo - Barranquitas - 2012 00039



View of the residence known as El Cortijo in the town of Barranquitas. The residence has two levels and a tower that elevates an additional level, it is made of fortified concrete with roofs covered by roofing tiles. Additionally, its design is inspired in the Spanish Colonial Revival style. The house has double windows made of glass some covered by ornamental grilles made of iron and others are crowned with eaves. Also, you can see cantilevered balconies with double doors made of wood and glass secured with brackets. One of the balconies has a wooden balustrade modulated by piers, the other one is opened and it has an iron railing. There are also skylights and a balcony decorating the facade at the rest area of the stair with double door made of glass crowned with entablature. Besides that, the entrance it through a portico presided by steps covered by ceramic tiles and an arcade modulated by a compound column above which it can be distinguished an in relief emblem. At the portico you can also see plants on decorative pots, the walls are partially covered by ceramic tiles, a representation of the Virgin of Perpetual Help, lion statues and a wall lamp. At the left far end of the portico, you can see a side balcony with ceiling made of wooden beams exposed, a hanging lamp and plants on decorative pots. El Cortijo was built in 1939 as a summer residence for a family, Lozana Fabián, related to the administration of sugar mills in Puerto Rico. Through the years it has changed owners, but its original design has not been altered.

Parish San Miguel Arcángel - Cabo Rojo - 2011 00004

Parish San Miguel Arcángel - Cabo Rojo - 2011 00004



Main and lateral facade of the Parish San Miguel Arcángel, located in Cabo Rojo. The parish presents several shades of yellow that alternates with white color and light chestnut details. The entrance is compound by a three centered arch flanked by pilasters that secured a triangular pediment that integrates dentils. The transition to the second level is accentuated by a stringcourse and a pair of cornices elevated by pilasters. Also, it is notable the oculus and the windows with glass leaves and with semicircular arch shape. On one end of the facade it stand out a triangular pediment with dentils crowned with a cross while on the opposite side it stick out the tower of the church, in which belfry it shows arches, clocks, moldings and a dome. In the back part also it is partially visible a lantern with dome crowned with a cross. The parish is surrounded by a fence articulated by a balustrade interrupted by piers with finishes. At the front part there is a monument with a statue that commemorates the Puerto Rican writer, politician and historian Salvador Brau Asencio. The Parish San Miguel Arcángel was designated historic monument under the Law Number 150 of June 18, 2004. Its history is linked to the foundation of Cabo Rojo through Royal Order of the king Charles III of Spain from December 17, 1771. Since September 29, 1783 this church dedicates to the patron of Saint Michael Archangel and two years later initiates the construction of the temple. In this church, in addition, there are the birth certificates of Ramón Emeterio Betances, Salvador Brau Asencio and the legendary pirate Cofresí.

Building with Promotion Posters in the Norzagaray Street of the Old San Juan

Building with Promotion Posters in the Norzagaray Street of the Old San Juan



Building with promoting posters on its facade in the Norzagaray street of the Old San Juan. You can observe building with influence of the architectonic style Neoclassic. There is a large paved street with asphalt that has along several adjacent buildings. The one that is at the center is painted brown and it has a second floor with a continuous balcony in which there is a clothesline with hanging clothes. It has an arch in the entrance, cornices, double wooden doors and steps on its entrance doors. The building to its right is painted white, it has an arch as a door entrance, grilles on its windows, some steps on its entrance, a barrel and an opening at the center of the second floor with people sitting on the wall. The building to its leftist painted white and brown, possess on its second floor double wooden doors with lattice handsome appentices roofs. The building to the left far end is painted green, white and yello, it has some letters on one of its entrance piers that say: "Suits para Damas" (Suits for Ladies) and you are able to see that has something else written on the wall of its second floor that says: "...rilla...". The building possess arches, pilasters, capitals, steel ornamented grilles and painted yellow, a balcony with balustrades, bossage and fanlights. Additionally, you can observe power lines, traffic signs, sidewalks, automobiles and street lights. On the sidewalks you can see people walking.

University of Puerto Rico Tower and Quadrangle - 84003174

University of Puerto Rico Tower and Quadrangle - 84003174



Frontal perspective of the Franklin Delano Roosevelt Tower seen next to the Camino Real path of the University of Puerto Rico at the Río Piedras Campus in San Juan. The tower is the prominent element of the University of Puerto Rico Quadrangle. At its base is a lintel arch that accentuates the entrance, and also standing out are pinnacles, openings, low-relief details, a clock, semicircular arches, balustrades, ornamental bands, and a hipped roof with tiles. The tower also incorporates the U.S. and Puerto Rican flags. From this perspective, part of the Antonio S. Pedreira building is also visible, with brick tiles on its roof, cornices, shutter-type horizontal slat windows, and air conditioning consoles in some of these windows. Several people are seen along the Camino Real, delimited by a group of palms and bushes. The Franklin Delano Roosevelt Tower and the University of Puerto Rico Quadrangle were built between the 1930s and 1940s. The University Tower and the buildings that surround it exhibit elements of the Plateresque architectural style representative of the Hispanic tradition and constitute an important point of reference in the metropolitan area of San Juan. The Antonio S. Pedreira building was originally known as the New Normal School, which would replace the Normal School, which was built in 1902 and demolished in 1936. At the back of this building are ruins that were part of the original Normal School building.

Meat Market - 86003199

Meat Market - 86003199



Facade of the Meat Market, also known as the Plaza de los Perros in Ponce. The building consists of an elongated quadrangle created by galleries that open onto an interior patio. It is made of concrete, wood, and metal sheets. The facade has elements of the Neo-Mudejar and Art Deco architectural styles, which are very different from the utilitarian style inside. The facade is articulated by three horseshoe arches integrating railings on which decorative panels with glazed mosaics of Moorish motifs are projected. The arches and ornamental panels are framed by a horizontal band and four pillars that extend vertically to the upper edge. The parapet is distinguished by integrating open semicircular concrete shapes. The portion of the pillars that protrude at the top is decorated with vertical rectangular panels with glazed mosaics. On one side of the market stands a Spanish sign that reads: "La Palmita" and "Refrescos." A couple of people and cars are notable in front of the building. The Meat Market was built in 1926 and was designed by Rafael Carmoega, one of the most acclaimed architects of the 20th Century in Puerto Rico. Located in front of the old Market Square, it served as an urban and commercial complement to the town of Ponce. Residents referred to it as the Dogs Plaza due to the number of stray dogs that gathered there to feed on meat scraps. In 1992, it was renovated under the administration of the Mayor of Ponce Rafael “Churumba” Cordero Santiago, who named it Plaza Juan Ponce de León.

Casa Cautiño - 84003137

Casa Cautiño - 84003137



Frontal view of Casa Cautiño in the town of Guayama. The single-level Neoclassical-style house is made of masonry and wooden beams. The wooden double-leaf doors and windows have lattice-style slats covered by ornamental iron grilles. As an ornamental element on the upper section, a masonry cornice and a parapet supports decorative masonry flowerpots. On the front, a portico is supported by six thin wrought iron columns bordered with ornamental details. An ornamental iron railing borders the space between the columns. The portico is finished with an uninterrupted masonry cornice with continuous moldings on its borders. The front facade has five openings under semicircular arches flanked by fluted pilasters. The doors are crowned with sunrise transoms, and reliefs with floral motifs and garlands are seen between each opening. Also visible is a sign in Spanish that reads: "This property is being restored by the Institute of Puerto Rican Culture and sponsored by the Municipal Administration directed by Hon. Miguel Díaz Tirado," and several cars parked up front on the street. Casa Cautiño was built in 1887 by the architect Manuel Texidor. It's been used as a home, an Insular House, and headquarters for the U.S. Forces. In 1969, the house was remodeled by architect Frank Molther, who respected its original design and reproduced the same style. But in 1979, the house became the property of the Institute of Puerto Rican Culture, which restored it and turned it into the Casa Cautiño Museum.

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2014 00003

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2014 00003



Bastión de las Palmas de San José, located on the corner of Tetuán and San José Streets in Old San Juan, was built in the 17th century in 1625 after the Dutch attacked Old San Juan. A masonry wall made of bricks and stone interrupted by a sentry post with a semicircular dome, a keystone, and cornices can be observed in the image. A railing, several people, benches, trees, handrails, a street light, and a statue of a male figure can be observed in the image. Bastión de las Palmas de San José was later turned into a park. The old Puerto Rico Chamber of Commerce building can be observed in the background of the center of the picture. The building is painted orange and white. The square glass windows with metal frames and green-colored railings can be partially observed. The building was designed in 1926 by the architect Antonín Nechodoma to be the headquarters of the Federal Land Bank of Baltimore in Puerto Rico. It was previously known as the San Juan Securities and Supplies Lonja. It was acquired by the Puerto Rico Chamber of Commerce in 1937 and was sold to a private party in 2019. A two-story building painted blue and white can be observed on the left side. It has cornices, pilasters, white moldings, quoins, a balcony, and wooden double-leaf doors. The old headquarters of the El Mundo/Puerto Rico Ilustrado newspaper in Old San Juan can also be partially observed in the image. The building is painted brown and cream. It was built in 1923 by the architect Francisco Roldán Martinó. The building has elements of the Moorish Revival architecture style. The building's facade has mosaics and glass windows with metal frames. A cruise ship can be seen in the distance on the right side.

Mini Market B. Fernandez in the Nueva Street in Corner with Infanta Luisa Street in the Neighborhood of La Puntilla of the Old San Juan

Mini Market B. Fernandez in the Nueva Street in Corner with Infanta Luisa Street in the Neighborhood of La Puntilla of the Old San Juan



View towards the Nueva street in the neighborhood of La Puntilla of the Old San Juan. You can observe buildings along a street, automobiles and trucks parked. There is a building to the left that is painted with light blue, white and brown and it has influence of the architectonic styles called Spanish Revival and Neoclassic. It shows pilasters, cornices, moldings, bases, capitals, ornaments, arches and sunrise transoms. The building works as a store of edible products and general. It has letters on the wall that say: "Colmado B. Fernandez" (Mini Market B. Fernandez). Further down there are some buildings that are built with wood and painted with green and brown with double wooden doors and zinc gable roofs. One of the buildings has two floors and possess an extended balcony with steel balustrades on the second floor. It is followed by a building that shows influence of the Neo-renaissance and is painted gray, green and mustard. IT shows quoins, balconies with concrete balustrades, double wooden windows with lattice, moldings and a pyramid roof made with terracotta zinc. At the background of the street there is a cream color and white building that is closed by a metal fence. To the right side you can observe other buildings that shows the same design tendency. One is made of wood with gable roof and zinc roof, others are made of concrete and have balconies with balustrades, moldings, cornices and arches. Around it there are people walking, power line poles, sidewalks, paved streets with asphaltic concrete, sewers, street lights, trees and palm trees. Subsequently, this area became an apartment complex and the parking lot called La Puntilla.

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2012 00041

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2012 00041



View from the posterior of the old Arsenal of the Spanish Navy in La Puntilla neighborhood in Old San Juan. The building represents the Neoclassical architectural style and was built in 1800. An area restricted by balusters with several vehicles and trees can be observed. A pink and white facade with a parapet, pilasters, cornices, wooden double-leaf doors, and a balcony with no railings supported by pillars. Later on, the old Arsenal of the Spanish Navy was used for exhibitions and as administrative offices of the Puerto Rican Institute of Culture. Next to this building is the United States Customs House, also known as the "Aduana de San Juan." Its architectural style is Spanish Colonial Revival, built by the architect Albert B. Nichols. It was built in 1924 and is painted pink, white, and terracotta. This building was entered into the National Registry of Historic Places in 1988. The Banco Popular of Puerto Rico can be seen from a distance. It is painted cream and represents the Art Deco architecture style. It was designed by the architect Chauncey W. Riley and built by the engineers Juan M. Beltrán Carrasquillo, Manuel Miró y Saurí, and José Benítez Gautier. In the center of the image is the Jose V. Toledo United States Courthouse and Post Office, where two towers crowned with lanterns and Arabic tiles stand out. It was designed by Oscar Wenderoth, and it is painted cream and terracotta. The building was entered into the National Register of Historic Places in 1986. The Ochoa building, designed by the architect Pedro Adolfo de Castro y Besosa, can also be observed in the image. It is painted gray and white, has a tower crowned with a stepped design, and possesses square and rectangular windows. The façade of the Harbor Plaza building and the Hotel Sheraton can also be observed. The San Juan Bay, Pier 1, and Pier 3 are on the right side of the image. The towers with lanterns of the Jose V. Toledo United States Courthouse and Post Office combine different architectural styles, such as Beaux-Arts, Federal, and Spanish Colonial Revival. Other high-rise buildings, utility poles, and trees can be observed.

Cathedral Saint Philip the Apostle - Arecibo - 2011

Cathedral Saint Philip the Apostle - Arecibo - 2011



Frontal view of the Cathedral of Saint Philip the Apostle in the coastal city of Arecibo. In the foreground is the Luis Muñoz Rivera plaza, surrounded by an ornamental iron railing and squared pillars. It has light poles and landscape zones. The Cathedral Saint Philip the Apostle is across the busy street with moving vehicles. A masonry fence with metal grilles and squared pillars separates it from its immediate surroundings. It is also presided over by a staircase leading to the entrance door. The building is made of masonry with a concrete roof. Its design is inspired by the Renaissance and Neoclassic architecture. The front facade is decorated with pilasters, framed windows, and crowned with an entablature, moldings, cornices, and an entrance under a semicircular arch crown with a wooden sunrise transom and a pediment over which you can see a niche. Inside the niche, there is a religious statue. Moreover, a square belfry with a semicircular opening and a cross crowns the building. In the surroundings are houses, power line poles, and adjacent buildings with different characteristics. The construction of the Cathedral of Saint Philip the Apostle dates back to 1616; nonetheless, in 1846, the building was officially built, according to the design observed in the photo. It is the second-largest church built on the island under Spanish rule, and it was not until 1960 that it was officially designated the Cathedral of the Diocese of Arecibo.

El Cortijo - Barranquitas - 2012 00111

El Cortijo - Barranquitas - 2012 00111



Exterior view of the residence known as El Cortijo in the town of Barranquitas. The residence has two levels and a tower that elevates an additional one, is made of fortified concrete with roofs covered by roofing tiles. Additionally, its design is inspired in the Spanish Colonial Revival style. The house has double windows made of wood and glass, some are covered by ornamental grilles made of iron and others are crowned with eaves. Also, you can see cantilevered balconies with double doors made of wood and glass secured by brackets. One of the balconies possess a wooden balustrade modulated by piers, hanging lamps and the other one is open and it has iron railings. It can be seen skylights and a balconet in the resting area of he stair with a double door made of wood and glass, framed and crowned with an entablature decorating the facade. Besides that, on the first floor, the entrance is through a portico presided by steps covered by ceramic tiles and an arcade modulated by a compound column on which it can be distinguished an in relief emblem. At the portico it can be appreciated plants in decorative pots, statues and a wall lamp. Besides that, the garden has sidewalks and an old well made of ornamented masonry. El Cortijo was built in 1939 as a summer residence for the family Lozana Fabián, related to the administration of sugar mills in Puerto Rico. Through the years it has changed owners, but its original design has not been altered.

San Vicente de Paul Catholic Cemetery – 88001249

San Vicente de Paul Catholic Cemetery – 88001249



View of the Chardón Zavala family mausoleum at the San Vicente de Paúl Catholic Cemetery in Ponce, representative of the funerary architecture of the early 20th Century. This mausoleum has a dome crowned with a cross and pinnacles on the upper corners. It is decorated with vases and tombstones with inscriptions in Spanish that read: "Familia Chardón Zavala", "J.N. Chardón Zavala, Febrero 21 1932, Edad 3 años, Recuerdo de tus padres", "R.I.P. Angelina Zavala Vda. de Chardón, sept de 1981", "El Amado está ahora más que nunca conmigo. Nuestro amor nos unirá para siempre", "R.I.P. Julio N. Chardón 28 de mayo de 1962." Other mausoleums and tombs are also located in the surrounding area. The San Vicente de Paúl Catholic Cemetery was erected, blessed, and administered by the Vincentian Fathers for the exclusive use of the wealthy Catholic residents of Ponce and opened in 1901. The layout follows the Spanish tradition of having two main axes forming a cross, and its tombs and mausoleums span varied architectural styles typical of the Spanish Classical Revival through to Art Deco. These display sculptures in marble, granite, and pink Ponce stone, interspersed with less sophisticated funerary monuments designed by unknown local craftsmen. The cemetery also exhibits a group of niches built below ground level, thus giving the effect of catacombs. Many were abandoned or moved to the Ponce Civil Cemetery due to the high cost of maintenance and strict regulations set by the administration.

ArquiTour 2015 - San Juan (Old San Juan) - 2015 00012

ArquiTour 2015 - San Juan (Old San Juan) - 2015 00012



There are several Colonial style buildings in Calle Fortaleza in Old San Juan. In the foreground there is a multiple-story building with eaves and satellite antennas. It has a balcony with railings, a double door, and french windows with corrugated metal curtains. In the lower half of the image, three semicircular arches with wooden lattice double doors, street lights, and a sign with the number "1918" on the wall can be partially observed. Next to this building is another building with a pediment, ornamented parapet, and a eave supported by white fluted pilasters. Adjacent to this building is an orange-colored building with plants on the roof, an eave supported by corbels, and a balcony with metal railings. Next to this building is another smaller orange-colored building with white pillars and a utility pole on the roof. The building that follows is light orange with a red-colored eave. It has a sloped structure on the roof as well as, cornices and utility poles. Next to it is a yellow and red-colored building. This building has structure on the roof with a black-colored door, satellite antennas, utility poles, plastic chairs, and machines surround by cyclone mesh fencing. The front façade has curved walls with Miami style windows and a balcony with black-colored railings. Right next to it is another smaller light blue-colored building with eaves and door openings with moldings. The former Casino of Puerto Rico, which is currently known as the Centro de Recepciones Oficiales del Gobierno de Puerto Rico, can be observed in the distance. It is of Beaux-Arts architectural style and it is gray and white. A pediment, cornices, balusters, the ornamented rectangular moldings, six pilasters, and the mansard roof are visible. This building was entered into the National Register of Historic Places of the United States in 1977. The masonry wall of the Castillo San Cristóbal can also be observed. The embrasures, sentry lookout posts, and the window openings are visible. The Atlantic Ocean, trees, shrubs, palm trees, roads, and vehicles can be seen in this image.

Arecibo Trip - 2014 00004

Arecibo Trip - 2014 00004



View of the building González Marín 101 in the town of Arecibo. It is a building of Neoclassic style made of whitewashed masonry of two floors originally built for comercial and residential purposes. The front facade is of three sections and the side connect through a curved corner. At the ground level, a continuous base secure the building. Surrounding the front facade and side you can see a row of white marble cladding interrupted by the front door flanked by two lamps. The door is double made of glass as well as the windows covered by corrugated metal laminas that are framed with white moldings. The two levels of the blue color building are divided by a white cornice that at the same time holds the front balcony in corbel without railing. The balcony has three double doors with wooden windows framed with moldings and crowned with an entablature. The door of the middle has three pilasters that at the same time hold a pediment. Besides that, at the left side there are several double doors with wooden windows with entablature. The corners of the building are defined by pilasters that secure the superior cornice and a parapet that crown the building as an open balcony. In the surroundings you can see more buildings with different characteristics and vehicles. It was built on 1908, is one of the last buildings designed with the Spanish Neoclassic vocabulary in the island. From its beginning the building had bank institutions until 1930, under the consequences of the great depression, First National City Bank opened its branch, being the first bank from United States in the zone.

Buildings of B. Fernández & Hnos., Sucs. in the Infanta Luisa Street of the Neighborhood La Puntilla in the Old San Juan

Buildings of B. Fernández & Hnos., Sucs. in the Infanta Luisa Street of the Neighborhood La Puntilla in the Old San Juan



View towards the Infanta Luisa street and Isabel II in the neighborhood of La Puntilla of the Old San Juan. To the left you can observe buildings that are part to the distributor company B. Fernández & Hnos., Sucs. They have influence of the architectonic styles called Neo-renaissance and Neoclassic. The first one possess an inferior stripe painted with dark green and the upper half with light gray, it has letters on the entrance wall that say: "B. Fernández & Hnos., Sucs.", as well as signs that promote the brands Kellogg's and Budweiser. It shows quoins, wooden windows, arches, rectangles with divisions above the doors and moldings. The one that follows possess an extended balcony with steel balustrades on its second floor, moldings, quoins, cornices and double wooden windows on the third floor. The next one is a light gray building that also has letters on its walls that say: "B. Fernández & Hnos., Sucs." and it stick out a sign promoting the brand Budweiser. It has arches on its first floor, individual balconets with steel balustrades on its second floor, moldings and cornices. From a distance you can observe a cream color and brown building with arches. Additionally, there are automobiles, a paved street with asphaltic concrete, sidewalks, power line poles, a sewer, street lights, trees and palm trees. Subsequently, this area became an apartment complex and the parking lot called La Puntilla.

Building Oliver - Arecibo - 2012 00002

Building Oliver - Arecibo - 2012 00002



Lateral view of the building Oliver in the coastal city of Arecibo. The building has three floors with characteristics of the Neoclassic style with concrete. The side facade is divided in several sections. Horizontally, the building is divided in two parts, the base level and two superior levels. The second and third level have door openings and rectangular windows with flat frames. The double doors made of wood conduct to a balcony with balustrades supported by decorative brackets. There are small balconies with rounded corners and balconies of two rectangular sections. Between the balconies there are flutted pilasters that support an entablature with ornamental frieze, continuous cornice and dentils. Besides that, crowning the building you can see a parapet with balustrade and roman amphorae. Also, you can see an extension of the construction on a smaller size with glass doors and lattice style windows made of glass crowned with roman amphorae. The building Oliver was built in 1914 with comercial and residential purposes. It is bases in the same place that in 1765 the Spanish government built the House of the King until 1913 when it was demolished. This innovative building was the first one incorporating residential spaces and comercial establishment. Also, it was the first building built in the city with a chamfered entrance. Additionally, its richly ornamented design adopts characteristics of the Beaux-arts school and the traditional Spanish style. Through the years ha been used as a residential space, comercial and headquarters of several foreign consulates that occupied the first floor. It was restored in the decade of 1980 and all the spaces assigned for residences became comercial spaces.

Building Oliver - Arecibo - 2012 00014

Building Oliver - Arecibo - 2012 00014



Lateral view of the building Oliver in the coastal city of Arecibo. At the foreground, you can see a concrete fence with metallic grilles and parked vehicles in the paved street. The building has three levels with characteristics of the Neoclassic style in concrete. The side facade is divided in several sections horizontally, the base level and two superior levels. The base level has entrances under semicircular arches framed with moldings. Additionally, the arches are covered with metallic grilles. The second level has double wooden doors and windows with rectangular persiennes with flat frames. The doors conduct to a balcony with balustrades secured with decorative brackets. It has balconies of a section with rounded corners and balconies of two rectangular sections. The balconies are flanked by flutted pilasters secured by a continuous cornice and under which there is a series of relief lion heads. To the right far end there is a building attached with roof tiles and an opening presided by a metallic railing and a cloth curtain. Also, you can see a sign that says: "Dental Familiar García-s... Frank Garc... 878-4121". The building Oliver was built in 1914 with comercial and residential purposes. It is based in the same place that in 1765 the Spanish government built the House of the King until 1913 when it was demolished. This innovative building was the first one incorporating residential spaces and comercial establishment. Also, it was the first building built in the city with a chamfered entrance. Additionally, its richly ornamented design adopts characteristics of the Beaux-arts school and the traditional Spanish style. Through the years has been used as a residential space, comercial and headquarters of several foreign consulates that occupied the first floor. It was restored in the decade of 1980 and all the spaces assigned to residences became comercial spaces.

Oliver Building - 86002764

Oliver Building - 86002764



Side view of the Oliver Building in the coastal town of Arecibo. The building has three levels, and the facade is divided into seven sections. Horizontally, the building is divided into two parts: the ground floor and two upper floors. The base is formed by an arcade of semicircular and horseshoe arches framed by continuous moldings crossing the pillars at the impost level. Under the archway are double-leaf wooden doors crowned with sunrise transoms. The second and third levels have rectangular doors and windows with flat frames. Openings with double-leaf wooden doors surmounted by transoms lead to balconies with balusters supported by decorative corbels under which are a series of lions' heads in relief. Two rectangular sections make up the balconies. Between the balconies, fluted pilasters support an entablature. Crowning the building is a parapet with a balustrade and Roman amphorae. Next to the building, cars are parked on the street. The Oliver Building was innovative as it was the first building in Arecibo to utilize the urban concept of apartment living together with commercial viability. It was the first to incorporate reinforced concrete construction methods in the Arecibo region. It also was the first structure in Arecibo to address the street and plaza on a diagonal by using a chamfered corner entrance. In brief, the building represents the arrival of modernization and then current urban concepts in the northwestern region of Puerto Rico. Architecturally, the ornamentation reflects the Beaux Arts School of thought, spreading Europe and America, arriving in Puerto Rico with Spanish influence, and incorporating elements of traditional Spanish design, such as arcades and massive wall articulation. The surroundings of the building have parked cars and people walking by. The Oliver Building was built in 1914. Over the years, it has been used as a residential and commercial space and headquarters of several important foreign consulates. It was restored in the 1980s, and all spaces allocated for housing were converted into commercial spaces.

San Blas de Illescas Church – 8400046

San Blas de Illescas Church – 8400046



Interior of San Blas de Illescas Church in Coamo, with a perspective towards the altar. The interior consists of a nave and two corridors. The division of the space is accentuated by arcades that rest on rectangular pillars that integrate pilasters, flanked by representations of the Stations of the Cross. A cornice extends over the arches, and skylights with grilles are visible above them. These arches, perpendicular to the nave, support the masonry barrel vault that covers the interior space. In the background, the apse crowned with a dome that rests on pendentives stands out. Also noteworthy are the altar table, the tabernacle, and several sculptural and pictorial representations of the Catholic Christian iconography located between a pair of niches, columns, pendentives, and an arch. On both sides of the altar are doors leading to the sacristies and two vertical signs with Spanish inscriptions that read: "May your spirit... the face of the earth" and "Christ says the spirit will bear witness to me." The church floor has marble tiles that alternate white and gray tones, forming a checkered motif. Two people are visible under one of the arches and near the chairs that cover the nave. The San Blas de Illescas Church used to have elaborate brick and masonry sections from 1661, and construction was completed in 1784. However, it was damaged during the 1867 earthquake; later, it was repaired, maintaining the original design and construction elements.

The Puerto Rican Athenaeum - San Juan (Old San Juan) - 2011 00042

The Puerto Rican Athenaeum - San Juan (Old San Juan) - 2011 00042



The Ateneo Puertorriqueño located at Puerta de Tierra in Old San Juan. It was founded in 1876 and built by the engineer Ramón Carbia Burt in 1923. It is the oldest cultural institution in Puerto Rico, also known as "La Docta Casa." Its architectural style is representative of the Moorish Revival style. It was nominated to enter the National Register of Historic Places in 1984. It is painted white and terracotta. The side facade of the building can be observed. There is a flat roof with parapets, moldings at the top, and an extension of the building with eaves covered by tiles. It also has six glass windows with hinged wooden frames and a rectangular tile. It has another extension of the building with white ornamentations at the top. A parking lot with several cars, utility poles, and trees can be observed on the left side of the image. The Ateneo Puertorriqueño was founded to promote the theater, music, film, literature, history, science, the moral and political sciences, and the visual arts in Puerto Rico. Adjacent to it is the tile-covered hip roof of the Carnegie Library. This building represents the Neoclassical architecture style and was designed by Ramón Carbia Burt in 1915. The upper part of the Casa de España building can be seen next to the library. This building was designed by the architect Pedro de Castro y Besosa in 1932. It has several towers and a hipped roof and is covered in blue and white tiles. The building is representative of the Moorish and Spanish Revival architectural styles. The Capitol of Puerto Rico can also be observed in the background. This building represents the Neoclassical architectural style and is made out of concrete and white marble. It was designed by Rafael Carmoega in 1929. The top of the building has a hemispherical dome with glass windows in its drum, and a lantern crowns it. Several high-rise buildings and trees can be seen in the distance, as well as the Atlantic Ocean.

Banco Popular de Puerto Rico - San Juan (Old San Juan) - 2009

Banco Popular de Puerto Rico - San Juan (Old San Juan) - 2009



Banco Popular of Puerto Rico located in Old San Juan. It was inaugurated in 1939, designed by the architect Chauncey W. Riley, and built by the engineers José Benítez y Gautier, Manuel Miró y Saudí, and Juan M. Beltrán Carrasquillo. The bank was built where the Banco Territorial y Agrícola of Puerto Rico was originally located during the 19th century. The image shows stairs with railings, several palm trees, shrubs, and streetlights, one of which has a sign that reads "Tizol." The Finlay building is on the left side of the image, which used to be the former Citibank building and, later, home of the Old Harbor Brewery. This building is painted cream and white. It has moldings, a fluted pilaster, brise-soleils, and glass windows. The Banco Popular of Puerto Rico can be seen in the center of the image. The building is representative of the Art Deco architectural style. It is painted cream, white, and green. It has a curved facade with rectangular glass windows, metal frames, and overhangs at the top. The main entrance has eight sculptural reliefs with representations of human faces and a stained glass window in between the reliefs. There is a high relief with an eagle figure on the left side of the facade. Adjacent to the Banco Popular of Puerto Rico is the old American Colonial Bank which later became the Ponce Credit and Savings Bank. This was the first American bank established in Puerto Rico. It was built in 1899 by contractor Frank Bond Hatch. It is currently known as the Restaurante Triana. It is painted red, cream, and white. The Spanish Colonial Revival style influences its architecture. The lower part of the building has arcades supported by pilasters, cornices, and circular shaped ornamentations. The upper half has an eave covered in tiles supported by corbels; it also has parapets with railings, double-leaf doors framed by pilasters, and semicircular pediments at the top. Another building is next to it, painted turquoise and white. It also has architectural traits from the Spanish Colonial Revival style. Only the upper half of the building can be seen in the image. This building has parapets, cornices, dentils, window sills with balusters, and double-leaf doors with triangular pediments.

Armstrong-Toro Residence - 87001821

Armstrong-Toro Residence - 87001821



Main facade of the Armstrong-Toro Residence, also known as the House of the Caryatides, located on Unión Street in the town of Ponce. The two-story house was built on masonry. Its facade features a stone base with balustraded parapets and two caryatids raised on pedestals flanking the entrance. The central semicircular arch with a keystone encases the main door, which is made of carved wood and has a fanlight protected by a decorative wrought iron grille. On both sides of the entrance are paired arches with Corinthian columns. On the corners and the second level of the residence are pilasters with capitals of the Ionic order. Also, balconies on corbels, balustrades, iron railings, and double-leaf doors with louver panels and fanlights. The upper part features a frieze, a cornice, and a parapet with ornamental finials. On the north end of the residence, there is a concrete garage door with decorative wrought iron grilles that covers from the ground floor to the mezzanine level, creating a side terrace for the upper floor. This garage door was added after the earthquake of 1918. A person is visible on one of the balconies, while in front of the residence, there are also several cars and trucks, as well as a light post. The Armstrong-Toro residence was built in 1899 for Carlos Armstrong-Toro, one of Puerto Rico's first bankers and founder of Banco de Ponce and Banco Crédito de Ahorro Ponceño. Manuel V. Domenech developed the Eclectic architectural design of this residence, and the sculptural decoration is attributed to the craftsman by trade, Elías Concepción.

City Hall - 86003197

City Hall - 86003197



Lateral perspective of the City Hall in Ponce, located to the left of the Moscoso Pharmacy and across from Banco de Ponce. The building features an Isabelline Neoclassical style and a symmetrical composition characteristic of 19th-century Spanish civil architecture. The facade of the Town Hall features two levels with rustication, a pedimented frontispiece with a clock and weathervane at the top, flanked by pairs of small Tuscan pilasters, topped by paneling and an extended cornice. Baluster railings create five balconettes on the second level, and framed windows extend upward to incorporate freestanding moldings in the architrave. The Moscoso Pharmacy (first building on the right) also features a two-story facade with display cases, corbels, a balcony with metal railings, an ornamental frieze, a cornice, and a balustraded parapet. Banco de Ponce, seen in the background, displays a Beaux-Arts architectural style, with a facade composed of an aedicule flanked by monumental pilasters that accentuate the entrance. In front of the City Hall are parked cars and several people, and on the opposite side of the street, the steps and light poles of the Las Delicias plaza can be seen. Electric cables, poles, and traffic control signs can also be seen in the foreground. The City Hall in Ponce was designed by the Royal Corps of Engineers of Spain and built between 1846 and 1848. It was the first government building erected in that city, and it incorporates elements designed to display a defensive and military character, dominating the street wall between buildings of similar character and demonstrating the Spanish concept of the urban plaza. Although its interior was altered during the 20th Century in response to the growing needs of municipal government, the exterior has maintained its individual and contextual integrity.

Construction of the Building of El Imparcial in the Marina Street of the Old San Juan

Construction of the Building of El Imparcial in the Marina Street of the Old San Juan



Construction in the Marina street of the Old San Juan. You can observe a street with construction materials in front, and several buildings on its surroundings. The building that is under construction is the one will be the radio and newspaper El Imparcial, it has a cargo truck in front, wooden scaffolding on its walls, doors with arch shape, white wooden windows, several letters painted on its walls that indicates names of companies, glass sash windows and a fire scape stair. Near you can see the steel rods, can barrels and tanks to preserve gas. From a distance there is the building of the Popular Bank of Puerto Rico that has the architectonic design of the Art Deco and is painted with white color with yellow details. Possess a tower that stick out from its roof and some letters forming the name of the building with an analog clock that shows the time. It is followed by the edifice of the Antiguo Correo y la Corte Federal José V. Toledo that has the influence of several architectonic movements like Beaux-arts, the Federal style and the Spanish Renaissance. Is built with concrete and limestone, it has cream and gray colors, part of its roof is covered with terracotta roofing tiles and another part it has the aspect of a tower with roof extensions with the shape of lantern. Then there is the Ochoa building that is cream color with light green touches, it has metal windows with glass persiennes, arches in the first floor facade and you can observe several antennas on its roof. To its right side it has a gray and mustard building that on one side is a press and stationery and on the other is a nightclub. It has arches, pilasters and moldings. The windows and doors are made of wood and there is a green awning in the first floor. In 1915 this place was a cinema called Tres Banderas. The following building is gray with white parts, has the architectonic style of the Neo-renaissance with arches, pilasters, rosettes, capitals, bossage, pateraes and moldings. The next building is green and pink , at the front part it has letters painted with white that say: "Sea Breeze Night Club". You can observe that it has coupled windows, roofing tiles, glass double windows, moldings and small columns. The following building is pink color, it has mosaic designs on its facade and a red awning. The last one on that sidewalk is cream and light blue, it has influence of Art Deco with decorative finishes in lineal shape on its borders and in the center of the building, also it has a balcony centered on the second floor and conical walls sconces. Around it you can observe automobiles, a truck that delivers copies of the newspaper, El Imparcial, power line poles, street lights, establishment signs, a gasoline pump, trees and a person walking. Subsequently, this area has changed and they have established new spaces like a modern building that has a pharmacy La Caridad, a store Polo Ralph Lauren, a luxury apartment complex called Harbor Plaza, a restaurant called Señor Frog's, the Hotel Rumbao and other lots that are empty.

Parish San Francisco de Asís - Aguada - 2011 00002

Parish San Francisco de Asís - Aguada - 2011 00002



Parish San Francisco de Asís, Aguada. The design of this catholic church presents influences of the gothic architecture and the Neoclassic. Its facade is made up of a central body with a cross on top and two lateral towers. It stand out the use of lancet arches that repeats in the towers as well as in the central body. In the center there is a portico with four thin columns and a slope roof. Above the portico roof there is a sign with the dates 1924 and 1936. On the second level of the facade you can observe an arch inside of which there are seven thin lancet arches with stained glass, flanked by two pilasters crowned with pinnacles. In the quadrangle towers you can distinguish different levels and all present lancet arches. On the second level, three thin arches, the one on the center is taller than the other two. The third level has three thin arches of the same height and one of the towers has a clock. The fourth level has a lancet arch inside of a triangular shape. Each tower ends with a dome, lantern with lancet arches, spires and a small cross. The building is surrounded by a concrete fence, the piers of the fence have pots with plants. Also, there is a steel gate with two piers with lamps. Both the church and the fence are painted with a grayish green color with the borders and details with white color. In front of the church, crossing the street, there is the square where you can see a statue of Christopher Columbus, a gazebo and a light pole. There is an old man walking on the square.

The Puerto Rican Athenaeum - San Juan (Old San Juan) - 2010 00001

The Puerto Rican Athenaeum - San Juan (Old San Juan) - 2010 00001



The Ateneo Puertorriqueño located at Puerta de Tierra in Old San Juan. It was founded in 1876 and constructed by the engineer Ramón Carbia Burt in 1923. It is the oldest cultural institution in Puerto Rico, also known as "la Docta Casa." Its architectural style is representative of the Moorish Revival style. It was nominated to enter the National Register of Historic Places in 1984. It is painted white and terracotta. The upper half of the facade has an eave covered by tiles supported by wooden corbels. It also has seven multifoil arches interrupted by eight pilasters with tiles on top. On the lower half of the facade, six pilasters support a semicircular arch and an entablature covered in tiles with floral designs. The doorway has "Ateneo Puertorriqueño" written at the top. On both sides of the pilasters, there are friezes in high-reliefs with representations of human figures sculpted by the Italian artist Arrighini. There are steps and streetlights in front of the entrance. The building also has glass windows with hinged wooden frames and a torch-shaped ornamentation in the upper right corner of the image. Trees, shrubs, a decoration allusive to the Three Wise Men, a flagpole, grass, a traffic sign, and another sign about visitor entry can be seen in the surrounding areas. The Ateneo Puertorriqueño was founded to promote the theater, music, film, literature, history, science, the moral and political sciences, and the visual arts in Puerto Rico.

Pier of the Marina Street in the Old San Juan

Pier of the Marina Street in the Old San Juan



View of the buildings located in the Marina street of the Old San Juan. You can observe a group of adjacent buildings on a sidewalk of the pier area. The street is long and paved with asphalt. From a distance you can see several buildings among them the Ochoa building, Puerto Rico Popular Bank and the Antiguo Correo y Corte Federal José V. Toledo. The Puerto Rico Popular Bank has the architectonic influence of Art Deco. Is painted with white color and has yellow stripes between wall sections for each window. There is a tower that stick out from its roof and has letters forming the name of the building with an analog clock that show the time. The Ochoa building has cream color with light green touches, it has metal windows with glass persiennes, arches in the facade of the first floor and mosaic ornaments in the capitals of each pilaster. You can observe several antennas on its roof. The building of the Antiguo Correo y la Corte Federal José V. Toledo has influence of several architectonic movements like Beaux-arts, the Federal style and Spanish Renaissance. Is built with concrete and limestone, it has cream and gray colors, part of its roof is covered by terracotta roofing tiles and another part has the aspect of a tower with roof extensions with the shape of lantern. The building with gray color with white areas is the service station Adrián Nelson, you can appreciate the details that are influenced by the architectonic style of the Neo-renaissance with arches, pilasters, quoins and moldings. Next to it there is the nightclub building called Sea Breeze, it has three floors green and pink. It has coupled windows, moldings and small columns. Around it you can see construction materials, barrels, automobiles, trucks, a building under construction, power line poles, establishment signs, a large street and people walking. It can be seen part of the San Juan Bay that adjoins with the pier and a building that on its roof says: "Lines", also, you can observe a sign from a distance with red color promoting the brand Coca Cola. Subsequently, this area experienced changes on its buildings and it was established a restaurant called Señor Frog's, the Hotel Rumbao of the Old San Juan and the Condominio Reina de Castilla.

Beneficencia Asylum Building - San Juan (Old San Juan) - 2011 00042

Beneficencia Asylum Building - San Juan (Old San Juan) - 2011 00042



The old Beneficencia Asylum Building (Asilo de Beneficencia) is located in the Ballajá neighborhood of Old San Juan. It was inaugurated in 1844 and designed by architect Pedro García and the engineer Santiago Cortijo. The building is representative of the Neoclassical architectural style. It is painted yellow, white, green, and brown. The main facade of the building has two rectilinear pediments, one of which has high relief in its tympanum. The upper half of the main entrance has four pairs of Ionic columns, balconies, and green-colored wooden lattice double-leaf doors with semicircular arches. The lower half has four pairs of white Doric columns with green-colored double-leaf doors and semicircular arches. These columns support an entablature that has an inscription on the metopes. The facade also has extended cornices and green-colored wooden lattice double-leaf windows framed by semicircular arches and white flat moldings. In front of the entrance is a stepped wall with railings. The building is fenced off by metallic grilles supported by various square piers. The old Beneficencia Asylum Building later became the headquarters of the Institute of Puerto Rican Culture. The side facade of the old Insular Madhouse can be partially observed on the right side of the image. This building is painted yellow, mustard, white, and green. It has parapets, cornices, and green-colored wooden windows framed with white rectangular moldings. The Madhouse later became the School of Arts and Design of Puerto Rico. In the image is visible the street where El Morro is located, part of Jardín Paseo de Ballajá, people, automobiles, palms, trees, streetlights, and boundary marker posts.

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2012 00002

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2012 00002



Facade located next to the main entrance of the old Arsenal of the Spanish Navy in La Puntilla neighborhood in Old San Juan. The building represents the Neoclassical architectural style and was built in 1800. A salmon and white-colored two-story building can be observed. It has parapets, cornices, two pilasters, and wooden double-leaf doors framed by white moldings. The building also has a balcony without railings and a skirt supported by pilasters and wooden beams. There are automobiles in front of the building, and next to the building is a metal grille gate with a fan-like design, trees, and part of the San Juan Bay. Later on, the old Arsenal of the Spanish Navy was used for exhibitions and as administrative offices of the Puerto Rican Institute of Culture. Part of the roof of the United States Customs House building, also known as the "Aduana de San Juan," can also be seen in the image. Its architectural style represents the Spanish Colonial Revival style, and its construction was done by the architect Albert B. Nichols. The United States Customs House was entered into the National Register of Historic Places of the United States in 1988. The top part of the Banco Popular de Puerto Rico can be seen from a distance. The building is painted cream and represents the Art Deco architectural style. The bank was designed by the architect Chauncey W. Riley and built by the engineers Juan M. Beltrán Carrasquillo, Manuel Miró y Saurí, and José Benítez Gautier. The José V. Toledo Federal Building and the United States Courthouse, which combines the Beaux-Arts, Federal, and Spanish Colonial Revival architectural styles, can also be observed. This building was designed by Oscar Wenderoth and is painted cream and terracotta. It has two towers crowned with lanterns, Arabic tiles, and cornices. The building was entered into the National Register of Historic Places of the United States in 1986. On its right side is the Ochoa building, designed by the architect Pedro Adolfo de Castro y Besosa. The Ochoa building is painted gray and white, has a tower crowned by a stepped design, and has square and rectangular windows.

El Imparcial Building in the Marina Street of the Old San Juan

El Imparcial Building in the Marina Street of the Old San Juan



Frontal view of a building under construction in the Marina street of the Old San Juan. It can be observed a building that has a radio tower under construction surrounded by wooden scaffolding. This building will be the radio offices and newspaper El Imparcial. Also, you can see a cargo truck and an automobile with its trunk opened. Further in the distance there is a large building with five floors that is cream colors with an inferior stripe with brown color. It has glass windows with arch shape, rectangular and with moldings. To its right side it has a edifice with a zinc gable roof and is painted with green color. From a distance you can see other buildings like the Sea Breeze Night Cub, the service station Adrián Nelson and Puerto Rico Popular Bank. The Sea Breeze Night Club has three floors and is painted with green and pink colors. It has coupled windows, roofing tiles and grilles in the first floor windows, moldings and small columns. The service station Adrián Nelson has dark gray and white, it has influence of the architectonic style of the Neo-renaissance with arches, pilasters, quoins and moldings. The Puerto Rico Popular Bank has the architectonic influence of Art Deco. It is painted with white color and possess a tower that stick out of its roof with some letters that forms the name of the building and an analog clock that shows the time. Around it you can observe people walking, construction materials, barrels, power lines poles, the paved street with asphalt, a wide sidewalk and some antennas in the roofs. Subsequently, this area has experienced changes and has been established buildings like the Condominio Reina de Castilla, the Hotel Rumbao, the restaurant Señor Frog's and some empty lots.

Villa del Mar - 83002293

Villa del Mar - 83002293



Front view of the Villa Del Mar residence in the coastal town of Naguabo. The two-story house is made of reinforced concrete and has a tiled roof. It is one of the few examples of the late Victorian style on the island. A reinforced concrete fence with square pillars and a metal grille separates it from its immediate surroundings. The residence is held at the left end by a circular tower supported by Gothic columns and a concrete balustrade. On the front, a rectangular portico, supported by Gothic columns, is crowned by a balcony with a balustrade. The balcony has a wooden double-leaf door under a semicircular arch framed and flanked by pilasters and wooden windows. Ornate moldings join an extended cornice. Also seen are wooden and glass windows framed with protruding moldings. A garage with a zinc roof and metal grill is visible to the far right. The Villa del Mar residence was built in 1917 by architect Antonio Higuera for Don Faustino Rodríguez and Doña Carmen Fuertes, owners of the Central Triunfo, a sugarcane factory in Naguabo. Its location next to the coast included a dock used to export sugar and other products to the Greater and Lesser Antilles. Over the years, it has had several owners and uses and was restored in the 1980s due to its deteriorating condition. The building is significant not only for its architecture but also for its role in developing the sugarcane export industry in the southeastern area of Puerto Rico in the early 20th Century.

House Marcos Juan Alegría - Dorado - 2012 00019

House Marcos Juan Alegría - Dorado - 2012 00019



A metal plaque put it on the yellow wooden surface in the house Marcos Juan Alegría, located in Dorado. The plaque presents the emblem of the municipality of Dorado, accompanied with the text: "Gobierno municipal de Dorado" (Municipal Government of Dorado). The plaque also includes the following text: "El Museo y Escuela de Artes Marcos Juan Alegría se concise Como guardian cellos del tesoro artístico cultural de nuestro pueblo. Sea este Lugar fuente de inspiración para las nuevas generaciones y para todo aquel que hace del arte su manera de recrear formas, colores y pensamientos. Hon. Carlos A. López Rivera, alcalde, 1996" (El Museo y Escuela de Artes Marcos Juan Alegría it is conceive as guardian of the cultural artistic treasure of our town. Please make this place a source of inspiration for the new generations and for any other that makes from the art their way of recreating shapes, colors and thinking, Hon. Carlos A. López Rivera, mayor, 1996). The house was built in 1914 as home of don Juan Alegría and Mrs. Elisa Valles, whom raised there their children Cruz and Marcos Juan. They lived there for decades until the house was inherit by Cruz, the oldest child. After his death, it was inherit by Marcos Juan, so-called as don Tito. In the decade of the nineties, Marcos Juan sold his property to the government of the municipality, who was in charge of restoring it and turn it into the Museo y Escuela de Artes Marcos Juan Alegría, that opened in 1998. The house, in addition, constitutes a characteristic example of the type of architecture used in the residences at the beginning of the XX century.

Meat Market – 86003199

Meat Market – 86003199



Perspective of the facade and interior patio of the Meat Market in Ponce. The building consists of an elongated quadrangle created by galleries that open onto an interior courtyard and is built of concrete, wood, and metal sheets. The facade has elements of the Neo-Mudejar and Art Deco architectural styles, which are very different from the utilitarian style of its interior. The facade comprises three horseshoe arches that integrate grilles, ornamental panels with Moorish glazed mosaics, and four pillars that extend vertically on their upper end, also decorated with mosaics. A horizontal band emphasizes the parapet by integrating open semicircular concrete shapes. Standing next to it, the interior patio and the elongated, rectangular shape of this building that connects Mayor Street and León Street. Visible on the back is the facade of the Market Plaza in the Art Deco style, and a store sign in Spanish that reads: "Ventas al por mayor y detal, efectos escolares, perfumería, artículos del hogar, juguetes." In front of the Meat Market are several people, a couple of bicycles, and a car. The Meat Market was built in 1926 and was designed by one of the most acclaimed Puerto Rican architects of the 20th century, Rafael Carmoega. Its location in front of the old Market Square served as an urban and commercial complement to the town of Ponce. Residents referred to it as the Dogs Plaza due to the number of stray dogs that gathered there to feed on meat scraps. In 1992 it was rebuilt under the administration of the Mayor of Ponce, Rafael “Churumba” Cordero Santiago, who named it Plaza Juan Ponce de León.

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2012 00017

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2012 00017



Partial view of the corner of the facade of the old Arsenal of the Spanish Navy, the United States Customs House building, also known as the "Aduana de San Juan," and the Banco Popular of Puerto Rico in Old San Juan. On the image's right side is the old Spanish Navy Arsenal. The building, built in 1800, represents the Neoclassical architectural style and is painted gray and white. It has a portico supported by columns and an entablature that contains triglyphs, friezes, metopes, cornices, and dentils. Later on, the old Arsenal of the Spanish Navy was used for exhibitions and as administrative offices of the Puerto Rican Institute of Culture. On the left side of the image is the United States Customs House building, also known as the "Aduana de San Juan." Its architectural style represents the Spanish Colonial Revival style, and its construction was done by the architect Albert B. Nichols. The building was built in 1924 and is painted pink, white, and terracotta. The upper half of the building has a tile roof, a balcony supported by pillars, and window openings. It has semicircular openings on the bottom of the building with roll-up doors, security cameras, wall lamps, and a trash can. The United States Customs House was entered into the National Register of Historic Places of the United States in 1988. The Banco Popular of Puerto Rico's upper half of the building can be seen from a distance. The building is painted cream and represents the Art Deco architectural style. It has windows with rectangular and square openings and a tower with a sign that reads "Banco Popular." It was designed by the architect Chauncey W. Riley and built by the engineers Juan M. Beltrán Carrasquillo, Manuel Miró y Saurí, and José Benítez Gautier. A sidewalk, streets, trees, and the electrical wiring of nearby utility poles can be observed in the image.

Building Oliver - Arecibo - 2012 00010

Building Oliver - Arecibo - 2012 00010



Close-up view of the building Oliver in the coastal city of Arecibo. The building has three levels with characteristics of the Neoclassic style with fortified concrete. The lateral facade is divided in several sections horizontally, the base level and two superior levels. The base level has entrances under semicircular arches framed with moldings. Additionally, the arches are covered by metallic grilles. The second level has double wooden doors with rectangular persiennes and flat frames. The doors conduct to balconies with balustrades supported by decorative brackets. The balconies are flanked by flutted pilasters supported by a continuous cornice and under which there is a series of relief lion heads. The building Oliver was built in 1914 with comercial and residential purposes. It is based in the same place that in 1765 the Spanish government built the House of the King, until 1913 when it was demolished. This innovative building was the first one incorporating residential spaces and comercial establishment. Also, it was the first building built in the city with a chamfered entrance. Additionally, its richly ornamented design adopts characteristics of the Beaux-arts school and the traditional Spanish style. Through the years has been used as a residential space, comercial and headquarters of several foreign consulates that occupied the first floor. It was restored in the decade of 1980 and all the spaces assigned for residences became comercial spaces.

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2013 00010

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2013 00010



Bastión de las Palmas de San José, located on the corner of Tetuán and San José Streets in Old San Juan, was built in the 17th century in 1625 after the Dutch attacked Old San Juan. This image was taken at night and displays a masonry wall made of brick and stone. The upper part of a sentry post with a semicircular dome, cornices, and a keystone can be observed. There is also a railing, steps with bricks, trees, a handrail, three benches, streetlights, and two chairs sculpted in the image of a cat. Bastión de las Palmas de San José was later turned into a park. A tall building is painted brown and white on the right side. The upper part of the building has cornices, windows with arcades, and white moldings. The side facade of the old Hospital de la Concepción, known as Convento y Casa de Salud Siervas de María, can also be observed in the image. The building is painted cream and white. It has parapets, cornices, and window openings. The tower with a dome in the upper part of the old La Princesa prison building can be observed on the left side. This building was built in 1837 and was used as a prison until 1976, when it was closed down due to problems with its structure. The Puerto Rican government restored the building in 1992 to serve as the headquarters for the Puerto Rico Tourism Company. The architect, Miguel Carlo, was responsible for the building's restoration. The San Juan Bay and the coasts of Toa Baja and Cataño municipalities can also be observed in the distance.

Building of the Porto Rican Express Co in the Old San Juan

Building of the Porto Rican Express Co in the Old San Juan



View of a building of the Porto Rican Express Company in the Marina street of the Old San Juan. You can observe a large building with gable roof, a wooden door in the entrance and several others along its sides. It is built with concrete, zinc and is surrounded by a sidewalk. Also, you can see in front a street that is paved with asphalt and it has areas that were the track of the railway. From a distance you can see the buildings of the Popular Bank of Puerto Rico, the Antiguo Correo y la Corte Federal José V. Toledo, the Ochoa building, the club Sea Breeze Night Club and the construction of what will be the building El Imparcial. The Popular Bank of Puerto Rico has the architectonic influence of Art Deco. Is painted with white color and yellow stripes between the wall sections of each window. There is a tower that stick out on its roof and has some letters forming the name of the building with an analog clock that shows the time. The building of the Antiguo Correo y la Corte Federal José V. Toledo has the influence of several architectonic movements like Beaux-arts, the Federal style and the Spanish Renaissance. Is built with concrete and limestone, it has cream and gray colors, part of its roof is covered with terracotta roofing tiles and another part has the aspect of a tower with roof extensions with lantern shape. The Ochoa building has cream color with light green touches, possess metal windows with glass persiennes, arches in the first floor facade and you can observe several antennas on its roof. The nightclub building has three floors with green and pink color. It has coupled windows, moldings and small columns. Around it you can see automobiles, trucks, people walking, power line poles, a fire hydrant, sheds, part of the building that used to be part of the railway, antennas and wooden scaffoldings for the construction of one of the buildings. Subsequently, this area has experienced changes and they have established buildings like the buses main station, the parking lot Covadonga, the Condominio Reina de Castilla and the Hotel Rumbao.

First United Methodist Church - 87001822

First United Methodist Church - 87001822



Facade of the First United Methodist Church of Ponce. The church exemplifies early 20th-century eclecticism, combining Gothic Revival, Spanish Renaissance Baroque, and Byzantine elements. It comprises rusticated reinforced concrete, gabled wood roofs, corrugated metal sheets, and a bell tower. The façade is divided into three bays: a wide central bay with a large four-centered Gothic stained-glass window and two side bays with similar but smaller and narrower stained-glass windows. Above the central bay is a Spanish Renaissance glass oculus. The bell tower consists of a rusticated two-story base with interior steps leading up to a bulbous tower above the pediment. The ground-floor entrance leads to a vestibule through an open archway. On the second floor of the bell tower is a series of four-sided windows with bands of stained glass that provide a distinctive modernist element. The first segment of the tower contains two small striped windows, and the next, higher one, houses the church bell behind narrow arches, one on each of the four sides, supported by Corinthian columns. The bulbous dome tops off the composition. In front of the church is a fence made of rustic reinforced concrete, imitating stone, which integrates railings modulated by pillars and interrupted by a gate. Several cars and people are also notable. The First United Methodist Church of Ponce, representative of the religious architecture of the Czech architect and designer Antonín Nechodoma in Puerto Rico, was built in 1907. It is also important in the religious history of Puerto Rico, as it was one of the first non-Roman Catholic churches built after the change of sovereignty in 1898, and an example of the freedom of worship established after the American occupation of the island.

Ponce Casino - 87001818

Ponce Casino - 87001818



Perspective of the main entrance and facades of the north and west side of the Ponce Casino, located between Marina and Luna Streets in Ponce. The concrete building demonstrates the highly ornamental tendencies in the architecture of the late 19th and early 20th Centuries in Puerto Rico through its Rococo-style relief and its mansard roof. Openings with segmental or circular arches crowned with moldings and keystones can be seen. One of the doors on the north side exhibits an ornate Spanish Baroque-style pediment with Tuscan columns and pilasters supporting an architrave and a blind arch tympanum at the top. Also visible are the corbels and balustrades that form the balconies on the upper level, as well as the framed openings between the Tuscan columns, quoins, keystone lintels, and triangular pediments with ornamented embossed tympanums. The chamfered section slightly sinks and then curves in a Baroque-style manner. On the ground floor of the chamfer, a large segmental arch opening with molding and a sign in Spanish that reads: "Dpto. de Transportación y Obras Públicas, Oficina Regional Ponce, Programa Señales Tránsito" stands out. The rectangular entrance on the upper level is crowned by a cameo with representations of angels and flanked by Tuscan columns at the level of the baluster, supporting the protruded cornice of the building. The upper edge of the building features dentils, a cornice, a parapet, and split pediments with volutes. The Ponce Casino was built in 1922 following the design of Agustín Camilo González and hosted the social activities of the aristocracy of the southern coast of Puerto Rico. Its architecture combines 19th-century stylistic influences in a concrete building and represents the transition from traditional classic Spanish brick and stucco construction to modern reinforced concrete technology in the United States.

First Baptist Church of Caguas - 2013 00019

First Baptist Church of Caguas - 2013 00019



Lateral view of the building of the first baptist church of Caguas, currently known as the Centro Musical Criollo José Ignacio Quintón. The building has two levels made of masonry, gable roof with corrugated metal plates and its style is eclectic since it combines elements of the Romanesque and Gothic architecture. The front facade is presided by a portico closed with a metallic grille. The portico has gable roof secured by brackets and covered by roofing tiles. Besides that, there is an in relief inscription crowning the entrance arch in the portico. The rest of the structure is decorated with wooden windows under semicircular arches crowned with sunrise transoms and entablatures. Also, it can be seen a triangular pediment with a continuous pediment and to the left far end an octagonal belfry tower decorated with cornices, rectangular openings covered by grilles and crowned with a capital and roofing tiles. The belfry also has vertical stained glass and two balconies secured by brackets with wooden doors and framed persiennes. Besides that, in the surroundings you can see adjacent buildings, parked vehicles and signs on the street. The old first baptist church of Caguas was the first from this denomination, built in 1908. After being in use for several years, it was moved to another building so the government of the municipality acquired the building to restore it. Since its renovation, it was converted in a museum of the music named Centro Musical Criollo José Ignacio Quintón. Additionally, it is the headquarters of several municipal musical groups.

Oliver Building - 86002764

Oliver Building - 86002764



Front view of the Oliver Building located in the coastal town of Arecibo. The building has three levels and a chamfered corner that serves as the main entrance. Both ends of the facades are divided into seven and six sections. Horizontally, the building is divided into two parts: the base floor and two upper floors. The base is formed by an arcade of semicircular and horseshoe arches framed by continuous moldings crossing the pillars at the impost level. In contrast, the second and third levels have rectangular doors and windows with flat frames. The openings lead to a balcony with balusters supported by decorative corbels under which are a series of lions' heads in relief. There are small balconies with round corners and balconies with two rectangular sections. Between the balconies, fluted pilasters support an entablature. Crowning the building is a parapet with a balustrade and Roman amphorae. A curvilinear facade with a digital clock interrupts the parapet on the chamfered corner. The Oliver building was innovative as it was the first building in Arecibo to utilize the urban concept of apartment living together with commercial viability. It was the first to incorporate reinforced concrete construction methods in the Arecibo region. It also was the first structure in Arecibo to address the street and plaza on a diagonal by using a chamfered corner entrance. In brief, the building represents the arrival of modernization and then current urban concepts in the northwestern region of Puerto Rico. Architecturally, the ornamentation reflects the Beaux Arts School of thought, spreading Europe and America, arriving in Puerto Rico with Spanish influence, and incorporating elements of traditional Spanish design, such as arcades and massive wall articulation. The surroundings of the building show parked cars and people walking by. The Oliver Building was built in 1914. Over the years, it has been used as a residential and commercial space and headquarters of several important foreign consulates. It was restored in the 1980s, and all spaces allocated for housing were converted into commercial spaces.

Arecibo Trip - 2014 00013

Arecibo Trip - 2014 00013



View of the building Suliveres from the cathedral San Felipe Apóstol (catholic) in the coastal city of Arecibo. At the foreground, you can see the roof of the cathedral and pilasters. The building Suliveres is crossing the street, it has U shape, it has two levels of wood and concrete with flat roof. Its design is inspired in the classic architecture with influence of the Spanish Noucentisme. It is presided by a front patio surrounded by a concrete balustrade and landscape zones. The facade is decorated with quoins, an ornamental frieze and a continuous cornice that at the same time secure a superior parapet that surrounds the rooftop as an open balcony. The doors are double made of wood and glass with persiennes. Some doors are under semicircular arches framed and crowned with sunrise transoms. The ones of the second floor has balconies of double sections with balustrades and others are under rectangular arches presided by parapets. Besides that, the central part of the building has galleries that give access to the interior with concrete balustrades modulated by square columns. Above the balustrade of the second floor you can see plants on pots. On both sides of it you can see attached buildings among which it stand out flat roofs, balconies, double doors, framed windows, moldings and parapets. Also, you can se a multi-storey, power line poles and abandoned buildings. The building Suliveres was built between 1895 and 1910, has been used as a residential and comercial space.

Banco de Ponce - 87001003

Banco de Ponce - 87001003



View of the main facade of the Banco de Ponce, located on a triangular lot defined by Amor and Comercio streets in the coastal city of Ponce. The building is a three-story concrete building in the Beaux-Arts style of the early 20th Century and an example of the Beaux-Arts architects' interpretation of the Fin de Siecle (End of the Century) in Ponce. The facade is distinguished by the monumental pilasters with fluting and a Corinthian capital that accentuates the verticality of the building. The pilasters flanking the entrance are round, while those on the sides are square and paired. Above them is an entablature made of a cornice, a frieze with rosettes, and a series of dentils. The upper part is joined by protruding panels in the shape of pilasters, topped with a small cornice and a parapet that incorporates a medallion surrounded by two cornucopias and an inscription: "B of P." Several ornamental bands, glass windows with mullions, and balustrades are between the pilasters. An aedicule with a triangular pediment accentuates the main door, and above it stands out the name of the building: "Banco de Ponce." Several people, cars, traffic signs, and a traffic light are visible across the sidewalk and the street. The Banco de Ponce, built in 1912, was designed by Francisco Porrata Doria, a Puerto Rican pioneer in the development of local modern architecture and one of the creators of the movement called “La Arquitectura Monumental” in Ponce. It, along with its neighbor, the Banco Crédito y Ahorro Ponceño, are examples of the efforts of local financial institutions of that time to compete with American banks for the wealth of Puerto Rico’s flourishing sugar industry. For a few years, its third floor was used as the ballroom of the Casino Español de Ponce.

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2012 00040

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2012 00040



The old Arsenal of the Spanish Navy in La Puntilla neighborhood in Old San Juan. The building represents the Neoclassical architectural style and was built in 1800. On the right side of the image is an open-air corridor and a facade painted white and gray. It has white semicircular moldings, cornices, pilasters, wooden double-leaf doors, and a brick floor. Adjacent to this building is the Madres Carmelitas chapel. This building is also representative of the Neoclassical architectural style, and it is painted pink, cream, and white. It has a semicircular dome crowned with a terracotta-colored lantern at the top. It has cornices, semicircular arches, and two wall lamps supported by brackets. A portico can also be partially observed, as well as columns and the triangular pediment of the chapel's main entrance. A roof with air conditioning units and vents can be seen on the left side of the image. There is a window opening with white moldings at the bottom. Later on, the old Arsenal of the Spanish Navy was used for exhibitions and as administrative offices of the Puerto Rican Institute of Culture. The La Puntilla condominium can be seen on the left side of the image. It is painted orange and cream. The Banco Popular of Puerto Rico, whose architectural style is Art Deco, can be seen in the distance. It has windows with rectangular and square openings and a tower with a sign that reads "Banco Popular." It was designed by the architect Chauncey W. Riley and built by the engineers Juan M. Beltrán Carrasquillo, Manuel Miró y Saurí, and José Benítez Gautier. The towers with lanterns of the Jose V. Toledo United States Courthouse and Post Office combine different architectural styles, such as Beaux-Arts, Federal, and Spanish Colonial Revival. It was designed by Oscar Wenderoth, and it is painted cream and terracotta. Other high-rise buildings, utility poles, and trees can be observed.

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2012 00029

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2012 00029



Facade located next to the main entrance of the old Arsenal of the Spanish Navy in La Puntilla neighborhood in Old San Juan. The building represents the Neoclassical architectural style and was built in 1800. A two-story building painted salmon and white can be observed. It has parapets, cornices, pilasters, six wooden double-leaf doors with white moldings, and a balcony without railings with a skirt supported by pilasters and wooden beams. In front of the facade, there is a wall and three automobiles. Later on, the old Arsenal of the Spanish Navy was used for exhibitions and as administrative offices of the Puerto Rican Institute of Culture. Part of the tiled roof of the United States Customs House, also known as the "Aduana de San Juan," can also be seen in the image. Its architectural style represents the Spanish Colonial Revival style, and its construction was done by the architect Albert B. Nichols. The building was built in 1924 and is painted pink, white, and terracotta. The United States Customs House was entered into the National Register of Historic Places of the United States in 1988. The upper part of the Banco Popular of Puerto Rico can be seen from a distance. The building is painted cream and represents the Art Deco architectural style. It was designed by the architect Chauncey W. Riley and built by the engineers Juan M. Beltrán Carrasquillo, Manuel Miró y Saurí, and José Benítez Gautier.

San Vicente de Paul Catholic Cemetery – 88001249

San Vicente de Paul Catholic Cemetery – 88001249



View of the Neo-Gothic mausoleum of the Robert Subirá family located in the San Vicente de Paúl Catholic Cemetery in Ponce. This mausoleum has several pinnacles and pointy arches that frame the door with bars and the window with grilles. On the back, the mausoleum of the Serrallés family stands out, characterized by Neoclassical elements such as columns with fluted shafts and Ionic capitals, a door with moldings, a window framed in a semicircular arch, a cornice, a frieze, a parapet, and the hipped roof with brick tiles crowned with a cross. Around these mausoleums, other graves are also visible, surrounded by pillars with chains, complemented by crosses and vases with flowers. The San Vicente de Paúl Catholic Cemetery, representative of the funerary architecture of the early 20th Century, was erected, blessed, and administered by the Vincentian Fathers for the exclusive use of the wealthy Catholic residents of Ponce and opened in 1901. The layout follows the Spanish tradition of having two main axes forming a cross, and its tombs and mausoleums span varied architectural styles typical of the Spanish Classical Revival through to Art Deco. These display sculptures in marble, granite, and pink Ponce stone, interspersed with less sophisticated funerary monuments designed by unknown local craftsmen. The cemetery also exhibits a group of niches built below ground level, thus giving the effect of catacombs. Many were abandoned or moved to the Ponce Civil Cemetery due to the high cost of maintenance and strict regulations set by the administration.

The Puerto Rican Athenaeum - San Juan (Old San Juan) - 2010 00003

The Puerto Rican Athenaeum - San Juan (Old San Juan) - 2010 00003



The Ateneo Puertorriqueño located at Puerta de Tierra in Old San Juan. It was founded in 1876 and constructed by the engineer Ramón Carbia Burt in 1923. It is the oldest cultural institution in Puerto Rico, also known as "la Docta Casa." Its architectural style is representative of the Moorish Revival style. It was nominated to enter the National Register of Historic Places in 1984. It is painted white and terracotta. The upper half of the facade has an eave covered by tiles supported by wooden corbels. It also has seven multifoil arches interrupted by eight pilasters with tiles on top. On the lower half of the facade, six pilasters support a semicircular arch and an entablature covered in tiles with floral designs. The doorway has "Ateneo Puertorriqueño" written at the top. On both sides of the pilasters, there are friezes in high-reliefs with representations of human figures sculpted by the Italian artist Arrighini. There are steps and streetlights in front of the entrance. The building also has glass windows with hinged wooden frames and a torch-shaped ornamentation in the upper right corner of the image. Trees, shrubs, a palm tree, a decoration allusive to the Three Wise Men, grass, and a flag pole can be seen in the surrounding areas. The Ateneo Puertorriqueño was founded to promote the theater, music, film, literature, history, science, the moral and political sciences, and the visual arts in Puerto Rico.

ArquiTour 2015 - San Juan (Old San Juan) - 2015 00010

ArquiTour 2015 - San Juan (Old San Juan) - 2015 00010



In the center of the image is the Casa de España building in Old San Juan. Its architecture is of Spanish Moorish Revival style. The facade is white and blue; it has tile roofing, several towers with mullions, walls with ornamented buttresses, and corbelled eaves. It also has bay windows and suspended glass double-leaf windows with transoms. Steps, window openings, light posts, a wall with buttresses, and palm trees can be observed at the bottom half of the building. On the right side of the building is a pergola supported by columns and a balcony with street lights. It has double-leaf doors, street lights, and a quoined arch at the bottom left half of the building. Casa de España entered the National Register of Historic Places of the United States in 1983. Next to Casa de España is the Biblioteca Carnegie. The tile-covered roof and the part of the white and pink-colored facade can be observed. This building has a Neoclassical architectural style and entered into the National Register of Historic Places of the United States in 1983. The roof and the light blue-colored walls of the Puerto Rican Athenaeum can also be observed. This building is representative of the Moorish Revival Architecture style. Next to this building is the Casa Olímpica, which later became the headquarters of the Puerto Rican Olympian Committee. Its architectural style is Neoclassical and is cream and white. The cornices, wooden lattice double windows with transoms, and a structure on the top of the building with a hipped roof, a hinged door, and windows with glass squares can be observed. Next to this building is the former Casino of Puerto Rico, which later became the headquarters of the Centro de Recepciones Oficiales del Gobierno de Puerto Rico. Its architectural style is Beaux-Arts, and the building is gray and white. The mansard roof, cornices, balusters, rectangular moldings, and glass double-leaf doors can be observed. It was entered into the National Register of Historic Places of the United States in 1977. On the right side of the image, there are workers with construction machines asphalting the street on Muñoz Rivera Avenue. The masonry walls and the embrasures of the Castillo San Cristóbal can be partially observed. On the left side is the blue building known as Ramón Mellado Parsons. This is a three-story building with glass windows, a balustraded balcony, and a slanted roof that overhangs the building. It has a staircase that leads up to a rooftop surrounded by metal railings. Behind this building is the Administration for Child Care and the Integrated Development of Childhood building, which is red and white and has reflective glass windows, parapets, and a tower-like construction with hipped roofing at the top part of the building. Adjacent to this building is the José Julián Acosta School, painted in dark turquoise blue. It is representative of the Mission Revival architecture style. The cornices, pediment, moldings, and white rectangular windows can be seen. The upper half of the Teatro Alejandro Tapia y Rivera can be seen in the distance. The cornices and the triangular pediment can be observed. A semicircular dome with a white color lantern can also be observed. The image has several plants, balconies, cornices, window openings, and utility poles.

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2011 00038

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2011 00038



Aerial view of several buildings in La Puntilla neighborhood in Old San Juan. On the left side of the image is the United States Customs House building, also known as the "Aduana de San Juan." Its architectural style represents the Spanish Colonial Revival style, and its construction was done by the architect Albert B. Nichols. The building was built in 1924 and is painted pink, white, and terracotta. It is a two-story building with an irregular rectangular shape, and one of its corners is projected at an angle. The upper half of the building has a tile roof, six dormers, cornices, and five semicircular arches with roll-up doors. On the bottom part of the building, there is an angled facade with a door, antennas, an air conditioning system, and fans. The United States Customs House entered the U.S. National Register of Historic Places in 1988. Next to this building is the old Arsenal of the Spanish Navy. The building represents the Neoclassical architectural style and was built in 1800. It is painted yellow, cream, white, and brown. The main entrance has a portico supported by four columns, which support an entablature with friezes. The building has acroterium, cornices, parapets, semicircular arches, pilasters, street lights, and doorways. At the top of the building is the hemispherical dome crowned with a lantern of the Madres Carmelitas Chapel. The chapel is painted salmon, white, and terracotta. Later on, the old Arsenal of the Spanish Navy was used for exhibitions and as administrative offices of the Puerto Rican Institute of Culture. Adjacent to this building is the United States Coast Guard, painted white, brown, and terracotta. At the top of this building is a structure with an arched roof, window openings framed with white moldings, and awning windows. The lower half shows an entrance with a canvas curtain, windows with white moldings, and trees. The San Juan Bay, palm trees, and trees can be seen in the distance. A road can also be seen in the image, and sidewalks, automobiles, people, and part of the La Puntilla Condominium building can be partially observed.

Parish San Antonio de Padua - Barranquitas - 2012 00009

Parish San Antonio de Padua - Barranquitas - 2012 00009



View of the Parish San Antonio de Padua in the town of Barranquitas. At the foreground you can see the square Bicentenaria Monseñora Miguel Ángel Mendoza decorated with an ornamental iron gazebo decorated, landscape areas, ornamental iron benches, light poles, decorative fountains and plastic awnings. In front of the square there is the Parish San Antonio de Padua. The parish has two levels with gable roof and an eclectic design inspired in the Spanish Revival, Art Deco and Neoclassic. The front facade is decorated with an entrance framed and flanked by pilasters above where there is a niche secured by a bracket in where, in addition, there is a railing and a statue of Saint Anthony of Padua. It is in front a glass window with a semicircular arch framed and flanked by pilasters. The facade also has glass windows, an oculus and a curvilinear pediment crowned with a cross. Additionally, from the building it stick out a belfry decorated with finishes, cornices, moldings crowned with roofing tiles and a cross. The Parish San Antonio de Padua was built for the first time in 1792, nonetheless, it had to be rebuilt four times after being destroyed by several hurricanes. Finally, in 1933 it was rebuilt with the current design and restored in the decade of 1980. In the decade of 1930 the building also was used as a school that in addition, it had a cinema for the students that afterwards was open to the general public keeping it in use until the decade of 1970.

Villa Julita - 86003491

Villa Julita - 86003491



Front view of Villa Julita, also known as the Ulrich house, in the town of Aibonito. The house has a Creole style that combines elements of other architectural styles; it is built of wood and concrete with a zinc roof on stilts. The windows and exterior doors combine wooden shutters and glass panels topped with wooden transoms. On the other side, a hexagonal-shaped corner space with glass windows and a gable roof can be seen. A large balcony with a balustrade and concrete Doric columns is also visible. In the front, there are concrete stairs with a stepped railing. On the right end of the balcony is a round porch showing the influence of the Victorian style and the wooden latticework covering the entire lower edge of the balcony. Villa Julita was designed and built in 1915 by Alfredo Weichers, an architect from Ponce, and the builder Salvador Landó. Using Creole and Beaux-Arts architectural styles, Weichers created architecture unique to his time on the island. In 1917 the property was sold to the Wirshing Serallés family from Ponce, who later sold it to the Ulrich Foundation in 1972. However, since 1950, the Foundation used it as a residence for conscientious objectors to the Korean and Vietnam wars, and the Mennonite church used the land for innovative agricultural education in Aibonito until 1974, when the property was sold again and used as a comprehensive development center for children. However, a few years ago, the house was restored to its original style and opened to the public for guided tours.

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2012 00025

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2012 00025



Bastión de las Palmas de San José, located on the corner of Tetuán and San José Streets in Old San Juan, was built in the 17th century in 1625 after the Dutch attacked Old San Juan. Two green-colored benches, a railing, and a masonry wall made out of stone and bricks can be observed in the image. Bastión de las Palmas de San José was later turned into a park. A blue and white-colored building that has balconies supported by brackets, railings, and white moldings can be partially observed on the right side of the image. A semicircular arch of the Capilla del Santo Cristo de Salud, also known as Capilla del Cristo, is visible. It was built in 1753 by the architect and military engineer Juan Francisco Mestre. The chapel has characteristics of the Mudéjar architectural style. It was built in brick and masonry. The side facade of the old Hospital de la Concepción, also known as Convento y Casa de Salud Siervas de María, can also be observed. It has parapets, cornices, and lattice windows with transoms. On the left side is a tower with a dome in the upper half of the old La Princesa prison. This building was built in 1837 and was used as a prison until 1976, when it was closed down due to problems with its structure. In 1992, the Puerto Rican government restored it and turned it into the headquarters of the Puerto Rico Tourism Company. The architect, Miguel Carlo, was responsible for the building's restoration. Palm trees, trees, the San Juan Bay, and the chimneys of Central Palo Seco in the municipality of Toa Baja can be seen in the image.

ArquiTour 2015 - San Juan (Old San Juan) - 2015 00016

ArquiTour 2015 - San Juan (Old San Juan) - 2015 00016



José Julián Acosta y Calbo School in Old San Juan, formerly known as San Juan School Number One. The building is representative to the Mission architecture style and is turquoise and white. The main entrance has a portico with columns and semicircular arches. The upper part of the building has an open balcony with railings and doors flanked by two wooden double windows with a roof supported by corbels. There is a pediment with an oculus and an inscription that reads "José Julián Acosta School" which is decorated with garlands. It also possesses cornices with a parapet on the upper part. The façade has Bas-reliefs and it is divided by wooden double windows framed with rectangular-shaped moldings. There are shrubs and three flag poles with flags in front of the façade. La Constitución Avenue is in front of the school which has, automobiles, palm trees, street lights, sidewalks, and some orange traffic markers. The clocktower and the Covadonga parking garage are located behind the school. Muelle #4, the cruise ship terminal, can be partially seen in the distance. This building is orange and cream-colored. It has a sloped roof supported by pillars and two flagpoles with the Puerto Rican and United States flags can be observed in front of the main entrance. The San Juan Bay and some wagons can also be observed, as well as the hangars of the Fernando Luis Ribas Dominicci Airport, which is colloquially known as the Aeropuerto de Isla Grande, or Isla Grande Airport.

Citibank at Gonzalo Marín 101 - 86003183

Citibank at Gonzalo Marín 101 - 86003183



Side view of the Gonzalo Marín 101 building in the coastal town of Arecibo. It is a two-story, plastered masonry Neoclassical-style building originally built for commercial and residential purposes. The front facade has three sections, and the side part has four sections connected by a curved corner. At ground level, a continuous plinth supports the building. Surrounding the front and side facade is a row of marble cladding interrupted by the front door. The door is double-leaf with glass, while the windows are made of glass and aluminum framed with moldings. Next to the door, flanked by lanterns, an inscription that reads: “CITIBANK”. A cornice divides the building's two levels, supporting the cantilevered front balcony with ornamental iron railing. The balcony houses three wooden French doors framed with moldings and crowned with an entablature. The middle door has three pilasters that support a pediment. On the left are four wooden French doors with ornamental iron sills framed and crowned with an entablature. Defining the corners of the building are pilasters that support the upper cornice and a parapet that crowns the building as an open balcony. On the street, cars and people walking can be seen. Built in 1908, it was one of the last buildings designed with Spanish Neoclassical terms on the island. From its beginnings, the building housed banking institutions until the Great Depression of 1930, when First National City Bank opened its branch, thus becoming the first bank in the United States in the area.