Decolonial Subject

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The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2011 00038

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2011 00038



Aerial view of several buildings in La Puntilla neighborhood in Old San Juan. On the left side of the image is the United States Customs House building, also known as the "Aduana de San Juan." Its architectural style represents the Spanish Colonial Revival style, and its construction was done by the architect Albert B. Nichols. The building was built in 1924 and is painted pink, white, and terracotta. It is a two-story building with an irregular rectangular shape, and one of its corners is projected at an angle. The upper half of the building has a tile roof, six dormers, cornices, and five semicircular arches with roll-up doors. On the bottom part of the building, there is an angled facade with a door, antennas, an air conditioning system, and fans. The United States Customs House entered the U.S. National Register of Historic Places in 1988. Next to this building is the old Arsenal of the Spanish Navy. The building represents the Neoclassical architectural style and was built in 1800. It is painted yellow, cream, white, and brown. The main entrance has a portico supported by four columns, which support an entablature with friezes. The building has acroterium, cornices, parapets, semicircular arches, pilasters, street lights, and doorways. At the top of the building is the hemispherical dome crowned with a lantern of the Madres Carmelitas Chapel. The chapel is painted salmon, white, and terracotta. Later on, the old Arsenal of the Spanish Navy was used for exhibitions and as administrative offices of the Puerto Rican Institute of Culture. Adjacent to this building is the United States Coast Guard, painted white, brown, and terracotta. At the top of this building is a structure with an arched roof, window openings framed with white moldings, and awning windows. The lower half shows an entrance with a canvas curtain, windows with white moldings, and trees. The San Juan Bay, palm trees, and trees can be seen in the distance. A road can also be seen in the image, and sidewalks, automobiles, people, and part of the La Puntilla Condominium building can be partially observed.

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2012 00002

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2012 00002



Facade located next to the main entrance of the old Arsenal of the Spanish Navy in La Puntilla neighborhood in Old San Juan. The building represents the Neoclassical architectural style and was built in 1800. A salmon and white-colored two-story building can be observed. It has parapets, cornices, two pilasters, and wooden double-leaf doors framed by white moldings. The building also has a balcony without railings and a skirt supported by pilasters and wooden beams. There are automobiles in front of the building, and next to the building is a metal grille gate with a fan-like design, trees, and part of the San Juan Bay. Later on, the old Arsenal of the Spanish Navy was used for exhibitions and as administrative offices of the Puerto Rican Institute of Culture. Part of the roof of the United States Customs House building, also known as the "Aduana de San Juan," can also be seen in the image. Its architectural style represents the Spanish Colonial Revival style, and its construction was done by the architect Albert B. Nichols. The United States Customs House was entered into the National Register of Historic Places of the United States in 1988. The top part of the Banco Popular de Puerto Rico can be seen from a distance. The building is painted cream and represents the Art Deco architectural style. The bank was designed by the architect Chauncey W. Riley and built by the engineers Juan M. Beltrán Carrasquillo, Manuel Miró y Saurí, and José Benítez Gautier. The José V. Toledo Federal Building and the United States Courthouse, which combines the Beaux-Arts, Federal, and Spanish Colonial Revival architectural styles, can also be observed. This building was designed by Oscar Wenderoth and is painted cream and terracotta. It has two towers crowned with lanterns, Arabic tiles, and cornices. The building was entered into the National Register of Historic Places of the United States in 1986. On its right side is the Ochoa building, designed by the architect Pedro Adolfo de Castro y Besosa. The Ochoa building is painted gray and white, has a tower crowned by a stepped design, and has square and rectangular windows.

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2012 00017

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2012 00017



Partial view of the corner of the facade of the old Arsenal of the Spanish Navy, the United States Customs House building, also known as the "Aduana de San Juan," and the Banco Popular of Puerto Rico in Old San Juan. On the image's right side is the old Spanish Navy Arsenal. The building, built in 1800, represents the Neoclassical architectural style and is painted gray and white. It has a portico supported by columns and an entablature that contains triglyphs, friezes, metopes, cornices, and dentils. Later on, the old Arsenal of the Spanish Navy was used for exhibitions and as administrative offices of the Puerto Rican Institute of Culture. On the left side of the image is the United States Customs House building, also known as the "Aduana de San Juan." Its architectural style represents the Spanish Colonial Revival style, and its construction was done by the architect Albert B. Nichols. The building was built in 1924 and is painted pink, white, and terracotta. The upper half of the building has a tile roof, a balcony supported by pillars, and window openings. It has semicircular openings on the bottom of the building with roll-up doors, security cameras, wall lamps, and a trash can. The United States Customs House was entered into the National Register of Historic Places of the United States in 1988. The Banco Popular of Puerto Rico's upper half of the building can be seen from a distance. The building is painted cream and represents the Art Deco architectural style. It has windows with rectangular and square openings and a tower with a sign that reads "Banco Popular." It was designed by the architect Chauncey W. Riley and built by the engineers Juan M. Beltrán Carrasquillo, Manuel Miró y Saurí, and José Benítez Gautier. A sidewalk, streets, trees, and the electrical wiring of nearby utility poles can be observed in the image.

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2012 00023

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2012 00023



The old Arsenal of the Spanish Navy in barrio La Puntilla in Old San Juan. The building represents the Neoclassical architectural style and was built in 1800. It is painted white, gray, and dark blue. An open-air corridor with arcades that have white moldings, cornices, openings with wooden double-leaf doors, and a brick floor can be observed. A window opening with white moldings and a wall lamp supported by brackets can be seen in the background. On the right side of the image is the side facade of the Madres Carmelitas chapel. This building also represents the Neoclassical architectural style and is painted pink, cream, and white. It has a semicircular dome crowned with a terracotta-colored lantern. It has cornices, semicircular arches, and two wall lamps supported by brackets. In front of the facade is a yellow-colored scaffolding, two orange construction barrels, and a person. The La Puntilla condominium can be seen on the left side of the image. It is painted orange and cream. The eaves, balconies, and window openings can be observed. The roof of the United States Customs House, also known as the "Aduana de San Juan," can be partially seen in the distance. The Banco Popular of Puerto Rico, whose architectural style is Art Deco, is painted cream and can also be observed. It was designed by the architect Chauncey W. Riley and built by the engineers Juan M. Beltrán Carrasquillo, Manuel Miró y Saurí, and José Benítez Gautier. Other high-rise buildings, utility poles, and trees can also be observed. Later on, the old Arsenal of the Spanish Navy was used for exhibitions and as administrative offices of the Puerto Rican Institute of Culture.

San Juan Waterworks - 07000585

San Juan Waterworks - 07000585



Perspective of the Pumping Station of the old San Juan Waterworks historic complex. The station was designed in 1892, following the Spanish colonial architectural style, by the London-based company's consultant, Henry Thomas Granger, and was completed in 1896. The rectangular, one-story building with a gabled roof covered by deteriorating metal sheets was used initially to house coal, boilers, and steam engines. The latter were replaced in 1917 by electric motor pumps. The facade exhibits thick brick and limestone masonry walls, with wide openings corresponding to loading accesses. An octagonal chimney built with bricks and crowned with a Neoclassical cornice stands out to the right. Surrounding it are sedimentation basins, the mechanical and chemical filter station, other auxiliary buildings, and dense vegetation with tall trees in the background. On the left, agricultural machinery and parked vehicles can be seen. This station is the most outstanding in the complex due to its size and engineering work. The old San Juan Waterworks complex is the best example of late 19th-century hydraulic works in Puerto Rico. It was first proposed in the 1840s, but construction did not begin until 1892. The water treatment plant began supplying drinking water to the city in 1899 and closed operations in 1980. This historic complex, composed of architectural elements with colonial and Neoclassical Spanish style influences, is located within the Botanical Garden and Agricultural Station of the University of Puerto Rico and part of the San Juan Ecological Corridor, covering approximately 24.18 acres, divided into two parcels. The main parcel consists of a dam, filtration and processing tanks, and a pumping station, and the second parcel houses a storage tank for filtered water. Establishing the Waterworks in that area was key in the planning and development of numerous communities in Río Piedras, Santurce, Puerta de Tierra, and Miramar, a local historic district planned after the availability of running water from the aqueduct.

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2012 00029

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2012 00029



Facade located next to the main entrance of the old Arsenal of the Spanish Navy in La Puntilla neighborhood in Old San Juan. The building represents the Neoclassical architectural style and was built in 1800. A two-story building painted salmon and white can be observed. It has parapets, cornices, pilasters, six wooden double-leaf doors with white moldings, and a balcony without railings with a skirt supported by pilasters and wooden beams. In front of the facade, there is a wall and three automobiles. Later on, the old Arsenal of the Spanish Navy was used for exhibitions and as administrative offices of the Puerto Rican Institute of Culture. Part of the tiled roof of the United States Customs House, also known as the "Aduana de San Juan," can also be seen in the image. Its architectural style represents the Spanish Colonial Revival style, and its construction was done by the architect Albert B. Nichols. The building was built in 1924 and is painted pink, white, and terracotta. The United States Customs House was entered into the National Register of Historic Places of the United States in 1988. The upper part of the Banco Popular of Puerto Rico can be seen from a distance. The building is painted cream and represents the Art Deco architectural style. It was designed by the architect Chauncey W. Riley and built by the engineers Juan M. Beltrán Carrasquillo, Manuel Miró y Saurí, and José Benítez Gautier.

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2012 00040

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2012 00040



The old Arsenal of the Spanish Navy in La Puntilla neighborhood in Old San Juan. The building represents the Neoclassical architectural style and was built in 1800. On the right side of the image is an open-air corridor and a facade painted white and gray. It has white semicircular moldings, cornices, pilasters, wooden double-leaf doors, and a brick floor. Adjacent to this building is the Madres Carmelitas chapel. This building is also representative of the Neoclassical architectural style, and it is painted pink, cream, and white. It has a semicircular dome crowned with a terracotta-colored lantern at the top. It has cornices, semicircular arches, and two wall lamps supported by brackets. A portico can also be partially observed, as well as columns and the triangular pediment of the chapel's main entrance. A roof with air conditioning units and vents can be seen on the left side of the image. There is a window opening with white moldings at the bottom. Later on, the old Arsenal of the Spanish Navy was used for exhibitions and as administrative offices of the Puerto Rican Institute of Culture. The La Puntilla condominium can be seen on the left side of the image. It is painted orange and cream. The Banco Popular of Puerto Rico, whose architectural style is Art Deco, can be seen in the distance. It has windows with rectangular and square openings and a tower with a sign that reads "Banco Popular." It was designed by the architect Chauncey W. Riley and built by the engineers Juan M. Beltrán Carrasquillo, Manuel Miró y Saurí, and José Benítez Gautier. The towers with lanterns of the Jose V. Toledo United States Courthouse and Post Office combine different architectural styles, such as Beaux-Arts, Federal, and Spanish Colonial Revival. It was designed by Oscar Wenderoth, and it is painted cream and terracotta. Other high-rise buildings, utility poles, and trees can be observed.

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2012 00041

The Old Navy Arsenal in La Puntilla - San Juan (Old San Juan) - 2012 00041



View from the posterior of the old Arsenal of the Spanish Navy in La Puntilla neighborhood in Old San Juan. The building represents the Neoclassical architectural style and was built in 1800. An area restricted by balusters with several vehicles and trees can be observed. A pink and white facade with a parapet, pilasters, cornices, wooden double-leaf doors, and a balcony with no railings supported by pillars. Later on, the old Arsenal of the Spanish Navy was used for exhibitions and as administrative offices of the Puerto Rican Institute of Culture. Next to this building is the United States Customs House, also known as the "Aduana de San Juan." Its architectural style is Spanish Colonial Revival, built by the architect Albert B. Nichols. It was built in 1924 and is painted pink, white, and terracotta. This building was entered into the National Registry of Historic Places in 1988. The Banco Popular of Puerto Rico can be seen from a distance. It is painted cream and represents the Art Deco architecture style. It was designed by the architect Chauncey W. Riley and built by the engineers Juan M. Beltrán Carrasquillo, Manuel Miró y Saurí, and José Benítez Gautier. In the center of the image is the Jose V. Toledo United States Courthouse and Post Office, where two towers crowned with lanterns and Arabic tiles stand out. It was designed by Oscar Wenderoth, and it is painted cream and terracotta. The building was entered into the National Register of Historic Places in 1986. The Ochoa building, designed by the architect Pedro Adolfo de Castro y Besosa, can also be observed in the image. It is painted gray and white, has a tower crowned with a stepped design, and possesses square and rectangular windows. The façade of the Harbor Plaza building and the Hotel Sheraton can also be observed. The San Juan Bay, Pier 1, and Pier 3 are on the right side of the image. The towers with lanterns of the Jose V. Toledo United States Courthouse and Post Office combine different architectural styles, such as Beaux-Arts, Federal, and Spanish Colonial Revival. Other high-rise buildings, utility poles, and trees can be observed.

Former Residence of Dr. Mario Juliá - Juliá and Family Residence - San Juan (Condado) - 2020 00010

Former Residence of Dr. Mario Juliá - Juliá and Family Residence - San Juan (Condado) - 2020 00010



Front view of the former residence of the Juliá family, located in the community of Condado in the coastal city of San Juan. The house has two floors with characteristics of the Spanish Revival style. The entrance is through a hall presided by stairs with metallic handrails. The stairs are covered with ceramic tiles with floral motifs. The opening is framed with ornamental moldings, and crowned with an emblem and an inscription that says: "1006." Through the opening you can see a double door made of wood. In addition, on the first floor you can also see a closed window with a wood panel and on the corner a niche above a conical bracket. On the second floor you can see a double window with semicircular arches framed with moldings above an entablature supported by brackets. There is also a horseshoe window framed with moldings, presided by a parapet with in-relief motifs, and on the left corner there is an open balcony supported by brackets. It is surrounded by a balustrade. Furthermore, on the upper border you can see a continuous cornice, the roof covered with roofing tiles, and supported by brackets. On the surrounding areas you can see garden areas and an adjacent building. This residence was designed in 1937 and belonged to Dr. Mario Juliá family, he was the first psychiatrist who established the first private mental sanatorium in the island, founded in 1925. The house was used as a residence and in 2016 as a restaurant known as Casa Lola Criollo Kitchen, it was finally demolished in 2023.

Teatro Yagüez - Mayagüez - 2011 00014

Teatro Yagüez - Mayagüez - 2011 00014



View of the main hall and stage in Teatro Yagüez, located between the McKinley and Basora streets of the municipality of Mayagüez. The main hall theatre seats are red and contrast with the white of the ornamental plasterwork of the boxes parapets and the marble walls. The stage opening has a curtain set out halfway down and you can see through it, several objects like chairs, tables, boards, and panels. In the middle of the ceiling you can partially see a glass lamp, like a chandelier that crowns the hall. In addition, the theatre main hall has three levels and a horseshoe or "U" shape. In its beginning, in 1909, the theatre was designed and built with wood, steel, and zinc; it was known as Casa del Arte Sonoro. The original owner was Francisco Maymón Palmer. In 1919, a fire consumed the building. In 1920, they did a new design with Eclectic style, integrating materials like concrete, wood, glass, Italian marble, and plaster for the decorations. During the 1950s the theatre showed signs of deterioration and from 1977 to 1984 they did restorations under the auspices of the municipality of Mayagüez. Likewise, during the period from 2002 to 2008, they did a third restoration to the theatre. This theatre constitutes one of the main artistic setting with great historical value in the west area of Puerto Rico as it hosted important orchestras, and acting and dance companies. Its architecture reflects elements of the European Neoclassic, Neo-Baroque, and of the early 20th century architecture, known as Belle Époque.

Teatro Yagüez - Mayagüez - 2011 00017

Teatro Yagüez - Mayagüez - 2011 00017



Detail of the stain glass on the Teatro Yagüez facade, located between the McKinley and Basora streets of the municipality of Mayagüez. The stain glass shows geometric motif and glass with green, yellow, blue, and red shades. It is on the muntins of the first floor panel doors and second floor windows. The stain glass is flanked by pilasters crowned with ornamental brackets and lanterns that protrude from each one of these pilasters. The upper part of the building can be distinguished by a cornice, a frieze with panels, and an eggs and darts molding. Through the eave stand out a series of lightbulbs. The theatre building surface is yellow with white details. In its beginning, in 1909, the theatre was designed and built with wood, steel, and zinc; it was known as Casa del Arte Sonoro. The original owner was Francisco Maymón Palmer. In 1919, a fire consumed the building. In 1920, they did a new design with Eclectic style, integrating materials like concrete, wood, glass, Italian marble, and plaster for the decorations. During the 1950s the theatre showed signs of deterioration and from 1977 to 1984 they did restorations under the auspices of the municipality of Mayagüez. Likewise, during the period from 2002 to 2008 they did a third restoration to the theatre. This theatre constitutes one of the main artistic settings with a great historical value in the west area of Puerto Rico as it hosted important orchestras, and acting and dance companies. Its architecture reflects elements of the European Neoclassic, the Neo-Baroque, and of the early 20th century architecture, known as Belle Époque.

Teatro Yagüez - Mayagüez - 2011 00018

Teatro Yagüez - Mayagüez - 2011 00018



Perspective of a section of the hallway and curtains of one of the boxes of the Teatro Yagüez, located between the McKinley and Basora streets of the municipality of Mayagüez. The hallway wall has marble panels that cover half of it and contrast with the red color of the other half. This wall also shows a pair of lamps and the transition to the ceiling is accentuated by a molding. In front of this wall there are red curtains through which you can access to the box. Between the curtains there are columns and one of them shows a sign that says: "Palco J." In its beginning, in 1909, the theatre was designed and built with wood, steel, and zinc; it was known as Casa del Arte Sonoro. The original owner of this theatre was Francisco Maymón Palmer. In 1919, a fire consumed the building. In 1920, they did a new design with Eclectic style, integrating materials like concrete, wood, glass, Italian marble, and plaster for the decorations. During the 1950s the theatre showed signs of deterioration and from 1977 to 1984 they did restorations under the auspices of the municipality of Mayagüez. Likewise, during the period from 2002 to 2008 they did a third restoration to the theatre. This theatre constitutes one of the main artistic settings with great historical value in the west area of Puerto Rico as it hosted important orchestras, and acting and dance companies. Its architecture reflects elements of the European Neoclassic, Neo-Baroque, and of the early 20th century architecture, known as Belle Époque.

Teatro Yagüez - Mayagüez - 2011 00022

Teatro Yagüez - Mayagüez - 2011 00022



Detail of the main hall theatre seats and boxes of the Teatro Yagüez, located between the McKinley and Basora streets of the municipality of Mayagüez. The theatre seats are red and contrast with the white ornamental plasterwork on the ceiling and on the parapets that delimits the boxes. Below one of the boxes you can see panels with marble texture. Between the boxes pillars there are red curtains and wall lamps. You can also see the emergency exits. On one of the balconies there is a person. In its beginning, in 1909, the theatre was designed and built with wood, steel, and zinc, and it was known as Casa del Arte Sonoro. The original owner of this theatre was Francisco Maymón Palmer. In 1919, a fire consumed the building. In 1920, they did a new design with Eclectic style, integrating materials like concrete, wood, glass, Italian marble, plaster for the decorations. During the 1950s the theatre showed signs of deterioration and from 1977 to 1984 they did restorations under the auspices of the municipality of Mayagüez. Likewise, during the period from 2002 to 2008 they did a third restoration to the theatre. This theatre constitutes one of the main artistic settings with great historical value in the west side of Puerto Rico as it hosted important orchestras, and acting and dance companies. Its architecture reflects elements of the European Neoclassic, the Neo-Baroque, and of the early 20th century architecture, known as Belle Époque.

Teatro Yagüez - Mayagüez - 2011 00025

Teatro Yagüez - Mayagüez - 2011 00025



Detail of a stair and a door inside the Teatro Yagüez, located between the McKinley and Basora streets of the municipality of Mayagüez. Half of the walls that flank the stair are covered with marble panels that contrast with the other half of the wall, which is red. The transition from the wall to the ceiling is accentuated by a white molding. In addition, you can see a wooden door with panels and a wall lamp. Through this space you can see several objects like, an extinguisher, a chair, a phone, several concrete bags, blocks, a hose and a tube. In its beginning, in 1909, the theatre was designed and built with wood, steel, and zinc, and it was known as Casa del Arte Sonoro. The original owner of this theatre was Francisco Maymón Palmer. In 1919, a fire consumed the building. In 1920, they did a new design with Eclectic style, integrating materials like concrete, wood, glass, Italian marble, and plaster for the decorations. During the 1950s the theatre showed signs of deterioration and from 1977 to 1984 they did restorations under the auspices of the municipality of Mayagüez. Likewise, during the period from 2002 to 2008 they did a third restoration to the theatre. This theatre constitutes one of the main artistic settings with great historical value in the west area of Puerto Rico as it hosted important orchestras, and acting and dance companies. Its architecture reflects elements of the European Neoclassic, the Neo-Baroque, and of the early 20th century architecture, known as Belle Époque.

Beneficencia Asylum Building - San Juan (Old San Juan) - 2011 00042

Beneficencia Asylum Building - San Juan (Old San Juan) - 2011 00042



The old Beneficencia Asylum Building (Asilo de Beneficencia) is located in the Ballajá neighborhood of Old San Juan. It was inaugurated in 1844 and designed by architect Pedro García and the engineer Santiago Cortijo. The building is representative of the Neoclassical architectural style. It is painted yellow, white, green, and brown. The main facade of the building has two rectilinear pediments, one of which has high relief in its tympanum. The upper half of the main entrance has four pairs of Ionic columns, balconies, and green-colored wooden lattice double-leaf doors with semicircular arches. The lower half has four pairs of white Doric columns with green-colored double-leaf doors and semicircular arches. These columns support an entablature that has an inscription on the metopes. The facade also has extended cornices and green-colored wooden lattice double-leaf windows framed by semicircular arches and white flat moldings. In front of the entrance is a stepped wall with railings. The building is fenced off by metallic grilles supported by various square piers. The old Beneficencia Asylum Building later became the headquarters of the Institute of Puerto Rican Culture. The side facade of the old Insular Madhouse can be partially observed on the right side of the image. This building is painted yellow, mustard, white, and green. It has parapets, cornices, and green-colored wooden windows framed with white rectangular moldings. The Madhouse later became the School of Arts and Design of Puerto Rico. In the image is visible the street where El Morro is located, part of Jardín Paseo de Ballajá, people, automobiles, palms, trees, streetlights, and boundary marker posts.

Beneficencia Asylum Building - San Juan (Old San Juan) - 2015 00001

Beneficencia Asylum Building - San Juan (Old San Juan) - 2015 00001



The old Beneficencia Asylum Building (Asilo de Beneficencia) is located in the Ballajá neighborhood of Old San Juan. It was inaugurated in 1844 and designed by architect Pedro García and the engineer Santiago Cortijo. The building is representative of the Neoclassical architectural style. It is painted yellow, white, green, and brown. The main facade of the building has two rectilinear pediments, one of which has high relief in its tympanum. The upper part of the main entrance has four pairs of Ionic columns, balconies, and green-colored wooden double-leaf doors with semicircular arches. The lower half has four pairs of white Doric columns with green-colored double-leaf doors and semicircular arches. These columns support an entablature that has an inscription on the metopes. The facade also has extended cornices and green-colored wooden lattice double-leaf windows framed by semicircular arches and white flat moldings. In front of the entrance is a stepped wall with railings. The building is fenced off by metallic grilles supported by various square pillars. The old Beneficencia Asylum Building later on became the headquarters of the Institute of Puerto Rican Culture. El Bastión building, built in the 19th century and served as living quarters, storage, and a jail for the Spanish troops, can be partially observed on the left side of the image. The building is painted white and has parapets. The main entrance has brick arches and a relief at the top. Later, it became a self-managed cultural center by the ACirc Association (Asociación de Artistas de Circo y Artes de Calle de Puerto Rico), an association dedicated to the arts. The street where El Morro is located, part of Jardín Paseo de Ballajá, a water fountain, people, automobiles, palms, trees, streetlights, and boundary marker posts are also visible in the image. The San Juan Bay can be seen in the distance, with the mountains and a coast view of the towns of Cataño, Toa Baja, and Guaynabo.

Beneficencia Asylum Building - San Juan (Old San Juan) - 2015 00002

Beneficencia Asylum Building - San Juan (Old San Juan) - 2015 00002



The old Beneficencia Asylum Building (Asilo de Beneficencia) is located in the Ballajá neighborhood of Old San Juan. It was inaugurated in 1844 and designed by architect Pedro García and the engineer Santiago Cortijo. The building is representative of the Neoclassical architectural style. It is painted yellow, white, green, and brown. The main facade of the building has two rectilinear pediments, one of which has high relief in its tympanum. The upper part of the main entrance has four pairs of white Ionic columns, balconies, and green-colored wooden double-leaf doors with semicircular arches. The lower half has four pairs of white Doric columns with green-colored double-leaf doors and semicircular arches. These columns support an entablature that has an inscription on the metopes. The facade also has extended cornices and green-colored wooden lattice double-leaf windows framed by semicircular arches and white flat moldings. In front of the entrance is a stepped wall with railings. The building is fenced off by metallic grilles supported by various square pillars. The old Beneficencia Asylum Building later became the headquarters of the Institute of Puerto Rican Culture. Adjacent to the building is the old Insular Madhouse. This building is painted yellow, mustard, and white. It has parapets, quoins, cornices, rectangular windows, and a terracotta-colored lantern crowned by a pinnacle. This building was later known as the School of Arts and Design. The street where El Morro is located, part of Jardín Paseo de Ballajá, a water fountain, people, automobiles, palms, trees, streetlights, and boundary marker posts can be observed on the right side of the image. The Castillo San Felipe del Morro and the glacis can be observed in the distance. The masonry walls, the embrasures, two sentry posts, and a tower can also be observed.

The Puerto Rican Athenaeum - San Juan (Old San Juan) - 2010 00001

The Puerto Rican Athenaeum - San Juan (Old San Juan) - 2010 00001



The Ateneo Puertorriqueño located at Puerta de Tierra in Old San Juan. It was founded in 1876 and constructed by the engineer Ramón Carbia Burt in 1923. It is the oldest cultural institution in Puerto Rico, also known as "la Docta Casa." Its architectural style is representative of the Moorish Revival style. It was nominated to enter the National Register of Historic Places in 1984. It is painted white and terracotta. The upper half of the facade has an eave covered by tiles supported by wooden corbels. It also has seven multifoil arches interrupted by eight pilasters with tiles on top. On the lower half of the facade, six pilasters support a semicircular arch and an entablature covered in tiles with floral designs. The doorway has "Ateneo Puertorriqueño" written at the top. On both sides of the pilasters, there are friezes in high-reliefs with representations of human figures sculpted by the Italian artist Arrighini. There are steps and streetlights in front of the entrance. The building also has glass windows with hinged wooden frames and a torch-shaped ornamentation in the upper right corner of the image. Trees, shrubs, a decoration allusive to the Three Wise Men, a flagpole, grass, a traffic sign, and another sign about visitor entry can be seen in the surrounding areas. The Ateneo Puertorriqueño was founded to promote the theater, music, film, literature, history, science, the moral and political sciences, and the visual arts in Puerto Rico.

The Puerto Rican Athenaeum - San Juan (Old San Juan) - 2010 00002

The Puerto Rican Athenaeum - San Juan (Old San Juan) - 2010 00002



The Ateneo Puertorriqueño located at Puerta de Tierra in Old San Juan. It was founded in 1876 and constructed by the engineer Ramón Carbia Burt in 1923. It is the oldest cultural institution in Puerto Rico, also known as "la Docta Casa." Its architectural style is representative of the Moorish Revival style. It was nominated to enter the National Register of Historic Places in 1984. It is painted white and terracotta. The upper half of the facade has an eave covered by tiles supported by wooden corbels. It also has seven multifoil arches interrupted by eight pilasters with tiles on top. On the lower half of the façade, six pilasters support a semicircular arch and an entablature covered in tiles with floral designs. The doorway has "Ateneo Puertorriqueño" written at the top. On both sides of the pilasters, there are friezes in high-reliefs with representations of human figures sculpted by the Italian artist Arrighini. There are steps and streetlights in front of the entrance. The building also has glass windows with hinged wooden frames and a torch-shaped ornamentation in the upper right corner of the image. Trees, shrubs, a palm tree, a decoration allusive to the Three Wise Men, a flagpole, grass, and a traffic sign can be seen in the surrounding areas. The Ateneo Puertorriqueño was founded to promote the theater, music, film, literature, history, science, the moral and political sciences, and the visual arts in Puerto Rico.

The Puerto Rican Athenaeum - San Juan (Old San Juan) - 2010 00003

The Puerto Rican Athenaeum - San Juan (Old San Juan) - 2010 00003



The Ateneo Puertorriqueño located at Puerta de Tierra in Old San Juan. It was founded in 1876 and constructed by the engineer Ramón Carbia Burt in 1923. It is the oldest cultural institution in Puerto Rico, also known as "la Docta Casa." Its architectural style is representative of the Moorish Revival style. It was nominated to enter the National Register of Historic Places in 1984. It is painted white and terracotta. The upper half of the facade has an eave covered by tiles supported by wooden corbels. It also has seven multifoil arches interrupted by eight pilasters with tiles on top. On the lower half of the facade, six pilasters support a semicircular arch and an entablature covered in tiles with floral designs. The doorway has "Ateneo Puertorriqueño" written at the top. On both sides of the pilasters, there are friezes in high-reliefs with representations of human figures sculpted by the Italian artist Arrighini. There are steps and streetlights in front of the entrance. The building also has glass windows with hinged wooden frames and a torch-shaped ornamentation in the upper right corner of the image. Trees, shrubs, a palm tree, a decoration allusive to the Three Wise Men, grass, and a flag pole can be seen in the surrounding areas. The Ateneo Puertorriqueño was founded to promote the theater, music, film, literature, history, science, the moral and political sciences, and the visual arts in Puerto Rico.

Teatro Yagüez - Mayagüez - 2011 00033

Teatro Yagüez - Mayagüez - 2011 00033



Detail of the Teatro Yagüez facade, located between the McKinley and Basora streets of the municipality of Mayagüez. From this perspective stands out a pair of columns of the portico, pilasters, a wall lamp, the eggs and darts moldings, a cornice, a frieze, the eave soffit with lightbulbs, and the windows with stain glass in the colors green, yellow, red, and blue. Above the stain glass you can see three ornamental animal heads like mascarons. The building surface is yellow with white details. In its beginning, in 1909, the theatre was designed and built with wood, steel, and zinc; it was known as Casa del Arte Sonoro. The original owner of this theatre was Francisco Maymón Palmer. In 1919, a fire consumed the building. In 1920, they did a new design with Eclectic style, integrating materials like concrete, wood, glass, Italian marble, and plaster for the decorations. During the 1950s the theatre showed signs of deterioration and from 1977 to 1984 they did restorations under the auspices of the municipality of Mayagüez. Likewise, during the period from 2002 to 2008 they did a third restoration to the theatre. This theatre constitutes one of the main artistic settings with great historical value in the west area of Puerto Rico as it hosted important orchestras, and acting and dance companies. Its architecture reflects elements of the European Neoclassic, the Neo-Baroque, and the early 20th century architecture, known as Belle Époque.

Teatro Yagüez - Mayagüez - 2011 00035

Teatro Yagüez - Mayagüez - 2011 00035



Detail of the Teatro Yagüez stage, located between the McKinley and Basora streets of the municipality of Mayagüez. On the stage there are several objects like boards, tables, boxes, panels and a chair; you can also see a person on the rear part of the stage. In front of the stage are notable a gold railing, a shopping cart, and the red theatre seats that contrast with the white color of the parapet that delimits the lateral box. In addition, you can see marble panels, ornamental plasterwork on the parapet and a stair. In its beginning, in 1909, the theatre was designed and built with wood, steel, and zinc; it was known as Casa del Arte Sonoro. The original owner of this theatre was Francisco Maymón Palmer. In 1919, a fire consumed the building. In 1920, they did a new design with Eclectic style, integrating materials like concrete, wood, glass, Italian marble, and plaster for the decorations. During the 1950s the theatre showed signs of deterioration and from 1977 to 1984 they did restorations under the auspices of the municipality of Mayagüez. Likewise, during the period from 2002 to 2008 they did a third restoration to the theatre. This theatre constitutes one of the main artistic settings with great historical value in the west area of Puerto Rico as it hosted important orchestras, and acting and dance companies. Its architecture reflects elements of the European Neoclassic, the Neo-Baroque, and the early 20th century architecture, known as Belle Époque.

Teatro Yagüez - Mayagüez - 2011 00040

Teatro Yagüez - Mayagüez - 2011 00040



View of the main hall and stage of Teatro Yagüez, located between the McKinley and Basora streets of the municipality of Mayagüez. The theatre seats in the main hall are red and contrast with the white color from the ornamental plasterwork of the boxes parapet and marble walls. The stage opening has a curtain halfway down and through it you can see several objects like chairs, tables, boards and panels. In the middle of the ceiling you can partially see the chandelier. In addition, the theatre main hall has three levels and a horseshoe or "U" shape. In its beginning, in 1909, the theatre was designed and built with wood, steel, and zinc, and it was known as Casa del Arte Sonoro. The original owner of the theatre was Francisco Maymón Palmer. In 1919, a fire consumed the building. In 1920, they did a new design with Eclectic style, integrating materials like concrete, wood, glass, Italian marble, and plaster for the decorations. During the 1950s the theatre showed signs of deterioration and from 1977 to 1984 they did restorations under the auspices of the municipality of Mayagüez. Likewise, during the period from 2002 to 2008 they did a third restoration to the theatre. This theatre constitutes one of the main artistic settings with great historical value in the west area of Puerto Rico as it hosted important orchestras, and acting ad dance companies. Its architecture reflects elements of the European Neoclassic, the Neo-Baroque, and the early 20th architecture, known as Belle Époque.

Teatro Yagüez - Mayagüez - 2011 00049

Teatro Yagüez - Mayagüez - 2011 00049



View from the third level towards the stage, main hall and boxes of Teatro Yagüez, located between the McKinley and Basora streets of the municipality of Mayagüez. On the stage you can see a person, and there are also several objects, mainly wood boards, crate, containers, and tubes. Next, the red seats in the main hall and boxes stand out. In addition, you can see a stair that leads to the boxes, which present parapets decorated with plasterwork, marble panels, columns, theatre seats and red curtains. In its beginning, in 1909, the theatre was designed and built with wood, steel, and zinc; it was known as Casa del Arte Sonoro. The original owner of this theatre was Francisco Maymón Palmer. In 1919, a fire consumed the building. In 1920, they did a new design with Eclectic style, integrating materials such as concrete, wood, glass, Italian marble and plaster for the decorations. During the 1950s the theatre showed signs of deterioration and from 1977 to 1984 they did restorations under the auspices of the municipality of Mayagüez. Likewise, during the period from 2002 to 2008 they did a third restoration to the theatre. This theatre constitutes one of the main artistic settings with great historical value in the western area of Puerto Rico as it hosted important orchestras, and acting and dance companies. Its architecture reflects elements of the European Neoclassic, the Neo-Baroque, and the early 20th century architecture, known as Belle Époque.

Teatro Yagüez - Mayagüez - 2011 00051

Teatro Yagüez - Mayagüez - 2011 00051



Perspective of the theatre seats in the main hall, and boxes of Teatro Yagüez, located between the McKinley and Basora streets of the municipality of Mayagüez. The seats are red and contrast with the white ornamental plasterwork on the parapets that delimits the boxes. The lateral walls shows a marble texture. The red curtains between the pillars on the first floor boxes are also notable. On the stage area there is a pile of wood boards. From this perspective, the theatre shows a curved or "U" shape. In its beginning, in 1909, the theatre was designed and built with wood, steel, and zinc; it was known as Casa del Arte Sonoro. The original owner of this theatre was Francisco Maymón Palmer. In 1919, a fire consumed the building. In 1920, they did a new design with Eclectic style, integrating materials such as concrete, wood, glass, Italian marble, and plaster for the decorations. During the 1950s the theatre showed signs of deterioration and from 1977 to 1984 they did restorations under the auspices of the municipality of Mayagüez. Likewise, during the period from 2002 to 2008 they did a third restoration to the theatre. This theatre constitutes one of the main artistic settings with great historical value in the western area of Puerto Rico as it hosted important orchestras, and acting and dance companies. Its architecture reflects elements of the European Neoclassic, the Neo-Baroque, and the early 20th century architecture, know as Belle Époque.

Teatro Yagüez - Mayagüez - 2011 00053

Teatro Yagüez - Mayagüez - 2011 00053



Ceiling lamp of Teatro Yagüez, located between the McKinley and Basora streets of the municipality of Mayagüez. The lamp is a chandelier and hangs from a red string and crowns the middle of the theatre hall. The ornamental rosette shows moldings and dentils, and is surrounded by lights. The ceiling also presents ornamental plasterwork, moldings, drop ceilings and geometric motifs. The parapets that delimits the boxes are decorated with plasterwork and garland motifs. At the back, on the third level, you can partially see the lighting control room. In its beginning, in 1909, the theatre was designed and built with wood, steel, and zinc, and was known as Casa del Arte Sonoro. The original owner of this theatre was Francisco Maymón Palmer. In 1919, a fire consumed the building. In 1920, they did a new design with Eclectic style, integrating materials such as concrete, wood, glass, Italian marble, and plaster for the decorations. During the 1950s the theatre showed signs of deterioration and from 1977 to 1984 they did restorations under the auspices of the municipality of Mayagüez. Likewise, during the period from 2002 to 2008 they did a third restoration to the theatre. This theatre constitutes one of the main artistic setting with great historical value in the western area of Puerto Rico as it hosted important orchestras, and acting and dance companies. Its architecture reflects elements of the European Neoclassic, the Neo-Baroque, and the early 20th century architecture, known as Belle Époque.

Teatro Yagüez - Mayagüez - 2011 00055

Teatro Yagüez - Mayagüez - 2011 00055



Stain glass and decorations from the Teatro Yagüez facade, located between the McKinley and Basora streets of the municipality of Mayagüez. The stain glass is articulated with a geometric motif with red, yellow, green, and blue glass shades. Below the stain glass there are moldings with arrow shape. In addition, the stain glass is flanked by pilasters, of which, one has a bracket with spirals. On the upper part there is a frieze, an eggs and darts molding, and a cornice. The surface of this building section is yellow with white ornamental details. In its beginning, in 1909, the theatre was designed and built with wood, steel, and zinc; it was known as Casa del Arte Sonoro. The original owner of this theatre was Francisco Maymón Palmer. In 1919, a fire consumed the building. In 1920, they did a new design with Eclectic style, integrating materials such as concrete, wood, glass, Italian marble, and plaster for the decorations. During the 1950s the theatre showed signs of deterioration and from 1977 to 1984 they did restorations under the auspices of the municipality of Mayagüez. Likewise, during the period from 2002 to 2008 they did a third restoration to the theatre. This theatre constitutes one of the main artistic settings with great historical value in the western area of Puerto Rico as it hosted important orchestras, and acting and dance companies. Its architecture reflects elements of the European Neoclassic, the Neo-Baroque, and the early 20th architecture, known as Belle Époque.

Grand Spiritual Lodge Number 1 - 06000507

Grand Spiritual Lodge Number 1 - 06000507



Oblique view of the Grand Spiritual Lodge Number 1 facade, also known as the Grand Lodge of Puerto Rico or House of Souls, located in Santurce, a sector in the Municipality of San Juan. The three-story concrete building was designed by Luis F. Delgado and Juan Rivera París and built in 1928 using volunteer labor from followers of the spiritualist philosophical thought in Puerto Rico. The building's first cornerstone was laid on November 29, 1926. The main facade utilizes abstract elements of Classical origin. Each level is differentiated from the next by a transition of openings—from an open balcony on the first level to only three windows on the second and third levels—and square-section columns on the first floor that transform into pilasters on the second level and into the facade wall on the third. A simple pediment crowns the facade with a relief forming the name and date of construction that reads: "Logia Espiritual Número 1, Casa de las Almas, 1928." A pole with a flag can also be seen. Below the pediment are rows of horizontal metal louver windows, with textured concrete relief panels just below each one. The second-level windows are crowned with three concrete moldings repeated on the first level. Originally, the windows were wooden, casement, and glass, but were later replaced by the current ones. Vertical metal grilles and columns protect the three large, flat arches on the first level with simple moldings. The central arch is the only access door to the building. The side facade displays similarly styled windows on all three levels with small, stepped eaves. The urban setting includes a narrow street with several cars in front of the building and electrical wires hanging from poles. The building is on the same land where Mr. Balbino Vázquez and his wife, María Cruz Carpintero, founded the Spiritualist Center in 1910. Both were mediums and used their residence to hold meetings. In 1922, they added a wooden meeting room with a capacity for 300 people and named it the House of Souls. Spiritism, a philosophical movement that spread throughout Europe, the United States, and Latin America in the 19th Century, originates in the thought of Allan Kardec, and its fundamental principles combine philosophy and science. It had particular appeal among middle-class professionals, who considered it progressive. The first Spiritualist centers in Puerto Rico emerged in the 1870s. Mr. Vázquez, a carpenter responsible for the Center's construction, died in 1937. His will and public document specified that the building and land would be administered by the Board of Directors of the Grand Lodge and that the building would not be used for any purpose other than its original purpose. Should the Grand Lodge cease operations, the building would pass to the Puerto Rican government, which could only use it for charitable or educational purposes. Fortunately, none of these stipulations have ever been necessary, as the Grand Lodge, a non-profit organization, has continued to function as a community study center and promoter of the philosophical positions of the Spiritist Doctrine from its founding to the present. The building has been preserved with structural integrity, serving as a lasting symbol of Puerto Rico's social and cultural history in the 20th Century.

Teatro Yagüez - Mayagüez - 2011 00059

Teatro Yagüez - Mayagüez - 2011 00059



Lamp and ceiling detail at Teatro Yagüez, located between the McKinley and Basora streets of the municipality of Mayagüez. The lamp is a chandelier made of glass, and the glass presents shapes like flowers and spheres. The ceiling is decorated with moldings and plasterwork that have arabesques and geometric motifs. The box parapet also show ornamental plasterwork with garland motifs. In addition, you can see part of the stage opening and the red curtain that contrasts with the white color of the moldings, plasterwork, and marble panels that cover the walls. In its beginning, in 1909, the theatre was designed and built with wood, steel, and zinc, and was known as Casa del Arte Sonoro. The original owner of this theatre was Francisco Maymón Palmer. In 1919, a fire consumed the building. In 1920, they did a new design with Eclectic style, integrating materials such as concrete, wood, glass, Italian marble, and plaster for the decorations. During the 1950s the theatre showed signs of deterioration and from 1977 to 1984 they did restorations under the auspices of the municipality of Mayagüez. Likewise, during the period from 2002 to 2008 they did a third restoration to the theatre. This theatre constitutes one of the main artistic settings with great historical value in the western area of Puerto Rico as it hosted important orchestras, and acting and dance companies. Its architecture reflects elements of the European Neoclassic, the Neo-Baroque, and the early 20th century architecture, known as Belle Époque.

Condado Vanderbilt Hotel - 08001110

Condado Vanderbilt Hotel - 08001110



Broad view of the Condado Vanderbilt Hotel in Condado's urban, commercial, and tourist district in the Municipality of San Juan. The hotel was designed in 1917 for the Vanderbilt family, one of the wealthiest of its time, by the renowned New York-based architectural firm of Warren & Wetmore. Construction began in 1918 and opened in 1919. It was originally named the Hotel Grand Condado Vanderbilt, but over the years, it changed names to Hotel Condado, Condado Beach Hotel, and Hyatt Puerto Rico Hotel. It has five floors of reinforced concrete and exhibits a Spanish Renaissance style combined with architectural influences from the neo-colonial styles prevalent in Florida and California at the time. The building is shaped like three superimposed rectangles, and in the center of the main facade is an entrance that was previously used as an interior courtyard and garage for receiving guests. On the first level, nine semicircular arches and galleries serve as intermediate transition points, allowing for simultaneous exploration of the interior and exterior spaces. Emphasizing its essential Spanish character, its builders employed ceramic tiles for its sloping roof; arched openings on its first two levels; rows of rectangular glass windows with wood frames on the three upper levels; and terrazzo floors, hydraulic tiles, and ceramic mosaics in its interior, enhancing its distinctive features with heraldic, mythological, and maritime ornamentation that gives the hotel a palatial atmosphere of yesteryear. On either side of the building, at the ends of the first level, are two sections with open arches. Surrounding the building are a walkway at the main entrance and a series of gardens accentuated by trees flanking the building. The Condado Vanderbilt Hotel, the first of its kind in Puerto Rico, introduced Beaux-Arts architectural influences and a focus on luxury tourism, fostering the growth of the Condado area as a tourist destination. This development was also facilitated by the connection of the Dos Hermanos Bridge, facilitating access between San Juan and Condado. In 1959, Hotel La Concha was built on land just east of the Condado Vanderbilt complex, which would later become part of the state-owned conglomerate known as the Condado Trio, which included the Convention Center building. However, the Condado Vanderbilt complex is not only historically significant as the vacation destination that transformed tourism in Puerto Rico; the hotel established the elegant style that characterized Condado's upper class and influenced the design of homes later built in the area. Despite several interior renovations and modifications over the years aimed at modernizing and adapting to current demands, the hotel has retained much of its original design, including its facade, which defines it as an early 20th-century example of the Grand Hotel typology.

Teatro Yagüez

Teatro Yagüez



Architectural drawing of the Teatro Yagüez facade, located between the McKinley and Basora streets of the municipality of Mayagüez. The building has three levels of height. The doors are double-leaf with panels and muntins with stain glass. Above the doors you can see other stain glass with geometric motifs. These doors and stain glass are flanked by tuscan pilasters, whose shafts present attached lamps and brackets. The main door accentuates the chamfered corner of the building, flanked by tuscan columns that elevate up to the second floor. The chamfered section of the facade is crowned with a clock and spherical ornamental finishes. Above the pilasters and columns there is a frieze, a cornice, and moldings. The pediments are triangular, with oculus in the middle and on one of them you can see the name of the building: "Teatro Yagüez." On the roof stand out the dome with stain glass crowned with a pinnacle. In its beginning, in 1909, the theatre was designed and built with wood, steel, and zinc; it was known as Casa del Arte Sonoro. The original owner of this theatre was Francisco Maymón Palmer. In 1919, a fire consumed the building. In 1920, they did a new design with Eclectic style, integrating materials such as concrete, wood, glass, Italian marble, and plaster for the decorations. During the 1950s the theatre showed signs of deterioration and from 1977 to 1984 they did restorations under the auspices of the municipality of Mayagüez. Likewise, during the period from 2002 to 2008 they did a third restoration to the theatre. This theatre constitutes one of the main artistic settings with great historical value in the western area of Puerto Rico as it hosted important orchestras, and acting and dance companies. Its architecture reflects elements of the European Neoclassic, the Neo-Baroque, and early 20th century architecture, known as Belle Époque.

The Puerto Rican Athenaeum - San Juan (Old San Juan) - 2011 00042

The Puerto Rican Athenaeum - San Juan (Old San Juan) - 2011 00042



The Ateneo Puertorriqueño located at Puerta de Tierra in Old San Juan. It was founded in 1876 and built by the engineer Ramón Carbia Burt in 1923. It is the oldest cultural institution in Puerto Rico, also known as "La Docta Casa." Its architectural style is representative of the Moorish Revival style. It was nominated to enter the National Register of Historic Places in 1984. It is painted white and terracotta. The side facade of the building can be observed. There is a flat roof with parapets, moldings at the top, and an extension of the building with eaves covered by tiles. It also has six glass windows with hinged wooden frames and a rectangular tile. It has another extension of the building with white ornamentations at the top. A parking lot with several cars, utility poles, and trees can be observed on the left side of the image. The Ateneo Puertorriqueño was founded to promote the theater, music, film, literature, history, science, the moral and political sciences, and the visual arts in Puerto Rico. Adjacent to it is the tile-covered hip roof of the Carnegie Library. This building represents the Neoclassical architecture style and was designed by Ramón Carbia Burt in 1915. The upper part of the Casa de España building can be seen next to the library. This building was designed by the architect Pedro de Castro y Besosa in 1932. It has several towers and a hipped roof and is covered in blue and white tiles. The building is representative of the Moorish and Spanish Revival architectural styles. The Capitol of Puerto Rico can also be observed in the background. This building represents the Neoclassical architectural style and is made out of concrete and white marble. It was designed by Rafael Carmoega in 1929. The top of the building has a hemispherical dome with glass windows in its drum, and a lantern crowns it. Several high-rise buildings and trees can be seen in the distance, as well as the Atlantic Ocean.

La Giralda - 08000786

La Giralda - 08000786



View of the south facade of La Giralda, located in the Miramar sector of the Santurce neighborhood in the Municipality of San Juan. This eclectic residence, built around 1910, combines elements of the Neoclassical and Victorian styles and was designed by architect Francisco Valinés Cofresí. Its square, irregular floor plan features four levels of reinforced concrete, including an attic, a basement, and the gabled roof. The facade is organized into three sections, presenting a symmetrical design with balanced proportions. The central section of the first level has a double entrance door made of mahogany wood with fixed glass panels. The entrance portico, which forms part of the balcony, features partially fluted Corinthian columns on a base the same height as the concrete balustrade surrounding the balcony, and a series of steps providing interior access. Although partially hidden by the balcony's hanging curtains, the other two sections of the facade on either side of the main door have windows framed by concrete molding, a lower cornice, and lintels. The walls are covered with smooth plaster. The second-level facade features another balcony that protrudes slightly toward the front of the building. A closed double door can be seen, surmounted by keystone concrete lintels and framed by quoined pilasters on either side, creating a high-relief effect. A rectangular glass window with geometric designs is on either side of the door. The third floor, the attic, is characterized by a small balcony surmounted by a wooden pediment, a double door, and narrow single-pane glass windows on either side of the door. From this balcony, one can see the low roof of the second level, covered with a weather-resistant bituminous cardboard membrane simulating wooden shingles. A weather vane or ornament crowns the upper part of the attic. The Victorian-style gabled roofs of La Giralda combine the classical pediment element, which is present in many Neoclassical buildings. The original roof was composed of wooden trusses covered by zinc panels, but it was reconstructed. Due to the height of the floors, the arrangement of its architectural elements, the effect of the tower, and the volumetric balcony, La Giralda retains the scale of the properties of its time. A low wall with concrete pillars in front of the house divides the garden area from the street. In the background, several buildings, trees, and palm groves can be seen. La Giralda is a historic house that reflects the majesty and dignity of its place and time design. This neighborhood emerged as a planned residential suburb for the local upper class in response to the population growth of San Juan in the 19th Century. Miramar's architecture consolidated into an exclusive residential setting that contrasted with other areas, accentuated by the arrival of transportation that connected the area to the urban center. The house stands out for its size and durable construction materials, as most houses of the time were made of wood. Although it suffered alterations and deterioration, it was restored in the 1990s, maintaining its exterior integrity, and has become an icon of Miramar's architectural and social history.

Condado Vanderbilt - San Juan (Condado) - 2013 00001

Condado Vanderbilt - San Juan (Condado) - 2013 00001



Interior view of the Condado Vanderbilt Hotel located on Avenida Ashford in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. On the interior you can distinguish a conference room, has the walls covered with wood, wooden doors, and the floor covered with multicolored carpet. Furthermore, the ceiling has a circular platform with small individual spotlights and a hanging lamp. In the middle there is a round table made of wood matched with office chairs. On the table there are mats, wine glasses, and cutlery. The Condado Vanderbilt Hotel was commissioned by Federick William Vanderbilt in 1917. Eventually, on October 16, 1919 it was inaugurated the first Caribbean great luxury hotel. On 1930, it was sold and then called Condado Hotel, subsequently, in 1940 became the first hotel in the island that had a casino. In addition, in 1950, its name was changed again to Condado Beach Hotel, and they added rooms, event venues, and a restaurant. After considering to demolish the hotel, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, where they added two towers of modern suites. In addition, the architect Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the design and restoration of the spaces. The designer, Jorge Rosello was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00002

Condado Vanderbilt - San Juan (Condado) - 2013 00002



View of the interior of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. On the interior you can distinguish a conference room, has the walls covered with wood, wooden doors, and the floor covered with a multicolored blurred carpet. Furthermore, the ceiling has a circular platform with individual lights and a hanging lamp. In the middle there is around table paired with office chairs. In addition, on the table there are mats, wine glasses, and cutlery. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, it was inaugurated the first Caribbean great luxury hotel. In 1930, it was sold and then called Condado Hotel, subsequently, in 1940 became the first hotel in the island on having a casino. Additionally, in 1950 it was renamed as Condado Beach Hotel, and they added rooms, event venues, and a restaurant. After considering its demolition, it was included the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014, by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. In turn, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the design and restoration of the interior spaces. The designer, Jorge Roselló was in charge of the interior designs.

U.S. Customs House - Mayagüez - 2012 00015

U.S. Customs House - Mayagüez - 2012 00015



Perspective from Comercio street and Aduana street towards the main and lateral facades of the U.S. Customs House building, also known as Aduana de Mayagüez. This building has a rectangular floor plan and is distinguished by a portico with tuscan columns, modillions cornices on an entablature crowned with a balustrade, and an elevated middle panel from which, protrudes three flagpoles. The entablature has an inscription made of concrete indicating: "United States Custom House." The upper panel also presents the text: "By the authority of the Congress of the United States this building was erected AD MCMXXXII for the use of the Custom Service in the island of Porto Rico." The building has seven openings, of which, three of them are doors arched in the middle flanked by two pairs of arched windows. On the arches and doors it also stand out, moldings, keystones, grilles, and fanlights. The lateral facade also show arched windows with grilles, fanlights, and moldings flanked by tuscan pilasters. There is a fence made with a low wall crowned with a grille in front of the building. The building surface is pink or salmon color combined with white ornamental details. This building was designed with elements of the Beaux Arts style and its construction took place in 1924. It was the first customs building built during the period of the United States military regime in Puerto Rico. During the 1960s they did minimal changes as part of a refurbishment. On September, 1981, it was declared historic building and in 1996 was completely restored.

Condado Vanderbilt - San Juan (Condado) - 2013 00010

Condado Vanderbilt - San Juan (Condado) - 2013 00010



Interior view of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. On the interior you can distinguish a conference room, the room has its floor covered with a light color carpet, the walls covered with wood, a suspended console above which there is a decorative frame. In addition, the background wall has a television, wall lamps, and floor lamps. There is a lamp hanging from the ceiling with rectangular shape that match with the wall. There is also a rectangular wooden table matched with office chairs. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, was inaugurated the first Caribbean great luxury hotel. In 1930, it was sold, then called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950 its name was changed again to Condado Beach Hotel and added rooms, event venues, and a restaurant. After considering its demolition it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló, was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00011

Condado Vanderbilt - San Juan (Condado) - 2013 00011



Interior view of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. On the interior you can distinguish a conference room, the room has the floor covered with a light color carpet. The walls are covered with wood, on the right far end there is a suspended console above which there is a decorative frame and a wall lamp. The background wall has a television flanked by wall lamps. In addition, the ceiling is coffered and has an overlapping platform with small spotlights and a hanging lamp. In the middle there is a rectangular table matched with office chairs. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, it was inaugurated the first Caribbean great luxury hotel. In 1930, it was sold then called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and added rooms, event venues, and a restaurant. After considering its demolition it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014, by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00014

Condado Vanderbilt - San Juan (Condado) - 2013 00014



Interior view of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The hall has two floors with marble floors in two colors, vaulted ceilings with chandeliers, wall lamps that match and at the back, the wall is covered with mirrors. The vaults are interrupted with semicircular openings crowned with small emblems. In addition, the space is divided with ornamental iron balustrades with wooden handrails. You can also distinguish wooden chairs and plants in decorative pots. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, was inaugurated the first Caribbean great luxury hotel. In 1930, it was sold then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was change again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014, by the architects, Thomas S. Marvel and José Marchand Sifre, they added two tower of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló, was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00017

Condado Vanderbilt - San Juan (Condado) - 2013 00017



Interior view of the Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floor with characteristics of the Spanish Revival style. The hall has two floors, one of the lateral hallways has marble floors in two colors, vaulted ceilings, wall lamps, and to the left far end double doors made of glass under semicircular arches matched with fabric curtains. The space is divided with semicircular arches and ornamental iron balustrades with wooden handrails. In addition, there are wooden chairs and at the back there is a simple door made of wood and glass. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, was inaugurated the first Caribbean great luxury hotel. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architect, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló, was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00021

Condado Vanderbilt - San Juan (Condado) - 2013 00021



Interior view of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The hall has two floors with marble floors in two colors, vaulted ceilings decorated with chandeliers, wall lamps that match and the background wall is covered with mirrors. The lateral naves have semicircular openings crowned with small emblems. In addition, they have ornamental iron balustrades with wooden handrails. You can also distinguish wooden chairs and plants in decorative pots. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1917, was inaugurated the first Caribbean great luxury hotel. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodelled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló, was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00022

Condado Vanderbilt - San Juan (Condado) - 2013 00022



Interior view of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The hall has two floors with marble floors in two colors, vaulted ceilings, and wall lamps. The background wall is covered with mirrors. The lateral nave has semicircular openings crowned with small emblems. In addition, they have ornamental iron balustrades with wooden handrails. You can also distinguish wooden chairs, plants in decorative pots, and double doors made of wood and glass under semicircular arches. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, was inaugurated the first Caribbean great luxury hotel. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló, was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00023

Condado Vanderbilt - San Juan (Condado) - 2013 00023



Interior view of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The hall has two floors with vaulted ceilings, chandeliers, wall lamps that match, and at the back, the wall is covered with mirrors. The lateral nave has semicircular openings crowned with small emblems. In addition, there are ornamental iron balustrades with wooden handrails that divide the space. You can also distinguish wooden chairs and double doors made of glass under semicircular arches. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, was inaugurated the first Caribbean great luxury hotel. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two tower of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló, was in charge of the interior spaces.

Hacienda Irurena or Labadie - Palacete Los Moreau - Labadie Mansion (1905) - Moca - 2008 00001

Hacienda Irurena or Labadie - Palacete Los Moreau - Labadie Mansion (1905) - Moca - 2008 00001



Hacienda Irurena in Moca, also known as Hacienda Labadie, Palacete Los Moreau and Labadie Mansion. You can observe one of the lateral facades of the two-story building built with fortified concrete. It has an eclectic design with influence from the Château style. The facade starts with a tower divided with cornices, on the first floor there is a window with molding and cornice, on the second floor there is another window with ornamented molding. The tower is finished with an onion dome and precedes two galleries, each one with four Ionic order columns and railings with iron balusters very ornamented. On the galleries there are double leaf doors with lattices and glass panels framed with moldings. The rear section of the facade shows courses that divide the levels and has doors with lattices and parapets with iron railings. The second floor also has a window on the rear far end. The wall borders have quoins. Above the hallway section you can see a dormer window with gable roof. In front of the facade it is notable part of the yard with shrubs, a large pot with colorful flowers and two benches made of iron and wood. The Hacienda Irurena or Labadie was a coffee hacienda in the XIX century and a sugar mill in the XX century, this is the only building that still in use that belonged to companies dedicated to both crops. This Hacienda is immortalized in the Puerto Rican literature as the "Hacienda Palmeras", residence of the Moreau family in the book La Llamarada (1935) by Enrique Laguerre.

Condado Vanderbilt - San Juan (Condado) - 2013 00026

Condado Vanderbilt - San Juan (Condado) - 2013 00026



Interior view of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The hall has two floors with lateral hallways that have marble floors in two colors, vaulted ceilings, hanging lamps, wall lamps that match, and double doors made of glass under semicircular arches. The space is divided by semicircular arches with ornamental iron balustrades and wooden handrails. You can see wooden chairs and at the back, a door made of wood and glass under a semicircular arch. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, was inaugurated the first Caribbean great luxury hotel. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. In addition, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló, was in charge of the interior designs.

Hacienda Irurena or Labadie - Palacete Los Moreau - Labadie Mansion (1905) - Moca 2008 00002

Hacienda Irurena or Labadie - Palacete Los Moreau - Labadie Mansion (1905) - Moca 2008 00002



Hacienda Irurena in Moca, also known as Hacienda Labadie, Palacete Los Moreau and Mansión Labadie. Main facade of the two-story building built with fortified concrete. It has an eclectic design with influence of the Château style. It is a simmetrical facade with five modules galleries on the first and second floor, a stair that gives access to the main module. It has Ionic order columns and railings with highly ornate iron balusters. The doors and windows are double leaf and have moldings. On the first floor there are five doors with linear moldings, while on the second floor it alternates three windows and two doors with ornate moldings with pediment shape. The middle window is a fixed window with stained glass. There are two identical square towers with two levels, they flank the facade middle portion. Their roofs are two onion domes an evident French influence. There are two cornices that border each story. Above the second floor cornice there is a frieze with circle and rectangle ornamentation, above the frieze there are three vase finishes. On the roof you can see the gable roofs of three dormer windows. In front of the building there is a garden with palm trees, shrubs and flowers. In the middle you can observe a green circular area with a large pot with flowers. The Hacienda Irurena or Labadie was a coffee hacienda in the XIX century and a sugar mill in the XX century, this is the only building that still in use and belonged to companies dedicated to both crops. This coffee hacienda is immortalized in the Puerto Rican literature as the "Hacienda Palmeras", residence of the Moreau family in the book La Llamarada (1935) by Enrique Laguerre.

Hacienda Irurena or Labadie - Palacete Los Moreau - Labadie Mansion (1905) - Moca - 2008 00003

Hacienda Irurena or Labadie - Palacete Los Moreau - Labadie Mansion (1905) - Moca - 2008 00003



Hacienda Irurena in Moca, also known as Hacienda Labadie, Palacete Los Moreau and Mansión Labadie. Main facade of the two-story building built with fortified concrete. It has an eclectic design with influence of the Château style. It is a symmetrical facade with five modules galleries on the first and second floor, additionally, it has a stair that gives access to the central module. It has Ionic order columns and railings with greatly ornate iron balusters. The doors and windows are double leaf and have moldings. On the first floor there are five doors with linear moldings, while on the second floor it alternates three windows and two doors with ornate moldings with pediment shape. The middle window is a fixed window with stained glass. There are two identical square towers with two levels, they flank the facade middle portion. Their roof are two onion domes with an evident French influence. There are two cornices that border each floor. Above the second floor cornice there is a frieze with circles and rectangles ornamentation, above the frieze there are three vase finishes. On the roof you can see the gable roofs of three dormer windows. In front of the building there is a garden with palm trees, shrubs and flowers. In the middle you can observe a circular green area with a large pot with flowers. The Hacienda Irurena or Labadie was a coffee hacienda in the XIX century and a sugar mill in the XX century, this is the only building that still in use that belonged to companies dedicated to both crops. This hacienda is immortalized in the Puerto Rican literature as the "Hacienda Palmeras", residence of the Moreau family in the book La Llamarada (1935) by Enrique Laguerre.

Condado Vanderbilt - San Juan (Condado) - 2013 00033

Condado Vanderbilt - San Juan (Condado) - 2013 00033



Interior view of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The event venue has the floor covered with a carpet with floral patterns in diffuse colors. The ceiling is divided with beams and decorated with glass chandeliers. Furthermore, the background wall has a framed semicircular mirror. The lateral nave is separated with semicircular openings crowned with entablatures and flanked by wall lamps that match with the ones on the ceiling. In addition, you can see two double doors made of glass covered with fabric curtains under semicircular arches. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, was inaugurated the first Caribbean great luxury hotel. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló, was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00034

Condado Vanderbilt - San Juan (Condado) - 2013 00034



Interior view of Condado Vanderbilt Hotel on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The event venue has the floor covered with a carpet with floral patterns and diffuse colors. The ceiling is divided with exposed beams and decorated with glass chandeliers. The background wall has a framed semicircular mirror and the lateral walls have semicircular arches crowned with keystones, entablatures, and flanked by wall lamps that match with the ones on the ceiling. In addition, on both far ends there are double doors made of glass, the ones on the right far end are covered with fabric curtains under semicircular arches and dominated by arcades that form a corridor with vaulted ceiling. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, was inaugurated the first Caribbean great luxury hotel. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló, was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00035

Condado Vanderbilt - San Juan (Condado) - 2013 00035



Interior view of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The event venue has the ceiling divided with exposed beams and decorated with chandeliers. The background wall has a framed semicircular mirror, the lateral walls have semicircular arches crowned with entablatures and flanked by wall lamps that match with the ones on the ceiling. The left far end arches have double doors made of wood and glass, and the ones on the right far end give access to the lateral corridor. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, was inaugurated the first Caribbean great luxury hotel. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. In addition, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00041

Condado Vanderbilt - San Juan (Condado) - 2013 00041



Interior view of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The event venue has the floor covered with a floral pattern carpet in different diffuse colors. At the foreground, there is a lateral corridor with vaulted ceiling modulated with semicircular arcades with glass lamps on their columns. The central space has the ceiling divided with exposed beams, and is decorated with chandeliers that match with the ones on the walls. The background wall has in the middle a semicircular framed mirror. In addition, the left far end wall has double doors made of wood and glass under semicircular arches crowned with entablatures. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, was inaugurated the first Caribbean great luxury hotel. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló, was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00043

Condado Vanderbilt - San Juan (Condado) - 2013 00043



View of the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The rear yard has the floor covered with tiles, and a modern gazebo with glass doors and overhang eaves made of wooden beams. In addition, the surroundings are decorated with garden areas, plants in decorative pots, and patio furniture. You can also distinguish a stair with metallic handrail and a pergola with double doors made of glass and exposed beams. The patio is surrounded by a glass balustrade modulated with square pillars that dominates the Atlantic Ocean coast. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first Caribbean great luxury hotel was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló, was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00044

Condado Vanderbilt - San Juan (Condado) - 2013 00044



View of the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The rear yard has the floor covered with tiles, and a modern gazebo surrounded with glass doors and eaves with exposed beams. On its surroundings you can also see garden areas, plants in decorative pots, and patio furniture. In the distance, there is a stair with metallic handrail and a pergola with wooden beams and glass doors. Next to them you can see a far end of the lateral towers of the hotel. It has glass windows framed with moldings and open balconies with balustrades also made of glass inside which there are doors framed with moldings. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first Caribbean great luxury hotel was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marcahnd Sifre, they added two towers of modern suites. In addition, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00045

Condado Vanderbilt - San Juan (Condado) - 2013 00045



View of the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The hotel rear facade has the roof covered with roofing tiles and supported with wooden beams, double windows made of wood and glass. In addition, on the rear patio there is a modern gazebo surrounded with glass doors and eaves with exposed beams. You can also see garden areas and one of the lateral towers of the hotel. It has glass windows framed with moldings and open balconies with glass balustrades inside which there are doors framed with moldings. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first Caribbean great luxury hotel was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 and 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló, was in charge of the interior designs.

El Cortijo - Barranquitas - 2012 00039

El Cortijo - Barranquitas - 2012 00039



View of the residence known as El Cortijo in the town of Barranquitas. The residence has two levels and a tower that elevates an additional level, it is made of fortified concrete with roofs covered by roofing tiles. Additionally, its design is inspired in the Spanish Colonial Revival style. The house has double windows made of glass some covered by ornamental grilles made of iron and others are crowned with eaves. Also, you can see cantilevered balconies with double doors made of wood and glass secured with brackets. One of the balconies has a wooden balustrade modulated by piers, the other one is opened and it has an iron railing. There are also skylights and a balcony decorating the facade at the rest area of the stair with double door made of glass crowned with entablature. Besides that, the entrance it through a portico presided by steps covered by ceramic tiles and an arcade modulated by a compound column above which it can be distinguished an in relief emblem. At the portico you can also see plants on decorative pots, the walls are partially covered by ceramic tiles, a representation of the Virgin of Perpetual Help, lion statues and a wall lamp. At the left far end of the portico, you can see a side balcony with ceiling made of wooden beams exposed, a hanging lamp and plants on decorative pots. El Cortijo was built in 1939 as a summer residence for the family Lozana Fabián, related to the administration of sugar mills in Puerto Rico. Through the years it has changed owners, but its original design has not been altered.

Condado Vanderbilt - San Juan (Condado) - 2013 00051

Condado Vanderbilt - San Juan (Condado) - 2013 00051



Rear view of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has hipped roofs, several floors, and characteristics of the Spanish Revival style. The rear facade of the hotel has double windows made of wood and glass, the roof is covered with roofing tiles and supported by wooden beams. The rear yard has a modern gazebo surrounded by glass doors and eaves with exposed beams. You can also see one of the hotel lateral towers. The tower has eleven floors, glass windows framed with moldings, and open balconies with glass balustrades inside which there are framed doors. In addition, the elevator space is protruding with a triangular shape. Furthermore, on its surroundings you can see patio furniture, garden areas, and plants in decorative pots. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first Caribbean great luxury hotel was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló, was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00052

Condado Vanderbilt - San Juan (Condado) - 2013 00052



View of the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has hipped roofs, several floors, and characteristics of the Spanish Revival style. The rear yard of the Vanderbilt Hotel has garden areas, plants in decorative pots, and a glass balustrade modulated with square pillars. On its surroundings you can also see a pergola with exposed wooden beams and a glass door. In addition, you can distinguish the Atlantic Ocean and one end of the hotel lateral towers. The tower has several floors, double windows made of wood and glass framed with moldings, and balconies with glass balustrades inside which there are framed doors. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first Caribbean great luxury hotel was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00055

Condado Vanderbilt - San Juan (Condado) - 2013 00055



View of the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors and characteristics of the Spanish Revival style. The rear yard has the floor covered with ceramic tiles. In addition, there are stairs with metallic handrails, plants in decorative pots, and decorative finishes with conical shapes. The hotel rear facade has a modern extension with wide picture windows made of glass interrupted with square columns. You can also see plants in decorative pots, a glass balustrade modulated with square pillars that dominates the Atlantic Ocean coast, umbrellas, and patio furniture. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first Caribbean great luxury hotel was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The design, Jorge Roselló, was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00056

Condado Vanderbilt - San Juan (Condado) - 2013 00056



Rear yard view of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors and characteristics of the Spanish Revival style. The rear yard has the floor covered with ceramic tiles. In addition, there are stairs with metallic handrails, plants in decorative pots, and decorative finishes with conical shapes. Likewise, the building rear facade has a modern extension with wide picture windows interrupted with square columns. You can also see tables with umbrellas, furniture that match, and a glass balustrade modulated with square pillars that dominates the Atlantic Ocean coast. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first Caribbean great luxury hotel was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00059

Condado Vanderbilt - San Juan (Condado) - 2013 00059



View of the rear patio of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has hipped roofs, several floors, and characteristics of the Spanish Revival style. The hotel rear facade has double windows made of wood and glass in different rectangular sizes, the roof covered with roofing tiles, and there is a single-story modern extension with large glass picture windows. In addition, the rear yard has the floor covered with tiles, garden areas, and it decorated with furniture and ornamental pots. It also has stairs with metallic handrails and a modern gazebo surrounded by glass doors and overhang eaves with exposed beams. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first Caribbean great luxury hotel was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló, was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00060

Condado Vanderbilt - San Juan (Condado) - 2013 00060



View of the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has hipped roofs, several floors, and characteristics of the Spanish Revival style. The hotel rear facade has double windows made of wood and glass in several sizes, the roof is covered with roofing tiles and supported with wooden beams. You can also distinguish a single-story modern extension with large glass windows modulated with square columns. Next to it, there is one of the hotel lateral towers with hipped roof, double windows made of glass framed with moldings and balconies with glass balustrades inside which there are doors also framed with moldings. In addition, the lateral facade also has the protruding elevator cabin with triangular shape. Furthermore, the rear patio also has the floor covered with tiles, garden areas, and is decorated with patio furniture and ornamental pots. You can also see stairs with metallic handrails, and a modern gazebo surrounded with glass doors and overhang eaves with exposed beams. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first Caribbean great luxury hotel was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00063

Condado Vanderbilt - San Juan (Condado) - 2013 00063



View of the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The rear yard has the floor covered with ceramic tiles and a pergola that extends with the interior floor made of wood and glass doors that give access to the balustrade that in turn, dominates that Atlantic Ocean coast. Furthermore, from the interior of the pergola you can see the first floors from one of the hotel lateral towers. It has glass windows and a balcony with glass balustrade. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first Caribbean great luxury hotel was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. In addition, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló, was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00065

Condado Vanderbilt - San Juan (Condado) - 2013 00065



View of rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with hipped roof covered with roofing tiles and characteristics of the Spanish Revival style. The rear patio has the floor covered with ceramic tiles. In addition, it is surrounded by a glass balustrade modulated with square pillars that in turn dominate the Atlantic Ocean coast. In the patio there are plants in decorative pots, garden furniture, tables with umbrellas that match and decorative finishes with conical shapes. Furthermore, the building rear part has a modern extension with wide picture windows made of glass interrupted with square columns. You can also see a far end from one of the hotel lateral towers with double windows framed with moldings and balconies with glass balustrades inside which there are doors framed with moldings. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first Caribbean great luxury hotel was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodelled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00066

Condado Vanderbilt - San Juan (Condado) - 2013 00066



View of the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has hipped roofs covered with roofing tiles, several floors, and characteristics of the Spanish Revival style. The rear patio has the floor covered with ceramic tiles. In addition, it is surrounded with a glass balustrade modulated with square pillars that in turn, dominate the Atlantic Ocean coast. There are plants in ceramic pots, garden furniture, tables with umbrellas that match, and decorative finishes with conical shapes. The building rear facade has a modern extension with wide picture windows made of glass interrupted with square columns. You can also see a far end from one of the hotel lateral towers with double windows made of glass framed with moldings and balconies with glass balustrades. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, was inaugurated the first Caribbean great luxury hotel. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00069

Condado Vanderbilt - San Juan (Condado) - 2013 00069



View of rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has hipped roof covered with roofing tiles several floors, and characteristics of the Spanish Revival style. The rear patio has the floor covered with ceramic tiles. It is also surrounded by a glass balustrade modulated with square pillars that in turn, dominates the Atlantic Ocean coast. There are plants in ceramic pots, garden furniture, tables with umbrellas that match, and decorative finishes with conical shapes. Furthermore, the building rear facade has a modern extension with wide picture windows made of glass interrupted with square columns. Likewise, you can see a far end from one of the hotel lateral towers with double windows framed with moldings and balconies with glass balustrades. In addition, from a distance you can see a viewpoint next to Ventana al mar park and buildings. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first Caribbean great luxury hotel was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm ,SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00070

Condado Vanderbilt - San Juan (Condado) - 2013 00070



View of the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has hipped roof covered with roofing tiles, several floors, and characteristics of the Spanish Revival style. The rear patio has the floor covered with ceramic tiles. It is also surrounded by a glass balustrade modulated with square pillars that dominate the Atlantic Ocean coast. There are plants in decorative pots, garden furniture, tables with umbrellas that match, decorative finishes with conical shapes, and a gazebo surrounded by glass doors and overhang eaves. Furthermore, the building rear facade has double windows made of wood in two sizes and a single-story modern extension with wide glass picture windows interrupted with square columns. Likewise, you can see one of the hotel lateral towers with hipped roof, double windows framed with moldings and balconies with glass balustrades. In addition, the elevator is inside a triangular shape cabin that protrudes. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

El Cortijo - Barranquitas - 2012 00111

El Cortijo - Barranquitas - 2012 00111



Exterior view of the residence known as El Cortijo in the town of Barranquitas. The residence has two levels and a tower that elevates an additional one, is made of fortified concrete with roofs covered by roofing tiles. Additionally, its design is inspired in the Spanish Colonial Revival style. The house has double windows made of wood and glass, some are covered by ornamental grilles made of iron and others are crowned with eaves. Also, you can see cantilevered balconies with double doors made of wood and glass secured by brackets. One of the balconies possess a wooden balustrade modulated by piers, hanging lamps and the other one is open and it has iron railings. It can be seen skylights and a balconet in the resting area of he stair with a double door made of wood and glass, framed and crowned with an entablature decorating the facade. Besides that, on the first floor, the entrance is through a portico presided by steps covered by ceramic tiles and an arcade modulated by a compound column on which it can be distinguished an in relief emblem. At the portico it can be appreciated plants in decorative pots, statues and a wall lamp. Besides that, the garden has sidewalks and an old well made of ornamented masonry. El Cortijo was built in 1939 as a summer residence for the family Lozana Fabián, related to the administration of sugar mills in Puerto Rico. Through the years it has changed owners, but its original design has not been altered.

Hacienda Irurena or Labadie - Palacete Los Moreau - Labadie Mansion (1905) - Moca - 2013 00032

Hacienda Irurena or Labadie - Palacete Los Moreau - Labadie Mansion (1905) - Moca - 2013 00032



Hacienda Irurena in Moca, also known as Hacienda Labadie, Palacete Los Moreau and Mansión Labadie. Main facade of the two-story building built with fortified concrete. It has an eclectic design with influence of the Château style. It is a symmetrical facade with a portico of five modules on the first floor, a stair that gives access to the central module. The portico has Ionic order columns and railings with iron balustrades greatly ornate. Above the portico there is a balcony that shares elements with the first floor. The doors and windows are double leaf and have moldings. On the first floor there are five doors with linear moldings, while on the second floor, it alternates three windows and two doors with ornamented moldings with pediment shape. The middle window is a fixed window with stained glass. It is worth to point out that all the facade arches are flat with exception of the one that is on the main door, which is a semicircular arch. Two identical square towers of two levels, flank the middle portion of the facade. Its rooftops are two onion domes with an evident French influence. There are two cornices that surround each floor. On the roof you can see the gable roofs from two dormer windows. In front of the building there is a garden with grass and shrubs. The Hacienda Irurena or Labadie was a coffee hacienda in the XIX century and a sugar mill in the XX century, this is the only building that is still in use that belonged to companies dedicated to both crops. This hacienda is immortalized in the Puerto Rican literature as the "Hacienda Palmeras", residence of the Moreau family in the book La llamarada (1935) by Enrique Laguerre.

Hacienda Irurena or Labadie - Palacete Los Moreau - Labadie Mansion (1905) - Moca - 2013 00033

Hacienda Irurena or Labadie - Palacete Los Moreau - Labadie Mansion (1905) - Moca - 2013 00033



Hacienda Irurena in Moca, also known as Hacienda Labadie, Palacete Los Moreau and Mansión Labadie. You can observe one of the lateral facades of the two-story building built with fortified concrete. It has an eclectic design with influence of the Château style. The facade starts with a tower divided by cornices, on the first floor there is a window with molding and cornice, on the second floor there is another window with ornate molding. The tower is finished with an onion dome and precedes two balconies, each one with four Ionic order columns and railings with iron balusters greatly ornate. On the balconies there are double leaf doors with lattice and glass panels framed with moldings. The facade rear section shows string courses that divide the levels and has doors with lattices and parapets with iron railings. The second floor also has a window on the rear far end. The wall borders have quoins. Above the hallway section you can see a dormer window with gable roof. In front of the facade it is notable part of the patio with shrubs, a large pot with colorful flowers and two benches made of iron and wood. The Hacienda Irurena or Labadie was a coffee hacienda in the XIX century and in the XX century a sugar mill, this is the only building that is still in use that belonged to companies dedicated to both crops. This hacienda is immortalized in the Puerto Rican literature as the "Hacienda Palmeras", residence of the Moreau family in the book La llamarada (1935) by Enrique Laguerre.

Condado Vanderbilt - San Juan (Condado) - 2013 00094

Condado Vanderbilt - San Juan (Condado) - 2013 00094



View of one of the hotel lateral towers from the patio of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The tower has eleven floors, the first floor has a protruding roof, wide picture windows made of glass, double doors made of glass, and corridors modulated with square columns. In addition, the rest of the floors have double windows made of glass framed with moldings and balconies with glass balustrades, inside which there are double doors made of glass framed with moldings. Furthermore, the yard has its floor covered with ceramic tiles and a wooden pergola that extends horizontally. It has roofs with exposed beams, and double doors made of glass that dominate a balustrade and the Atlantic Ocean coast. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00095

Condado Vanderbilt - San Juan (Condado) - 2013 00095



View from the patio to one of the lateral towers of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The tower has eleven floors, the first one has an overhang roof, wide picture windows made of glass, double doors made of glass, and corridors modulated with square columns. The rest of the floors have double windows made of glass framed with moldings and balconies with glass balustrades, on the interior there are double glass doors framed with moldings. Furthermore, the patio has the floor covered with ceramic tiles and garden areas. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. In addition, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00096

Condado Vanderbilt - San Juan (Condado) - 2013 00096



View of the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. In addition, the rear yard has the floor covered with ceramic tiles, decorative pots, and garden areas. It also has a modern gazebo surrounded with glass doors and overhang eaves with exposed beams. Furthermore, on the left far end you can distinguish one of the lateral towers with balconies surrounded by a glass balustrade, windows framed with moldings, and double doors. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00098

Condado Vanderbilt - San Juan (Condado) - 2013 00098



View of the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The rear yard has the floor covered with ceramic tiles. In addition, there are stairs with metallic handrails, decorative plants in pots, and decorative finishes with conical shapes. The building rear part has a modern extension with wide picture windows, interrupted by square columns. You can also see plants in decorative pots, a glass balustrade modulated with square pillars that dominate the Atlantic Ocean coast, umbrellas, and patio furniture that match. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Parish San Antonio de Padua - Barranquitas - 2007

Parish San Antonio de Padua - Barranquitas - 2007



Front view of the Parish San Antonio de Padua in the town of Barranquitas. At the foreground it can be seen the square Bicentenaria Monseñor Miguel Ángel Mendoza decorated with iron benches, landscape ares and light poles. Crossing the street, where there are several vehicles, is near the parish made with masonry with balustrade interrupted by a metallic grille and stairs. The parish has two levels with an eclectic design inspired in the styles Spanish Revival, Art Deco and Neoclassic. The front facade is painted white with light green details, decorated with a double door made of wood framed and flanked by pilasters. Above the door there is a niche secured with a bracket with a statue of Saint Anthony of Padua that is under a glass window with a semicircular arch framed and flanked by pilasters. The facade also has glass windows, a framed oculus and a curvilinear pediment crowned with a cross. Additionally, from the building it stick out a belfry decorated with finishes, cornices, moldings crowned with roofing tiles and a cross. The Parish San Antonio de Padua was built for the first time in 1792, nonetheless, it had to be rebuilt in four times after being destroyed by several hurricanes. In the decade of 1930 the building also was used as academia, in addition, had a cinema for the students and subsequently it was open to the general public; remaining in use until the decade of 1970. Finally, in 1933 was rebuilt with the current design and restored in the decade of 1980.

Condado Vanderbilt - San Juan (Condado) - 2013 00101

Condado Vanderbilt - San Juan (Condado) - 2013 00101



View of the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors and characteristics of the Spanish Revival style. The rear yard has the floor covered with ceramic tiles. In addition, the stairs have metallic handrails, plants in decorative pots, and decorative finishes with conical shapes. You can also distinguish the hotel rear part, which it is a modern extension of the building with wide picture window made of wood modulated with square columns. Likewise, you can see one of the hotel lateral towers which has eleven floors, glass windows framed with moldings, and balconies with glass balustrades. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00102

Condado Vanderbilt - San Juan (Condado) - 2013 00102



View of the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors and characteristics of the Spanish Revival style. The hotel rear part has a modern extension with wide picture windows made of glass modulated with columns. In addition, the rear yard has the floor covered with ceramic tiles, garden areas, and decorative pots. There are also patio umbrellas and furniture that match. Furthermore, on the left far end there is the lateral tower with framed windows, balconies with glass balustrades, and framed double doors. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00103

Condado Vanderbilt - San Juan (Condado) - 2013 00103



View of the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The rear yard has the floor covered with ceramic tiles. In addition, it is surrounded by a glass balustrade modulated with square pillars that dominate the Atlantic Ocean coast. There are plants in decorative pots, garden furniture, tables with umbrellas that match, decorative finishes with conical shapes, and stairs with metallic handrails. The hotel rear facade has a modern extension with wide picture windows made of glass interrupted by square columns. You can also see a pergola with its roof made of exposed wooden beams. Behind it you can distinguish one of the hotel lateral towers with double windows framed with moldings and balconies with glass balustrades inside which there are doors framed with moldings. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00104

Condado Vanderbilt - San Juan (Condado) - 2013 00104



View from the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The rear yard has the floor covered with ceramic tiles. In addition, it is surrounded by a glass balustrade modulated with square pillars that dominate the Atlantic Ocean coast. There are plants in decorative pots, garden furniture, tables with umbrellas that match, decorative finishes with conical shapes, and a stair with metallic handrails. The hotel rear facade has a modern extension with wide picture windows made of glass interrupted with square columns. You can also see a pergola with its roof made of exposed wooden beams. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00105

Condado Vanderbilt - San Juan (Condado) - 2013 00105



View of the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The hotel rear facade has a modern extension with wide picture windows made of glass. Above this construction extension there is a glass balustrade modulated with square pillars as an open balcony, a gazebo with glass doors and eaves made of exposed beams. In addition, on the patio you can see the floor covered with ceramic tiles, plants in decorative pots, and one of the hotel lateral towers. The tower has several floors, double windows made of glass framed with moldings, and balconies with glass balustrades inside which, you can distinguish doors also framed with moldings. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Parish San Antonio de Padua - Barranquitas - 2012 00006

Parish San Antonio de Padua - Barranquitas - 2012 00006



Front view of the Parish San Antonio de Padua in the town of Barranquitas. At the foreground you can see the square Bicentenaria Monseñor Miguel Ángel Mendoza decorated with an ornamental iron gazebo, landscape areas, ornamental iron benches, light poles, decorative fountain and plastic awnings. In front of the square there is the Parish San Antonio de Padua. The parish has two levels with an eclectic design inspired in the styles Spanish Revival, Art Deco and Neoclassic. The front facade is painted with orange and brick color views, decorated with a niche secured by a bracket in where there is in addition a railing and a statue of Saint Anthony of Padua. There is front a window made of glass with a semicircular arch framed and flanked by pilasters. The facade it also has glass windows, an oculus and a curvilinear pediment crowned with a cross. Additionally, from the building it stick out a belfry decorated with finishes, cornices, moldings and is crowned with roofing tiles and a cross. The Parish San Antonio de Padua was built for the first time in 1792, nonetheless, it has to be rebuilt four times after being destroyed by several hurricanes. In decade of 1930 the building also it was used as an academia, in addition, it has a cinema for the students and subsequently it was open to the general public; remaining in use until the decade of 1970. Finally, in 1933 was rebuilt with the current design and restored in the decade of 1980.

Parish San Antonio de Padua - Barranquitas - 2012 00009

Parish San Antonio de Padua - Barranquitas - 2012 00009



View of the Parish San Antonio de Padua in the town of Barranquitas. At the foreground you can see the square Bicentenaria Monseñora Miguel Ángel Mendoza decorated with an ornamental iron gazebo decorated, landscape areas, ornamental iron benches, light poles, decorative fountains and plastic awnings. In front of the square there is the Parish San Antonio de Padua. The parish has two levels with gable roof and an eclectic design inspired in the Spanish Revival, Art Deco and Neoclassic. The front facade is decorated with an entrance framed and flanked by pilasters above where there is a niche secured by a bracket in where, in addition, there is a railing and a statue of Saint Anthony of Padua. It is in front a glass window with a semicircular arch framed and flanked by pilasters. The facade also has glass windows, an oculus and a curvilinear pediment crowned with a cross. Additionally, from the building it stick out a belfry decorated with finishes, cornices, moldings crowned with roofing tiles and a cross. The Parish San Antonio de Padua was built for the first time in 1792, nonetheless, it had to be rebuilt four times after being destroyed by several hurricanes. In the decade of 1930 the building also was used as a school, in addition, it had a cinema for the students and subsequently it was open to the general public; remaining in use until the decade of 1970. Finally, in 1933 it was rebuilt with the current design and restored in the decade of 1980.

Condado Vanderbilt - San Juan (Condado) - 2013 00111

Condado Vanderbilt - San Juan (Condado) - 2013 00111



View of the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The rear yard has its floor covered with ceramic tiles, is surrounded by a glass balustrade modulated with square pillars that dominate the Atlantic Ocean coast. There are plants in ceramic pots, garden furniture, tables with umbrellas that match, decorative finishes with conical shapes, and stairs with metallic handrails. The hotel rear facade has a modern extension with wide picture windows made of glass interrupted by square columns. You can also see a pergola with its roof made of exposed wooden beams. Behind it, you can also distinguish one of the hotel lateral towers with hipped roof, double windows framed with moldings, and balconies with glass balustrades. In addition, the elevator is inside a protruding cabin with triangular shape. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodelled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00112

Condado Vanderbilt - San Juan (Condado) - 2013 00112



View of the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. It has a hipped roof covered with roofing tiles, which is supported with wooden beams. The hotel rear facade has double windows made of wood and glass, and a modern extension with wide picture windows made of glass interrupted with square columns. The extension is surrounded by a glass balustrade modulated with square pillars. In addition, there is a gazebo with overhang eaves made of wooden beams. Furthermore, on the right far end you can distinguish one of the hotel lateral towers with hipped roof, double windows framed with moldings, and balconies with glass balustrades inside which there are framed doors. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00113

Condado Vanderbilt - San Juan (Condado) - 2013 00113



View of the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The rear yard the floor covered with ceramic tiles. In addition, it is surrounded by a glass balustrade modulated with square pillars that dominate the Atlantic Ocean coast. It is decorated with plants in ceramic pots, garden furniture, tables with umbrellas that match, decorative finishes with conical shapes, and at the back you can distinguish stairs with metallic handrails. The hotel rear facade has a modern extension with wide picture windows made of glass. You can also see a pergola with a roof made of exposed wooden beams. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00114

Condado Vanderbilt - San Juan (Condado) - 2013 00114



View of the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The rear yard floor is covered with ceramic tiles. In addition, it is surrounded by a glass balustrade modulated with pillars that dominate the Atlantic Ocean coast. It is decorated with plants in decorative pots, garden furniture, tables with umbrellas that match, decorative finishes with conical shapes, and at the back you can distinguish stairs with metallic handrails. You can also see a pergola with a roof made of exposed wooden beams. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00115

Condado Vanderbilt - San Juan (Condado) - 2013 00115



View of the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. It has hipped roof covered with roofing tiles and is supported with wooden beams. The hotel rear facade has double windows made of glass and a modern extension. To the left far end you can distinguish one of the hotel lateral towers. The tower has eleven floors, balconies with glass balustrades, and double windows made of glass framed with moldings. You can also see a hallway that connects both buildings on the first floor. In addition, at the background, you can distinguish the Bristol Condominium building with picture windows made of aluminum and glass. The Bristol condominium was built in 2006, it follows a design from the architect, Gonzalo M. Ferrer. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00116

Condado Vanderbilt - San Juan (Condado) - 2013 00116



View from the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The hotel rear facade has a modern extension, hipped roof covered with roofing tiles and supported with wooden beams. On the left far end you can see one of the hotel lateral towers. The tower has eleven floors, balconies with glass balustrades, and double windows made of glass framed with moldings. You can also distinguish a modern hallway that connects both buildings on the first floor with wide picture windows made of glass. In addition, on the background, there is the Bristol Condominium building with picture windows made of aluminum and glass. The Bristol condominium was built in 2006, it follows a design from the architect, Gonzalo M. Ferrer. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) -2013 00121

Condado Vanderbilt - San Juan (Condado) -2013 00121



View of the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The rear yard has its floor covered with ceramic tiles. In addition, it is surrounded with a glass balustrade that dominates the Atlantic Ocean coast. It is decorated with plants in decorative pots, garden furniture, tables with umbrellas that match, decorative finishes with conical shapes, and at the back you can see stairs with metallic handrails. You can also see a pergolas with a roof made of exposed wooden beams. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00122

Condado Vanderbilt - San Juan (Condado) - 2013 00122



View of the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The rear yard has its floor covered with ceramic tiles. In addition, it is surrounded by a glass balustrade that dominates the Atlantic Ocean coast. It is decorated with plants in decorative pots, garden furniture, tables with umbrellas that match, decorative finishes with conical shapes, and at the back, you can distinguish a stair with metallic handrails. You can also see a pergola with a roof made of exposed wooden beams. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00125

Condado Vanderbilt - San Juan (Condado) - 2013 00125



View of the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. From the rear yard you can distinguish wide picture windows made of glass, above them there is a glass balustrade modulated with square pillars, and at the back, there is a pergola with glass lateral walls and double doors also made of glass. In addition, it has its roof made of exposed wooden beams. The right far end of the pergola is matched with a metallic balustrade that precedes the Atlantic Ocean coast. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00128

Condado Vanderbilt - San Juan (Condado) - 2013 00128



View of the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors and characteristics of the Spanish Revival style. The rear yard has its floor covered with ceramic tiles. In addition, it has stairs with metallic handrails, plants in decorative pots, and decorative finishes with conical shapes. You can also distinguish the hotel rear part, it is a modern extension of the building with wide picture windows made of glass modulated with square columns. Likewise, on the right far end you can see one of the hotel lateral towers. The tower has eleven floors, glass windows framed with moldings, balconies with glass balustrades inside which there are framed doors, and the elevator cabin has a triangular shape that protrudes to the exterior. Furthermore, in front of the tower there is a pergola with a roof made of exposed beams and glass walls. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00129

Condado Vanderbilt - San Juan (Condado) - 2013 00129



View of the rear yard of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors and characteristics of the Spanish Revival style. The rear yard has the floor covered with ceramic tiles. In addition, it has stairs with metallic handrails, plants in decorative pots, and decorative finishes with conical shapes. You can also distinguish the hotel rear part, is a modern extension of the building with wide picture windows made of glass modulated with square columns. Furthermore, on the right far end you can see one of the hotel lateral tower, it has eleven floors, glass windows framed with moldings, and balconies with glass balustrades inside which there are also framed doors. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00130

Condado Vanderbilt - San Juan (Condado) - 2013 00130



View from the front terrace of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors and characteristics of the Spanish Revival style. The hotel front facade has an open terrace surrounded by balustrades. The interior has the floor covered with ceramic tiles, it is decorated with garden furniture, and plants in decorative pots. From the terrace you can distinguish buildings that surrounds the hotel, like the Bristol Condominium building. The building has picture windows made of glass and aluminum, and a rooftop with cantilevered roof made of glass. The Bristol condominium was built in 2006, it follows the design of the architect, Gonzalo M. Ferrer. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. In addition, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00131

Condado Vanderbilt - San Juan (Condado) - 2013 00131



View of the front terrace of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors and characteristics of the Spanish Revival style. The hotel front facade has double doors and windows made of glass under semicircular arches modulated with wall lamps. In addition, above them, you can distinguish a continuous entablature with moldings and cornices. The front facade also has an open terrace surrounded by balustrades. The interior has its floor covered with ceramic tiles, it is decorated with garden furniture, and plants in decorative pots. You can also distinguish one of the hotel lateral towers with double windows made of glass framed with moldings, balconies with glass balustrades inside which there are more windows and doors framed with moldings. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00132

Condado Vanderbilt - San Juan (Condado) - 2013 00132



View from the front terrace of Condado Vanderbilt Hotel located on Ashford Avenue un the coastal city of San Juan. The hotel has several floors and characteristics of the Spanish Revival style. The hotel front facade has rectangular windows made of glass, the roof is supported by wooden beams and covered with roofing tiles. In addition, above the doors you can distinguish a continuous entablature with moldings and bas-relief details. The front facade also has an open terrace surrounded by balustrades. Its interior has the floor covered with ceramic tiles, it is decorated with garden furniture, and plants in decorative pots. You can also distinguish one of the lateral towers with double windows made of glass framed with moldings, balconies with glass balustrades inside which there are more windows and doors framed with moldings. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00134

Condado Vanderbilt - San Juan (Condado) - 2013 00134



View from the front terrace of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors and characteristics of the Spanish Revival style. The hotel front facade has double windows made of glass, double doors under semicircular arches dominated with parapets, and a continuous entablature. You can also distinguish one of the windows crowned with a triangular entablature. In addition, the front facade is characterized by a vehicle entrances and garden areas. Furthermore, on the left far end you can distinguish one of the hotel lateral towers with double windows made of glass framed with moldings, balconies with glass balustrades inside which there are more windows and doors framed with moldings. The tower first floor has access to a subterranean parking lot. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00135

Condado Vanderbilt - San Juan (Condado) - 2013 00135



View from the front terrace of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors and characteristics of the Spanish Revival style. The hotel front facade has double windows made of glass in rectangular arches, double doors under semicircular arches characterized by parapets and a continuous entablature. You can also distinguish one of the windows crowned with a triangular entablature. In addition, the front facade is dominated by a vehicle entrance and garden areas. Furthermore, on the left far end there is one of the hotel lateral towers with double windows made of glass framed with moldings, balconies with glass balustrades inside which there are more windows and doors framed with moldings. The tower first floor has access to a subterranean parking lot. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00139

Condado Vanderbilt - San Juan (Condado) - 2013 00139



View from the front terrace of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors and characteristics of the Spanish Revival style. The hotel front facade has an open terrace surrounded by balustrades. Its interior has the floor covered with ceramic tiles, it is decorated with garden furniture, and plants in decorative pots. In addition, from the terrace you can distinguish buildings adjacent to the hotel, on Ashford Avenue such as Bristol condominium. The Bristol condominium was built in 2006, it follows a design from the architect, Gonzalo M. Ferrer. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the achitects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm SOLSTICE Planning and Architect were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00143

Condado Vanderbilt - San Juan (Condado) - 2013 00143



View from the front terrace of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors and characteristics of the Spanish Revival style. The hotel front facade has double windows made of glass under rectangular arches, double doors under semicircular arches dominated with parapets and a continuous entablature. You can also distinguish one of the windows crowned with a triangular entablature and on the first floor a rectangular door. In addition, the front facade is characterized by a vehicle entrance and garden areas. Furthermore, on the left far end you can distinguish one of the hotel lateral towers with double windows made of glass framed with moldings and balconies glass balustrades inside which there are more windows and doors framed with moldings. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00148

Condado Vanderbilt - San Juan (Condado) - 2013 00148



View of the interior spaces of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The interior of the restroom is covered with marble on its walls and floor. The wall on the left far end is covered with mirrors and the rest of it is covered with wood and glass in square shapes. On the opposite side there are several framed wooden doors that create cubicles. In addition, the ceiling has stain glass hanging lamps and at the back, there is a window covered with a fabric curtain. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00150

Condado Vanderbilt - San Juan (Condado) - 2013 00150



View of the interior spaces of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The restrooms has two windows covered with a fabric curtain and its floor covered with marble in several colors. In addition, in the middle you can distinguish a marble vanity unit with several washbasins, decorative lamps, and mirrors. You can also distinguish a decorative frame on the wall, on the ceiling you can see small spotlights and part of a hanging lamp. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00152

Condado Vanderbilt - San Juan (Condado) - 2013 00152



View of the interior spaces of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The restroom has a window covered with a fabric curtain. In contrast, the floor and one of the walls are covered with marble in several colors. The wall covered with marble also has a floral mosaic with small tiles in dark and gold colors. In addition, in the middle you can distinguish a marble vanity unit with washbasins, decorative lamps, and mirrors. Furthermore, the ceiling has different depths, is framed with moldings, small spotlights, and in the middle hangs a lamp with stained glass in a dark color and gold details. The Condado Vanderbilt hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00159

Condado Vanderbilt - San Juan (Condado) - 2013 00159



View of the interior space of Condado Vaderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. On the interior you can distinguish an event venue, its floor is partially covered with ornamental motifs in several shades of red and purple. The lateral walls are covered with marble in two colors and have wide mirrors. In addition, you can distinguish wooden doors, console tables made of wood, and stain glass lamps. Furthermore, the background wall has five double doors made of wood and glass under semicircular arches flanked by cylinders columns. The ceiling is coffered and is divided in square spaces with depth. Those spaces are decorated with chandeliers painted in two colors that match with the walls and small spotlights. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00160

Condado Vanderbilt - San Juan (Condado) - 2013 00160



View of the interior space of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. On its interior you can distinguish an event venue, the floor is partially covered with ornamental motifs carpet in several shades of red and purple. The walls are covered with marble in two colors and some spaces have wide mirrors. In addition, you can distinguish wooden doors, console tables made of wood, and stain glass wall lamps in two colors. There is also a wall with windows and a double door made of glass covered with fabric curtains. Furthermore, the ceiling is coffered and is divided in square spaces with depth decorated with chandeliers in two colors that match with the walls and small spotlights. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have casino. In turn, in 1950, its name was changed to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00161

Condado Vanderbilt - San Juan (Condado) - 2013 00161



View of the interior space of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. On its interior you can distinguish an event venue, the floor is partially covered with ornamental motifs carpet in several shades of red and purple. The walls are covered with marble in two colors and have wide mirrors. In addition, you can distinguish wooden doors, console table made of wood, and stain glass wall lamps in two colors. The left far end wall has windows and a double door made of glass covered with fabric curtains in front of which, you can distinguish piled-up chairs. However, the right far end has two double doors made of wood and glass under semicircular arches flanked by cylindrical columns. Furthermore, the ceiling is coffered and divided in square spaces with depth decorated with chandeliers in two colors that match with the walls and small spotlights. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00163

Condado Vanderbilt - San Juan (Condado) - 2013 00163



View of the interior space of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. On its interior you can distinguish an event venue, its floor is partially covered with an ornamental motif carpet in several shades of red and purple. The walls are covered with two colored marble and stain glass lamps. The right far end wall has a double glass door and wide picture windows made of glass covered with fabric curtains. Nonetheless, the background wall has double doors made of wood, a wide mirror with a wooden table. In addition, on the left far end you can distinguish another double door made of wood and glass under semicircular arch, next to which there is a cylindrical column. Furthermore, the ceiling is coffered and is divide in square spaces with depth decorated with chandeliers made of stain glass that match with the walls and small spothlights. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00164

Condado Vanderbilt - San Juan (Condado) - 2013 00164



View of the interior space of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. On its interior you can distinguish an event venue with the floor partially covered with an ornamental motif carpet in several shades of red and purple. The walls are covered with marble in two colors and have stain glass lamps. In addition, there are walls with wide picture windows made of glass and double doors covered with fabric curtains. You can also distinguish piled-up chairs on a corner. Furthermore, the ceiling is coffered and is divided in square spaces with depth decorated with stain glass chandeliers that match with the walls and small spotlights. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Bastión de la Derecha de San Justo y Pastor - San Juan (Old San Juan) - 2013 00002

Bastión de la Derecha de San Justo y Pastor - San Juan (Old San Juan) - 2013 00002



Aerial view of the section of the boundary wall in Old San Juan known as the Bastión de la Derecha de San Justo y Pastor which protected Puerta de San Justo during the Spanish Colonial age. The construction of the Puerta de San Justo was completed in the year 1639. Cobblestone pavers of the Recinto Sur street, a white building that has a balconet with iron railings, a sidewalk, people, planters with flowers in them, and shrubs can be observed. The image displays the upper half of the sentry lookout post, which was built some time between 1766 and 1790. It has a dome, cornices, and a keystone. A water fountain attached to the wall in the Jardín del Paseo de la Princesa can be seen on the right side of the image, as well as some grilles attached to square terracotta-colored pillars. There are two cruise ships docked in port 1 in the Bahía de San Juan. The old José V. Toledo United States Courthouse can be observed, which has traits from several different architectural styles such as: Beaux arts, Federal, and Spanish Colonial Revival. The building was designed by Oscar Wenderoth and is painted cream and terracotta. The building has a roof covered by Spanish tiles and it was entered into the National Register of Historic Places in 1986. The side façade and one of the towers of the old Ochoa building, which was designed by architect Pedro Adolfo de Castro y Besosa, can be observed in the image.

Condado Vanderbilt - San Juan (Condado) - 2013 00175

Condado Vanderbilt - San Juan (Condado) - 2013 00175



View of the interior of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. On its interior you can distinguish an event venue with coffered ceiling divided in square spaces decorated with a chandelier made of stain glass in several colors and small spotlights on its surroundings. The lamp is spherical and is surrounded by arms in salmon colors with black details. In addition, on its bottom part there are small golden stones placed in a staggered way. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, inaugurated the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Hacienda Labadie

Hacienda Labadie



Hacienda Irurena in Moca, also known as Hacienda Labadie, Palacete Los Moreau and Mansión Labadie. Architectural drawing of the two-story building main facade built with forfeited concrete. It has an eclectic design with influence of the Château style. It is a symmetrical facade with five modules galleries on the first and second floor, a stair that gives access to the middle module. It has Ionic order columns and railings with greatly ornate iron balusters. The doors and windows are double leaf and have moldings. On the first floor there are five doors with linear moldings, while on the second floor, it alternates three windows and two doors with ornate moldings with pediment shape. The middle window is a fixed window with stained glass. Two identical square towers flank the middle portion of the facade. Their roofs are two onion domes with evident French influence. There are two cornices that surrounds each floor. Above the second floor cornice there is a parapet with ornate frieze with circles and rectangles. On the roof there are three dormer windows with gable roofs. Behind the dormer windows there is a hipped roof ridge. It is a construction on a podium that has naked pilasters and oculus. The Hacienda Irurena or Labadie was a coffee hacienda in the XIX century and a sugar mill in the XX century, this is the only building that is still in use that belonged to companies dedicated to both crops. This hacienda is immortalized in the Puerto Rican literature as the "Hacienda Palmeras", residence of the Moreau family in the book La llamarada (1935) by Enrique Laguerre.

Condado Vanderbilt - San Juan (Condado) - 2013 00177

Condado Vanderbilt - San Juan (Condado) - 2013 00177



View of an event venue in Condado Vanderbilt Hotel located on Ashfor Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The venue has its floor covered with an ornamental motif carpet in several shades of red and purple. The walls are covered with marble in two colors and wide mirrors matched with console tables made of wood. Furthermore, you can distinguish wooden doors and lamps made of stain glass. The right far end door has a double door made of wood and glass under a semicircular arch next to a cylindrical column. The ceiling is coffered and is divided in square spaces with depth. In addition, they are decorated with chandeliers made of stain glass that match with the walls and small spotlights. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00184

Condado Vanderbilt - San Juan (Condado) - 2013 00184



View of the interior of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The interior space is painted salmon color and white. The hall has two floors with marble floors in two colors and a chess pattern. The ceiling is divided by horizontal beams and decorated with chandeliers, wall lamps that match, and in the background, the wall is covered with mirrors. The main nave is divided from the lateral ones with semicircular arches crowned with small emblems. In addition, the spaces are divided by ornamental balustrades with wooden handrails. The lateral nave has double doors made of glass covered with fabric curtains under semicircular arches. You can also distinguish wooden chairs and plants in decorative pots. Furthermore, the first floor has a sphinx on a black base and two black marble spiral staircases. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00187

Condado Vanderbilt - San Juan (Condado) - 2013 00187



View of the interior of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The hall has two floors with marble floors in two colors with chess motif. The spaces are divided in naves, the main nave has two spiral stairs made of black marble with ornamental metal balustrades and wooden handrails. Next to the stairs you can also distinguish a sphinx on a black base and carpet. In addition, the main nave is divided from the lateral nave with rectangular arches flanked by wall lamps in golden color. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt- San Juan (Condado) - 2013 00188

Condado Vanderbilt- San Juan (Condado) - 2013 00188



View of the interior of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The hall has two floors with marble floors in two colors with chess motif. The space is divided in naves, the main nave has two spiral stairs made of black marble with ornamental metal balustrades and wooden handrails. Next to the stairs you can distinguish a sphinx above a black base and a carpet. In addition, the main nave is divided from the lateral nave with rectangular arches flanked by wall lamps in golden colors. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00189

Condado Vanderbilt - San Juan (Condado) - 2013 00189



View of the interior of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The hall has two floors with marble floors in two colors and chess pattern. In addition, the ceiling is divided with horizontal beams, is decorated with chandeliers, wall lamps that match, and the background has a wall with a mirror covering it. The main nave is divided from the lateral naves with semicircular arches crowned with small emblems. The space is divided with ornamental iron balustrades and wooden handrails. The lateral nave has double doors made of glass covered with fabric curtains under semicircular arches. Furthermore, the first floor has sphinx above a black base and two spiral staircases made of black marble. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00190

Condado Vanderbilt - San Juan (Condado) - 2013 00190



View of the interior of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The interior space is painted in several shades of pink. The hall has two floors with marble floors in two colors and chess patterns. On the first floor the main nave is divided from the lateral naves with rectangular arches matched with wall lamps. In the middle there is a spiral staircase made of black marble with a metal balustrade and wooden handrails. Adjacent to the staircase, you can see a plant in a pot and a sphinx above a carpet. In addition, the second floor has a lateral nave divided by balustrades, double doors made of wood and glass. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00191

Condado Vanderbilt - San Juan (Condado) - 2013 00191



View of the interior of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The interior space is painted in several shades of pink. The hall has two floors with marble floors in two colors and chess pattern. On the first floor, the main nave is divided from the lateral naves with rectangular arches matched with wall lamps. In the middle there is a spiral staircase made of black marble with a metal balustrade and a wooden handrail. In addition, the second floor has a lateral nave divided with balustrades, double doors made of wood and glass. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, its name was changed to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00192

Condado Vanderbilt - San Juan (Condado) - 2013 00192



View of the interior of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The interior space is painted in several shades of pink. The hall has two floors with marble floors, vaulted ceilings with chandeliers, and wall lamps that match. The wall on the opposite side has several double doors made of wood with glass windows under semicircular arches. The space are divided with semicircular arches crowned with small emblems and ornamental iron balustrades with wooden handrails. You can also see the balustrades of the staircase located in the center and a wall covered with mirrors in front of which there is a standing person. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. In addition, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2012 00007

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2012 00007



Bastión de las Palmas de San José, located on the corner of Tetuán and San José Streets in Old San Juan, was built in the 17th century in 1625 after the Dutch attacked Old San Juan. There is a masonry wall made out of stone and bricks that has a black-colored railing. There are brick steps, trees, two chairs sculpted with a cat figure, and people sitting on benches can be observed in the image. Bastión de las Palmas de San José was later turned into a park. The old headquarters of the El Mundo/Puerto Rico Ilustrado newspaper in Old San Juan can be observed on the right side of the image. It was built in 1923 by the architect Francisco Roldán Martinó. The building has elements of the Moorish Revival architecture style. It is painted cream, white, and gray. The building's facade has mosaics, pilasters, glass windows, and an ornamented balcony supported by corbels. Adjacent to it is an orange and white building. This building has a portico with square columns and doorways with transoms and white grilles. The rear of Capilla del Santo Cristo de Salud, also known as Capilla del Cristo, can be seen on the left side of the image. It was built in 1753 by the military engineer and architect Juan Francisco Mestre. The chapel has architectural traits of the Mudéjar architectural style and was built out of brick and stone. The side facade of the old Hospital de la Concepción, also known as Convento y Casa de Salud Siervas de María, is partially visible in this image. The building is painted cream and white. It has parapets, cornices, brown-colored lattice windows, and transoms. The San Juan Bay can also be observed in the image.

Condado Vanderbilt - San Juan (Condado) - 2013 00194

Condado Vanderbilt - San Juan (Condado) - 2013 00194



View of the interior of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The interior space is painted in different shades of pink. The hall has two floors with marble floors in two colors, vaulted ceilings with chandeliers, and wall lamps. The wall of the opposite has double doors made of wood with glass windows under semicircular arches. In addition, the space is separated with ornamental iron balustrades and wooden handrails. At the foreground, you can also see two decorative columns with in relief ornamental details. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00195

Condado Vanderbilt - San Juan (Condado) - 2013 00195



View of the interior of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The interior space is painted in different shades of pink. The hall has two floors with marble floors in two colors, vaulted ceilings, metal wall lamps, and double doors made of glass under semicircular arches matched with fabric curtains. The space is divided with semicircular arches with ornamental iron balustrades and wooden handrails. There are wooden chairs and at the back, you can see a simple door made of wood and glass. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. In addition, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00196

Condado Vanderbilt - San Juan (Condado) - 2013 00196



View of the interior of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The interior space is painted in different shades of pink. The hall has two floors with marble floors in two colors, vaulted ceilings, metal wall lamps, and three double doors made of glass under semicircular arches matched with fabric curtains. The space is divided with semicircular arches with ornamental iron balustrades and wooden handrails. There are wooden chairs and at the back, there is simple door made of wood and glass. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the firs great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. In addition, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00197

Condado Vanderbilt - San Juan (Condado) - 2013 00197



View of the interior of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The interior space if painted in several shades of pink. The hall has two floors with marble floors, vaulted ceilings, and metal wall lamps. The right lateral nave has several double doors made of wood with glass windows under semicircular arches. The space is separated with semicircular openings crowned with small emblems and ornamental iron balustrades with wooden handrails. You can also see spiral stairs made of black marble and a round bench on the first floor. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. In addition, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Road Mender’s Hut - Bayamón - 2011 00001

Road Mender’s Hut - Bayamón - 2011 00001



Road Mender's Hut on Highway 2, km. 12.7 in Bayamón. Side view of the building, constructed of masonry and brick in the Colonial Neoclassical style. Exposed limestone walls, five rectangular lintelled openings with rustic moldings that serve as windows, and a door are visible. The main door has an entablature at the top with gold letters reading "Baya_ó_." Dampness on the walls and neglect throughout the house are noticeable. The wall ends in a limestone and concrete base. The roof features a dentiled cornice and a parapet, both of which are in a state of deterioration, with some plants growing on the edge. The patio floor is made of cement and is cracked in places. In the foreground, a blue plastic box, vegetation, and fallen trees are visible. The Road Menders' Huts were built during the latter part of the 19th Century along major highways in Puerto Rico. These were the residences of the government workers responsible for maintaining the road surfaces. Most of the huts were abandoned by the end of the 20th Century, and those that remain have met different fates. Many have deteriorated or been demolished, and others have been repurposed. This hut is one of three built in 1882 along a section of Highway 2 between Bayamón and Mayagüez. It originally belonged to the Department of Transportation and Public Works, which later transferred it to the Institute of Culture to be used as a museum and offices for the Bayamón Chamber of Commerce.

Hacienda Santa Ana - Bayamón - 2011 00001

Hacienda Santa Ana - Bayamón - 2011 00001



Hacienda Santa Ana in Bayamón. View of the main facade of the Hacienda mansion. It is a two-story building constructed of brick masonry in an eclectic architectural style. The front features a grand terracotta-colored staircase with curved steps, wider at the bottom than at the top, giving it the appearance of an inverted fan. The staircase leads to the second-floor portico through an arched entrance, featuring two round columns on either side and an ornamental iron gate. The portico features thick, round columns with quadrangular capitals and arcades that extend the entire width of the facade. The first-floor arches have plain pillars. The second-floor arcade has ornamental iron railings and a cornice above it. A hipped metal sheet roof is visible. The ceiling of the main hall is much higher than the rest, a period technique to keep the house cooler. The paintwork appears to be deteriorated. The courtyard is covered in grass with brick paths. The Hacienda Santa Ana mansion sits on land granted in 1787 by King Charles III to Captain Fernando Fernández, a Spanish pirate serving the crown. Beginning in 1804, the Captain started planting sugarcane and distilling rum on the property for his personal use, but it wasn't until 1880 that his great-grandson, Pedro Fernández, and his son, Edmundo, developed the formula and distillation process for the famous Ron del Barrilito. In addition to the mansion, the Hacienda features a cooperage, a mill, an aging area, and a bottling and packaging facility. These facilities, which also serve as a museum, continue to produce the popular rum, as well as the Santa Ana medicinal bay rum.

Condado Vanderbilt - San Juan (Condado) - 2013 00202

Condado Vanderbilt - San Juan (Condado) - 2013 00202



View of the interior of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The interior space is painted in several shades of pink. In addition, the hall has two floors with marble floors, vaulted ceilings, and metal wall lamps. The right lateral nave has a double door made of wood with glass windows under semicircular arches. The space is separated with semicircular openings crowned with small emblems and ornamental iron balustrades with wooden handrails. You can also see a spiral staircase made of black marble and wooden chairs. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Hacienda Santa Ana - Bayamón - 2011 00003

Hacienda Santa Ana - Bayamón - 2011 00003



Hacienda Santa Ana in Bayamón. Partial view of the facade of the Hacienda mansion. It is a two-story building constructed of brick masonry in an eclectic architectural style. In the foreground is a grand terracotta-colored staircase with curved steps, wider at the bottom than at the top, with cement and iron railings. The staircase leads to the second-floor portico through an arched entrance, featuring two round columns on either side and an ornamental iron gate. The portico features thick, round columns with quadrangular capitals, arcades, and decorative iron railings. Above the portico arch is a wall lamp. Additionally, segments of the arcades found on the first floor can be seen on one side of the staircase. The mansion's ceiling has a cornice. The paintwork appears to be deteriorated. The courtyard is grassy with brick paths. The Hacienda Santa Ana mansion sits on land granted in 1787 by King Charles III to Captain Fernando Fernández, a Spanish pirate serving the crown. Beginning in 1804, the Captain started planting sugarcane and distilling rum on the property for his personal use, but it wasn't until 1880 that his great-grandson, Pedro Fernández, and his son, Edmundo, developed the formula and distillation process for the famous Ron del Barrilito. In addition to the mansion, the Hacienda features a cooperage, a mill, an aging area, and a bottling and packaging facility. These facilities, which also serve as a museum, continue to produce the popular rum, as well as the Santa Ana medicinal bay rum.

Condado Vanderbilt - San Juan (Condado) - 2013 00203

Condado Vanderbilt - San Juan (Condado) - 2013 00203



View of the interior of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The interior space is painted in several shades of pink. In addition, the hall has two floors with chess motif marble floors, vaulted ceilings and metal wall lamps. The lateral nave has a double door made of wood with glass windows under semicircular arches. The space is separated with semicircular openings crowned with small emblems and ornamental iron balustrades with wooden handrails. You can also see a spiral staircase made of black marble and wooden chairs. Furthermore, the nave background wall has a mirror. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Hacienda Santa Ana - Bayamón - 2011 00009

Hacienda Santa Ana - Bayamón - 2011 00009



Hacienda Santa Ana in Bayamón. View of the main facade of the Hacienda mansion. A two-story building constructed of brick masonry in an eclectic architectural style is observed. The front features a large staircase with curved steps and smooth parapets, wider at the bottom than at the top, giving it a look reminiscent of an inverted fan. The staircase leads to the portico on the second floor. This portico has four thick columns with square capitals and a curved roof. Behind the stairs and portico, arcades extend across the entire facade on both floors. The arches on the first floor have smooth square pillars, while those on the second floor have columns with square capitals. The portico has a gate with iron bars. The second-floor arcade has iron railings and a cornice above it. The house is painted a cream color with white columns and features a terracotta-colored staircase. It can be seen that the paint is deteriorating. The yard shows green grass in the front and paved areas on the sides. A vehicle is seen parked next to the stairs. The Hacienda Santa Ana mansion sits on land granted in 1787 by King Charles III to Captain Fernando Fernández, a Spanish pirate serving the crown. Since 1804, the Captain started planting sugarcane and distilling rum on the property for his personal use, but it was not until 1880 that his great-grandson, Pedro Fernández, and his son, Edmundo, developed the formula and distillation process for the famous Ron del Barrilito. In addition to the mansion, the Hacienda features a cooperage, a mill, an aging area, and a bottling and packaging facility. These facilities, which also serve as a museum, continue to produce the popular rum, as well as the Santa Ana medicinal bay rum.

Banco Popular de Puerto Rico - San Juan (Old San Juan) - 2009

Banco Popular de Puerto Rico - San Juan (Old San Juan) - 2009



Banco Popular of Puerto Rico located in Old San Juan. It was inaugurated in 1939, designed by the architect Chauncey W. Riley, and built by the engineers José Benítez y Gautier, Manuel Miró y Saudí, and Juan M. Beltrán Carrasquillo. The bank was built where the Banco Territorial y Agrícola of Puerto Rico was originally located during the 19th century. The image shows stairs with railings, several palm trees, shrubs, and streetlights, one of which has a sign that reads "Tizol." The Finlay building is on the left side of the image, which used to be the former Citibank building and, later, home of the Old Harbor Brewery. This building is painted cream and white. It has moldings, a fluted pilaster, brise-soleils, and glass windows. The Banco Popular of Puerto Rico can be seen in the center of the image. The building is representative of the Art Deco architectural style. It is painted cream, white, and green. It has a curved facade with rectangular glass windows, metal frames, and overhangs at the top. The main entrance has eight sculptural reliefs with representations of human faces and a stained glass window in between the reliefs. There is a high relief with an eagle figure on the left side of the facade. Adjacent to the Banco Popular of Puerto Rico is the old American Colonial Bank which later became the Ponce Credit and Savings Bank. This was the first American bank established in Puerto Rico. It was built in 1899 by contractor Frank Bond Hatch. It is currently known as the Restaurante Triana. It is painted red, cream, and white. The Spanish Colonial Revival style influences its architecture. The lower part of the building has arcades supported by pilasters, cornices, and circular shaped ornamentations. The upper half has an eave covered in tiles supported by corbels; it also has parapets with railings, double-leaf doors framed by pilasters, and semicircular pediments at the top. Another building is next to it, painted turquoise and white. It also has architectural traits from the Spanish Colonial Revival style. Only the upper half of the building can be seen in the image. This building has parapets, cornices, dentils, window sills with balusters, and double-leaf doors with triangular pediments.

Condado Vanderbilt - San Juan (Condado) - 2013 00206

Condado Vanderbilt - San Juan (Condado) - 2013 00206



View of the interior of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The interior space is painted in several shades of pink. The hall has two floors with marble floors, vaulted ceilings, and metal wall lamps that match with the ceiling. The right lateral nave has hallways. The space is separated with semicircular openings on the second floor and ornamental iron balustrades with wooden handrails. The first floor has rectangular openings. You can also see a spiral staircase made of black marble and a sphinx above a carpet under the staircase. The stair has an ornamental iron balustrade with wooden handrails aligned with a metal handrail on the wall. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. In addition, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00207

Condado Vanderbilt - San Juan (Condado) - 2013 00207



View of the interior of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The interior space is painted in several shades of pink. The hall has two floors with marble floors and chess motif, vaulted ceilings, and metal wall lamps that match with the ones in the ceiling. The right lateral nave has hallways. The space is separated with semicircular openings on the second floor and ornamental iron balustrades with wooden handrails. In addition, the background wall on the main nave is covered with a mirror. The one on the first floor has rectangular openings without balustrade. You can also see a spiral staircase made of black marble and a sphinx above a carpet below the staircase. The stair has an ornamental iron balustrade with wooden handrails aligned with a metal handrail on the wall. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture, were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Banco Popular de Puerto Rico - San Juan (Old San Juan) - 2011 00001

Banco Popular de Puerto Rico - San Juan (Old San Juan) - 2011 00001



Banco Popular of Puerto Rico located in Old San Juan. It was inaugurated in 1939, designed by the architect Chauncey W. Riley, and built by the engineers José Benítez y Gautier, Manuel Miró y Saudí, and Juan M. Beltrán Carrasquillo. The bank was built where the Banco Territorial y Agrícola of Puerto Rico was originally located during the 19th century. The building is representative of the Art Deco architectural style. It is painted cream, white, and green. It has a curved facade with rectangular glass windows, metal frames, and overhangs at the top. It also has a row of square windows with metal frames. The main entrance has twelve bas-reliefs with stained-glass windows and four images of human figures interspersed, repeating each one three times. There is an inscription in Spanish in the center that reads, "Dedicated to the service of Puerto Rico. Banco Popular de Puerto Rico". There are also high reliefs with two eagle figures above the entrance. Carli's Fine Bistro and Piano restaurant can be seen next to the building. It has glass double-leaf doors with metal frames, tables, and white chairs in front of them. There are automobiles and shrubs in front of the building. The Finlay building is on the left side of the image, located on the site of the former Citibank building and later home to the Old Harbor Brewery. This building is painted cream and white. It has moldings, parapets, cornices, dentils, window openings, and pilasters.

Condado Vanderbilt - San Juan (Condado) - 2013 00208

Condado Vanderbilt - San Juan (Condado) - 2013 00208



View of the interior of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The interior space is painted in several shades of pink. The hall has two floors with marble floors and metal wall lamps. The interior is divided in naves with vaulted ceilings. The lateral nave has a hallway where there is a double door made of wood and glass under a semicircular arch. In addition, the naves are separated with semicircular arches crowned with small metallic emblems and an ornamental iron balustrade with wooden handrails. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Condado Vanderbilt - San Juan (Condado) - 2013 00209

Condado Vanderbilt - San Juan (Condado) - 2013 00209



View of the interior of Condado Vanderbilt Hotel located on Ashford Avenue in the coastal city of San Juan. The hotel has several floors with characteristics of the Spanish Revival style. The interior space is painted in several shades of pink. The hall has two floors with marble floors and metal wall lamps. The interior is divided in naves with vaulted ceilings. The lateral nave has a hallway where there is a double door made of wood and glass under a semicircular arch. In addition, the naves are separated with semicircular arches crowned with small metallic emblems and an ornamental iron balustrade. The Condado Vanderbilt Hotel was commissioned by Frederick William Vanderbilt in 1917. Eventually, on October 16, 1919, the first great luxury hotel in the Caribbean was inaugurated. In 1930, it was sold, then was called Condado Hotel, subsequently, in 1940, became the first hotel in the island to have a casino. In turn, in 1950, its name was changed again to Condado Beach Hotel and they added rooms, event venues, and a restaurant. After considering its demolition, it was included in the National Register of Historic Places in 1988. Recently, it was remodeled from 2008 to 2014 by the architects, Thomas S. Marvel and José Marchand Sifre, they added two towers of modern suites. Additionally, the architect, Jonathan Parks and the firm, SOLSTICE Planning and Architecture were in charge of the space design and restoration. The designer, Jorge Roselló was in charge of the interior designs.

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2012 00025

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2012 00025



Bastión de las Palmas de San José, located on the corner of Tetuán and San José Streets in Old San Juan, was built in the 17th century in 1625 after the Dutch attacked Old San Juan. Two green-colored benches, a railing, and a masonry wall made out of stone and bricks can be observed in the image. Bastión de las Palmas de San José was later turned into a park. A blue and white-colored building that has balconies supported by brackets, railings, and white moldings can be partially observed on the right side of the image. A semicircular arch of the Capilla del Santo Cristo de Salud, also known as Capilla del Cristo, is visible. It was built in 1753 by the architect and military engineer Juan Francisco Mestre. The chapel has characteristics of the Mudéjar architectural style. It was built in brick and masonry. The side facade of the old Hospital de la Concepción, also known as Convento y Casa de Salud Siervas de María, can also be observed. It has parapets, cornices, and lattice windows with transoms. On the left side is a tower with a dome in the upper half of the old La Princesa prison. This building was built in 1837 and was used as a prison until 1976, when it was closed down due to problems with its structure. In 1992, the Puerto Rican government restored it and turned it into the headquarters of the Puerto Rico Tourism Company. The architect, Miguel Carlo, was responsible for the building's restoration. Palm trees, trees, the San Juan Bay, and the chimneys of Central Palo Seco in the municipality of Toa Baja can be seen in the image.

Banco Popular de Puerto Rico - San Juan (Old San Juan) - 2012 00001

Banco Popular de Puerto Rico - San Juan (Old San Juan) - 2012 00001



Banco Popular of Puerto Rico located in Old San Juan. It was inaugurated in 1939, designed by the architect Chauncey W. Riley, and built by the engineers José Benítez y Gautier, Manuel Miró y Saudí, and Juan M. Beltrán Carrasquillo. The bank was built where the Banco Territorial y Agrícola of Puerto Rico was originally located during the 19th century. The building is representative of the Art Deco architectural style. It is painted cream and white. It has a curved facade with rectangular glass windows, metal frames, and overhangs at the top. There are also parapets with railings and a sign that reads "Banco Popular." The Finlay building is on the left side of the image, which was located on the site of the former Citibank building and was later home to the Old Harbor Brewery. The building is painted cream and white. The building has moldings, a fluted pilaster, sunshades, windows, and glass doors with metal frames. There is a red and black sign at the top that reads "Harbor Brewery Lobster House." On the right side of the image is the top part of the old American Colonial Bank, which later became the Ponce Credit and Savings Bank. This was the first American bank established in Puerto Rico. It was built in 1899 by contractor Frank Bond Hatch. It is currently known as the Restaurante Triana. It is painted red and white. The Spanish Colonial Revival style influences its architecture, and it has an eave covered by tiles and supported by corbels. There are shrubs, street lights, palm trees, and automobiles throughout the image.

Hacienda Santa Ana - Bayamón[on - 2011 00017

Hacienda Santa Ana - Bayamón[on - 2011 00017



Hacienda Santa Ana in Bayamón. View of the rear facade of the Hacienda mansion. The building is two-story, constructed of brick masonry in an eclectic architectural style. A rectangular volume with a hipped zinc roof is visible facing the side wall of the mansion. The roof juts out, forming an overhang that supports drainage pipes. It also has three double-paned windows with lattices on the second floor and two rectangular ventilation openings on the first. To the left, a staircase and a covered terrace with iron railings can be seen. To the right are two additional wooden windows, accompanied by a small tile canopy over them and a section of a balcony. There is another wooden door, and the walls show damp stains, as well as a red band around the edges. The patio is covered with grass. The Hacienda Santa Ana mansion sits on land granted in 1787 by King Charles III to Captain Fernando Fernández, a Spanish pirate serving the crown. Beginning in 1804, the Captain started planting sugarcane and distilling rum on the property for his personal use, but it wasn't until 1880 that his great-grandson, Pedro Fernández, and his son, Edmundo, developed the formula and distillation process for the famous Ron del Barrilito. In addition to the mansion, the Hacienda features a cooperage, a mill, an aging area, and a bottling and packaging facility. These facilities, which also serve as a museum, continue to produce the popular rum, as well as the Santa Ana medicinal bay rum.

Hacienda Santa Ana - Bayamón - 2011 00018

Hacienda Santa Ana - Bayamón - 2011 00018



Hacienda Santa Ana in Bayamón. View of the main facade of the Hacienda mansion. It is a two-story building constructed of brick masonry in an eclectic architectural style. The front features a grand terracotta-colored staircase with curved steps, wider at the bottom than at the top, giving it the appearance of an inverted fan. The staircase leads to the second-floor portico through an arched entrance, featuring two round columns on either side and an ornamental iron gate. The portico features thick, round columns with quadrangular capitals and arcades that extend the entire width of the facade. The first-floor arches have plain pillars. The second-floor arcade has ornamental iron railings and a cornice above it. A hipped metal sheet roof is visible. The roof of the main hall is much higher than the rest, a period technique to keep the house cooler. The paintwork appears to be deteriorated. The yard is covered with grass, and a parked van is visible. The Hacienda Santa Ana mansion sits on land granted in 1787 by King Charles III to Captain Fernando Fernández, a Spanish pirate serving the crown. Beginning in 1804, the Captain started planting sugarcane and distilling rum on the property for his personal use, but it was not until 1880 that his great-grandson, Pedro Fernández, and his son, Edmundo, developed the formula and distillation process for the famous Ron del Barrilito. In addition to the mansion, the Hacienda features a cooperage, a mill, an aging area, and a bottling and packaging facility. These facilities, which also serve as a museum, continue to produce the popular rum, as well as the Santa Ana medicinal bay rum.

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2013 00001

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2013 00001



Bastión de las Palmas de San José, located on the corner of Tetuán and San José Streets in Old San Juan. It was built in 1625 in the 17th century, after the Dutch attacked Old San Juan. A plaza, at night, can be seen with railings, four benches, people, trees, and a boundary wall made of stonework. Bastión de las Palmas de San José was later turned into a park. The Paseo de la Princesa can be observed on the left side. A tower with a dome is located in the upper part of the old La Princesa prison. The building has parapets, cornices, lattice windows, and white moldings. This building was built in 1837 and was used as a prison until 1976, when it was closed down due to problems with its structure. The Puerto Rican government restored the building in 1992 to serve as the headquarters for the Puerto Rico Tourism Company. The architect, Miguel Carlo, was responsible for the building's restoration. There is also a sidewalk with street lights and several palm trees. The rear of the Capilla del Santo Cristo de Salud, also known as Capilla del Cristo, is visible on the right side. It was built in 1753 by the architect and military engineer Juan Francisco Mestre. The chapel has characteristics of the Mudejar architectural style. It was built in brick and masonry. The side façade of the old Hospital de la Concepción, which later became the Convento y Casa de Salud Siervas de María, is also visible. The building has several floors, parapets, cornices, and window openings. The San Juan Bay and the coast of the municipality of Toa Baja can be seen from a distance.

Hacienda Santa Ana - Bayamón - 2011 00021

Hacienda Santa Ana - Bayamón - 2011 00021



Hacienda Santa Ana in Bayamón. View of the side facade of the Hacienda mansion. The building is two-story, constructed of brick masonry in an eclectic architectural style. A projecting balcony with corbels, railings, and ornamental iron grilles can be seen. In the center of the wall are two wooden windows under a small gable tiled roof, and another on the first level that has a cement cornice. A terracotta-colored base surrounds the building. Two porches with arches can also be seen on both levels; the one on the second level has an ornamental iron railing and cornices on the sides. The courtyard consists of a cement walkway that borders the mansion and grass on the lawn. In the background, the Hacienda's old mill or trapiche, dating from 1825, which was used for macerating sugarcane, is visible. The Hacienda Santa Ana mansion sits on land granted in 1787 by King Charles III to Captain Fernando Fernández, a Spanish pirate serving the crown. Beginning in 1804, the Captain started planting sugarcane and distilling rum on the property for his personal use, but it wasn't until 1880 that his great-grandson, Pedro Fernández, and his son, Edmundo, developed the formula and distillation process for the famous Ron del Barrilito. In addition to the mansion, the Hacienda features a cooperage, a mill, an aging area, and a bottling and packaging facility. These facilities, which also serve as a museum, continue to produce the popular rum, as well as the Santa Ana medicinal bay rum.

Julián E. Blanco School - San Juan (Condado) - 2011 00003

Julián E. Blanco School - San Juan (Condado) - 2011 00003



Front view of Julián E. Blanco School located in the community of Condado in the coastal city of San Juan. The school has two floors made of concrete painted yellow and green with characteristics of the Art Deco style. The building is dominated by a fence made of balusters interrupted by gates made of a metal grille. The front facade main nave is overlapping the lateral ones. In addition, the main nave has lattice style windows made of aluminium matched with a molding in the bottom part, glass blocks, and the ones on the first floor are covered with metal grilles. In the middle there is a double door made of wood framed with moldings creating squares, above which there is an entablature with dentils, moldings, cornices, in the center it has a medallion decorated with garlands, and spirals on its sides. Furthermore, the upper part there is a continuous cornice above which you can see an inscription that says: "Escuela Julián E. Blanco." On each side of the inscription there are decorative details and in the middle, a medallion decorated with foliage and spirals on each side at the top of the pediment. The Julián E. Blanco School was founded in 1956. Years later, in 1983, after taking into consideration the initiative of the professional dancer, Pascual Guzmán to create a classical ballet school for low-income youth; the school, Julián E. Blanco became the first specialized school in the Puerto Rico Department of Education.

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2013 00002

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2013 00002



Bastión de las Palmas de San José, located on the corner of Tetuán and San José Streets in Old San Juan. It was built in the 17th century in 1625 after the Dutch attacked Old San Juan. The moment was captured at night and displays a plaza with railings, three benches, people, trees, and a boundary wall made of stonework. Bastión de las Palmas de San José was later converted into a park. The Paseo de la Princesa can be seen on the left side. A tower with a dome is located in the upper part of the old La Princesa prison. The building has parapets, cornices, lattice windows, and white moldings. This building was built in 1837 and was used as a prison until 1976, when it was closed down due to problems with its structure. The Puerto Rican government restored the building in 1992 to serve as the headquarters for the Puerto Rico Tourism Company. The architect, Miguel Carlo, was responsible for the building's restoration. There is also a sidewalk with street lights and several palm trees. The posterior part of the Capilla del Santo Cristo de Salud, also known as Capilla del Cristo, is on the right side. It was built in 1753 by the architect and military engineer Juan Francisco Mestre. The chapel has characteristics of the Mudéjar architectural style. It was built in brick and masonry. The side facade of the old Hospital de la Concepción, which later became the Convento y Casa de Salud Siervas de María, can also be seen. The building has several floors, parapets, cornices, and window openings are visible. The San Juan Bay and the coast of the municipality of Toa Baja can be seen from a distance.

Hacienda Santa Ana - Bayamón - 2011 00023

Hacienda Santa Ana - Bayamón - 2011 00023



Hacienda Santa Ana in Bayamón. View of the rear of the Hacienda mansion. The building is two stories high, constructed of brick masonry in an eclectic architectural style. Two concrete volumes can be seen. The one on the right side features a small tiled roof supported by a base and two cement brackets over two wooden double-paned windows with lattices. On one side, a cantilevered balcony with a sloping roof and ornamental iron railings is visible. White metal sheets protrude from the cornice on the flat cement roof. The volume on the left has a sloping roof. Both levels have wooden doors that lead to a cement walkway that borders them and provides access to the grassy backyard. Moisture stains on the wall and on the cornice suggest a property in a state of neglect. The Hacienda Santa Ana mansion sits on land granted in 1787 by King Charles III to Captain Fernando Fernández, a Spanish pirate serving the crown. Beginning in 1804, the Captain started planting sugarcane and distilling rum on the property for his personal use, but it wasn't until 1880 that his great-grandson, Pedro Fernández, and his son, Edmundo, developed the formula and distillation process for the famous Ron del Barrilito. In addition to the mansion, the Hacienda features a cooperage, a mill, an aging area, and a bottling and packaging facility. These facilities, which also serve as a museum, continue to produce the popular rum, as well as the Santa Ana medicinal bay rum.

Julián E. Blanco School - San Juan (Condado) - 2011 00004

Julián E. Blanco School - San Juan (Condado) - 2011 00004



Front view of Julián E. Blanco School located in the community of Condado in the coastal city of San Juan. The school has two floors made of concrete painted yellow and green with characteristics of the Art Deco style. The building is dominated by a fence made of balusters interrupted with walls and metal grille gates. On the front facade, the main nave is overlapping the lateral ones, additionally, the front facade has lattice style windows made of aluminum matched with a molding in the bottom part, glass blocks, and the first floor windows are covered with metal grilles. In the middle there is the door, which is a double door made of wood framed with moldings that create squares above which you can see an entablature with dentils, moldings, cornices, in the center there is a medallion decorated with garlands and spirals on its sides. Furthermore, the upper part has a continuous molding above which there is an inscription that says: "Escuela Julián E. Blanco." On each side of the inscription there are decorative details, in the middle there is a medallion decorated with foliage, and spirals on each side at the top of the pediment. You can also see a sign that says: "Bienvenidos a la Escuela Especializada en Ballet Julián E. Blanco." The Julián E. Blanco School was founded in 1956. Years later, in 1983, after taking into consideration the initiative of the professional dancer, Pascual Guzmán to create a classical ballet school for low-income youth; the school, Julián E. Blanco became the first specialized school of the Puerto Rico Department of Education.

Hacienda Santa Ana - Bayamón - 2011 00024

Hacienda Santa Ana - Bayamón - 2011 00024



Hacienda Santa Ana in Bayamón. View of the main facade of the Hacienda mansion. It is a two-story building constructed of brick masonry in an eclectic architectural style. The front features a grand terracotta-colored staircase with curved steps, wider at the bottom than at the top, giving it the appearance of an inverted fan. The staircase leads to the second-floor portico through an arched entrance with a wall lamp, two round columns on the sides, and an ornamental iron gate. The portico features thick round columns with quadrangular capitals and arcades that extend the entire width of the facade. The first-floor arches have plain pillars. The second-floor arcade has ornamental iron railings and a cornice above it. The paintwork is deteriorated and the courtyard is covered in grass with brick paths. The Hacienda Santa Ana mansion sits on land granted in 1787 by King Charles III to Captain Fernando Fernández, a Spanish pirate serving the crown. Beginning in 1804, the Captain started planting sugarcane and distilling rum on the property for his personal use, but it wasn't until 1880 that his great-grandson, Pedro Fernández, and his son, Edmundo, developed the formula and distillation process for the famous Ron del Barrilito. In addition to the mansion, the Hacienda features a cooperage, a mill, an aging area, and a bottling and packaging facility. These facilities, which also serve as a museum, continue to produce the popular rum, as well as the Santa Ana medicinal bay rum.

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2013 00003

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2013 00003



Bastión de las Palmas de San José, located on the corner of Tetuán and San José Streets in Old San Juan, was built in the 17th century in 1625 after the Dutch attacked Old San Juan. This image was taken at night and displays a plaza with railings, four benches, people, trees, and a boundary wall made of stonework. Bastión de las Palmas de San José was later turned into a park. The posterior part of the Capilla del Santo Cristo de Salud, also known as Capilla del Cristo, is on the right side of the image. It was built in 1753 by the architect and military engineer Juan Francisco Mestre. The chapel has characteristics of the Mudéjar architectural style. It was built in brick and masonry. The side facade of the old Hospital de la Concepción, which later became the Convento y Casa de Salud Siervas de María, can also be observed on the left side of the image. The building is painted cream and white. It has parapets, cornices, and window openings. The roof of the old La Princesa prison can also be observed. The building has parapets and white moldings. This building was built in 1837 and was used as a prison until 1976, when it was closed down due to problems with its structure. The Puerto Rican government restored the building in 1992 to serve as the headquarters for the Puerto Rico Tourism Company. The architect, Miguel Carlo, was responsible for the building's restoration. The San Juan Bay and the coast of the municipality of Toa Baja can be seen from a distance.

Hacienda Santa Ana - Bayamón - 2011 00025

Hacienda Santa Ana - Bayamón - 2011 00025



Hacienda Santa Ana in Bayamón. View of the main facade of the Hacienda mansion. It is a two-story building constructed of brick masonry in an eclectic architectural style. The front features a large terracotta-colored staircase with curved steps, wider at the bottom than at the top, giving it a look reminiscent of an inverted fan. The staircase features a tubular handrail and extends to the second level, where the arched entrance to the portico is visible. The entrance features a wall lamp, two round columns on the sides, and an ornamental iron gate. The portico displays the same round columns with square capitals and arcades across the entire facade. The arches on the first floor have plain pillars. The arcade on the second floor has ornamental iron railings. The courtyard is covered in grass with brick paths. The Hacienda Santa Ana mansion sits on land granted in 1787 by King Charles III to Captain Fernando Fernández, a Spanish pirate serving the crown. Beginning in 1804, the Captain started planting sugarcane and distilling rum on the property for his personal use, but it wasn't until 1880 that his great-grandson, Pedro Fernández, and his son, Edmundo, developed the formula and distillation process for the famous Ron del Barrilito. In addition to the mansion, the Hacienda features a cooperage, a mill, an aging area, and a bottling and packaging facility. These facilities, which also serve as a museum, continue to produce the popular rum, as well as the Santa Ana medicinal bay rum.

Hacienda Santa Ana - Bayamón - 2011 00028

Hacienda Santa Ana - Bayamón - 2011 00028



Hacienda Santa Ana in Bayamón. View of the main facade of the Hacienda mansion. It is a two-story building constructed of brick masonry in an eclectic architectural style. The front features a grand terracotta-colored staircase with curved steps, wider at the bottom than at the top, making it look like an inverted fan. The staircase leads to the second-floor portico through an arched entrance, two round columns on the sides, and an ornamental iron gate. The portico features thick round columns with quadrangular capitals and arcades that extend the entire width of the facade. The first-floor arches have plain pillars. The second-floor arcade has ornamental iron railings and a cornice above it. A hipped metal sheet roof can be seen. The ceiling of the main living room is much higher than the rest, a technique of the time to keep the house cooler. At the rear of the house is an open garage with several cars inside. To one side, some sheds can be seen. The yard is covered with grass, and a pickup truck can be seen parked next to the stairs. The Hacienda Santa Ana mansion sits on land granted in 1787 by King Charles III to Captain Fernando Fernández, a Spanish pirate serving the crown. Beginning in 1804, the Captain started planting sugarcane and distilling rum on the property for his personal use, but it wasn't until 1880 that his great-grandson, Pedro Fernández, and his son, Edmundo, developed the formula and distillation process for the famous Ron del Barrilito. In addition to the mansion, the Hacienda features a cooperage, a mill, an aging area, and a bottling and packaging facility. These facilities, which also serve as a museum, continue to produce the popular rum, as well as the Santa Ana medicinal bay rum.

Hacienda Santa Ana - Bayamón - 2011 00030

Hacienda Santa Ana - Bayamón - 2011 00030



Hacienda Santa Ana in Bayamón. Perspective view of the side facade of the Hacienda mansion. The building is two-story, constructed of brick masonry in an eclectic architectural style. Two volumes can be seen. The one on the right side displays small canopies supported by brackets above double-paned wooden windows and lattices. In one corner, a cantilevered balcony with a sloping roof and ornamental iron railings can be seen. In the other corner, two arches provide access to porches; the one on the upper level has a decorative iron railing. White metal sheets protrude from the cornice on the flat cement roof. The volume on the left displays a hipped roof made of zinc sheets. Both volumes have wooden doors that provide access to a cement walkway that borders them and the grassy courtyard. Moisture stains on the walls and ceiling suggest a property in a state of neglect. The Hacienda Santa Ana mansion sits on land granted in 1787 by King Charles III to Captain Fernando Fernández, a Spanish pirate serving the crown. Beginning in 1804, the Captain started planting sugarcane and distilling rum on the property for his personal use, but it wasn't until 1880 that his great-grandson, Pedro Fernández, and his son, Edmundo, developed the formula and distillation process for the famous Ron del Barrilito. In addition to the mansion, the Hacienda features a cooperage, a mill, an aging area, and a bottling and packaging facility. These facilities, which also serve as a museum, continue to produce the popular rum, as well as the Santa Ana medicinal bay rum.

Hacienda Santa Ana - Bayamón - 2011 00031

Hacienda Santa Ana - Bayamón - 2011 00031



Hacienda Santa Ana in Bayamón. View of the main facade of the Hacienda mansion. The building is two-story, constructed of brick masonry in an eclectic architectural style. The front features a grand, terracotta-colored staircase with curved steps, wider at the bottom than at the top, giving it the appearance of an inverted fan. The staircase features a tubular handrail and extends to the second level, where the arched entrance to the portico is visible. The entrance features a wall lamp, two round columns on the sides, and an ornamental iron gate. The portico features thick, round columns with quadrangular capitals and arcades that extend the entire width of the facade. The arches on the first floor have plain pillars. The arcade on the second floor has ornamental iron railings and a cornice above it. The patio is covered with grass. The Hacienda Santa Ana mansion sits on land granted in 1787 by King Charles III to Captain Fernando Fernández, a Spanish pirate serving the crown. Beginning in 1804, the Captain started planting sugarcane and distilling rum on the property for his personal use, but it wasn't until 1880 that his great-grandson, Pedro Fernández, and his son, Edmundo, developed the formula and distillation process for the famous Ron del Barrilito. In addition to the mansion, the Hacienda features a cooperage, a mill, an aging area, and a bottling and packaging facility. These facilities, which also serve as a museum, continue to produce the popular rum, as well as the Santa Ana medicinal bay rum.

Hacienda Santa Ana - Bayamón - 2022

Hacienda Santa Ana - Bayamón - 2022



Hacienda Santa Ana in Bayamón. Perspective of the Hacienda mansion. The building is two-story, constructed of brick masonry in an eclectic architectural style. The front features a grand, terracotta-colored staircase with curved steps, wider at the bottom than at the top, giving it the appearance of an inverted fan. The staircase leads to the second-floor portico through an arched entrance, featuring two round columns on either side and an ornamental iron gate. The portico features thick, round columns with quadrangular capitals and arcades that extend the entire width of the facade. The first-floor arches have plain pillars. The second-floor arcade has ornamental iron railings and a cornice above it. A hipped metal sheet roof is visible. The ceiling of the main hall is much higher than the rest, a technique of the time to keep the house cooler. The paintwork appears to be deteriorated. The house is surrounded by grass and leafy trees. The Hacienda Santa Ana mansion sits on land granted in 1787 by King Charles III to Captain Fernando Fernández, a Spanish pirate serving the crown. Beginning in 1804, the Captain started planting sugarcane and distilling rum on the property for his personal use, but it wasn't until 1880 that his great-grandson, Pedro Fernández, and his son, Edmundo, developed the formula and distillation process for the famous Ron del Barrilito. In addition to the mansion, the Hacienda features a cooperage, a mill, an aging area, and a bottling and packaging facility. These facilities, which also serve as a museum, continue to produce the popular rum, as well as the Santa Ana medicinal bay rum.

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2013 00007

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2013 00007



Bastión de las Palmas de San José, located on the corner of Tetuán and San José Streets in Old San Juan. It was built in the 17th century in 1625 after the Dutch attacked Old San Juan. Bastión de las Palmas de San José was later turned into a park. Night perspective from the posterior of the old Puerto Rico Chamber of Commerce building. The building was designed in 1926 by the architect Antonín Nechodoma to be the headquarters of the Federal Land Bank of Baltimore in Puerto Rico. It was previously known as the San Juan Securities and Supplies Lonja. It was acquired by the Puerto Rico Chamber of Commerce in 1937 and was sold to a private party in 2019. The building is painted orange and white. It has hung windows, hinged windows, and a portico. A boundary wall made of stonework, a railing, and planters with shrubs can be seen. There is another building painted gray and white next to this building. It has white moldings, parapets, cornices, and lattice-style and glass windows. Behind this building is the Banco Popular of Puerto Rico. The building is painted cream and represents the Art Deco architectural style. It was designed by the architect Chauncey W. Riley and was built by the engineers Juan M. Beltrán Carrasquillo, Manuel Miró y Saurí, and José Benítez Gautier. One of the towers has a clock and a sign that reads "Banco Popular." The Paseo de la Princesa pathway is visible on the right side of the panorama. Trees, palm trees, and streetlights can be observed. The semicircular roof of Dock 1 in San Juan Bay can also be observed. The Old Post Office and Federal Courthouse José V. Toledo building can also be seen, representing several architectural styles such as Beaux Arts, Federal, and Spanish Colonial Revival. The building was designed by Oscar Wenderoth and is painted cream and terracotta. It has two towers crowned by lanterns with pinnacles and Spanish tiles. Rectangular glass windows and parapets are visible. The building entered the National Register of Historic Places in 1986. In addition, several high-rise buildings can also be seen on the other side of the Bay.

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2013 00010

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2013 00010



Bastión de las Palmas de San José, located on the corner of Tetuán and San José Streets in Old San Juan, was built in the 17th century in 1625 after the Dutch attacked Old San Juan. This image was taken at night and displays a masonry wall made of brick and stone. The upper part of a sentry post with a semicircular dome, cornices, and a keystone can be observed. There is also a railing, steps with bricks, trees, a handrail, three benches, streetlights, and two chairs sculpted in the image of a cat. Bastión de las Palmas de San José was later turned into a park. A tall building is painted brown and white on the right side. The upper part of the building has cornices, windows with arcades, and white moldings. The side facade of the old Hospital de la Concepción, known as Convento y Casa de Salud Siervas de María, can also be observed in the image. The building is painted cream and white. It has parapets, cornices, and window openings. The tower with a dome in the upper part of the old La Princesa prison building can be observed on the left side. This building was built in 1837 and was used as a prison until 1976, when it was closed down due to problems with its structure. The Puerto Rican government restored the building in 1992 to serve as the headquarters for the Puerto Rico Tourism Company. The architect, Miguel Carlo, was responsible for the building's restoration. The San Juan Bay and the coasts of Toa Baja and Cataño municipalities can also be observed in the distance.

Luchetti School - San Juan (Condado) - 2011 00001

Luchetti School - San Juan (Condado) - 2011 00001



Front view of Luchetti School located in the community of Condado in the coastal city of San Juan. The school has two floors made of concrete, painted green and yellow. It has characteristics of the Craftsman and Modernist styles. The front facade has lattice style windows made of aluminum framed with moldings. In the middle, you can distinguish an entrance portico supported by doric order columns. In turn, the columns support an entablature with moldings and cornices. In addition, the portico has a double door made of wood framed with moldings, dominated with a stair and crowned with a metal grille transom. Furthermore, the second floor has an open balconet surrounded by a concrete balustrade. It also has two wooden doors between which there is a fluted column. The balconet is framed with moldings above which there is an inscription: "Escuela Luchetti." The upper border is matched with a continuous molding above which there is a staggered pediment crowned with an ornamental detail. Additionally, on the school surroundings there are balustrades modulated with walls, paved sidewalks, and concrete benches in the patio. The Luchetti School dates back to 1908 and 1909, it follows the design of the architect, Antonin Nechodoma. It was previously known as "El Condado Schools" and was one of the first concrete schools built in the San Juan area. The school remained in use until it was closed by the Department of Education in 2018. Subsequently, in 2021, thanks to a community initiative, the building was nominated as historic building to the Planning Board and Instituto de Cultura Puertorriqueña.

Banco Popular de Puerto Rico - San Juan (Old San Juan) - 2012 00010

Banco Popular de Puerto Rico - San Juan (Old San Juan) - 2012 00010



Banco Popular of Puerto Rico located in Old San Juan. It was inaugurated in 1939, designed by the architect Chauncey W. Riley, and built by the engineers José Benítez y Gautier, Manuel Miró y Saudí, and Juan M. Beltrán Carrasquillo. The bank was built where the Banco Territorial y Agrícola of Puerto Rico was originally located during the 19th century. The building is representative of the Art Deco architectural style. The image is a distant view of the Banco Popular of Puerto Rico from Tetuán Street at night. The upper half of the building has a sign with white lights that reads "Banco Popular," and there is a clock underneath it. On the left side of the image is a building with a balcony, balusters, cornices, pilasters, semicircular arches with keystones, and wall lamps. Automobiles and a paved street can be seen in the center of the image. The old Puerto Rico Chamber of Commerce building is on the right side of the image. It was designed in 1926 by the architect Antonín Nechodoma to be the headquarters of the Federal Land Bank of Baltimore of Puerto Rico. The building was previously known as the San Juan Securities and Supplies Llotja. It was acquired by the Puerto Rico Chamber of Commerce in 1937 and was sold to a private party in 2019. The building is orange and white. It has stairs with railings, rectangular windows, and two columns supporting a sign in Spanish that reads "Chamber of Commerce." Next to this building is a blue and white building with parapets, cornices, and balconies with wooden double-leaf windows.

Windmill (1827) - Hacienda Santa Ana - 2011 00012

Windmill (1827) - Hacienda Santa Ana - 2011 00012



Hacienda Santa Ana in Bayamón. View of the tower of the Hacienda's old windmill. This brick mill, better known as a trapiche (mill), dates back to 1827 and is one of the oldest on the island. You can see a round brick tower with a brick and stone staircase. The staircase features two tubular handrails that lead to the main entrance, shaped like a semicircular arch on the second level. Above the arch is a white cement oculus embedded in the wall. The entrance has a double-leaf wooden door with a sunrise transom. Another stone staircase and a second wooden door can also be seen on the side wall. At the top of the tower is a crenellated parapet from which hang damp or soot stains, a small antenna, an electrical cable, and a lamp. You can also see an air conditioning unit in the courtyard, possibly because this tower was converted for use as an office. Behind the tower is a wooded area. The Hacienda Santa Ana mansion sits on land granted in 1787 by King Charles III to Captain Fernando Fernández, a Spanish pirate serving the crown. Beginning in 1804, the Captain started planting sugarcane and distilling rum on the property for his personal use, but it wasn't until 1880 that his great-grandson, Pedro Fernández, and his son, Edmundo, developed the formula and distillation process for the famous Ron del Barrilito. In addition to the mansion, the Hacienda features a cooperage, a mill, an aging area, and a bottling and packaging facility. These facilities, which also serve as a museum, continue to produce the popular rum, as well as the Santa Ana medicinal bay rum.

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2014 00003

Bastión de las Palmas de San José - San Juan (Old San Juan) - 2014 00003



Bastión de las Palmas de San José, located on the corner of Tetuán and San José Streets in Old San Juan, was built in the 17th century in 1625 after the Dutch attacked Old San Juan. A masonry wall made of bricks and stone interrupted by a sentry post with a semicircular dome, a keystone, and cornices can be observed in the image. A railing, several people, benches, trees, handrails, a street light, and a statue of a male figure can be observed in the image. Bastión de las Palmas de San José was later turned into a park. The old Puerto Rico Chamber of Commerce building can be observed in the background of the center of the picture. The building is painted orange and white. The square glass windows with metal frames and green-colored railings can be partially observed. The building was designed in 1926 by the architect Antonín Nechodoma to be the headquarters of the Federal Land Bank of Baltimore in Puerto Rico. It was previously known as the San Juan Securities and Supplies Lonja. It was acquired by the Puerto Rico Chamber of Commerce in 1937 and was sold to a private party in 2019. A two-story building painted blue and white can be observed on the left side. It has cornices, pilasters, white moldings, quoins, a balcony, and wooden double-leaf doors. The old headquarters of the El Mundo/Puerto Rico Ilustrado newspaper in Old San Juan can also be partially observed in the image. The building is painted brown and cream. It was built in 1923 by the architect Francisco Roldán Martinó. The building has elements of the Moorish Revival architecture style. The building's facade has mosaics and glass windows with metal frames. A cruise ship can be seen in the distance on the right side.

Windmill (1827) - Hacienda Santa Ana - 2011 00015

Windmill (1827) - Hacienda Santa Ana - 2011 00015



Hacienda Santa Ana in Bayamón. View of the tower of the Hacienda's old windmill. This brick mill, better known as a trapiche, dates back to 1827 and is one of the oldest on the island. You can see a round brick tower with a brick and stone staircase. The staircase has two tubular handrails leading to the main entrance, shaped like a semicircular arch on the second level. Above the arch is a white cement oculus embedded in the wall. The entrance has a double-leaf wooden door with an iron sunrise transom. Another stone staircase and a second wooden door can also be seen on the side wall. At the top of the tower is a crenellated parapet from which hang damp or soot stains, a small antenna, an electrical cable, and a lamp. An air conditioning unit sits in the courtyard, possibly because this tower was converted for use as an office. Behind the tower is a wooded area. The Hacienda Santa Ana mansion sits on land granted in 1787 by King Charles III to Captain Fernando Fernández, a Spanish pirate serving the crown. Beginning in 1804, the Captain started planting sugarcane and distilling rum on the property for his personal use, but it wasn't until 1880 that his great-grandson, Pedro Fernández, and his son, Edmundo, developed the formula and distillation process for the famous Ron del Barrilito. In addition to the mansion, the Hacienda features a cooperage, a mill, an aging area, and a bottling and packaging facility. These facilities, which also serve as a museum, continue to produce the popular rum, as well as the Santa Ana medicinal bay rum.

Windmill (1827) - Hacienda Santa Ana - 2011 00017

Windmill (1827) - Hacienda Santa Ana - 2011 00017



Hacienda Santa Ana in Bayamón. View of the tower of the Hacienda's old windmill. This brick mill, better known as a trapiche (mill), dates back to 1827 and is one of the oldest on the island. You can see a round brick tower with a brick and stone staircase. The staircase features two tubular handrails that lead to the main entrance, shaped like a semicircular arch on the second level. Above the arch is a white cement oculus embedded in the wall. The entrance has a double-leaf wooden door with a sunrise transom. Another stone staircase and a second wooden door can also be seen on the side wall. At the top of the tower is a crenellated parapet from which hang damp or soot stains, a small antenna, an electrical cable, and a lamp. Behind the tower is a wooded area. The Hacienda Santa Ana mansion sits on land granted in 1787 by King Charles III to Captain Fernando Fernández, a Spanish pirate serving the crown. Beginning in 1804, the Captain started planting sugarcane and distilling rum on the property for his personal use, but it wasn't until 1880 that his great-grandson, Pedro Fernández, and his son, Edmundo, developed the formula and distillation process for the famous Ron del Barrilito. In addition to the mansion, the Hacienda features a cooperage, a mill, an aging area, and a bottling and packaging facility. These facilities, which also serve as a museum, continue to produce the popular rum, as well as the Santa Ana medicinal bay rum.

El Cortijo - SG100002934

El Cortijo - SG100002934



Oblique view of El Cortijo residence, located in the Pueblo neighborhood of Barranquitas. A two-story residential building is visible, composed of several asymmetrical volumes, with a central tower that adds two more levels, and showing influences of the Spanish Neocolonial architectural style. It is built of reinforced concrete, with a cream-colored stucco finish and white details. The main level features rectangular openings with windows protected by ornamental metal grilles. The main entrance is accessed by a slightly elevated staircase leading to a portico with two arches, topped by a relief panel. On the right side, there is a projecting volume with a suspended window and a small overhang. On the left side, there is an open terrace supported by square pillars. On the second level, a corner balcony is visible, with a turned balustrade and a sloping roof with exposed beams, supported by wooden brackets. It has two double doors with glass panels and rectangular windows. In the center of the main facade is a small balcony with a triangular pediment and a metal railing. The central tower features a projecting balcony with a metal railing on the fourth level, two double doors, and is crowned by a bronze finial depicting the Santa María caravel. It has a combination of gabled and pitched roofs, decorated with molded cornices and topped with red ceramic tiles. Surrounding the property are several ornamental metal chairs lined up on the lawn, a paved walkway, and green areas. El Cortijo is a summer residence built in 1939 by the Puerto Rican architect Rafael Carmoega Morales for the Lozana Fabián family, who were involved in the sugar industry. It comprises three main buildings: the residence, a garage with a basement for domestic staff, and a one-story gardener's house. There is also a water cistern and a system of pathways that winds through formal and informal gardens, connecting spaces for recreation and contemplation throughout the grounds. It retains a high degree of integrity in location, design, materials, manufacture, and context, and constitutes an example of Puerto Rican residential architecture of the first half of the 20th Century.

Windmill (1827) - Hacienda Santa Ana - 2011 00019

Windmill (1827) - Hacienda Santa Ana - 2011 00019



Hacienda Santa Ana in Bayamón. View of the tower of the Hacienda's old windmill. This brick mill, better known as a trapiche, dates back to 1827 and is one of the oldest on the island. You can see a round brick tower with a brick and stone staircase. The staircase features two tubular handrails that lead to the main entrance, shaped like a semicircular arch on the second level. Above the arch is a white cement oculus embedded in the wall. The entrance has a double-leaf wooden door with a sunrise transom. Another stone staircase and a second wooden door can also be seen on the side wall. At the top of the tower is a crenellated parapet from which damp or soot stains, a small antenna, an electrical cable, and a lamp descend. You can also see an air conditioning unit in the courtyard, possibly because this tower was converted for use as an office. A building is visible in the background. The Hacienda Santa Ana mansion sits on land granted in 1787 by King Charles III to Captain Fernando Fernández, a Spanish pirate serving the crown. Beginning in 1804, the Captain started planting sugarcane and distilling rum on the property for his personal use, but it wasn't until 1880 that his great-grandson, Pedro Fernández, and his son, Edmundo, developed the formula and distillation process for the famous Ron del Barrilito. In addition to the mansion, the Hacienda features a cooperage, a mill, an aging area, and a bottling and packaging facility. These facilities, which also serve as a museum, continue to produce the popular rum, as well as the Santa Ana medicinal bay rum.

Luchetti School - San Juan (Condado) - 2011 00005

Luchetti School - San Juan (Condado) - 2011 00005



Front and lateral view of Luchetti School located in the community of Condado in the coastal city of San Juan. The school has two floors made of concrete, painted green and yellow. It has characteristics of the Craftsman and Modernist styles. The front facade has lattice style windows made of aluminum framed with moldings. In the middle you can distinguish an entrance portico supported by doric order columns. In turn, the columns support an entablature with moldings and cornices. In addition, the portico has a double door made of wood framed with moldings, dominated by a stair, and crowned with a metal grille transom. Furthermore, on the second floor there is an open balconet, surrounded by a concrete balustrade. It also has two wooden doors between which there is a fluted column. The balconet is framed with moldings above which there is an inscription that says: "Escuela Luchetti." Surrounding the upper border you can see a continuous cornice above which there is a staggered pediment crowned with an ornamental detail. On the lateral facade there are also framed windows and air conditioners. On the school surroundings there are paved sidewalks and vegetation. The Luchetti School dates back to 1908 and 1909, it follows the design of the architect, Antonin Nechodoma. It was previously known as "El Condado Schools" and was one of the first concrete schools built in the San Juan area. The school remained in use until it was closed by the Department of Education in 2018. Subsequently, in 2021, thanks to a community initiative, the building was nominated as historic building to the Planning Board and Instituto de Cultura Puertorriqueña.

Banco Popular de Puerto Rico - San Juan (Old San Juan) - 2012 00016

Banco Popular de Puerto Rico - San Juan (Old San Juan) - 2012 00016



Banco Popular of Puerto Rico located in Old San Juan. It was inaugurated in 1939, designed by the architect Chauncey W. Riley, and built by the engineers José Benítez y Gautier, Manuel Miró y Saudí, and Juan M. Beltrán Carrasquillo. The bank was built where the Banco Territorial y Agrícola of Puerto Rico was originally located during the 19th century. The building is representative of the Art Deco architectural style. It is painted cream, white, and green. It has a curved facade with rectangular glass windows with metal frames. The main entrance has twelve bas-reliefs, located on each side of a stained glass window, and four images of human figures interspersed, repeating each one thrice. There is an inscription in the center that reads "Banco Popular de Puerto Rico. Banco". The entrance is flanked by two high reliefs of an eagle figure. A canvas awning, people, trees, street lights, and a paved street can be seen in front of the bank. On the right side of the image is the old American Colonial Bank, which later became the Ponce Credit and Savings Bank. This was the first American bank established in Puerto Rico. It was built in 1899 by contractor Frank Bond Hatch. It was later known as the Triana Restaurant. It is painted red, cream, and white. The Spanish Colonial Revival style influences its architecture. The lower part of the building has arcades supported by pilasters, cornices, and circular shaped ornamentations. The upper half has an eave covered in tiles supported by corbels; it also has parapets with railings, double-leaf doors framed by pilasters, and semicircular pediments at the top. Another building is next to it, painted green and white. It also has architectural traits from the Spanish Colonial Revival style. The building has cornices, dentils, parapets with balusters, and double-leaf doors with triangular pediments.

Luchetti School

Luchetti School



Architectural drawing of Luchetti School located in the community of Condado in the coastal city of San Juan. The school has two floors made of concrete with characteristics of the Craftsman and Modernist styles. The front facade has windows that combine persiennes with glass, framed with moldings. In the middle, you can distinguish an entrance portico supported by doric order columns. In turn, the columns support an entablature with moldings and cornices. In addition, the portico has a double door framed with moldings, dominated with a stair, and crowned with a transom. Furthermore, the second floor has an open balconet surrounded by a balustrade. It also has two double doors that match with the windows, between which there is a fluted column. The balconet is framed with moldings above which there is an inscription that says: "Escuela Luchetti." The upper border has a continuous molding above which rise upward a staggered pediment crowned with an ornamental detail. Additionally, on the upper right border there is a logo: "PRHBDS." The Luchetti School dates back to 1908 ad 1909, it follows the design of the architect, Antonin Nechodoma. It was previously known as "El Condado Schools" and was one of the first concrete built in the San Juan area. The school remained in use until it was closed by Department of Education in 2018. Subsequently, in 2021, thanks to a community initiative, the building was nominated as historic building to the Planning Board and Instituto de Cultura Puertorriqueña.

Agustín Stahl House – 10001216

Agustín Stahl House – 10001216



Oblique view of the Dr. Agustín Stahl Stamm House, also known as the Agustín Stahl House, located in Bayamón. A single-story building with a symmetrical facade and traditional Neoclassical decorative elements is visible. The main volume has white masonry walls, three vertical openings protected by metal grilles on the sides, and a central gate. It features double wooden doors with solid panels at the bottom, latticework in the middle, and glass panels at the top. Each opening is framed by a rectangular blue molding with cornices at the top. On either side of the main entrance are wall lanterns supported by wrought iron arms. At the top center is a small sign that reads: "Baya, Empresas." The roof has a cornice that runs its entire length, just below a parapet with straight lines and simple moldings. The side facade features rectangular openings and simple moldings along the top and bottom. To the left, there is a side entrance with a metal gate made of vertical bars and integrated planters. In the foreground are the sidewalk and two parked cars, while in the background and to the side, trees and other adjacent buildings can be seen. The Dr. Agustín Stahl Stamm House was built in the 1840s and served as the residence, medical office, and laboratory of the scientist Dr. Agustín Stahl Stamm from 1865 until his death in 1917. Considered the most prominent Puerto Rican scientist of the 19th Century, he made significant contributions to botany, zoology, medicine, archaeology, ethnology, and anthropology, and was internationally recognized for his study of Caribbean flora and fauna. His collections were acquired by prestigious institutions such as the Smithsonian Institution, the Berlin National Botanical Garden, and Harvard University. The house, which remained in the family until the 1970s, retains remarkable architectural integrity. In 2000, the building became the property of the municipality of Bayamón and, after partial restoration, was converted into a museum.

Parish San Miguel Arcángel - Cabo Rojo - 2011 00015

Parish San Miguel Arcángel - Cabo Rojo - 2011 00015



Facade of the Parish San Miguel Arcángel, located in Cabo Rojo. It is parish presents different shades of yellow that alternates with orange details. The entrance is compound by three-centered arches flanked by pilasters that secure a triangular pediment that integrates dentils. The transition to the second level is accentuated by a stringcourse and a pair of cornices elevated by pilasters. Also, it is notable the oculus and the windows with glass leaves and with semicircular arch shape. On one end of the second level of the facade stand out a triangular pediment with dentils crowned with a cross, while in the opposite side it stick out the tower of the church, in whose belfry it shows arches, clocks, moldings and a dome. The parish is surrounded by a fence articulated by a balustrade interrupted by piers with finishes and a gate made of grilles with spiral motifs. At the front part there is a monument with the statue that commemorate the Puerto Rican writer, politician and historian Salvador Brau Asencio. The Parish San Miguel Arcángel was designated historic monument under the Law Number 150 of June 18, 2004. Its history is linked to the foundation of the town of Cabo Rojo through Royal Order from the king Charles III of Spain from December 17, 1771. Since September 29, 1783 this church dedicates to the patron of Saint Michael Archangel and two years later initiates the construction of the temple. In this church, in addition, there are the birth certificates of Ramón Emeterio Betnaces, Salvador Brau Asencio and the legendary pirate Cofresí. In its bicentennial it was plant a guayacan tree next to the square.

Parish San Miguel Arcángel - Cabo Rojo - 2011 00004

Parish San Miguel Arcángel - Cabo Rojo - 2011 00004



Main and lateral facade of the Parish San Miguel Arcángel, located in Cabo Rojo. The parish presents several shades of yellow that alternates with white color and light chestnut details. The entrance is compound by a three centered arch flanked by pilasters that secured a triangular pediment that integrates dentils. The transition to the second level is accentuated by a stringcourse and a pair of cornices elevated by pilasters. Also, it is notable the oculus and the windows with glass leaves and with semicircular arch shape. On one end of the facade it stand out a triangular pediment with dentils crowned with a cross while on the opposite side it stick out the tower of the church, in which belfry it shows arches, clocks, moldings and a dome. In the back part also it is partially visible a lantern with dome crowned with a cross. The parish is surrounded by a fence articulated by a balustrade interrupted by piers with finishes. At the front part there is a monument with a statue that commemorates the Puerto Rican writer, politician and historian Salvador Brau Asencio. The Parish San Miguel Arcángel was designated historic monument under the Law Number 150 of June 18, 2004. Its history is linked to the foundation of Cabo Rojo through Royal Order of the king Charles III of Spain from December 17, 1771. Since September 29, 1783 this church dedicates to the patron of Saint Michael Archangel and two years later initiates the construction of the temple. In this church, in addition, there are the birth certificates of Ramón Emeterio Betances, Salvador Brau Asencio and the legendary pirate Cofresí.

Parish San Miguel Arcángel - Cabo Rojo - 2011 00014

Parish San Miguel Arcángel - Cabo Rojo - 2011 00014



Facade of the Parish San Miguel Arcángel, located in Cabo Rojo. The entrance is compound by a three-centered arch flanked by pilasters that secured a triangular pediment with dentils. The transition to the second level is accentuated by a stringcourse and a pair of cornices elevated by pilasters. Also, it is notable the oculus and the windows with glass windows and with semicircular arch shape. To one end of the second level of the facade it stand out a triangular pediment with dentils crowned with a cross, while on the opposite side it stick out the tower of the church, in whose belfry it shows arches, clocks, moldings and a dome. The parish is surrounded by a fence articulated by a balustrade interrupted by piers with finishes and a gate. At the front part there is a monument with the statue that commemorates the Puerto Rican writer, politician and historian Salvador Brau Asencio. Also, it is visible a van and a light pole. The surfaces of the parish present yellow and light chestnut shades. The Parish San Miguel Arcángel was designated historic monument under the Law Number 150 from June 18, 2004. Its history is linked to the foundation of the town of Cabo Rojo through Royal Order of the king Charles III of Spain from December 17, 1771. Since September 29, 1783 this church is dedicated to the patron of Saint Michael Archangel and two years later initiates the construction of the temple. In this church, in addition, there are the birth certificates of Ramón Emeterio Betances, Salvador Brau Asencio and the legendary pirate Cofresí. In its bicentennial it was plant a guayacan tree next to the square.

Ponce City Hall - 2013 00002

Ponce City Hall - 2013 00002



Front view of the Ponce City Hall. The building has two floors made of masonry and characteristics of the Elizabethan Neoclassic style. On the first floor there are bossage, two double wooden windows and two double doors made of wood and glass framed and crowned with an entablature. In the middle there is the main entrance with ornamental metallic grille under a semicircular arch framed with moldings and flanked with two pairs of Tuscan pilasters. Aside from that, on the second floor there are five double doors made of wood and glass framed with flat moldings and presided by balustrades. The middle door is presided by an overhang balcony with a balustrade supported by brackets. The front facade also has an inscription that says: "Casa Alcaldía", a continuous entablature and a pediment that crowns the building. The pediment is small and has a clock, pilasters, spirals, moldings and continuous cornices. In addition, above the building there are three flag poles with the flags of United States, Puerto Rico and Ponce. On both sides of the building there are attached buildings with different characteristics. Apart from that, on the other side of the street you can distinguish an end of the Public Square Federico Degetau. It has light poles and garden areas. The Ponce City Hall was built between 1846 and 1848, it became the first government building in the city. Even though the interior design was altered in the XX century, it preserves its original exterior design.

View toward Building 250 - Calle de la Cruz - San Juan (Old San Juan) - 2014 00001

View toward Building 250 - Calle de la Cruz - San Juan (Old San Juan) - 2014 00001



Building in Calle de la Cruz 250 in Old San Juan. The building has characteristics of the Neoclassical architecture style and is painted pink and white. The façade of the building exhibits deterioration in some areas. The upper half of the building has parapets, cornices, dentils, and a frieze with triglyphs that has an ornamentation in the metopes. There is a balcony supported by brackets, four parapets, eight lattice double doors with fanlights, keystones, and circular openings. The lower half of the façade has three window openings covered by white panels and wooden panels that are framed by three semicircular arches. The walls has several flat moldings in a rectangular shape. Adjacent to this building is another building that is painted red and white. It has parapets, cornices, two balconies with iron balusters and doorways with semicircular arches. Next to this building is another building that is gray and white. It has several parapets, balconies, and balconets with iron balusters supported by brackets. There is a partially visible building on the right side of the image that is painted yellow and white, has cornices, parapets, a balconet with lattice double doors, and flat moldings. There are people, a sidewalk, automobiles, and a street in front of the buildings. There is a wall with three rectangular openings, two of which are covered by white panels and one with a wooden panel that is framed by white-colored semicircular arches. The wall has a sign with the number 250. The upper half of the openings has four ornamented brackets that are supported by four braces. There are also rectangular moldings and a sidewalk.

Old Banco de Ponce - 2014 00001

Old Banco de Ponce - 2014 00001



View of the building of the Old Banco de Ponce located in the coastal city of Ponce. At the foreground, to the right far end you can distinguish a two-story building with double wooden doors and overhang balconies supported with brackets. In front there is a paved street with light poles and standing people. On the other side of the traveled street there is the public square Federico Degetau decorated with garden areas, benches and light poles. Aside from that, in the background there is the building from the Banco de Ponce. The building has three levels built with concrete and characteristics of the Beaux Arts and Neoclassic style. The facade has windows covered with metallic grilles and French windows under semicircular arches presided by balustrades. In addition, the arches are framed with ornamental moldings, crowned with keystones and flanked with pairs of Corinthian Order fluted pilasters. The pilasters go up to the third level and support a continuous entablature with cornices, moldings, rose windows, dentils and more French windows. In the front part you can also distinguish an entrance through a rectangular framed door, crowned with entablatures and flanked by Corinthian Order fluted columns. Above this you can also see an inscription that says: "Banco Popular". The Banco de Ponce was established in 1912 but it was not until 1924 and 1925 when the building was built and inaugurated. Subsequently, in the 1940s its interior was remodeled to extend it in accordance with the needs of the establishment. In 1983 the bank had fifty branches and in 1990 it merged with the Banco Popular of Puerto Rico. In addition, in 1987 the building was included in the National Register of Historic Places.

Old Banco de Ponce - 2014 00002

Old Banco de Ponce - 2014 00002



Distance view of the building of the Old Banco dePonce located in the coastal city of Ponce. At the foreground, to the right far end you can distinguish a two-story building decorated with ornamental moldings and overhang balconies with metallic balustrades supported with brackets. In front there is a paved sidewalk with light poles and standing people. On the other side of the traveled street there is the public square Federico Degetau decorated with garden areas, benches and light poles. Aside from that, in the background there is the building of the Banco de Ponce. The building has three levels built with concrete and characteristics of the Beaux Arts and Neoclassic style. The facade has windows covered with metallic grilles and French windows under semicircular arches presided by balustrades. In addition, the arches are framed with ornamental moldings, crowned with keystones and flanked by pairs of Corinthian Order fluted pilasters. The pilasters go up to the third floor and support a continuous entablature with cornices, moldings, dentils and more French windows. In the front part you can also distinguish an entrance through framed rectangular door, crowned with entablatures and flanked by Corinthian Oder fluted columns. Above the entrance you can distinguish an inscription that says: "Banco Popular". The Banco de Ponce was established in 1912 but it was not until 1924 and 1925 when the building was built and inaugurated. Subsequently, in the 1940s its interior was remodeled to extend it in accordance with the needs of the establishment. In 1983 the bank had fifty branches and in 1990 it merged with the Banco Popular of Puerto Rico. Additionally, in 1987 the building was included in the National Register of Historic Places.

Old Banco de Ponce - 2014 00003

Old Banco de Ponce - 2014 00003



View of the building of the Old Banco de Ponce located in the city of Ponce. At the foreground, to the right far end you can distinguish a two-story building decorated with ornamental moldings and overhang balconies with metallic balustrades supported with brackets. In front there is a paved sidewalk with light poles, on the other side of the traveled street there is the public square Federico Degetau decorated with garden areas, benches and light poles. Aside from that, in the background there is the building of the Banco de Ponce. The building has three levels built with concrete and characteristics of the Beaux Arts and Neoclassic style. The facade has windows covered with metallic grilles and French windows under semicircular arches with ornamental moldings, crowned with keystones and flanked with pairs of Corinthian Order fluted pilasters. The pilasters go up to the third floor and support a continuous entablature with cornices, moldings, dentils, rose windows and more French windows. In the front part you can also distinguish an entrance through a rectangular framed door, crowned with an entablature and flanked by Corinthian Order fluted columns. In addition, above the entrance you can distinguish an inscription that says: "Banco Popular". The Banco de Ponce was established in 1912 but it was not until 1924 and 1925 when the building was built and inaugurated. Subsequently, in the 1940s its interior was remodeled to extend it in accordance with the needs of the establishment. In 1983 the bank had fifty branches and in 1990 it merged with the Banco Popular of Puerto Rico. Additionally, in 1987 the building was included in the National Register of Historic Places.

Old Banco de Ponce - 2014 00006

Old Banco de Ponce - 2014 00006



View of the building of the Old Banco de Ponce located in the coastal city of Ponce. At the foreground, there are people walking on the street and vehicles traveling. Aside from that, to the right far end there is the building of the Bank of Ponce. The building has three levels made with concrete and characteristics of the Beaux Arts and Neoclassic styles. The facade has windows covered with metallic grilles and French windows under semicircular arches presided by balustrades. In addition, the arches are framed with ornamental moldings, crowned with keystones and flanked by pairs of Corinthian Order fluted pilasters. The pilasters go up to the third level and support a continuous entablature with cornices, moldings, dentils, rose windows and more French windows. In the front part you can also distinguish an entrance through a rectangular door framed, crowned with an entablature and flanked by Corinthian Order fluted columns. Above the entrance you can also distinguish an inscription that says: "Banco Popular". Aside from that, to the left far end separated by the well known Callejón del Amor or Paseo Antonio S. Arias, you can distinguish the building of the Banco de Crédito y Ahorro Ponceño characterized by its entrance through a chamfered corner and characteristics of the Beaux Arts. The Banco de Ponce was established in 1912 but it was not until 1924 and 1925 when the building was built and inaugurated. Subsequently, in the 1940s its interior was remodeled to extend it in accordance with the needs of the establishment. In 1983 the bank had fifty branches and in 1990 it merged with the Banco Popular of Puerto Rico. Additionally, in 1987 the building was included in the National Register of Historic Places.

Old Banco de Ponce - 2014 00007

Old Banco de Ponce - 2014 00007



Lateral view of the building of the Old Banco de Ponce located in the coastal city of Ponce. At the foreground, on both sides of the paved street you can see an end of the city hall, another building with different characteristics and parked vehicles. Aside from that, to the right far end there is the building of the Bank of Ponce. The building has three levels built with concrete and characteristics of the Beaux Arts and Neoclassic styles. The facade has windows covered with metallic grilles and French windows under semicircular arches presided by balustrades. In addition, the arches are framed with ornamental moldings, crowned with keystones and flanked with pairs of Corinthian Order fluted columns. The columns go up to the third level and support a continuous entablature with cornices, moldings, rose windows, dentils and more French windows. In the front part you can also distinguish an entrance through a framed rectangular door, crowned with entablature and an inscription that says: "Banco Popular". You can also distinguish an end of the building of the Banco de Crédito y Ahorro Ponceño with its characteristics of the Beaux Arts. The Banco de Ponce was established in 1912 but it was not until 1924 and 1925 when the building was built and inaugurated. Subsequently, in the 1940s its interior was remodeled to extend it in accordance with the needs of the establishment. In 1983 the bank had fifty branches and in 1990 it merged with the Banco Popular of Puerto Rico. Additionally, in 1987 the building was included in the National Register of Historic Places.

Banco Crédito y Ahorro Ponceño - 2014 00001

Banco Crédito y Ahorro Ponceño - 2014 00001



View of the Banco de Crédito y Ahorro Ponceño located in front of the public square in the coastal city of Ponce. The building is chamfered, has two floors made of masonry and concrete with characteristics of the Beaux Arts style. Nonetheless, the exterior facade is divided in three levels. On the first level it has windows under semicircular arches covered with iron grilles, crowned with keystones and doors under semicircular arches framed with moldings and crowned with glass transoms. The second level has double doors with French style framed with ornamental moldings and presided by balustrades. In addition, they are articulated by Corinthian Order fluted pilasters that go up to the additional level that support a continuous entablature decorated with garlands, dentils and an upper overhang cornice with brackets. The third level has an inscription that says: "Crédito y Ahorro Ponceño", a railing with balusters between three pediments with medallions with stained glass, the middle one with a clock. All of them have ornamental moldings and in relief details. Additionally, the roof has dormer shape. The Banco de Crédito y Ahorro Ponceño it was established in 1895, nonetheless it was not until 1924 and 1925 when this emblematic building was built. It remained in use until 1978 when the Banco Popular de Puerto Rico and Banco Santander bought its shares. Despite that, in 1987 the building was included in the National Register of Historic Places. In addition, since 2022 is the headquarters of the news media La Perla del Sur.

Banco Crédito y Ahorro Ponceño - 2014 00002

Banco Crédito y Ahorro Ponceño - 2014 00002



Close up view of the Banco de Crédito y Ahorro Ponceño located in front of the public square in the coastal city of Ponce. The building is chamfered, has two floors made of masonry and concrete with characteristics of the Beaux Arts style. Nonetheless, the exterior facade is divided in three levels. On the first level, it has windows under semicircular arches covered with iron grilles, crowned with keystones and a door under a semicircular arch framed with moldings and crowned with a glass transom. The second level has double doors with French style framed with ornamental moldings and presided by balustrades. In addition, they are articulated by Corinthian order fluted pilasters that go up to the additional level that supports a continuous entablature decorated with garlands, dentils, an upper overhang cornice with brackets and an inscription that says: "Crédito y Ahorro Ponceño". The third level has a railing with balusters between three pediments with medallions with stained glass, the one in the middle with a clock. All of them have ornamental moldings and in relief details. At the same time, the roof has dormer shape. The Banco de Crédito y Ahorro Ponceño was established in 1895, however, it was not until 1924 and 1925 when this emblematic building was built. It remained in use until 1978 when the Banco Popular of Puerto Rico and the Banco Santander bought its shares. Despite that, in 1987 the building was included in the National Register of Historic Places. Additionally, since 2022 it is the headquarters of the news media, La Perla del Sur.

Banco Crédito y Ahorro Ponceño - 2014 00003

Banco Crédito y Ahorro Ponceño - 2014 00003



View of the Banco de Crédito y Ahorro Ponceño located in front of the public square in the coastal city of Ponce. At the foreground, you can see an end of the Old Banco de Ponce with two floors and characteristics of the Beaux Arts. On the other side you can distinguish the building of the Banco de Ahorro Ponceño, which it is chamfered, has two floors made of masonry and concrete with characteristics of the Beaux Arts style. Nonetheless, the exterior facade is divided in three levels. On the first level it has windows under semicircular arches covered with iron grilles, crowned with keystones and a door under a semicircular arch framed with moldings and crowned with a glass transom. The second floor has double doors with French style framed with ornamental moldings and presided by balustrades. In addition, they are articulated by Corinthian Order fluted pilasters that go up to the additional level and support an continuous entablature decorated with garlands, dentils, an upper overhang cornice with brackets and an inscription that says: "Crédito y Ahorro Ponceño". The third level has a railing with balusters between pediments with medallions with stained glass, the one in the middle has a clock, all of them have ornamental moldings and in relief details. At the same time, the roof has dormer shape. The Banco de Crédito y Ahorro Ponceño was established in 1895, however, it was not until 1924 and 1925 when this emblematic building was built. It remained in use until 1978 when the Banco Popular of Puerto Rico and Banco Santander bought its shares. Despite that, in 1987 the building was included in the National Register of Historic Places. Additionally, since 2022 is the headquarters of the news media, La Perla del Sur.

135 Villa Street - Ponce - 2014 00031

135 Villa Street - Ponce - 2014 00031



Front and lateral view of the first methodist church of Ponce located on the 135 Villa street from the coastal city of Ponce. The church has one floor made of reinforced concrete with characteristics of several styles, which is the reason why is considered eclectic. The roos is a gable roof made of corrugated metal sheets. The facade has a rustic appearance simulating masonry blocks and wooden windows under pointed arches with stained glass framed with bolections, several double wooden doors presided by steps and crowned with glass transoms. Both facades are decorated with a rose window, supported with buttress and has garden areas. There is a square base belfry tower divided in two section attached to the church. The base has a rustic appearance simulating blocks with entrance openings and vertical openings framed with flat moldings. The second section is above a projecting cornice, it has a smaller size and is built with concrete blocks. It also has several vertical openings, rectangular projecting cornices and decorative columns. In addition, it has semicircular arches flanked by compound columns that at the same time support a continuous entablature. The openings are covered with grilles and the tower is crowned with a dome with onion shape and a spheric finish. The Methodist Church of the Resurrection of Ponce was built in 1907, it became one of the first non Roman Catholic churches built after the sovereignty change in 1898, being an example of freedom of religion. After the 1918 earthquake, the belfry tower had to be rebuilt using the design of Francisco Porrata Doria, which is why its design and materials are different from the original. Years later, in 1987 it was included in the National Register of Historic Places.

Casa Armstrong Poventud - 2013

Casa Armstrong Poventud - 2013



Lateral and front view of the Casa Armstrong Poventud located on the Unión street from the coastal city of Ponce. The house has two levels made of masonry above an exposed stone base. At the foreground, you can distinguish the light pole and parked vehicles on the street. Aside from that, on the first floor of the house there is an entrance through a double door made of wood under a semicircular arch framed with moldings and crowned with a sunrise transom and a keystone. The main entrance is flanked by two caryatids above brackets decorated and windows under double arches framed with moldings, supported with compound pilasters and presided by balustrades. Each far end has pilasters with compound capitals that go up to the second floor and support a continuous entablature. Similarly, the second floor has three semicircular arches framed with moldings, crowned with sunrise transoms and keystones. The three arches are presided by balconets, the ones on the sides with ornamental iron railings and the one in the middle with a masonry balustrade. In addition, the balconies are flanked with compound pilasters that at the same time support a continuous entablature with brackets, an ornamental frieze, a continuous cornice and a parapet with amphorae. In addition to this, the right far end of the house has a garage presided by a gate made of metallic grille framed with moldings. This garage has one level above, which it has a rooftop on the second floor surrounded by ornamental iron grilles. The well known Casa de las Cariátides was built in 1899 for the family of sir Carlos Armstrong Toro, the founder of the Banco de Ponce and Banco de Crédito y Ahorro Ponceño. Years later, in 1986 it was sold to the government and restored, hence in 1987 it was included in the National Register of Historic Places.

Casa Armstrong Poventud - 2014 00001

Casa Armstrong Poventud - 2014 00001



Front view of the Casa Armstrong Poventud located on the Unión street from the coastal city of Ponce. The house has two levels made of masonry above an exposed stone base. At the foreground, you can distinguish the headquarters of the cathedral Nuestra Señora de la Guadalupe, the paved sidewalk and parked vehicles on the street. Aside from that, on the first floor of the house there is an entrance through a double wooden door under a semicircular arch framed with moldings and crowned with a sunrise transom and a keystone. The main entrance is flanked by two caryatids above decorated brackets and wooden windows under double arches framed with moldings, supported by compound pilasters and presided by balustrades. Each far end has pilasters with compound capitals that go up to the second floor and support a continuous entablature. Similarly, the second floor has three semicircular arches with double wooden doors with moldings, crowned with sunrise transoms and keystones. The arches are presided by balconets, the ones from the far ends with ornamental iron railings and the one in the middle with a masonry balustrade. In addition, the balconies are flanked by compound pilasters that at the same time support a continuous entablature with brackets, an ornamental frieze, a continuous cornice and a parapet with amphorae. At the same time, to the right far end, the house has a garage presided by a metallic grille gate framed with moldings. This garage has another level, where is located a rooftop on the second floor surrounded by ornamental iron grilles. You can also see adjacent houses and buildings with different characteristics. The well known Casa de las Cariátides was built in 1899 to the family of sir Carlos Armstrong Toro, the founder of the Banco de Ponce and Banco de Crédito y Ahorro Ponceño. After the 1918 earthquake it was restored and it was added the garage space. Years later, in 1986 it was sold to the government and restored, hence in 1987 it was included in the National Register of Historic Places.

Casa Armstrong Poventud - 2014 00002

Casa Armstrong Poventud - 2014 00002



Front view of the Casa Armstrong Poventud located on the Unión street from the coastal city of Ponce. The house has two levels made of masonry above an exposed stone base. From the cathedral Nuestra Señora de la Guadalupe you can distinguish the paved street with parked vehicles and the Casa Armstrong Poventud. On the first floor of the house there is an entrance through a double door under a semicircular arch framed with moldings and crowned with a sunrise transom and a keystone. The main entrance is flanked by two caryatids above decorated brackets and wooden windows under double arches framed with moldings, supported with compound pilasters and presided by balustrades. Each far end has pilasters with compound capitals that go up to the second floor and support a continuous entablature. Similarly, the second floor has three semicircular arches with double wooden doors framed with moldings, crowned with sunrise transoms and keystones. The three arches are presided by balconets, the ones from the far ends with ornamental iron railings and the one in the middle with a masonry balustrade. In addition, the balconies are flanked by compound pilasters that at the same time support a continuous entablature with brackets, an ornamental frieze, a continuous cornice and a parapet with amphorae. Aside from that, to right far end the house has a garage presided by a metallic grille gate. This garage has another level that has a rooftop on the second floor surrounded by metallic grilles. You can also see adjacent houses and buildings with different characteristics. The well known Casa de las Cariátides was built in 1899 to the family of sir Carlos Armstrong Toro, the founder of the Banco de Ponce and Banco de Crédito y Ahorro Ponceño. After the 1918 earthquake it was restored and it was added the garage space. Years later, in 1986 was sold to the government and restored hence in 1987 it was included in the National Register of Historic Places.

Casa Armstrong Poventud

Casa Armstrong Poventud



Architectural drawing of the Casa Armstrong Poventud located on the Unión street from the coastal city of Ponce. The house has two levels above an exposed stone base. On the first floor the house has an entrance through an ornate double door under a semicircular arch framed with moldings and crowned with a sunrise transom and a keystone. The main entrance is flanked by two caryatids above decorated brackets and windows under double arches framed with moldings, supported with compound pilasters and presided by balustrades. Each far end has compound pilasters that go up to the second floor and support a continuous entablature. Similarly, the second floor has three semicircular arches with double doors framed with moldings, crowned with sunrise transoms and keystones. The three arches are presided by balconets, the ones on the far ends with ornamental iron balustrades and the one in the middle with a masonry balustrade. In addition, the balconies are flanked by compound pilasters that at the same time support a continuous entablature with brackets, an ornamental frieze, a continuous cornice and a parapet with amphorae. Aside from that, to the right far end the house has a garage presided by an ornamental grille gate. This garage has an additional level that has an open rooftop on the second floor surrounded by an ornamental grille. You can also distinguish a logo with an inscription that says: "PRHBDS". The well known Casa de las Cariátides was built in 1899 to the family of sir Carlos Armstrong Toro, the founder of the Banco de Ponce and Banco de Crédito y Ahorro Ponceño. After the 1918 earthquake it was restored and it was added the garage space. Years later, in 1986 was sold to the government and restored hence in 1987 was included in the National Register of Historic Places.

Telegraph and Telephone Station  - 12000396

Telegraph and Telephone Station - 12000396



View of the main facade of the Telegraph and Telephone Office, located in Guaynabo. A single-story building with a symmetrical Art Deco design is visible. The walls are made of reinforced concrete with a smooth finish and vertical moldings. It features a projecting central volume, with the main entrance slightly raised on a three-step platform and framed by pilasters with geometric reliefs. The main door is protected by a metal gate, flanked by two windows with glass blocks and metal grilles. Above the door and windows are curved eaves with linear horizontal moldings. At the top of the entrance is a monogram reading "AC" (Autoridad de Comunicaciones) and four decorative medallions in relief featuring symbolic telecommunications motifs. On either side of the entrance are the inscriptions "Teléfono" on the left and "Telégrafo" on the right. In the foreground, an ornamental iron fence delimits the garden and decorative plants in front of the facade. The Telegraph and Telephone Office was built in 1948 as part of an architectural prototype designed by the Puerto Rico Communications Authority to unify telephone and telegraph services in a single facility. A later 1958 expansion added a section to the northeast corner of the building. The building was one of only three constructed in this style on the island and is the only one still standing. It operated until 1964, when a new, higher-capacity telephone exchange replaced it and was subsequently used by the Municipality for community and cultural purposes.

Casa Márquez - 15000311

Casa Márquez - 15000311



Oblique view of Casa Márquez, also known as Hacienda Valentina, located in Hormigueros. A rectangular, elongated, two-level building with a fusion of architectural styles, similar to those of the Spanish medieval tower house or fortified house, and elements of 19th-century plantation residences, is visible. The lower level is built of stone masonry and features a gallery with rectangular columns that runs the length of the facade. It has rectangular access openings and a central arched opening with a metal grille. The upper level is constructed of horizontally arranged wooden planks. Several doorways and windows with casement sashes are visible. The side windows have small, integrated eaves. Along the facade, there is a continuous balcony with a railing of turned wooden balusters and its own roof, supported by wooden columns and crossbeams, independent of the main roof. The walls and columns are white, while the frames, railings, and details are blue. The immediate surroundings consist of low gardens, dense vegetation along the perimeter, and a stone path leading to the building. Casa Márquez, also known as Hacienda Valentina, was founded in 1823 by the Genoese immigrant José Marciani. It is a unique example of a masonry tower house, with a fortified character, with a second wooden story added around 1885. This blend of styles makes it the only example in Puerto Rico that simultaneously reflects urban and rural functions. The Hacienda was primarily dedicated to cultivating sugarcane and coffee, as well as cattle ranching. Until 1873, it relied on slave labor. Between 1780 and 1934, the residence underwent several transformations, from its origins as a defensive structure to its development into an elegant home. Changes such as replacing tile roofs with zinc and subsequent restorations did not compromise its historical integrity. It has remained in the hands of the same family for six generations, ensuring its preservation.

Casa Paoli - 09000769

Casa Paoli - 09000769



View of the main facade of Casa Paoli in Ponce. It is a single-story building, featuring a combination of Neoclassic and 20th-century architectural styles. The exterior brick masonry walls are covered with yellow-painted stucco and highlighted with white moldings. The facade is divided into two sections by pilasters that protrude slightly from the wall and are topped by a prominent cornice. The main entrance has an arch, a small metal gate, and, to its right, a plaque reading "Casa Paoli." Above the arch is a white-framed oculus with a decorative grille. The main section of the facade is symmetrically organized with two double-leaf wooden doors with shutters and ornamental transoms. In the center, a circular glass window with decorative molding brings natural light into the interior. The balcony, added in the 1914 remodeling, shows native hydraulic tiles flooring, an ornamental metal railing, and a lowered arch framing the space, crowned by a high-relief sculpture of a female face surrounded by marine motifs. The immediate surroundings combine pedestrian sidewalks and contemporary buildings that contrast with the house's historic character. On the right side of the house, a wall with an electricity meter, a security sign, and, in front, a trash can, is visible. The Casa Paoli was originally built of wood before being acquired by the Paoli family in 1864. In 1870, it was remodeled and registered as a two-story brick-and-wood masonry dwelling. At the beginning of the 20th Century, the government appropriated the house, and it wasn't until 1914 that the new owner, Julio Salicrup and Armstrong, hired engineer Manuel V. Domenech to renovate it. In that year, changes were made to the facade, including the balcony and the Neoclassical details that are still preserved. Minor repairs and additional technical upgrades were made in 1984. Despite all these modifications, the house retains its historic integrity in its design and materials. The property was the birthplace and primary residence of Antonio Emilio Paoli y Marcano (1871-1946), a renowned Puerto Rican tenor and one of the most prominent opera singers of all time.

Casa Vives - 13000013

Casa Vives - 13000013



Oblique view of the building known as Casa Vives in Ponce. It shows a two-story, Neoclassical corner building constructed of brick and masonry, with a flat roof and a molded parapet. The facade features a design that combines commercial functions on the first floor and residential on the second. The first floor has multiple independent entrances, wide doors, and display windows protected by metal grilles. These features have simple moldings and are separated by Tuscan pilasters. The second floor has balconies projecting outward with wrought-iron railings, ornamented with 19th-century decorative motifs. Each opening on the upper floor is framed by simple moldings and Corinthian pilasters, which culminate in decorated capitals and a prominent cornice. The doors on the second floor have adjustable wooden louvers to control ventilation and lighting. The upper portion of the facade is crowned by an entablature composed of a prominent cornice and a simple parapet that conceals the flat roof. The surrounding area includes a sidewalk paved with rectangular tiles, trees, Classical-style lampposts, and a vendor selling piraguas (snow cones). Several people and parked cars are visible on the street, and in the background, a smaller adjacent building. Casa Vives was built between 1859 and 1860 for Carlos Vives, son of landowner Salvador Vives. It is one of the best-preserved 19th-century houses in Puerto Rico and represents the architectural and social ideals of the Ponce elite of the time. The design has been attributed to Juan Bertoli Carderoni, although historical documents indicate that the builder was Carlos Milán. The residence retains its original materials, such as ausubo wood beams, wrought-iron balconies imported from Scotland, and hand-painted interior decorations. The building reflects Ponce's economic and urban boom during the 19th Century, driven by agriculture, especially sugarcane and coffee. Its construction, financed in part by the sale of enslaved people, testifies to the economic power of its owner and the historical context of the time.

House of the Massacre in Ponce - 05001098

House of the Massacre in Ponce - 05001098



Oblique view of the building known as the House of the Massacre in Ponce. It is a two-story building with a masonry base and a Creole vernacular architecture style. The walls combine masonry and wood, and the roof is made of galvanized metal with a cornice below the parapet. The upper level features a continuous L-shaped wooden balcony with a stylized curve that connects both main facades. A wooden balustrade, columns reinforced with metal brackets supporting the roof, and five double-leaf wooden doors with lattice panels topped with an elaborate cornice and brackets, are visible. The ground floor features commercial entrances, while the upper level is used for residential purposes and has independent access via an internal staircase, visible on the far left. The doors on the first level have solid wood planks, enhanced by a simple open transom with curved wrought iron details. The back corner of the first level has a wide wooden door that was used as an entrance for old carriages. The setting is urban, with trees and cars parked on the street. The historical archives of the Municipality of Ponce confirm the existence of a residential building at that location since 1886; however, the existing property dates back to the early 20th Century. In 1906, the owners hired the services of civil engineer Blas Silva to design their new residence, and although the final project was never executed, most of his ideas were implemented in a more austere manner, giving the property the appearance it would have had in 1910, when the renovations to the 19th-century residence were completed. From 1926, the building served as the headquarters of the Ponce Nationalist Club and was closely linked to the events of March 21, 1937, known as the Ponce Massacre. On that day, members and supporters of the Puerto Rican Nationalist Party participating in a parade commemorating the abolition of slavery and protesting the imprisonment of their leader faced resistance from police under orders from then-Governor Blanton Winship, resulting in 19 deaths and around 200 injuries. The House of the Massacre in Ponce was the rallying point for the participants and remained etched in the collective memory as a symbol of this tragic episode. In 1987, through Joint Resolution 2951 of the Legislature, the corner where the house is located was designated a Historic Zone. The house was then transferred to the Institute of Puerto Rican Culture, later becoming the Massacre Museum.

House of the Massacre in Ponce - 05001098

House of the Massacre in Ponce - 05001098



Oblique view of the building known as the House of the Massacre in Ponce. It is a two-story building with a masonry base and a Creole vernacular architecture style. The walls combine masonry and wood, and the roof is made of galvanized metal with a cornice below the parapet. The upper level features a continuous L-shaped wooden balcony with a stylized curve that connects both main facades. A wooden balustrade, columns reinforced with metal brackets supporting the roof, and five double-leaf wooden doors with lattice panels topped with an elaborate cornice and brackets, are visible. The ground floor features commercial entrances, while the upper level is used for residential purposes and has independent access via an internal staircase, visible on the far left. The doors on the first level have solid wood planks, enhanced by a simple open transom with curved wrought iron details. To the right of the building, almost hidden by an iron fence across the street, a wider wooden gate can be seen, formerly used as an entrance for old-fashioned carriages. A chain-link fence with barbed wire protects the land behind the house. The urban setting includes trees, a lamppost with a lantern, and cars parked on the street. The historical archives of the Municipality of Ponce confirm the existence of a residential building at that location since 1886; however, the existing property dates from the early 20th Century. By 1906, the owners hired the services of civil engineer Blas Silva to design their new residence, and although the final project was never executed, most of his ideas were implemented in a more austere manner, giving the property the appearance it would have had in 1910, when the renovations to the 19th-century residence were completed. Beginning in 1926, the building served as the headquarters of the Ponce Nationalist Club and was closely linked to the events of March 21, 1937, known as the Ponce Massacre. On that day, members and supporters of the Puerto Rican Nationalist Party, participating in a parade commemorating the abolition of slavery and protesting the imprisonment of their leader, faced resistance from the police under orders of then-Governor Blanton Winship, resulting in 19 deaths and around 200 injuries. The House of the Massacre was the rallying point for the participants and remained etched in the collective memory as a symbol of this tragic episode. In 1987, through Joint Resolution 2951 of the Legislature, the corner where the house is located was designated a Historic Zone. The house was then transferred to the Institute of Puerto Rican Culture, later becoming the Massacre Museum.

House of the Massacre in Ponce - 05001098

House of the Massacre in Ponce - 05001098



Oblique view of the building known as the House of the Massacre in Ponce. It is a two-story building with a masonry base and a Creole vernacular architecture style. On the second floor, there is a gallery enclosed with wooden latticework and small glass windows above. A roofed balcony, with a wooden baluster railing supported by spiral metal brackets and wooden beams, protrudes from the building. The balcony has two wooden double-leaf doors with lattice panels, topped with an elaborate cornice and brackets. On the ground floor, there are three doorways: two rectangular with wooden doors, enhanced by a simple open transom with curved wrought iron details, and one arched with a metal grille, which serves as the entrance to the building's interior staircase. On the rear wall, there is an oval window with a decorative wrought iron grille. The lower wall combines masonry with a top finish of horizontal wooden slats below the gallery. The immediate surroundings include tall trees and vegetation. The historical archives of the Municipality of Ponce confirm the existence of a residential building at that location since 1886; however, the existing property dates from the early 20th Century. In 1906, the owners hired the services of civil engineer Blas Silva to design their new residence, and although the final project was never executed, most of his ideas were implemented in a more austere form, giving the property the appearance it would have had in 1910, when the renovations to the 19th-century residence were completed. Beginning in 1926, the building served as the headquarters of the Ponce Nationalist Club and was closely linked to the events of March 21, 1937, known as the Ponce Massacre. On that day, members and supporters of the Puerto Rican Nationalist Party (PNP) participating in a parade commemorating the abolition of slavery and protesting the imprisonment of their leader faced resistance from police under orders from then-Governor Blanton Winship, resulting in 19 deaths and around 200 injuries. The Massacre House was the rallying point for the participants and remained etched in the collective memory as a symbol of this tragic episode. In 1987, through Joint Resolution 2951 of the Legislature, the corner where the house is located was designated a Historic Zone. The house was then transferred to the Institute of Puerto Rican Culture, later becoming the Massacre Museum.

Building of the Antiguo Correo y Corte Federal José V. Toledo at the Old San Juan

Building of the Antiguo Correo y Corte Federal José V. Toledo at the Old San Juan



Frontal view, from the Comercio street, building known as Antiguo Correo y Corte Federal José V. Toledo at the Old San Juan. The building is made up two parts. The first one was built in 1914 and it had the influence of several architectonic movements like, Beaux-arts, the Federal style and Spanish Renaissance. You can observe it has the pavilion shape and it has the colors cream and light gray. Is built with cement and limestone, its roof is covered with terracotta roofing tiles and its doors and windows are from by voussoirs and covered with green grilles. In front of the building you can see narrow stairs that form the main entrance of the building. The second building was built on 1940 and also has the influence of the Avant-garde movement and Venetian school. It has the aspect of a tower with roof extension with the shape of lanterns, part of the roof is covered with roofing tiles and it has the colors cream with light gray. Its windows and doors are also formed by voussoirs. You can find the building intercepting the streets Comercio and Tanca. You can observe other buildings around like, the Popular Bank of Puerto Rico, Ochoa building and what it was the American Colonial Bank. Additionally, you can see on its surroundings bus, kiosks, automobiles, sidewalks, power lines, light poles, a flagpole with the United States flag, people, and the paved streets with paving stones. The opened lot that is in front of the building became the municipal parking lot Doña Fela.

Press Building, Stationery and Lithography at the Marina Street in the Old San Juan

Press Building, Stationery and Lithography at the Marina Street in the Old San Juan



Buildings located at the Marina street of the Old San Juan. You can observe building that are located in front a wide street. The building that is in the center is a press and stationery that is painted with white, mustard and terracotta colors, it has on its facade pilasters, cornices, moldings and a green awning on its entrances. One section of the building works as a separate establishment and it is a night club. On its entrance it has a sign that says: "Bay View Host Club". On 1915 this building was a cinemas called Tres Banderas. It is followed by a building that it was an insurance company called Inter-American Insurance Agency, it has dark gray and light gray colors, its windows are glass sash and it has wooden doors. To the left there is the Badrena building, this one has two different shade of gray, has a sign on one of its walls that says: "Dole" with red color. There are rectangular and square openings in which there are persienne glass windows. The one that is located to the far left end is the Ochoa building that has influence of the Neo-renaissance architectonic style, is cream color with light green touches, it has metal windows with glass persiennes, arches on the first floor facade and mosaic ornament on the capitals of each pilaster. On the surroundings you can see a paved street with concrete, some antennas on some roofs, an alley, sidewalks, barrel containers on top of some wooden plates, power lines, an automobile and trees. Subsequently, this group of buildings next to the Ochoa building they became one building where it has a Caridad pharmacy, the store Ralph Lauren and a luxury apartment complex called Harbor Plaza.

House on the Castillo Street on the Corner of Mayor Street - Antigua Corte de España - Historic Photo

House on the Castillo Street on the Corner of Mayor Street - Antigua Corte de España - Historic Photo



View of building located on the Castillo street on the corner of Mayor street in the coastal city of Ponce. The building has two levels made of masonry and characteristics of the Neoclassic and Baroque styles. On the first floor you can see semicircular arches flanked by pilasters, framed with moldings and bossage crowned with sunrise transoms and keystones. The arches are also presided by balustrades with the exception of two arches that are access doors. There is also a balcony under a surbased arch framed with bossage, flanked by pilasters and crowned with a keystone. The balcony has a balustrade and a door under a rectangular arch framed with moldings. In addition, there are two doors, one is under a semicircular arch framed and crowned with a sunrise transom and a keystone. The other door is under a rectangular arch framed and crowned with a decorative entablature. Between the arches you can also distinguish bossage pilasters that go up to the second floor and support a continuous entablature. Aside from that, on the second floor there are seven double wooden doors with lattice framed with moldings, crowned with entablatures and keystones. The doors are presided by balconets, two double and three simple with ornamental iron railings. Similarly to the first floor, the arches are flanked by bossage pilasters that at the same time support a continuous entablature with a continuous cornice, a decorative frieze and dentils. Additionally, attached to it you can distinguish a one floor house with characteristics of the Vernacular style. The Antigua Corte de España building dates from 1898. Along the years it has been used as a government and commercial establishment. Nonetheless, since 2015 the building housed the library and museum Rafael Hernández Colón, which it was founded in 1992 with the purpose of promoting the study and reflexion to the Puerto Ricans.

House on the Castillo Street on the Corner of Mayor Street - Corte de España

House on the Castillo Street on the Corner of Mayor Street - Corte de España



Architectural drawing of building located on the Castillo street on the corner of Mayor street in the coastal city of Ponce. The building has two levels made of masonry and characteristics of the Neoclassic and Baroque styles. On the first floor you can see semicircular arches flanked by pilasters, framed with moldings and bossage crowned with sunrise transoms and keystones. The arches are also presided by balustrades with the exception of two arches that are double access doors. There is also a balcony under a surbased arch framed with bossage, flanked by pilasters and crowned with a keystone. The balcony has a balustrade and door under a rectangular arch framed with moldings. In addition, there are two doors, one is under a semicircular arch framed with moldings and crowned with a sunrise transom and keystone. The other door is under a rectangular arch framed and crowned with a decorative entablature. Between the arches you can also distinguish bossage pilasters that go up to the second floor and support a continuous entablature. Aside from that, on the second floor there are seven double doors with lattice framed with moldings and crowned with entablatures and keystones. The doors are presided by balconets, two double and three simple with ornamental railings. Similarly to the first floor, the arches are flanked by bossage pilasters that at the same time support a continuous entablature with a continuous cornice, a decorative frieze and dentils. Additionally, on the upper right part there is a logo that says: "PRHBDS". The Antigua Corte de España building dates from 1898. Along the years it has been used as government and commercial establishment. Nonetheless, since 2015 the building housed the library and museum Rafael Hernández Colón, which it was founded in 1992 with the purpose of promoting the study and reflexion among the Puerto Ricans.

First Baptist Church of Caguas - 2013 00007

First Baptist Church of Caguas - 2013 00007



View of the building of the first baptist church of Caguas, currently known as the Centro Musical Criollo José Ignacio Quintón. The building has two levels made of masonry and its style is eclectic since it combines elements of the Romanesque and Gothic architecture. At the foreground, it can be seen an open metallic grille and power line poles. Besides that, the front facade of the building is presided by a portico with gable roof secured by brackets and covered by roofing tiles. There is an inscription in relief that says: "Centro musical criollo José Ignacio Quintón" (Creole music center José Ignacio Quintón) that crowns the entrance arch in the portico. The rest of the facade is decorated with wooden windows with persiennes under semicircular arches crowned with entablatures and sunrise transoms made of wood and glass. Also, it can be seen a pediment with continuous cornices and an oculus with stained glass framed with moldings. Additionally, from the building it stick out an octagonal belfry tower decorated with cornices, openings covered by metallic grilles, a vertical stained glass, two balconies with a wooden door framed with moldings. some railings secured by brackets and crowning the tower, a capital and roofing tiles. In the surroundings it can be observed adjacent buildings and vehicles parked on the street. The old first baptist church of Caguas was the first from this denomination, built in 1908. After being in use for several years, it was moved to another building, so the government of the municipality acquired the building to restore it. Since its renovation, it was converted in a museum of the music named Centro Musical Criollo José Ignacio Quintón. Additionally, it is the headquarters of several municipal musical groups.

First Baptist Church of Caguas - 2013 00019

First Baptist Church of Caguas - 2013 00019



Lateral view of the building of the first baptist church of Caguas, currently known as the Centro Musical Criollo José Ignacio Quintón. The building has two levels made of masonry, gable roof with corrugated metal plates and its style is eclectic since it combines elements of the Romanesque and Gothic architecture. The front facade is presided by a portico closed with a metallic grille. The portico has gable roof secured by brackets and covered by roofing tiles. Besides that, there is an in relief inscription crowning the entrance arch in the portico. The rest of the structure is decorated with wooden windows under semicircular arches crowned with sunrise transoms and entablatures. Also, it can be seen a triangular pediment with a continuous pediment and to the left far end an octagonal belfry tower decorated with cornices, rectangular openings covered by grilles and crowned with a capital and roofing tiles. The belfry also has vertical stained glass and two balconies secured by brackets with wooden doors and framed persiennes. Besides that, in the surroundings you can see adjacent buildings, parked vehicles and signs on the street. The old first baptist church of Caguas was the first from this denomination, built in 1908. After being in use for several years, it was moved to another building so the government of the municipality acquired the building to restore it. Since its renovation, it was converted in a museum of the music named Centro Musical Criollo José Ignacio Quintón. Additionally, it is the headquarters of several municipal musical groups.

Buildings in the Presidio Street in the Neighborhood of La Puntilla of the Old San Juan

Buildings in the Presidio Street in the Neighborhood of La Puntilla of the Old San Juan



View towards the building that are located in the Presidio street of the neighborhood of La Puntilla in the Old San Juan. You can observe a paved street with asphalt that has to its right a line of adjacent buildings. The buildings are built with concrete and some in masonry, they show influence of several architectonic styles like the Revival, Neo-renaissance, Art Deco, Beaux arts and Neo-Moorish. This is notably the architectonic elements that it can be seen on its facades. The buildings have balconies with balustrades, appentices, crestings and finishes, cornices, architectonic moldings, battlements, gable roofs with dormer windows, double wooden windows, balconets and double doors with lattice. These buildings are residential and one of them is a auto repair shop and it has an establishment sign that says: "Amador Hnos". At the background you can observe the building of La Princesa Old Prison that is painted with white, it has a dome, lantern, and a pediment on the facade wall. Behind it there is part of the defense rampart that is along of the La Princesa Promenade and at the background a building painted with pink. To the right it stick out a building that is painted with white and has arches with columns and mosaics with moorish influence. This building used to be the magazine and the newspaper called El Mundo, subsequently, became a comercial building. Afterwards, this area became the parking lot La Puntilla.

House on the Villa Street - Residence Toro-Cortada - Old Centro Español - Ponce - 2014 00002

House on the Villa Street - Residence Toro-Cortada - Old Centro Español - Ponce - 2014 00002



Front view of a house located on the Villa street from the coastal city of Ponce. The house has two floors made of brick masonry with characteristics of the Neoclassic style. At the foreground there are parked vehicles on the street. The front facade has a portico presided by stairs with entrance under a semicircular arch framed with flat moldings and flanked by columns that in turn, support an entablature. In addition, to both sides of the portico there are balconies with rectangular openings crowned with entablatures, balustrades supported with fluted square columns that at the same time support a continuous cornice and the open balcony from the second floor. It also has a balustrade modulated by square pillars with spherical finishes. Additionally, the second floor has rectangular windows crowned with entablatures matched with ornamental moldings, dentils and acroterium. Between the windows there are bossage pilasters that in turn, support a continuous entablature matched with dentils, ornamental frieze and a continuous cornice on which rests a balustrade modulated by square pillars with spherical finishes. The frieze is interrupted in the middle by a semicircular pediment. The residence known as Casa Toro Coronada and Antiguo Centro Español was built in 1911. Subsequently, in 1961 it was sold and turned into a social centre, it remained in continuous use until 1970 when it came into the hands of the Office of State Insurance Fund Corporation until 1989.

House on the Villa Street - Residence Toro-Cortada - Old Centro Español - Ponce - 2014 00003

House on the Villa Street - Residence Toro-Cortada - Old Centro Español - Ponce - 2014 00003



Front view of a house on the Villa street from the coastal city of Ponce. The house has two floors made of brick masonry with characteristics of the Neoclassic style. The front facade has a portico presided by stairs with an entrance under a semicircular arch framed with flat moldings and flanked by columns that in turn support an entablature. In addition, on both far ends there are balconies with rectangular openings crowned with entablatures, balustrades supported by fluted square columns that in turn support a continuous cornice and the open balcony from the second floor. It also has a balustrade modulated with square pillars with spherical finishes. Additionally, the second floor has rectangular windows crowned with entablatures matched with ornamental moldings, dentils and acroterium. Between the windows there are bossage pilasters that at the same time support a continuous entablature matched with dentils, an ornamental frieze and a continuous cornice on which rests a balustrade modulated by square pillars with spherical finishes. The frieze is interrupted in the middle by a semicircular pediment. The residence known as Casa Toro Cortada and Antiguo Centro Español was built in 1911. Subsequently, in 1961 it was sold and turned into a social centre, it remained in continuous use until 1970 when it came into the hands of the Office of the State Insurance Fund Corporation until 1989.

House on the Villa Street - Residence Toro-Cortada - Old Centro Español - Ponce - 2014 00006

House on the Villa Street - Residence Toro-Cortada - Old Centro Español - Ponce - 2014 00006



Front and lateral view of a house located on the Villa street from the coastal city of Ponce. On the surroundings you can see parked vehicles on the street and an adjacent parking lot. The house has two floors made of brick masonry with characteristics of the Neoclassic style. The front facade has a portico presided by stairs with entrance under a semicircular arch framed with flat moldings. In addition, on both sides there are balconies with rectangular openings crowned with entablatures, have balustrades supported with fluted square columns that in turn support a continuous cornice and the open balcony from the second floor. It also has a balustrade modulated by square pillars with spherical finishes. Additionally, the second floor has rectangular windows crowned with entablatures with ornamental moldings, dentils and acroterium. Between the windows there are bossage pillars that in turn support a continuous entablature with dentils, an ornamental frieze and a continuous cornice above which rests a balustrade modulated by square pillars with spherical finishes. The frieze is interrupted in the middle by a semicircular pediment. Aside from that, the lateral facade also has rectangular windows closed with wooden panels. The residence known as Casa Toro Cortada and Antiguo Centro Español was built in 1911. Subsequently, in 1961 it was sold and turned into a social centre, it remained in continuous use until 1970 when it came into the hands of the Office of the State Insurance Fund Corporation until 1989.

House on the Villa Street - Residence Toro-Cortada - Old Centro Español - Ponce - 2014 00007

House on the Villa Street - Residence Toro-Cortada - Old Centro Español - Ponce - 2014 00007



Front and lateral view of a house on the Villa street from the coastal city of Ponce. On the surroundings you can see vehicles parked on the paved street. The house has two floors made of brick masonry with characteristics of the Neoclassic style. The front facade has a portico presided by stairs with entrance under a semicircular arch framed with flat moldings. In addition, on both sides there are balconies with rectangular openings crowned with entablatures, have balustrades supported by fluted square columns that in turn support a continuous cornice and the open balcony from the second floor. It also has a balustrade modulated by square pillars with spherical finishes. Additionally, the second floor has rectangular windows crowned with entablatures with ornamental moldings, dentils and acroterium. Between the windows there are bossage pilasters that in turn support a continuous entablature with dentils, an ornamental frieze and a continuous cornice above which rests a balustrade modulated by square pillars with spherical finishes. The frieze is interrupted in the middle by a semicircular pediment. Aside from that, the lateral facade also has a rectangular window closed with a wood panel. The residence known as Casa Toro Cortada and Antiguo Centro Español was built in 1911. Subsequently, in 1961 it was sold and turned into a social centre, it remained in continuous use until 1970 when it came to the hands of the Office of the State Insurance Fund Corporation until 1989.

Defilló Amiguet House - Mayagüez - 2012 00001

Defilló Amiguet House - Mayagüez - 2012 00001



Facade from the Defilló Amiguet house located on the 21 Méndez Vigo street in Mayagüez. The house is elevated on a podium and has two floors. The first floor shows semicircular arches flanked by paired pilasters. The main door is double leaf with louvers and fanlights. Some of the arches integrate grilles and others show murals that simulates double leaf doors. The transition to the second floor is accentuated by an ornamental frieze and a cornice. The second floor is distinguished by a balcony with metal railing, fluted shaft columns, ionic capitals and wooden doors with luminaries and glass. Similarly, is visible a window opening and a parapet. The second floor section is made of matched lumber. The house surface is yellow with white details. In front of the house there is a pair of automobiles. This large house was built in the 1840s with the Neoclassic Colonial style. This house has a historic value, since Pilar Defilló Amiguet was born there, the mother of distinguished musician Pablo Casals Defilló. In addition, on its balconies, Casals did his first concert in the American continent after arriving to Puerto Rico on December 17, 1955. This residence was acquired and restored by the municipality of Mayagüez as a tribute to Pilar Defilló Amiguet with the purpose of promulgate the musical and cultural legacy of the master Casals and the Defilló family. In 2015 the large house became the headquarters of the Pablo Casals Museum of Puerto Rico.

Defilló Amiguet House - Mayagüez - 2012 00007

Defilló Amiguet House - Mayagüez - 2012 00007



Facade of the Defilló Amiguet house located on the 21 Méndez Vigo street in Mayagüez. The house is elevated on a podium and has two floors. The first floor shows semicircular arches flanked by paired pilasters. Some of the arches integrate grilles and others show murals that simulate double leaf doors. The transition to the second floor is accentuated by an ornamental frieze and a cornice. The second floor is distinguished by a balcony with metal railing, fluted shaft columns with ionic capitals and wooden doors with louvers and glass. Additionally, you can see a window opening and a parapet. The second floor section is made of matched lumber. The house surface is yellow with white details. In front of the house there are several automobiles, while on the side stands out a three level building with the orange surface and white details. This large house was built in the 1840s with the Neoclassic Colonial style. This house has a great historic value, since Pilar Defilló Amiguet was born there, the mother of the distinguished musician Pablo Casals Defilló. In addition, on its balconies, Casals did his first concert in the American continent after arriving to Puerto Rico on December 17, 1955. This residence was acquired and restored by the municipality of Mayagüez as a tribute to Pilar Defilló Amiguet with the purpose of promulgate the musical and cultural legacy of the master Casals and the Defilló family. In 2015 the large house became the headquarters of the Pablo Casals Museum of Puerto Rico.

Defilló Amiguet House - Mayagüez - 2012 00021

Defilló Amiguet House - Mayagüez - 2012 00021



Facade from the Defilló Amiguet house located on the 21 Méndez Vigo street in Mayagüez. The house is elevated on a podium and has two floors. The first floor shows semicircular arches flanked by paired Tuscan pilasters. Some of the arches integrate grilles and others show murals that simulate double leaf doors. The transition to the second floor is distinguished by a balcony with metal railing, fluted shaft columns, ionic capitals and wooden doors with louvers and glass. Additionally, a pair of window openings and a parapet are visible. The section of the second floor is made of matched lumber. The surface of the house is yellow with white details. In front of the house there is a pair of automobiles. On one side of the Defilló Amiguet house stand out other two building with three and four floors, with red and blue surfaces. The Defilló Amiguet house was built in the 1840s with the Neoclassic Colonial style. This house has a great historic value, since Pilar Defilló Amiguet was born there, the mother of the distinguished musician Pablo Casals Defilló. In addition, on its balconies, Casals did his first concert in the American continent after arriving to Puerto Rico on December 17, 1955. This residence was acquired and restored by the municipality of Mayagüez as a tribute to Pilar Defilló Amiguet with the purpose of promulgate the musical and cultural legacy of the master Casals and the Defilló family. In 2015 the large house became the headquarters of the Pablo Casals Museum of Puerto Rico.

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2013 00004

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2013 00004



Front view of the Catedral de Nuestra Señora de la Guadalupe located in the coastal city of Ponce. The cathedral has two levels made of masonry and brick with characteristics of the Neoclassic style. The front facade is divided in two sections. The second floor has windows framed with moldings and crowned with entablatures, some of them are semicircular and the others triangular. It also has continuous cornices where amphorae rest and pairs of pilasters that at the same time support the entablature and a triangular pediment crowned with a cross. Aside from that, the cathedral is flanked by two belfry towers divided with entablatures in three sections. They have square bases, the second floor has square openings framed with protruding moldings, crowned with semicircular entablatures and presided by balustrades. The third section shows double windows made of wood under semicircular arches that at the same time they are framed with moldings, crowned with keystones and entablatures. In addition, they are flanked by pairs of fluted columns that support the entablature. The following section of the tower is hexagonal and is decorated with cornices, moldings, a frieze with garlands and amphorae. Aside from that, the domes are crowned with lanterns with semicircular openings and crosses. The beginning of the Catedral de Nuestra Señora de la Guadalupe dates back to 1670 when it was just a royal palm chapel, it was closed in 1820 due to the bad conditions of the building. The start of the current church construction dates back to 1835 and it was inaugurated in 1839. Nonetheless, the 1918 earthquake destroyed both towers which is the reason why it had to be rebuilt with a new design between 1918 and 1937. Years later, in 1984 it was included in the National Register of Historic Places. Subsequently, it was restored again in 1992.

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2014 00001

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2014 00001



Lateral and rear view of the Catedral de Nuestra Señora de la Guadalupe located in the coastal city of Ponce. The cathedral has two floors made of masonry and brick with characteristics of the Neoclassic style. Right behind the cathedral you can see the old Ponce Parque de Bombas, distinguished by its polychrome design made of wood and corrugated metal sheets roof. Now then, the cathedral lateral facade has buttress, windows covered with storm shutters and a continuous entablature above which it rest a low parapet. In addition, there are two spherical domes crowned with lanterns. Aside from that, the cathedral is flanked by two belfry towers divided with entablatures in three sections. They have square bases, the second level has square openings framed with protruding moldings, crowned with semicircular entablatures and presided by balustrades. The third section shows double wooden windows under semicircular arches that at in turn they are framed with moldings, crowned with keystones and entablatures. Additionally, there are flanked by pairs of fluted columns that support the entablature. The next section of the tower is hexagonal and is decorated with cornices, moldings, a frieze with garlands and amphorae. Likewise, the domes show stained glass oculus framed with moldings. In turn, the domes are crowned with semicircular openings lanterns and crosses. On the surroundings you can also distinguish parked vehicles. The beginning of the Catedral de Nuestra Señora de la Guadalupe dates back to 1670 when it was just a royal palm chapel, it was closed in 1820 due to the bad conditions of the building. The start of the current church construction dates back to 1835 and it was inaugurated in 1839. Nonetheless, the 1918 earthquake destroyed both towers which is the reason why it had to be rebuilt with a new design between 1918 and 1937. Years later, in 1984 it was included in the National Register of Historic Places. Subsequently, it was restored again in 1992.

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2014 00002

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2014 00002



Lateral and rear view of the Catedral de Nuestra Señora de la Guadalupe located in the coastal city of Ponce. The cathedral has two levels made of masonry and brick with characteristics of the Neoclassic style. Right behind the cathedral you can see the old Parque de Bombas of Ponce distinguished by its polychrome design made of wood and corrugated metal sheets roof. Now then, the lateral facade of the cathedral has buttress, windows covered with storm shutters and a continuous entablature on which rests a low parapet. In addition, there are two spherical domes crowned with lanterns. Aside from that, the cathedral is flanked by two belfry towers divided in three sections. They have square bases, the second level has square openings framed with protruding moldings, crowned with semicircular entablatures and presided with balustrades. The third section shows double wooden windows under semicircular arches that in turn they are framed with moldings, crowned with keystones and entablatures. Additionally, they are flanked with pairs of fluted columns that support the entablatures. The following tower sections are hexagonal and are decorated with cornices, moldings, friezes with garlands and amphorae. Likewise, the domes show stained glass oculus framed with moldings. In turn, the domes are crowned with semicircular opening lanterns and crosses. On the surroundings you can also distinguish parked vehicles. The beginning of the Catedral de Nuestra Señora de la Guadalupe dates back to 1670 when it was just a royal palm chapel, it was closed in 1820 due to the bad conditions of the building. The start of the current church construction dates back to 1835 and it was inaugurated in 1839. Nonetheless, the 1918 earthquake destroyed both towers which is the reason why it had to be rebuilt with a new design between 1918 and 1937. Years later, in 1984 it was included in the National Register of Historic Places. Subsequently, it was restored again in 1992.

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2014 00003

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2014 00003



Lateral and rear view of the Catedral de Nuestra Señora de la Guadalupe located on the coastal city of Ponce. The cathedral has two levels made of masonry and brick with characteristics of the Neoclassic style. The lateral facade of the cathedral has buttress, windows covered with storm shutters and a continuous entablature on which rests a low parapet. In addition, there is a spherical dome crowned with a lantern. Aside from that, the cathedral is flanked by a belfry tower divided in three sections. They have square bases, the second level has square openings framed with protruding moldings, crowned with semicircular entablatures and presided by balustrades. The third section shows double windows made of wood under semicircular arches that in turn they are framed with moldings, crowned with keystones and entablatures. Additionally, it is flanked by pairs of fluted columns that support the entablature. The following tower section is hexagonal and is decorated with cornices, moldings, a frieze with garlands and amphorae. Likewise, the dome is crowned with a semicircular opening lanterns and a cross. The beginning of the Catedral de Nuestra Señora de la Guadalupe dates back to 1670 when it was just a royal palm chapel, it was closed in 1820 due to the bad conditions of the building. The start of the current church construction dates back to 1835 and it was inaugurated in 1839. Nonetheless, the 1918 earthquake destroyed both towers which is the reason why it had to be rebuilt with a new design between 1918 and 1937. Years later, in 1984 it was included in the National Register of Historic Places. Subsequently, it was restored again in 1992.

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2014 00004

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2014 00004



Lateral and rear view of the Catedral de Nuestra Señora de la Guadalupe located in the coastal city of Ponce. The cathedral has two levels made of masonry and brick with characteristics of the Neoclassic style. Right behind the cathedral you can see the old Parque de Bombas of Ponce distinguished by its polychrome design made of wood and corrugated metal sheets roof. Now then, the lateral facade of the cathedral has buttress, windows covered with storm shutters and a continuous entablature on which rests a low parapet. In addition, there are three spherical domes crowned with lanterns. Aside from that, the cathedral is flanked by two belfry towers divided in three sections. They have square bases, the second level has square openings framed with protruding moldings, crowned with semicircular entablatures and presided by balustrades. The third section shows double wooden windows under semicircular arches that in turn they are framed with moldings, crowned with keystones and entablatures. Additionally, they are flanked with pairs of fluted columns that support the entablatures. The following sections are hexagonal and are decorated with cornices, moldings, a frieze with garlands and amphorae. Likewise, the domes show stained glass oculus framed with moldings. In turn, the domes are crowned with semicircular openings lanterns and crosses. On the surroundings you can also distinguish parked vehicles, buildings in the distance and a fence modulated by light poles. The beginning of the Catedral de Nuestra Señora de la Guadalupe dates back to 1670 when it was just a royal palm chapel, it was closed in 1820 due to the bad conditions of the building. The start of the current church construction dates back to 1835 and it was inaugurated in 1839. Nonetheless, the 1918 earthquake destroyed both towers which is the reason why it had to be rebuilt with a new design between 1918 and 1937. Years later, in 1984 it was included in the National Register of Historic Places. Subsequently, it was restored again in 1992.

Casa Grande - Mayagüez - 2011 00029

Casa Grande - Mayagüez - 2011 00029



View of the living room and rooms in Casa Grande, located in Mayagüez. This space is distinguished by having the wooden floor, a chandelier lamp and a door with fanlight window that gives access to two other rooms. In the living room and the adjacent room there is a table and a chair made of wood with elizabethan style and turned legs, similar to a baluster. Above the table stand out three busts, as well as a vase and a candle holder. On the wall there are four paintings from the portrait genre. In the background, through one of the doors you can see the headboard of a pillar bed. This house was built in 1890 and its characteristics are typical from the Native Neoclassic architectural style. Its solid construction, mainly made of masonry, withstood the San Fermín earthquake that took place on October 11, 1918. This house is historically important since it also housed the Sede de la Audiencia de Mayagüez and, after the sovereignty change in 1898, passed into private hands. In 1901 it was already the property of don Guillermo Santos, who inherited it to his daughter, Isabel Santos Tió, she was married to don Benigno Rodríguez Campoamor, the Spain vice-consul in Puerto Rico. In 1998, the municipal administration of Mayagüez acquired this house and restored it as a museum, exhibition hall, centre of book presentations and for the sociocultural development of the city. Since then it has been known as the Casa Grande, Museo y Casa Cultural.

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2014 00005

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2014 00005



Lateral and rear view of the Catedral de Nuestra Señora de la Guadalupe located in the coastal city of Ponce. The cathedral has two levels made of masonry and brick with characteristics of the Neoclassic style. The cathedral lateral facade has buttress, windows covered with storm shutters and a continuous entablature on which there is a low parapet. In addition, there is a spherical dome crowned with a lantern. Aside from that, the cathedral is flanked by a belfry tower divided in three sections. They have square bases, the second level has square openings framed with protruding moldings, crowned with semicircular entablatures and presided by balustrades. The third section shows double wooden windows under semicircular arches that in turn they are framed with moldings, crowned with keystones and entablatures. Additionally, it is flanked by pairs of fluted columns that support the entablature. The following tower section is hexagonal and is decorated with cornices, moldings, a frieze with garlands and amphorae. Likewise, the dome shows stained glass oculus framed with moldings. In turn, the dome is crowned with a semicircular opening lantern and a cross. The beginning of the Catedral de Nuestra Señora de la Guadalupe dates back to 1670 when it was just a royal palm chapel, it was closed in 1820 due to the bad conditions of the building. The start of the current church construction dates back to 1835 and it was inaugurated in 1839. Nonetheless, the 1918 earthquake destroyed both towers which is the reason why it had to be rebuilt with a new design between 1918 and 1937. Years later, in 1984 it was included in the National Register of Historic Places. Subsequently, it was restored again in 1992.

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2014 00007

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2014 00007



Front view of the Catedral de Nuestra Señora de la Guadalupe located in the coastal city of Ponce. The cathedral has two levels made of masonry and brick with characteristics of the Neoclassic style. The front facade is divided in two sections. On the first level you can see doors under rectangular arches framed with moldings and crowned with semicircular entablatures. The main entrance is framed with paired columns that in turn, support the continuous entablature finished with amphorae. The one from the second level has windows framed with moldings and crowned with entablatures and a triangular pediment crowned with a cross. Aside from that, the cathedral is flanked by two belfry towers divided in three sections with entablatures. They have square bases, the second level has square openings framed with protruding moldings, crowned with semicircular entablatures and presided with balustrades. The third section shows double wooden windows under semicircular arches that in turn they are framed with moldings, crowned with keystones and entablatures. In addition, they are flanked by fluted columns pairs that support the entablature. The following tower sections are hexagonal and are decorated with cornices, moldings, friezes with garlands and amphorae. Likewise, the domes show stained glass oculus framed with moldings. In turn, the domes are crowned with some semicircular opening lanterns and crosses. The beginning of the Catedral de Nuestra Señora de la Guadalupe dates back to 1670 when it was just a royal palm chapel, it was closed in 1820 due to the bad conditions of the building. The start of the current church construction dates back to 1835 and it was inaugurated in 1839. Nonetheless, the 1918 earthquake destroyed both towers which is the reason why it had to be rebuilt with a new design between 1918 and 1937. Years later, in 1984 it was included in the National Register of Historic Places. Subsequently, it was restored again in 1992.

Casa Grande - Mayagüez - 2011 00042

Casa Grande - Mayagüez - 2011 00042



Main courtyard of Casa Grande, located in Mayagüez. The main circulation of this house revolves around the main courtyard with gallery. The floor of this area is covered with native, creole or hydraulic tiles with geometric motifs. In the middle stands out a circular fountain with blocks and plants. It is also notable a pair of benches, a door with grille, a green awning, a set of persienne windows with horizontal glass lamas and, a window with a geometric motif grille with an air conditioner console. The house surface shows colors like yellow, green and white. On one of the sides of the courtyard is visible a person. This house was built in 1890 and its characteristics are typical from the Native Neoclassic architectural style. Its solid construction, mainly made of masonry, withstood the San Fermín earthquake that took place on October 11, 1918. This house is historically important since it also housed the Sede de la Audiencia de Mayagüez and, after the sovereignty change in 1898, passed into private hands. In 1901 it was already the property of don Guillermo Santos, who inherited it to his daughter, Isabel Santos Tió, she was married to don Benigno Rodríguez Campoamor, the Spain vice-consul in Puerto Rico. In 1998, the municipal administration of Mayagüez acquired this house and restored it as a museum, exhibition hall, centre of book presentations and for the sociocultural development of the city. Since then it has been known as the Casa Grande, Museo y Casa Cultural.

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2014 00028

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2014 00028



View from the rooftop of the Catedral de Nuestra Señora de la Guadalupe located in the coastal city of Ponce. The cathedral has two levels made of masonry and brick with characteristics of the Neoclassic style. From the rooftop you can see two belfry towers that flank the front part of the cathedral divides in sections. They have square bases and on the third section show double wooden windows under semicircular arches that in turn they are framed with moldings, crowned with keystones and entablatures. In addition, they are flanked by fluted columns pairs that support the entablature. The following sections of the towers are hexagonal and are decorated with cornices, moldings, a frieze with garlands and amphorae. Aside from that, the domes show stained glass oculus framed with moldings. In turn, the domes are crowned with some semicircular openings lanterns and crosses. In the middle of the rooftop it also protrudes a triangular pediment crowned with a cross and flanked with statues. The beginning of the Catedral de Nuestra Señora de la Guadalupe dates back to 1670 when it was just a royal palm chapel, it was closed in 1820 due to the bad conditions of the building. The start of the current church construction dates back to 1835 and it was inaugurated in 1839. Nonetheless, the 1918 earthquake destroyed both towers which is the reason why it had to be rebuilt with a new design between 1918 and 1937. Years later, in 1984 it was included in the National Register of Historic Places. Subsequently, it was restored again in 1992.

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2014 00031

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2014 00031



View from the rooftop towards one of the towers of the Catedral de Nuestra Señora de la Guadalupe located in the coastal city of Ponce. The cathedral has two levels made of masonry and brick with characteristics of the Neoclassic style. The belfry tower has a square base and shows double wooden windows under semicircular arches that in turn they are framed with moldings, crowned with keystones and entablatures. In addition, they are flanked by fluted columns pairs that support the entablature and presided by balustrades. The following section of the tower is hexagonal and is decorated with cornices, moldings, a frieze with garlands and amphorae. Lastly, the dome shows stained glass oculus framed with moldings. In turn, the dome is crowned with a semicircular opening lantern and a cross. From the rooftop you can also distinguish a statue next to the tower and buildings with different characteristics in the surroundings. The beginning of the Catedral de Nuestra Señora de la Guadalupe dates back to 1670 when it was just a royal palm chapel, it was closed in 1820 due to the bad conditions of the building. The start of the current church construction dates back to 1835 and it was inaugurated in 1839. Nonetheless, the 1918 earthquake destroyed both towers which is the reason why it had to be rebuilt with a new design between 1918 and 1937. Years later, in 1984 it was included in the National Register of Historic Places. Subsequently, it was restored again in 1992.

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2014 00036

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2014 00036



Lateral view of the Catedral de Nuestra Señora de la Guadalupe located in the coastal city of Ponce. The cathedral has two levels made of masonry and brick with characteristics of the Neoclassic style. The cathedral lateral facade has windows covered with storm shutters and a continuous entablature on which rests a low parapet. To the right far end you can see an end of a spherical dome. Aside from that, there is a belfry tower that flank the cathedral and it is divided in three sections with entablatures. It has square base, the second level has square openings framed with protruding moldings, crowned with semicircular entablatures and presided by balustrades. The third section shows double wooden windows under semicircular arches that in turn they are framed with moldings, crowned with keystones and entablatures. In addition, they are flanked by fluted columns pairs. The following tower section is hexagonal and is decorated with cornices, moldings, a frieze with garlands and amphorae. Likewise, the dome shows oculus framed with moldings. In turn, the dome is crowned with semicircular opening lanterns and a cross. The beginning of the Catedral de Nuestra Señora de la Guadalupe dates back to 1670 when it was just a royal palm chapel, it was closed in 1820 due to the bad conditions of the building. The start of the current church construction dates back to 1835 and it was inaugurated in 1839. Nonetheless, the 1918 earthquake destroyed both towers which is the reason why it had to be rebuilt with a new design between 1918 and 1937. Years later, in 1984 it was included in the National Register of Historic Places. Subsequently, it was restored again in 1992.

Catedral de Nuestra Señora de la Guadalupe

Catedral de Nuestra Señora de la Guadalupe



Architectural drawing of the Catedral de Nuestra Señora de la Guadalupe located in the coastal city of Ponce. The cathedral has two levels made of masonry and brick with characteristics of the Neoclassic style. The front facade is divided in two sections. On the first level you can see windows and a door under rectangular arches framed with moldings and crowned with semicircular entablatures. It is also articulated with columns that in turn support the continuous entablature finished with amphorae. The second level has windows framed with moldings and crowned with entablatures, some are semicircular presided by balustrades and others are triangular. It also has continuous cornices where amphorae and pairs of pilasters rest that in turn support the entablature. In the middle it stand out a triangular pediment crowned with a cross. Aside from that, the cathedral is flanked with two belfry towers divided in three sections with entablatures. They have square bases, the second level has square openings framed with protruding moldings, crowned with semicircular entablatures and presided by balustrades. The third section shows double wooden windows under semicircular arches that in turn they are framed with moldings, crowned with keystones and entablatures. In addition, they are flanked by fluted columns pairs. The following tower section is hexagonal and is decorated with cornices, moldings, a frieze with garlands and amphorae. Likewise, the domes show oculus framed with moldings. In turn, the domes are crowned with semicircular opening lanterns and crosses. On the upper right far end there is a logo with an inscription that says: "PRHBDS". The beginning of the Catedral de Nuestra Señora de la Guadalupe dates back to 1670 when it was just a royal palm chapel, it was closed in 1820 due to the bad conditions of the building. The start of the current church construction dates back to 1835 and it was inaugurated in 1839. Nonetheless, the 1918 earthquake destroyed both towers which is the reason why it had to be rebuilt with a new design between 1918 and 1937. Years later, in 1984 it was included in the National Register of Historic Places. Subsequently, it was restored again in 1992.

Ponce Cathedral - Historic Photo

Ponce Cathedral - Historic Photo



Front view of the Catedral de Nuestra Señora de la Guadalupe located in the coastal city of Ponce. The cathedral has two levels made of masonry and brick with characteristics of the Neoclassic style. The front facade is divided in two sections. On the first level you can see windows and a door under rectangular arches framed with moldings and crowned with semicircular entablatures. It is also articulated with doric order columns that in turn support the continuous entablature finished with amphorae. The second level has windows framed with moldings and crowned with entablatures, some are semicircular presided by balustrades and others are triangular. It also has continuous cornices where amphorae and pairs of pilasters rest that in turn support the entablature. In the middle it stand out a triangular pediment crowned with a cross. Aside from that, in the middle stand out a triangular pediment crowned with a cross. The cathedral is flanked with two belfry towers divided in three sections with entablatures. They have square bases, the second level has square openings framed with protruding moldings, crowned with semicircular entablatures and presided by balustrades. The third section shows double wooden windows under semicircular arches that in turn they are framed with moldings, crowned with keystones and entablatures. In addition, they are flanked by fluted columns pairs. The following tower section is hexagonal and is decorated with cornices, moldings, a frieze with garlands and amphorae. Likewise, the domes show oculus framed with moldings. In turn, the domes are crowned with semicircular opening lanterns and crosses. In the surroundings you can see a fence modulated with square pillars. There are also benches and parked vehicles. The beginning of the Catedral de Nuestra Señora de la Guadalupe dates back to 1670 when it was just a royal palm chapel, it was closed in 1820 due to the bad conditions of the building. The start of the current church construction dates back to 1835 and it was inaugurated in 1839. Nonetheless, the 1918 earthquake destroyed both towers which is the reason why it had to be rebuilt with a new design between 1918 and 1937. Years later, in 1984 it was included in the National Register of Historic Places. Subsequently, it was restored again in 1992.

Building Moscoso Hermano & Co - Municipal Building - Ponce - 2013 00003

Building Moscoso Hermano & Co - Municipal Building - Ponce - 2013 00003



Lateral view of the Moscoso Hermano & Co. building located in the coastal city of Ponce. It has two floors with a bevelled design and characteristics of the Neoclassic and Spanish Colonial Architecture styles. From the square you can see that on the first floor there are double wooden doors under semicircular arches framed with moldings, flanked by pilasters and crowned with stained glass transoms and keystones. In addition, there are double wooden windows under rectangular arches framed with moldings. The second floor has double wooden doors crowned with wooden transoms presided by balconets and overhang balconies supported by decorative brackets. Both the balconies and the balconets have ornamental iron railings and are crowned with a continuous entablature supported with decorative brackets. Additionally, the facade is modulated by fluted pilasters that go up to the second floor and support a continuous entablature with moldings, cornices, a decorative frieze and an inscription that says: "Moscoso Hermano & Co. Inc.", "Edificio...". Above the entablature rests a balustrade that surrounds the roof like an open balcony. Aside from that, to the left far end there is an adjacent building. The Moscoso Hermano & Co. building was built at the beginning of the XX century. It was originally used as a commercial establishment until recent years when it was restored and enabled to house municipal offices for the city of Ponce.

Building Moscoso Hermano & Co - Municipal Building - Ponce - 2013 00004

Building Moscoso Hermano & Co - Municipal Building - Ponce - 2013 00004



Lateral view of the Moscoso Hermano & Co. building located in the coastal city of Ponce. It has two floors with a bevelled design and characteristics of the Neoclassic and Spanish Colonial Architecture styles. From the square paved and decorated with benches and light poles you can see that on the first floor there are double wooden doors under semicircular arches framed with moldings, flanked with pilasters and crowned with stained glass transoms and keystones. In addition, there are double windows made of wood under rectangular arches framed with moldings. The second floor have double doors made of wood crowned with wooden transoms presided by balconets and an overhang balcony supported by decorative brackets. Both the balconies and balconets have ornamental iron railings and are crowned with a continuous entablature supported by decorative brackets. Additionally, the facade is modulated by fluted pilasters that go up to the second floor and support a continuous entablature with moldings, cornices, a decorative frieze and above the entablature rests a balustrade that surrounds the roof like an open balcony. Aside from that, to the left far end there is an adjacent building. The Moscoso Hermano & Co. building was built at the beginning of the XX century. It was originally used as a commercial establishment until recent years when it was restored and enabled to house municipal offices for the city of Ponce.

House Marcos Juan Alegría - Dorado - 2012 00013

House Marcos Juan Alegría - Dorado - 2012 00013



The interior of the house Marcos Juan Alegría, located in Dorado. The house is made of matched lumber and it is painted yellow alternated with white details. The mediopunto separates the room in two areas of which has been furnished with a ratan sofa and a plaque with the inscription: "Don Marcos Alegría, padre de los artistas doradeños. Nació en Dorado en el año 1916 y a través de su fructífera vida, consagrada al arte y la educación, ha contribuido a la formation de las Cuevas generations de artistas doradeños. Hon Carlos A. López Rivera" (Don Marcos Alegría, father of the artists from Dorado. He was born in Dorado in 1916 and through his successful life, dedicated to the art and the education, has contributed to the formation of the new generations of artists from Dorado. Hon. Carlos A. López Rivera). The mediopunto is also distinguished by two columns that secure a horizontal panel crowned with small vertical bars made of wood forming a type of grill. The door are double and present an frieze articulated by an ornamental wooden draft. Between the door and hanging from the walls there are several frames with paintings and images. Also, it is visible a hanging lamp. This house was built in 1914 as home of don Juan Alegría and Mrs. Elisa Valles, whom raised there their children Cruz and Marcos Juan. They lived there for decades until the house was inherit by Cruz, the oldest child. After his death, it was inherit by Marcos Juan, so-called as don Tito. In the decade of the nineties, Marcos Juan sold his property to the government of the municipality, who was in charge of restoring it and turn it into the Museo y Escuela de Artes Marcos Juan Alegría, that opened in 1998. The house, in addition, constitutes a characteristic example of the type of architecture used in the residences at the beginning of the XX century.

House Marcos Juan Alegría - Dorado - 2012 00018

House Marcos Juan Alegría - Dorado - 2012 00018



A detail of the main facade of the house Marcos Juan Alegría, located in Dorado. The house is made of matched lumber and presents shades of yellow that alternates with white and gray. The window is double with louvers, panels, transom window with turned bars made of wood and an appentice. Additionally, you can see a column that is part of the roof support from the porch. The roof presents several sections of gable roof and on both gables it shows a small window with circular shape and another one with rectangular shape articulated by louvers. These gables also are covered with a type of mesh. On the eave there is a gutter. Next to the house Marcos Juan Alegría there is another residence made of concrete with awnings and windows with horizontal lamas made of aluminum like persiennes. The house Marcos Juan Alegría was built in 1914 as home of don Juan Alegría and Mrs. Elisa Valles, whom raised there their children Cruz and Marcos Juan. They lived there for decades until the house was inherit by Cruz, the oldest child. After his death, it was inherit by Marcos Juan, so-called as don Tito. In the decade of the nineties, Marcos Juan sold his property to the government of the municipality, who was in charge of restoring it and turn it into the Museo y Escuela de Artes Marcos Juan Alegría, that opened in 1998. The house, in addition, constitutes a characteristic example of the type of architecture used in the residences at the beginning of the XX century.

House Marcos Juan Alegría - Dorado - 2012 00019

House Marcos Juan Alegría - Dorado - 2012 00019



A metal plaque put it on the yellow wooden surface in the house Marcos Juan Alegría, located in Dorado. The plaque presents the emblem of the municipality of Dorado, accompanied with the text: "Gobierno municipal de Dorado" (Municipal Government of Dorado). The plaque also includes the following text: "El Museo y Escuela de Artes Marcos Juan Alegría se concise Como guardian cellos del tesoro artístico cultural de nuestro pueblo. Sea este Lugar fuente de inspiración para las nuevas generaciones y para todo aquel que hace del arte su manera de recrear formas, colores y pensamientos. Hon. Carlos A. López Rivera, alcalde, 1996" (El Museo y Escuela de Artes Marcos Juan Alegría it is conceive as guardian of the cultural artistic treasure of our town. Please make this place a source of inspiration for the new generations and for any other that makes from the art their way of recreating shapes, colors and thinking, Hon. Carlos A. López Rivera, mayor, 1996). The house was built in 1914 as home of don Juan Alegría and Mrs. Elisa Valles, whom raised there their children Cruz and Marcos Juan. They lived there for decades until the house was inherit by Cruz, the oldest child. After his death, it was inherit by Marcos Juan, so-called as don Tito. In the decade of the nineties, Marcos Juan sold his property to the government of the municipality, who was in charge of restoring it and turn it into the Museo y Escuela de Artes Marcos Juan Alegría, that opened in 1998. The house, in addition, constitutes a characteristic example of the type of architecture used in the residences at the beginning of the XX century.

House Marcos Juan Alegría - Dorado - 2012 00028

House Marcos Juan Alegría - Dorado - 2012 00028



Detail of the main facade of the house Marcos Juan Alegría, located in Dorado. The house is made of matched lumber and presents shades of yellow that alternates with white and gray. The window is double with louvers, panels, a small transom window with turned wood bars and an appentice. The door shows similar characteristics since it is visible panels, louvers and a small transom window with turned wood bars. Additionally, it is notable a balustrade with gate and with ornamental blocks from which there is a column that gives support to the porch ceiling. In front of the house it stand out a small wall that covers the access ramp and a metallic handrail with curved shape. The roof of the house presents several sections with gable roof and on the gables it is visible a small window with circular shape and another one with rectangular shape articulated with louvers. The gables are also covered with a type of mesh. On the eave it is also visible a gutter. On the side there is a wall with a electric meter and a gate. Right next to it there is another house made of concrete with awnings and windows with horizontal aluminum lamas kind of like persiennes. The house Marcos Juan Alegría was built in 1914 as the house of don Juan Alegría and Mrs. Elisa Valles, whom raised there their children Cruz and Marcos Juan. They lived there for decades until the house was inherit by Cruz, the oldest child. After his death, it was inherit by Marcos Juan, so-called as don Tito. In the decade of the nineties, Marcos Juan sold his property to the government of the municipality, who was in charge of restoring it and turn it into the Museo y Escuela de Artes Marcos Juan Alegría, that opened in 1998. The house, in addition, constitutes a characteristic example of the type of architecture used at the beginning of the XX century.

House Marcos Juan Alegría - Dorado - 2012 00029

House Marcos Juan Alegría - Dorado - 2012 00029



Front and lateral facade of the house Marcos Juan Alegría, located in Dorado. This house presents shades of yellow, white and gray. The facade is distinguished by a porch accentuated by an ornamental block balustrade interrupted by a grill gate with spiral motifs. On the balustrade there are columns that secure the porch ceiling. The doors and windows are double with louvers, panels and transom windows with small turned bars. Additionally, one of the windows integrates an appentice. The roof is compound of several sections of gable roof covered with zinc. On the gables it is visible a small window with circular shape and another one with rectangular shape with louvers. In front of the house there is a small wall that covers a ramp and a stair with a curved tube that serves as a handrail. The house was built in 1914 as home of don Juan Alegría and Mrs. Elisa Valles, whom raised there their children Cruz and Marcos Juan. They lived there for decades until the house was inherit by Cruz, the oldest child. After his death, it was inherit by Marcos Juan, so-called as don Tito. In the decade of the nineties Marcos Juan sold his property to the government of the municipality, who was in charge of restoring it and turn it into the Museo y Escuela de Artes Marcos Juan Alegría, that opened in 1998. The house, in addition, is a characteristic example of the type of architecture used in the residences at the beginning of the XX century.

Building in Isabel Street - Muñoz Rivera - Ponce - 2014

Building in Isabel Street - Muñoz Rivera - Ponce - 2014



View of buildings on the Reina Isabel street from the coastal city of Ponce. At the foreground you can distinguish an end of the Ponce public square decorated with outdoor tiles, metallic railings, garden areas, wooden kiosks and roofs made of corrugated metal sheets. Crossing the paved and traveled street you can distinguish three adjacent buildings. From right to left, you can distinguish an end of the Casa Casals, the following building is a two floor commercial establishment with characteristics of the Neoclassic style. The first floor has three double doors made of glass framed with flat moldings and crowned with fabric awnings. The middle door is larger and above the awning there is an inscription that says: "Pizzalato Gelato - Pizza". The door is also flanked by two inscriptions that say: "Pastry", "Coffee". The second floor has four double doors made of wood with lattice framed with flat moldings crowned with transoms and entablatures supported by brackets. The doors are also presided by open balconies, two simple and one double with ornamental iron railings supported by brackets. The upper border also has a continuous entablature on which there is a low parapet with amphorae, a curve pediment with an oculus and a keystone. Now then, the adjacent building also has two floors with characteristics of the Neoclassic style. On the first floor you can distinguish a rectangular opening framed with moldings and crowned with a fabric awning. Through it you can distinguish a store counter. Aside from that, on the second floor you can see four double doors made of wood framed with flat moldings and crowned with entablatures supported with moldings and ornamental details in low relief. The doors are presided by an open balcony supported with brackets and surrounded by metallic iron grilles. In addition, the upper border of the building is decorated with a continuous entablature matched with cornices, moldings, dentils and a greek style ornamental frieze.

Hacienda Buena Vista - Ponce - 2012

Hacienda Buena Vista - Ponce - 2012



View of the main house in the Hacienda Buena Vista located in the neighbourhood Mayagües of the coastal city of Ponce. In the spaces of the hacienda there are several buildings from which you can see two. At the foreground, you can see the family house with two floors built with wood, whitewashed brick masonry and gable roof made of corrugated metal sheets. Its design is inspired by Spanish Colonial and the Vernacular styles. On the first floor you can see an opening framed with flat moldings and a smaller rectangular opening also framed with moldings and presided by a parapet. Decorating the space there are also wooden benches and plants on decorative pots. The second floor is presided by a balcony with wooden balustrade modulated with pillars. It has three double wooden doors under framed rectangular arches. Aside from that, to the right far end you can distinguish a smaller building used as a storage made of whitewashed masonry with characteristics of the Neoclassic and Vernacular style. It has a painted socle where there are two wooden grilles under semicircular arches. It also has two double windows made of wood framed and crowned with entablatures. In addition, the upper border also has a continuous entablature above which there is a low parapet. On both far ends from the storage there are wooden stables attached to it. The Hacienda Buena Vista, also known as Hacienda Vives was founded in 1833. It started processing minor fruits until it turned to a corn plantation and coffee plantation. In 1845 they did significant changes, including the construction of the family house. It remained active until 1950, subsequently in 1984 it was acquired by the Conservation Trust of Puerto Rico and was restored and open to the public in 1986 as a museum dedicated to the history of the technology and the agriculture. In 1987 it was the first natural area protected by the organization. It was also included in the National Register of Historic Places in 1994.

Valentín Tricoche Municipal Hospital

Valentín Tricoche Municipal Hospital



Architectural drawing of the old Hospital Municipal Valentín Tricoche located in the Tricoche street from the coastal city of Ponce. The building has two floors with characteristics of the Neoclassic style. On the first floor there is a portico with three semicircular arches flanked by paired pilasters that in turn support a continuous entablature. The lateral arched have double doors and are crowned with sunrise transoms, the one in the middle has a double ornamental grille. In addition, on both sides of the portico there are double windows with persiennes framed with moldings and crowned with entablatures. Aside from that, on the second floor you can see double windows with persiennes crowned with transoms and keystones. Additionally, under the windows there is a continuous cornice same as the upper border. It has a continuous entablature above which there is a low parapet that creates curves on the far ends. In the middle there is a semicircular pediment decorated with a medallion. You can also see a logo with an inscription on the upper right border that says: "PRHBDS". It was founded in 1878 with the name Albergue Caritativo Tricoche. Nonetheless, the building construction began in 1863. Like many other buildings in the area it suffered significant damages after the 1918 earthquake which is the reason why it was remodeled and it was added the second floor in 1928. Years later, in 1987 it was included in the National Register of Historic Places. It remained in use until 1999 when it ceased operations.

Parque de Bombas - Ponce - 2014 00002

Parque de Bombas - Ponce - 2014 00002



Front view of the old Parque de Bombas located on Plaza Las Delicias from the coastal city of Ponce. The building has two floors made of wood with rectangular shape flanked by a tower on each side and a roof made of corrugated metal sheets. Its design has characteristics of the Moorish and Victorian Gothic styles from which it stand out the polychrome created with black and red stripes. On the first floor you can distinguish the garage supported with columns and the border decorated with a lambrequin. You can also see a three-lobed opening framed with flat moldings. In addition, on the second floor you can distinguish rectangular windows framed with flat moldings and crowned with sunrise transoms. There are also sunrise transoms with different sizes and an inscription that says: "Parque de Bombas 1883". The towers are matched with a lambrequin that extends through the corbel. Similarly, it repeats on the skylight border where you can also distinguish lattice style windows made of wood. Since the Parque de Bombas is attached to the rear part of the Catedral de Nuestra Señora de la Guadalupe you can distinguish its domes crowned with lanterns, the belfry towers and the fence that surrounds it. The old Parque de Bombas was built in 1882 as a central hall for a fair. It was officially designated as Parque de Bombas from the city of Ponce in 1885, housing the volunteer firefighters. Years later, in 1984 it was included in the National Register of Historic Places. Since 1990 it is used as a museum in honor and commemoration of the firefighters from the city of Ponce.

Parque de Bombas - Ponce - 2014 00005

Parque de Bombas - Ponce - 2014 00005



Front view of the old Parque de Bombas located on Plaza Las Delicias from the coastal city of Ponce. The building has two floors made of wood with rectangular shape flanked by a tower on each side and a roof made of corrugated metal sheets. Its design has characteristics of the Moorish and Victorian Gothic styles from which it stand out the polychrome created with black and red stripes. On the first floor you can distinguish the garage supported by a columns where there are vintage vehicles and the border decorated with a lambrequin. On each far end you can see three-lobed openings framed with flat moldings. In addition, on the second floor you can distinguish rectangular windows framed with flat moldings and crowned with sunrise transoms. There are also sunrise transoms with different sizes and an inscription that says: "Parque de Bombas 1883". The towers are matched with a lambrequin that extends through the corbel. Similarly, it repeats on the tower borders. Aside from that, in the surroundings you can distinguish the Plaza Las Delicias decorated with light poles, benches and garden areas. Additionally, you can see the paved street being traveled by vehicles and the buildings that surrounds it. The old Parque de Bombas was built in 1882 as a central hall for a fair. It was officially designated as Parque de Bombas of the city of Ponce in 1885, housing the volunteer firefighters. Years later, in 1984 it was included in the National Register of Historic Places. Since 1990 it is used as a museum in honor and commemoration of the firefighters from the city of Ponce.

Ramón Emeterio Betances House - Mayagüez - 2011 00006

Ramón Emeterio Betances House - Mayagüez - 2011 00006



Facede of the Ramón Emeterio Betances house in Mayagüez, also known as the five arches house. This house, made of masonry and matched lumber, is elevated on a podium. The facade has a delimited gallery with a series of mixtilinear arches elevated on paired columns. These columns are elevated on pedestals that separate the decorated metal railing with leaf and flower motifs. Above the arches and the podium panels stands out the star inside of a sphere sign. The doors are double leaf with panels, louvers and fanlights that allow the ventilation. The lateral facade is distinguished by a door with similar characteristics to the main ones, while the visible window has a grille and an air conditioner console. A gate flanked by pilasters leads to this lateral section where it also stands out a stair with an urn on the parapet. The roof is a hipped roof with louvers that allow ventilation. The house is delimited with a fence articulated with a low wall crowned with a grille and interrupted by pillars. On one of these pillars stands out a plaque with the representation of a Ramón Emeterio Betances portrait and a text. The residence surface is painted yellow and white. In front of the house there are several automobiles parked near the sidewalk. In 1865, Ramón Emeterio Betances requested a permit to built this masonry house, where he only lived two years. When he died, his sister Inés, inherit it. The house was affected by the 1918 earthquake. In 2006, the city mayor gave back the name of Betances to the street and put in front of the house a plaque to acknowledge the love Betances had for Mayagüez.

Ramón Emeterio Betances House - Mayagüez - 2011 00007

Ramón Emeterio Betances House - Mayagüez - 2011 00007



Plaque located on a pillar from the Ramón Emeterio Betances house in Mayagüez, also known as the five arches house. The plaque is black and golden, it shows a representation of a Ramón Emeterio Betances portrait with a leaf motif border that is matched with the text: "Casa de los 5 arcos. Residencia Dr. Ramón Emeterio Betances. En el 1865 Betances elevó una instance a este ayuntamiento solicitando permiso para fabricar una casa amplia con fachada de 5 arcos. Esta residencia es un monumento al altruismo, a la abnegación y al amor fraterno, por tanto, se distingue como un lugar emblemático de esta "La sultana del oeste". Este insigne caborrojeño nacido el 8 de abril de 1827, en el lugar donde está ubicada la logia masónica, "Cuna de Betances", en la calle que lleva su nombre. Es conocido como "el Padre de la patria" y "el Padre de los pobres". Se distinguió como médico, literato y político de ideas radicalmente separatistas, quien rindió servicios inestimables a esta "La sultana del oeste". Aunque Betances no necesita homenaje o reconocimiento, precisamos nutrirnos de la herencia y generosidad de nuestros hijos más ilustres para encarar retos y alcanzar la cima del civismo cada vez más elevados. Se devela esta tarja para dar a conocer la gesta histórica de este insigne puertorriqueño para la posteridad, por iniciativa de: el Lcdo. Roberto Cardona Ubiñas, el pueblo y el gobierno municipal de Mayagüez. Hon. José Guillermo Rodríguez, alcalde, 8 de abril de 2005".

Primera Iglesia Metodista Unida de Ponce - 2014 00006

Primera Iglesia Metodista Unida de Ponce - 2014 00006



Front and lateral view of the first methodist church of Ponce located on the 135 Villa street from the coastal city of Ponce. The church has one floor made of reinforced concrete with characteristics of several styles which is the reason why is considered eclectic. The roof is a gable roof made of corrugated metal sheets. The facade has a rustic appearance simulating masonry blocks and windows under pointed arches made of wood with stain glass framed with protruding moldings, several double doors made of wood presided with steps and crowned with glass transoms. Both facades are crowned with curve pediments and decorated with a rose window, supported buttress and matched with garden areas. Connected to it there is the belfry tower with a square base divided in two sections. The base has a rustic aspect simulating blocks with entrance openings and vertical openings framed with flat moldings. The second section is above a protruding cornice, it is smaller and is built with concrete blocks. It also has several vertical openings, rectangular protruding cornices and decorative columns. In addition, it has semicircular arches flanked by compound columns that in turn support a continuous entablature. The openings are covered with grilles and the tower is crowned with an onion shape dome and a spherical finish. The Iglesia Metodista de la Resurrección de Ponce was built in 1907 becoming one of the first non Roman Catholic churches built after the sovereignty change in 1898, being an example of freedom of religion. After the 1918 earthquake the belfry tower had to be rebuilt using the design of Francisco Porrata Doria, which is the reason why its design and materials are different from the original. Years later, in 1987 it was included in the National Register of Historic Places.

Primera Iglesia Metodista Unida de Ponce - 2014 00027

Primera Iglesia Metodista Unida de Ponce - 2014 00027



View of the interior of the first methodist church of Ponce located on the 135 Villa street from the coastal city of Ponce. The church has one floor made of reinforced concrete with characteristics of several styles which is the reason why is considered eclectic. The ceiling is a gable roof with exposed wooden beams and hanging lamps. In the background there is an elevated altar, presided by a wooden balustrade and steps. It is covered with a red carpet and has lecterns on each side, chairs, musical instruments and decorative posters. In the middle, under a semicircular arch framed with wooden moldings there is the altar table. The table is made of wood, it has a book, chandeliers, is covered with a lace tablecloth and is flanked by decorative pots on small decorative columns. It also has a wooden cross on the wall and on both sides of the altar there are windows under semicircular arches made of wood with stain glass. You can also see rows of wooden benches and people standing up, the floor is covered with a carpet. The Iglesia Metodista de la Resurrección de Ponce was built in 1907 becoming one of the first non Roman Catholic churches built after the sovereignty change in 1898, being an example of freedom of religion. After the 1918 earthquake the belfry tower had to be rebuilt using the design of Francisco Porrata Doria, which is the reason why its design and materials are different from the original. Years later, in 1987 it was included in the National Register of Historic Places.

Primera Iglesia Metodista Unida de Ponce - 2014 00028

Primera Iglesia Metodista Unida de Ponce - 2014 00028



View of the interior of the first methodist church of Ponce located on the 135 Villa street from the coastal city of Ponce. The church has one floor made of reinforced concrete with characteristics of several styles which is the reason why is considered eclectic. The ceiling is a gable roof with wooden beams and hanging lamps. In the background there is an elevated altar presided by a wooden balustrade and steps. It is covered with a red color carpet and has lecterns on each side, chairs, music instruments and decorative posters. In the middle, under a semicircular arch framed with wooden moldings is located the altar table. The table is made of wood, it has a book and chandeliers, is covered with a lace tablecloth and flanked by decorative ports on small decorative columns. It also has a cross made of wood on the wall and on both sides of the altar windows under semicircular arches made of wood with stain glass. You can also see rows of wooden benches and people standing, the floor covered with a carpet. The Iglesia Metodista de la Resurrección de Ponce was built in 1907 becoming one of the first non Roman Catholic churches built after the sovereignty change in 1898, being an example of freedom of religion. After the 1918 earthquake the belfry tower had to be rebuilt using the design of Francisco Porrata Doria, which is the reason why its design and materials are different from the original. Years later, in 1987 it was included in the National Register of Historic Places.

Teatro La Perla - Ponce - 2011 00001

Teatro La Perla - Ponce - 2011 00001



Front view of the Teatro La Perla located between the Mayor Cantera and Cristina streets from the coastal city of Ponce. The building has two floors made of whitewashed masonry with characteristics of the Italian Neoclassic style. On the first floor, the facade has double windows made of wood and glass framed with flat moldings. The floors are divided with a molding and continuous cornice. Aside from that, the second floor has double doors made of wood framed with moldings, presided with parapets and crowned with entablatures that in turn are supported with brackets. In the middle there is a portico presided with stairs and supported with six corinthian order columns. On the interior you can see double doors and windows made of wood and glass framed with moldings. In addition, the upper border of the building is matched with a continuous entablature with moldings, cornices, dentils or mutules. Above it there is a low parapet. Additionally, on the surroundings of the building you can distinguish a vertical sculpture, paved sidewalk and a vehicle parked on the street. The Teatro La Perla dates back to 1864 becoming the second oldest theatre of Puerto Rico. After the 1918 earthquake and subsequently, a fire in 1924 the building had to be restored with the design of Francisco Porrata Doria and Francisco Gardón. Even though the design of the exterior facade remained the same, the interior was modified and improve. Years later, in 1990 it was restored again. Similarly, after the hurricane María in 2017 and the earthquakes occurred in the 2020, the building has been affected.

Teatro La Perla - Ponce - Historic Photo

Teatro La Perla - Ponce - Historic Photo



Front and lateral view of the Teatro La Perla located between the Mayor Cantera and Cristina streets from the coastal city of Ponce. The building has two floors made of whitewashed masonry with characteristics of the Italian Neoclassic style. On the first floor, the facade has double windows made of wood and glass framed with flat moldings. The levels are divided with a molding and continuous cornice. Aside from that, the second floor has double doors made of wood framed with moldings, presided with parapets and crowned with entablatures that in turn are supported with brackets. In the middle there is a portico presided with stairs and supported with six corinthian order columns. On the interior you can see double doors and windows made of wood and glass framed with moldings. In addition, the upper border of the building is matched with a continuous entablature with moldings, cornices, dentils or mutules. Above it there is a low parapet where there is a pediment with inscription. On the surroundings of the building you can distinguish people. The Teatro La Perla dates back to 1864 becoming the second oldest theatre of Puerto Rico. After the 1918 earthquake and subsequently a fire in 1924 the building had to be restored with the design of Francisco Porrata Doria and Francisco Gardón. Even though the design of the exterior facade remained the same, the interior was modified and improve. Years later, in 1990 it was restored again. Similarly, after the hurricane María in 2017 and the earthquakes occurred in the 2020, the building has been affected.

Teatro La Perla

Teatro La Perla



Architectural drawing of the Teatro La Perla located between the Mayor Cantera and Cristina streets from the coastal city of Ponce. The building has two floors with characteristics of the Italian Neoclassic style. On the first floor, the facade has double windows framed with flat moldings. The levels are divided with a molding and continuous cornice. Aside from that, the second floor has double doors made of wood framed with moldings, presided with parapets and crowned with entablatures that in turn are supported with brackets. In the middle there is a portico presided with stairs and supported with six corinthian order columns. On its interior you can see double doors and windows framed with moldings. In addition, the upper border of the building is matched with a continuous entablature with moldings, cornices, dentils or mutules. Above it there is a low parapet where there is a staggered pediment. Additionally, on the upper right corner there is a logo that says: "PRHBDS". The Teatro La Perla dates back to 1864 becoming the second oldest theatre of Puerto Rico. After the 1918 earthquake and subsequently, a fire in 1924 the building had to be restored with the design of Francisco Porrata Doria and Francisco Gardón. Even though the design of the exterior facade remained the same, the interior was modified and improve. Years later, in 1990 it was restored again. Similarly, after the hurricane María in 2017 and the earthquakes occurred in the 2020, the building has been affected.

House on the Padre Aguilera Street, Corner of Kofresí Street - Mayagüez - 2012 00007

House on the Padre Aguilera Street, Corner of Kofresí Street - Mayagüez - 2012 00007



Main and lateral facade of a house on the Padre Aguilera street, corner of Kofresí street, located in the municipality of Mayagüez. This house is made of wood and is elevated on a podium. The main facade is characterized by a porch delimited with a balustrade flanked by pedestals on which paired columns rise. These columns are decorated with vertical white stripes and give support to a type of entablature. The porch doors have louvers and at least one of them has small glass panels. In addition, on this facade stands out a window that also has louvers or a type of aluminium persienne. The lateral facade is distinguished by a type of roofed terrace with a balustrade and columns elevated on pedestals. To access this side of the house there is a small gate that leads to a stair. The house section that is located on the Kofresí street is delimited by a fence built with a low wall with grilles interrupted by pillars. The surface of this house is painted yellow, orange and white. The house shows distinctive elements from the Vernacular architecture. On the surroundings of the house there is an automobile, a person, and the poles with electric wiring are notable, a sign with the street names and another sign with the following warning: "Prohibido tirar basura, escombros o cualquier tipo de desperdicios. Violadores serán procesados. $1000 multa máxima". On both sides you can also distinguish other houses painted blue, white and pink with similar characteristics.

House on the 60 Méndez Vigo Street - Gómez House - Mayagüez - 2012 00019

House on the 60 Méndez Vigo Street - Gómez House - Mayagüez - 2012 00019



Perspective of the tower in the middle section of the Gómez house located on the 60 Méndez Vigo street in Mayagüez. The tower presents several types of windows. One of them is double leaf with louvers, fanlight and appentice with roofing tiles. One of the other windows is made of stain glass and a grille decorated with rings, vertical bars and spirals. The paired openings from the upper part of the tower present a type of lattice made with a scales pattern. Above these openings there is a pair of frieze ornate with tiles that show curve and floral patterns like spirals and arabesques. These friezes, in turn, they are crowned with white moldings and terracotta roofing tiles. The tower corner is decorated with a white "cartouche". On one side of the tower there is another windows with glass leaves, grille, appentice and roofing tiles. On the other side there is the porch accentuated by a semicircular arch elevated on corinthian columns. Through the arch is visible a white door with panels. Above the arch you can distinguish a horizontal panels that has floral motifs tiles like spirals and arabesques, as well as a molding finished with a spiral detail. The house is delimited with a railing interrupted by pedestals with grilles that combine spiral motifs, bars and rings. The house surface presents orange shades that alternate with white details. This residence presents architectural elements that correspond to the Spanish Revival style.

Parish San Francisco de Asís - Aguada - 2011 00001

Parish San Francisco de Asís - Aguada - 2011 00001



Parish San Francisco de Asís, Aguada. The design of this catholic church presents influences of the gothic architecture and the Neoclassic. Its facade is made up of a central body with a cross on top and two lateral towers. It stand out the use of lancet arches that repeats in the towers as well as in the central body. In the center there is a portico with four thin columns and a slope roof. Above the portico roof there is a sign with the dates 1924 and 1936. On the second level of the facade you can observe an arch inside of which there are seven thin lancet arches with stained glass, flanked by two pilasters crowned with pinnacles. In the quadrangle towers you can distinguish different levels and all present lancet arches. On the second level, three thin arches, the one on the center is taller than the other two. The third level has three thin arches of the same height and one of the towers has a clock. The fourth level has a lancet arch inside of a triangular shape. Each tower ends with a dome, lantern with lancet arches, spires and a small cross. The building is surrounded by a concrete fence, the piers of the fence have pots with plants. Also, there is a steel gate with two piers with lamps. Both the church and the fence are painted with a grayish green color with the borders and details with white color. In front of the church, crossing the street, there is the square where you can see a statue of Christopher Columbus.

Parish San Francisco de Asís - Aguada - 2011 00002

Parish San Francisco de Asís - Aguada - 2011 00002



Parish San Francisco de Asís, Aguada. The design of this catholic church presents influences of the gothic architecture and the Neoclassic. Its facade is made up of a central body with a cross on top and two lateral towers. It stand out the use of lancet arches that repeats in the towers as well as in the central body. In the center there is a portico with four thin columns and a slope roof. Above the portico roof there is a sign with the dates 1924 and 1936. On the second level of the facade you can observe an arch inside of which there are seven thin lancet arches with stained glass, flanked by two pilasters crowned with pinnacles. In the quadrangle towers you can distinguish different levels and all present lancet arches. On the second level, three thin arches, the one on the center is taller than the other two. The third level has three thin arches of the same height and one of the towers has a clock. The fourth level has a lancet arch inside of a triangular shape. Each tower ends with a dome, lantern with lancet arches, spires and a small cross. The building is surrounded by a concrete fence, the piers of the fence have pots with plants. Also, there is a steel gate with two piers with lamps. Both the church and the fence are painted with a grayish green color with the borders and details with white color. In front of the church, crossing the street, there is the square where you can see a statue of Christopher Columbus, a gazebo and a light pole. There is an old man walking on the square.

Building on the Corner of Méndez Vigo Street and Peral Street - La Bolsa - Mayagüez - 2011 00001

Building on the Corner of Méndez Vigo Street and Peral Street - La Bolsa - Mayagüez - 2011 00001



Facade of the building known as La Bolsa located on the corner of Méndez Vigo street and Peral street from the municipality of Mayagüez. This building has three levels of height and its corner has a curved or chamfered shape. In addition, it combines architectural elements from the Neoclassic and Art Deco styles and, also integrates moorish ornaments. The main door has double leaf with ornamental panels and glass above the transom, at the same time is flanked by pilasters with vertical flutings. On the pilasters upper part there are brackets with spiral motifs that work as support and ornament to the cantilever balconies with balustrades that make the second floor stand out. This level also shows double doors and windows, classic pilasters, brackets, cornices and spiral ornaments. The transition from the second floor to the third one is accentuated by a series of dentils and a molding. The windows from the third floor also have double leaf with arch and rectangle shape, in addition, they have white moldings. The building upper border has paired brackets that support the eave. The building surface is light blue with white details. You can also see another building, parallel to Peral street, painted red and pink with balconets and metal railings. Additionally, you can see several automobiles and a person on Méndez Vigo street. La Bolsa building, witness of the Mayagüez commercial boom during the 20th century, it also housed the Casino Español of this municipality on its two upper floors.

Parroquia San Antonio de Padua - Guayama - 2012 00001

Parroquia San Antonio de Padua - Guayama - 2012 00001



Front view of the Parroquia San Antonio de Padua in the town of Guayama. The parish has two floors with characteristics of the Neo-romanesque style. It is presided by the Cristobal Colón square, surrounded by an ornamental metallic grille, benches and light poles. Besides that, the front facade is divided in three naves, the central nave has a double door made of glass framed and flanked by Ionic Order pilasters that at the same time secure a triangular entablature. On the entrance you can distinguish a circular stained glass framed with moldings and three niches with a Virgin Mary statue above which you can see a cross and wavy moldings. The lateral naves have an additional level and have wooden windows with persiennes under coupled arches framed with moldings, pilasters, bossages, dentils, cornices and wavy moldings. You can also see clocks framed with moldings and the belfry towers. They have coupled semicircular openings where the iron and gold bells rest. Both belfry towers are crowned with parapets and decorated with an ornamental frieze. In addition, to the left far end you can also see an apse chapel crowned with a dome and a lantern. The lantern has moldings, cornices and several semicircular openings. The Parroquia San Antonio de Padua is the only church in the island with the Neo-romanesque style, its construction began in 1827 and finished in 1867. One of the clocks that decorates the belfry towers was painted marking the hour in which the church was inaugurated. Years later, in 1979 it was included in the National Register of Historic Places.

Parroquia San Antonio de Padua - Guayama - 2012 00002

Parroquia San Antonio de Padua - Guayama - 2012 00002



Lateral and front view of the Parroquia San Antonio de Padua in the coastal town of Guayama. The parish has two floors with characteristics of the Neo-romanesque style. It is presided by the Cristóbal Colón square, surrounded by an ornamental metallic grille, benches and light poles. You can also see parked vehicles on the paved street. Besides that, the front facade is divided in three naves, the central nave has a double door made of glass framed and flanked by Ionic Order pilasters that at the same time secure a triangular entablature. On the entrance you can distinguish a circular stained glass framed with moldings and three niches with a Virgin Mary statue above which you can see a cross. The lateral naves have an additional level and wooden windows with persiennes under coupled arches framed with moldings, blind openings, pilasters, bossages, dentils, cornices and wavy moldings. You can also see clocks framed with moldings and the belfry towers. They have coupled semicircular openings where it rest the iron and gold bells. Both towers are crowned with parapets and decorated with ornamental frieze. The Parroquia San Antonio de Padua is the only church in the island with Neo-romanesque style, its construction began in 1827 and finished in 1867. One of the clocks that decorates the belfry towers was painted marking the hour in which the church was inaugurated. Years later, in 1979 it was included in the National Register of Historic Places.

City Hall of Arecibo - 2014 00002

City Hall of Arecibo - 2014 00002



View of the City Hall of the city of Arecibo. The building is of two levels made of brick masonry with typical elements of the Neoclassic style. It is painted with shades of salmon color and brown with white moldings. The facade is built horizontally with rustic base that covers part of the second floor. On the first floor there are three entrances over which there is an inscription that say: "Alcaldía" (City Hall). Also, there are several windows under semicircular arches and rectangular arches. The facade is divided with cornices hold by pilasters that extend to the second section and support the triangular pediment that crowns the building. Besides that, the superior level has seven double doors framed by thin pilasters that flank a blind pediment and curved. The doors of the far ends are shut in some balconies of a section and the three doors in the middle connect with a central balcony of three sections hold by brackets and shut in with ornamental metallic grilles. In front of the building they have up three flagpoles with the flags of Arecibo, Puerto Rico and the United States. Also, you can see vehicles parked on the street. The construction of the Arecibo city hall dates of the year 1866 under the Spanish control in the island. The first floor of the building was used as a prison while in the second floor where the offices. After the earthquake of 1918 the frontal facade suffered collapses so it was modified adding a clock tower until the year 1978 when they restore the building and bring back its original design.

City Hall of Arecibo - 2014 00003

City Hall of Arecibo - 2014 00003



View of the City Hall of the city of Arecibo. The building is of two levels made of brick masonry with typical elements of the Neoclassic style. It is painted with shades of salmon color and brown with white moldings. The facade is built horizontally with rustic base that covers part of the second floor. On the first floor there are three entrances over which there is an inscription that say: "Alcaldía" (City Hall). Also, there are several windows under semicircular arches and rectangular arches. The facade is divided with cornices hold by pilasters that extend to the second section and support the triangular pediment that crowns the building. Besides that, the superior level has seven double doors framed by thin pilasters that flank a blind pediment and curved. The doors of the far ends are shut in some balconies of a section and the three doors in the middle connect with a central balcony of three sections hold by brackets and shut in with ornamental metallic grilles. In front of the building they have up three flagpoles with the flags of Arecibo, Puerto Rico and the United States. Also, you can see vehicles parked on the street. The construction of the Arecibo town hall dates of the year 1866 under the Spanish control in the island. The first floor of the building was used as a prison while in the second floor where the offices. After the earthquake of 1918 the frontal facade suffered collapses so it was modified adding a clock tower until the year 1978 when they restore the building and bring back its original design.

Building Oliver - Arecibo - 2012 00001

Building Oliver - Arecibo - 2012 00001



Side view of the building Oliver in the coastal city of Arecibo. The building has three floors with characteristics of the Neoclassic style in concrete. The lateral facade is divided in six sections. Horizontally, the building is divided in two parts, the base level and two superior levels. The second and third level have door openings and rectangular windows with flat frames. The openings conduct to a balcony with balustrades supported by decorative brackets. There are small balconies with rounded corners and balconies of two rectangular sections. Between the balconies there are flutted pilasters that support an entablature with ornamental frieze, continuous cornice and dentils. Crowning the building you can see a parapet with balustrade and roman amphorae. Also, you can see an extension of the construction on a smaller size with glass doors and glass lattice style windows crowned with amphorae. The chamfered corner the parapet is interrupted by a curvilinear pediment. The building Oliver was built in 1914 with commercial and residential purposes. It is based in the same place that in 1765 the Spanish government constituted the House of the King until 1913 when it was demolished. This innovative building was the first one incorporating residential spaces and comercial establishment. Also, it was the first building built in the city with a chamfered entrance. Its richly ornamented design adopts characteristics of the Beaux-Arts School and the Traditional Spanish style. Through the years has been used as a residential space, comercial and headquarters of several foreign consulates that occupied the first floor. It was restored in the decade of 1980 and all the spaces assigned for residences they became comercial spaces.

Building Oliver - Arecibo - 2012 00002

Building Oliver - Arecibo - 2012 00002



Lateral view of the building Oliver in the coastal city of Arecibo. The building has three floors with characteristics of the Neoclassic style with concrete. The side facade is divided in several sections. Horizontally, the building is divided in two parts, the base level and two superior levels. The second and third level have door openings and rectangular windows with flat frames. The double doors made of wood conduct to a balcony with balustrades supported by decorative brackets. There are small balconies with rounded corners and balconies of two rectangular sections. Between the balconies there are flutted pilasters that support an entablature with ornamental frieze, continuous cornice and dentils. Besides that, crowning the building you can see a parapet with balustrade and roman amphorae. Also, you can see an extension of the construction on a smaller size with glass doors and lattice style windows made of glass crowned with roman amphorae. The building Oliver was built in 1914 with comercial and residential purposes. It is bases in the same place that in 1765 the Spanish government built the House of the King until 1913 when it was demolished. This innovative building was the first one incorporating residential spaces and comercial establishment. Also, it was the first building built in the city with a chamfered entrance. Additionally, its richly ornamented design adopts characteristics of the Beaux-arts school and the traditional Spanish style. Through the years ha been used as a residential space, comercial and headquarters of several foreign consulates that occupied the first floor. It was restored in the decade of 1980 and all the spaces assigned for residences became comercial spaces.

Building Oliver - Arecibo - 2012 00003

Building Oliver - Arecibo - 2012 00003



Lateral view of the building Oliver in the coastal city of Arecibo. The building has three floors with characteristics of the Neoclassic style in concrete. The side facade is divided in three sections. Horizontally, it is divided in two parts, the base level and two superior levels. The second and third level have door openings and rectangular windows with flat frames. The doors are flanked by compound flutted pilasters that support the entablature with ornamental frieze, continuous cornice and dentils. Crowning the building you can see a parapet with balustrade and roman amphorae. Through the balustrade you can see an extension of the construction in a smaller size with glass doors and lattice style windows made with glass. The building Oliver was built in 1914 with comercial and residential purposes. It is based in the same place that in 1765 the Spanish government built the House of the King until 1913 when it was demolished. This innovative building was the first one incorporating spaces for residences and comercial establishments. Also, it was the first building built in the city with a chamfered entrance. Its richly ornamented design adopts characteristics of the Beaux-arts school and the traditional Spanish style. Through the years has been used as a residential space, comercial and headquarters of several foreign consulates that occupied the first floor. It was restored in the decade of 1980 and all the spaces assigned for residences became comercial spaces.

Building Oliver - Arecibo - 2012 00007

Building Oliver - Arecibo - 2012 00007



View of the building Oliver in the coastal city of Arecibo. The building has three floors with characteristics of the Neoclassic style in fortified concrete. The lateral facade is divided in sections. You can observe the third floor that has openings of double doors and rectangular wooden windows and persiennes with flat frames. The openings conducts to a balcony with balustrades. There are small balconies with rounded corners and rectangular balconies. Between the balconies there are flutted pilasters that supports an entablature with ornamental frieze, continuous cornice and dentils. You can see a parapet with balustrade and roman amphorae crowning the building. Also, you can see an extension of the construction on a smaller size with doors and glass windows crowned with amphorae. In the chamfered corner the parapet is interrupted by a curvilinear pediment decorated with relief details. The building Oliver was built in 1914 with comercial and residential purposes. It is based in the same place that in 1765 the Spanish government built the House of the King until 1913 when it was demolished. This innovative building was the first one incorporating residential spaces and comercial establishment. Also, it was the first building built in the city with a chamfered entrance. Additionally, its richly ornamented design adopts characteristics of the Beaux-arts school and the traditional Spanish style. Through the years has been used as a residential space, comercial and headquarters of several foreign consulates that occupied the first floor. It was restored in the decade of 1980 and all the spaces assigned for residences became comercial spaces.

Building Oliver - Arecibo - 2012 00008

Building Oliver - Arecibo - 2012 00008



Lateral view of part of the building Oliver in the coastal city of Arecibo. At the foreground, you can see a concrete fence with metallic grilles and parked vehicles in the paved street. The building has three floors with characteristics of the Neoclassic style in fortified concrete. The lateral facade is divided in several sections horizontally, the base level and two superior levels. The base level has entrances under semicircular arches framed with moldings. Additionally, the arches are covered by metallic grilles. The second and third level have double wooden doors and windows with rectangular persiennes with flat frames. The doors conduct to a balcony with balustrades supported by decorative brackets. There are balconies of one section with rounded corners and balconies of two rectangular sections. The balconies are flanked by flutted pilasters supported by a continuous cornice and under which there are severa relief lion heads. The building Oliver was built in 1914 with comercial and residential purposes. It is based in the same place that in 1765 the Spanish government built the House of the King, until 1913 when it was demolished. This innovative building was the first one on incorporating residential and comercial spaces. Also, it was the first building built in the city with a chamfered entrance. Additionally, its richly ornamented design adopts characteristics of the Beaux-arts school and the traditional Spanish style. Through the years has been used as a residential space, comercial and headquarters of several foreign consulates that occupied the first floor. It was restored in the decade of 1980 and all the spaces assigned for residences became comercial spaces.

Building Oliver - Arecibo - 2012 00009

Building Oliver - Arecibo - 2012 00009



Lateral view of the building Oliver in the coastal city of Arecibo. At the foreground, you can see a concrete fence with metallic grilles and parked vehicles in the paved street. The building has three levels with characteristics of the Neoclassic style in fortified concrete. The lateral facade is divided in several sections horizontally, the base level and two superior levels. The base level has entrances under semicircular arches framed with moldings. Additionally, the arches are covered by metallic grilles. The second level has double wooden doors with rectangular persiennes and flat frames. The doors conduct to balconies with balustrades supported by decorative brackets. The balconies are flanked by flutted pilasters supported by a continuous cornice and under which there is a series of relief lion heads. The building Oliver was built in 1914 with comercial and residential purposes. It is based in the same place that in 1765 the Spanish government built the House of the King until 1913 when it was demolished. This innovative building was the first one incorporating residential spaces and comercial establishment. Also, it was the first building built in the city with a chamfered entrance. Additionally, its richly ornamented design adopts characteristics of the Beaux-arts school and the traditional Spanish style. Through the years has been used as a residential space, comercial and headquarters of several foreign consulates that occupied the first floor. It was restored in the decade of 1980 and all the spaces assigned for residences became comercial spaces.

Building Oliver - Arecibo - 2012 00010

Building Oliver - Arecibo - 2012 00010



Close-up view of the building Oliver in the coastal city of Arecibo. The building has three levels with characteristics of the Neoclassic style with fortified concrete. The lateral facade is divided in several sections horizontally, the base level and two superior levels. The base level has entrances under semicircular arches framed with moldings. Additionally, the arches are covered by metallic grilles. The second level has double wooden doors with rectangular persiennes and flat frames. The doors conduct to balconies with balustrades supported by decorative brackets. The balconies are flanked by flutted pilasters supported by a continuous cornice and under which there is a series of relief lion heads. The building Oliver was built in 1914 with comercial and residential purposes. It is based in the same place that in 1765 the Spanish government built the House of the King, until 1913 when it was demolished. This innovative building was the first one incorporating residential spaces and comercial establishment. Also, it was the first building built in the city with a chamfered entrance. Additionally, its richly ornamented design adopts characteristics of the Beaux-arts school and the traditional Spanish style. Through the years has been used as a residential space, comercial and headquarters of several foreign consulates that occupied the first floor. It was restored in the decade of 1980 and all the spaces assigned for residences became comercial spaces.

Building Oliver - Arecibo - 2012 00014

Building Oliver - Arecibo - 2012 00014



Lateral view of the building Oliver in the coastal city of Arecibo. At the foreground, you can see a concrete fence with metallic grilles and parked vehicles in the paved street. The building has three levels with characteristics of the Neoclassic style in concrete. The side facade is divided in several sections horizontally, the base level and two superior levels. The base level has entrances under semicircular arches framed with moldings. Additionally, the arches are covered with metallic grilles. The second level has double wooden doors and windows with rectangular persiennes with flat frames. The doors conduct to a balcony with balustrades secured with decorative brackets. It has balconies of a section with rounded corners and balconies of two rectangular sections. The balconies are flanked by flutted pilasters secured by a continuous cornice and under which there is a series of relief lion heads. To the right far end there is a building attached with roof tiles and an opening presided by a metallic railing and a cloth curtain. Also, you can see a sign that says: "Dental Familiar García-s... Frank Garc... 878-4121". The building Oliver was built in 1914 with comercial and residential purposes. It is based in the same place that in 1765 the Spanish government built the House of the King until 1913 when it was demolished. This innovative building was the first one incorporating residential spaces and comercial establishment. Also, it was the first building built in the city with a chamfered entrance. Additionally, its richly ornamented design adopts characteristics of the Beaux-arts school and the traditional Spanish style. Through the years has been used as a residential space, comercial and headquarters of several foreign consulates that occupied the first floor. It was restored in the decade of 1980 and all the spaces assigned to residences became comercial spaces.

Building Oliver - Arecibo - 2012 00015

Building Oliver - Arecibo - 2012 00015



Lateral view of the building Oliver in the coastal city of Arecibo. At the foreground, you can see a concrete fence with metallic grilles and parked vehicles in the street. The building has three levels with characteristics of the Neoclassic style made in fortified concrete. The side facade is divided in several sections horizontally, the base level and two superior levels. The base level has entrances under semicircular arches framed with moldings. Additionally, the arches are covered with metallic grilles. The second and third floor have double wooden doors and windows with rectangular persiennes with flat frames. The doors conduct to a balcony with balustrades secured by decorative brackets. It has balconies of a section with rounded corners and balconies of two rectangular sections. The balconies are flanked by compound flutted pilasters secured by a continuous cornice and under which there is a series of relief lion heads. Above the building you can see a balustrade decorated with roman amphorae. Besides that, at the right far end there is a building attached with roof tiles and an opening presided by a metallic railing and a cloth curtain. Also, you can see a sign on a far end. The building Oliver was built in 1914 with comercial and residential purposes. It is based in the same place that in 1765 the Spanish government built the Houses of the King until 1913 when it was demolished. This innovative building was the first one incorporating residential spaces and comercial establishment. Also, it was the first building built in the city with a chamfered entrance. Additionally, its richly ornamented design adopts characteristics of the Beaux-arts school and the traditional Spanish style. Through the years has been used as a residential space, comercial and headquarters of several foreign consulates that occupied that first floor. It was restored in the decade of 1980 and all the spaces assigned to residences became comercial spaces.

Building Oliver - Arecibo - 2012 00018

Building Oliver - Arecibo - 2012 00018



Frontal view of the building Oliver in the coastal city of Arecibo. The building has three levels with a chamfered corner that work as a main entrance. It is made of fortified concrete inspired by the Neoclassic style. The facade is divided in several sections. Horizontally, the building is divided in two parts, the base level and two superior levels. In the base, through the chamfered corner there is an entrance under a semicircular arch with balustrades secured by decorative brackets. The balcony is flanked by flutted pilasters secured by continuous cornices under which there is a series relief lion heads. In the surroundings you can see more buildings with shades of pink, yellow and orange with different characteristics. The building Oliver was built in 1914 with comercial and residential purposes. It is based in the same place that in 1765 the Spanish government built the House of the King until 1913 when it was demolished. This innovative building was the first one incorporating residential spaces and comercial establishment. Also, it was the first building built in the city with a chamfered entrance. Additionally, its richly ornamented design adopts characteristics of the Beaux-arts school and the traditional Spanish style. Through the years has been used as a residential space, comercial and headquarters of several foreign consulates that occupied the first floor. It was restored in the decade of 1980 and all the spaces assigned to residences became comercial spaces.

Building Oliver - Arecibo - 2012 00019

Building Oliver - Arecibo - 2012 00019



Frontal view of the building Oliver in the coastal city of Arecibo. The building has three levels with a chamfered corner that works as main entrance. Is made of fortified concrete inspired by the Neoclassic style. The facade is divided in several sections. Horizontally it has two parts, the base and two superior levels. In the base, through the chamfered corner there is an entrance under a semicircular arch framed by continuous moldings. Besides that, the second level has rectangular doors openings with flat frames. The openings conduct to a semicircular balcony with balustrades secured by decorative brackets. The balcony is flanked by flutted pilasters secured by continuous cornices under which there is a series of relief lion heads. In the surroundings you can see more buildings with shades of pink, yellow and orange with different characteristics. The building Oliver was built in 1914 with comercial and Residential purposes. It is based in the same place that in 1765 the Spanish government built the House of the King until 1913 when it was demolished. This innovative building was the first one incorporating residential spaces and comercial establishment. Also, it was the first building built in the city with a chamfered entrance. Additionally, its richly ornamented design adopts characteristics of the Beaux-arts school and the traditional Spanish style. Through the years has been used as a residential space, comercial and headquarters of several foreign consulates that occupied the first floor. It was restored in the decade of 1980 and all the spaces assigned to residences became comercial spaces.

Building Oliver- Arecibo - 2012 00020

Building Oliver- Arecibo - 2012 00020



Close-up view of the building Oliver in the coastal city of Arecibo. The building has three levels with characteristics of the Neoclassic style made of fortified concrete. The facade is divided in sections and the third level has openings of double doors and rectangular wooden windows and persiennes with flat frames. The opening conducts to a balcony with balustrades secured by decorative brackets. The balcony on the chamfered corner is curved and is secured by decorative brackets. Between the balcony there are compound flutted pilasters that support an entablature with ornamental frieze, continuous cornice and dentils. Besides that, you can see that the building is crowned by a parapet with balustrade and roman amphorae. In the chamfered corner is interrupted the parapet by a curvilinear pediment decorated with relief details. The building Oliver was built in 1914 with comercial and residential purposes. It is based in the same place that in 1765 the Spanish government built the House of the King until 1913 when it was demolished. This innovative building was the first on incorporating spaces of residences and comercial establishment. Also, it was the first building built in the city with a chamfered entrance. Additionally, its design richly ornamented adopts characteristics of the Beaux-arts school and the traditional Spanish style. Through the years has been used as a residential space, comercial and headquarters of several foreign consulates that occupied the first level. It was restored in the decade of 1980 and all the spaces assigned to residences became comercial spaces.

Arecibo Trip - 2014 00003

Arecibo Trip - 2014 00003



View of the building González Marín 101 in the coastal city of Arecibo. It is a building Neoclassic style in plastered masonry of two floors originally built for comercial and residential purposes. The front facade has three sections and the side one of four sections that are connected through a curved corner. At the ground level, a continuous base holds the building. Surrounding the front and lateral facade you can see a row of white marble cladding interrupted by a front door flanked by two lamps. The door is double made of glass as well as the windows covered by corrugated metal laminas, framed with white moldings. Dividing the two levels of the blue color building you can see a white cornice that at the same time holds the front balcony made in corbel without railing. The balcony has three double doors with windows made of wood framed with moldings and crowned with an entablature. The door from the middle has three pilasters that at the same time holds a pediment. Besides that, at the left side there are four double doors with wooden windows crowned with entablature. Outlining the corners of the building it appears pilasters that hold the superior cornice and a parapet that crowned the building as an open balcony. In the surroundings you can see more buildings with different characteristics and vehicles. It was built in 1908, is one of the last buildings design with the Spanish Neoclassic vocabulary in the island. From its beginnings the building had bank institutions until 1930, under the consequences of the great depression, First National City opened its branch, being the first bank of United States in the zone.

Arecibo Trip - 2014 00004

Arecibo Trip - 2014 00004



View of the building González Marín 101 in the town of Arecibo. It is a building of Neoclassic style made of whitewashed masonry of two floors originally built for comercial and residential purposes. The front facade is of three sections and the side connect through a curved corner. At the ground level, a continuous base secure the building. Surrounding the front facade and side you can see a row of white marble cladding interrupted by the front door flanked by two lamps. The door is double made of glass as well as the windows covered by corrugated metal laminas that are framed with white moldings. The two levels of the blue color building are divided by a white cornice that at the same time holds the front balcony in corbel without railing. The balcony has three double doors with wooden windows framed with moldings and crowned with an entablature. The door of the middle has three pilasters that at the same time hold a pediment. Besides that, at the left side there are several double doors with wooden windows with entablature. The corners of the building are defined by pilasters that secure the superior cornice and a parapet that crown the building as an open balcony. In the surroundings you can see more buildings with different characteristics and vehicles. It was built on 1908, is one of the last buildings designed with the Spanish Neoclassic vocabulary in the island. From its beginning the building had bank institutions until 1930, under the consequences of the great depression, First National City Bank opened its branch, being the first bank from United States in the zone.

Arecibo Trip - 2014 00006

Arecibo Trip - 2014 00006



View from the cathedral San Felipe Apóstol in the costal city of Arecibo. At the foreground, you can see a crowned pedestal with an ornamental finish. To the right far end you can see an end of the building Oliver, that has three levels with characteristics of the Neoclassic style with fortified concrete. The lateral facade is divided in several sections. Horizontally, the building is divided in two parts, the base level and two superior levels. The second and third level have door openings and rectangular windows with flat frames. The openings conduct to a balcony with balustrades secured by decorative brackets. There are small balconies with rounded corners and balconies of two rectangular sections. Between the balconies there are flutted pilasters that support an entablature with ornamental frieze, continuous cornice and dentils. You can see a parapet with balustrade and roman amphorae crowning the building. Also, you can see an extension of the construction with a smaller size with glass doors crowned with amphorae. In the chamfered corner the parapet is interrupted by a curvilinear pediment. The building Oliver was built in 1914 with comercial and residential. It is based in the same place that in 1765 the Spanish government built the House of the King until 1913 when it was demolished. This innovative building was the first on incorporating residential spaces and comercial establishment. Also, it was the first building built in the town with a chamfered entrance. Additionally, its design richly ornamented adopts characteristics of the Beaux-arts school and the traditional Spanish style. Through the years has been used as a residential space, comercial and headquarters of several foreign consulates that occupied the first floor. It was restored in the decade of 1980 and all the spaces assigned to residences became comercial spaces. Besides that, to the left far end you can see the City Hall. The building has two levels of brick and masonry with typical elements of the Neoclassic style. The facade is built horizontally with a rustic base that covers part of the second level. On the first floor there are entrances and two windows under semicircular arches. The facade is divided with cornices supported by pilasters. The superior level has five double doors framed by thin pilasters that flank a blind pediment and curved. The door of the far ends are shut-in on some balconies of a section and the three doors in the middle connect with a central balcony of three sections supported by brackets and shut-in with metallic ornamental grilles. In front of the building there are three flagpoles with the flags of Arecibo, Puerto Rico and the United States. The construction of the city hall of Arecibo dates of the year 1866 under the Spanish control in the island. The first level of the building was used as a prison while in the second level were the offices. After the earthquake of 1918 the frontal facade of the building suffered collapses so it was modified adding a clock tower until the year 1978 when they restore the building and bring back its original design.

Arecibo Trip - 2014 00013

Arecibo Trip - 2014 00013



View of the building Suliveres from the cathedral San Felipe Apóstol (catholic) in the coastal city of Arecibo. At the foreground, you can see the roof of the cathedral and pilasters. The building Suliveres is crossing the street, it has U shape, it has two levels of wood and concrete with flat roof. Its design is inspired in the classic architecture with influence of the Spanish Noucentisme. It is presided by a front patio surrounded by a concrete balustrade and landscape zones. The facade is decorated with quoins, an ornamental frieze and a continuous cornice that at the same time secure a superior parapet that surrounds the rooftop as an open balcony. The doors are double made of wood and glass with persiennes. Some doors are under semicircular arches framed and crowned with sunrise transoms. The ones of the second floor has balconies of double sections with balustrades and others are under rectangular arches presided by parapets. Besides that, the central part of the building has galleries that give access to the interior with concrete balustrades modulated by square columns. Above the balustrade of the second floor you can see plants on pots. On both sides of it you can see attached buildings among which it stand out flat roofs, balconies, double doors, framed windows, moldings and parapets. Also, you can se a multi-storey, power line poles and abandoned buildings. The building Suliveres was built between 1895 and 1910, has been used as a residential and comercial space.

Cathedral Saint Philip the Apostle - Arecibo - 2011

Cathedral Saint Philip the Apostle - Arecibo - 2011



Frontal view of the Cathedral of Saint Philip the Apostle in the coastal city of Arecibo. In the foreground is the Luis Muñoz Rivera plaza, surrounded by an ornamental iron railing and squared pillars. It has light poles and landscape zones. The Cathedral Saint Philip the Apostle is across the busy street with moving vehicles. A masonry fence with metal grilles and squared pillars separates it from its immediate surroundings. It is also presided over by a staircase leading to the entrance door. The building is made of masonry with a concrete roof. Its design is inspired by the Renaissance and Neoclassic architecture. The front facade is decorated with pilasters, framed windows, and crowned with an entablature, moldings, cornices, and an entrance under a semicircular arch crown with a wooden sunrise transom and a pediment over which you can see a niche. Inside the niche, there is a religious statue. Moreover, a square belfry with a semicircular opening and a cross crowns the building. In the surroundings are houses, power line poles, and adjacent buildings with different characteristics. The construction of the Cathedral of Saint Philip the Apostle dates back to 1616; nonetheless, in 1846, the building was officially built, according to the design observed in the photo. It is the second-largest church built on the island under Spanish rule, and it was not until 1960 that it was officially designated the Cathedral of the Diocese of Arecibo.

Logia Adelphia - Mayagüez - 2012 00008

Logia Adelphia - Mayagüez - 2012 00008



Facade of the Logia Adelphia, located in the municipality of Mayagüez. The building is made of concrete and has two floors. The middle section is characterized by an arched entrance door decorated with a dentil band. In addition, the door shows the masonic symbol formed by the letter G, a square and compass. Above the main door there is a parapet or metal railing and three arched windows made of wood with louvers decorated with white moldings. The door, railing and three arched windows are flanked by two fluted corinthian columns that rest on pedestals. Above the columns there is a frieze with the lodge name, followed by a molding, dentils and a triangular pediment that also shows a low relief masonic symbol. The first floor windows are made of wood with louvers and are framed with flat arches and decorated with moldings, panels and medallions. The second floor windows are also made of wood with louvers and, shows parapets or metal railings and white moldings. The transition from the first floor to the second is accentuated by a dentil band. The building upper part is distinguished by having a parapet with balustrade. On the first floor is also visible a balustrade interrupted by a gate that gives access to the building. The lodge surface is yellow and gray with white details. The Logia Adelphia was the first lodge that existed in Puerto Rico and was founded in 1871. In 1912, the building that houses the Logia Adelphia in Mayagüez was designed and built. The building combines architectural elements from different periods and cultures, creating a design with influences from the classic Spanish and Moorish vocabulary. The Logia Adelphia constitutes an important example of early 20th century architecture in Puerto Rico.

Logia Adelphia - Mayagüez - 2012 00011

Logia Adelphia - Mayagüez - 2012 00011



Facade of the Logia Adelphia, located in the municipality of Mayagüez. The building is made of concrete and has two floors. The middle section is distinguished by an entrance door arched and decorated with a dentil band. In addition, the door shows the masonic symbol that is formed with the letter G, a square and a compass. Above the main door there is a parapet or metal railing and three arched windows made of wood with louvers which are decorated with white moldings. The door, railing and the three arched windows are flanked by two fluted corinthian columns that rest on pedestals. Above the columns there is a frieze with the lodge name, followed by a moldings, dentils and a triangular pediment that show a low relief masonic symbol. The first floor windows are made of wood with louvers and framed with flat arches and, decorated with moldings, panels and medallions. The second floor windows are also made of wood with louvers and show parapets or metal railings and white moldings. The transition from the first floor to the second floor is accentuated by a dentil band. The building upper part is distinguished by a parapet with balustrade. On the first floor is also visible a balustrade interrupted by a gate that gives access to the building. The lodge surface is yellow and gray with white details. The Logia Adelphia was the first masonic lodge that existed in Puerto Rico and was founded in 1871. In 1912, the building that houses the Logia Adelphia in Mayagüez was designed and built. The building combines architectural elements from different periods and cultures, creating a design with influence from the classic Spanish and Moorish vocabulary. The Logia Adelphia constitutes an important example of early 20th century architecture in Puerto Rico.

Logia Adelphia - Mayagüez - 2012 00015

Logia Adelphia - Mayagüez - 2012 00015



Perspective of the Logia Adelphia, located in the municipality of Mayagüez. The building is made of concrete and has two floors. The middle section is distinguished by an arch entrance door which is decorated with a dentil band. Above the main door there is a parapet or metal railing and arched windows made of wood with louvers which are decorated with white moldings. The door, railing and arch windows are flanked by two fluted corinthian columns that rest on pedestals. Above the columns there is a frieze with the lodge name, followed by a molding, dentils and a triangular pediment that shows a low relief masonic symbol. The first floor windows are made of wood with louvers, framed with flat arches and decorated with moldings, panels and medallions. The second floor windows are also made of wood with louvers and show parapets or metal railings and white moldings. The transition from the first to the second floor is accentuated with a dentil band. The building upper part is distinguished by a parapet with balustrade. On the first floor you can also see a balustrade interrupted by a gate that gives access to the building. The lodge surface is yellow and gray with white details. On both sides of the lodge there are buildings with characteristics like arches, grilles, pilasters, moldings, cornices and parapets decorated with geometric motifs. The Logia Adelphia was the first masonic lodge that existed in Puerto Rico and was founded in 1871. In 1912, the building that houses the Logia Adelphia in Mayagüez was designed and built. The building combines architectural elements from different periods and cultures, creating a design with influence from the classic Spanish and Moorish vocabulary. The Logia Adelphia constitutes an important example of early 20th century architecture in Puerto Rico.

ArquiTour 2015 - San Juan (Old San Juan) - 2015 00010

ArquiTour 2015 - San Juan (Old San Juan) - 2015 00010



In the center of the image is the Casa de España building in Old San Juan. Its architecture is of Spanish Moorish Revival style. The facade is white and blue; it has tile roofing, several towers with mullions, walls with ornamented buttresses, and corbelled eaves. It also has bay windows and suspended glass double-leaf windows with transoms. Steps, window openings, light posts, a wall with buttresses, and palm trees can be observed at the bottom half of the building. On the right side of the building is a pergola supported by columns and a balcony with street lights. It has double-leaf doors, street lights, and a quoined arch at the bottom left half of the building. Casa de España entered the National Register of Historic Places of the United States in 1983. Next to Casa de España is the Biblioteca Carnegie. The tile-covered roof and the part of the white and pink-colored facade can be observed. This building has a Neoclassical architectural style and entered into the National Register of Historic Places of the United States in 1983. The roof and the light blue-colored walls of the Puerto Rican Athenaeum can also be observed. This building is representative of the Moorish Revival Architecture style. Next to this building is the Casa Olímpica, which later became the headquarters of the Puerto Rican Olympian Committee. Its architectural style is Neoclassical and is cream and white. The cornices, wooden lattice double windows with transoms, and a structure on the top of the building with a hipped roof, a hinged door, and windows with glass squares can be observed. Next to this building is the former Casino of Puerto Rico, which later became the headquarters of the Centro de Recepciones Oficiales del Gobierno de Puerto Rico. Its architectural style is Beaux-Arts, and the building is gray and white. The mansard roof, cornices, balusters, rectangular moldings, and glass double-leaf doors can be observed. It was entered into the National Register of Historic Places of the United States in 1977. On the right side of the image, there are workers with construction machines asphalting the street on Muñoz Rivera Avenue. The masonry walls and the embrasures of the Castillo San Cristóbal can be partially observed. On the left side is the blue building known as Ramón Mellado Parsons. This is a three-story building with glass windows, a balustraded balcony, and a slanted roof that overhangs the building. It has a staircase that leads up to a rooftop surrounded by metal railings. Behind this building is the Administration for Child Care and the Integrated Development of Childhood building, which is red and white and has reflective glass windows, parapets, and a tower-like construction with hipped roofing at the top part of the building. Adjacent to this building is the José Julián Acosta School, painted in dark turquoise blue. It is representative of the Mission Revival architecture style. The cornices, pediment, moldings, and white rectangular windows can be seen. The upper half of the Teatro Alejandro Tapia y Rivera can be seen in the distance. The cornices and the triangular pediment can be observed. A semicircular dome with a white color lantern can also be observed. The image has several plants, balconies, cornices, window openings, and utility poles.

ArquiTour 2015 - San Juan (Old San Juan) - 2015 00012

ArquiTour 2015 - San Juan (Old San Juan) - 2015 00012



There are several Colonial style buildings in Calle Fortaleza in Old San Juan. In the foreground there is a multiple-story building with eaves and satellite antennas. It has a balcony with railings, a double door, and french windows with corrugated metal curtains. In the lower half of the image, three semicircular arches with wooden lattice double doors, street lights, and a sign with the number "1918" on the wall can be partially observed. Next to this building is another building with a pediment, ornamented parapet, and a eave supported by white fluted pilasters. Adjacent to this building is an orange-colored building with plants on the roof, an eave supported by corbels, and a balcony with metal railings. Next to this building is another smaller orange-colored building with white pillars and a utility pole on the roof. The building that follows is light orange with a red-colored eave. It has a sloped structure on the roof as well as, cornices and utility poles. Next to it is a yellow and red-colored building. This building has structure on the roof with a black-colored door, satellite antennas, utility poles, plastic chairs, and machines surround by cyclone mesh fencing. The front façade has curved walls with Miami style windows and a balcony with black-colored railings. Right next to it is another smaller light blue-colored building with eaves and door openings with moldings. The former Casino of Puerto Rico, which is currently known as the Centro de Recepciones Oficiales del Gobierno de Puerto Rico, can be observed in the distance. It is of Beaux-Arts architectural style and it is gray and white. A pediment, cornices, balusters, the ornamented rectangular moldings, six pilasters, and the mansard roof are visible. This building was entered into the National Register of Historic Places of the United States in 1977. The masonry wall of the Castillo San Cristóbal can also be observed. The embrasures, sentry lookout posts, and the window openings are visible. The Atlantic Ocean, trees, shrubs, palm trees, roads, and vehicles can be seen in this image.

ArquiTour 2015 - San Juan (Old San Juan) - 2015 00016

ArquiTour 2015 - San Juan (Old San Juan) - 2015 00016



José Julián Acosta y Calbo School in Old San Juan, formerly known as San Juan School Number One. The building is representative to the Mission architecture style and is turquoise and white. The main entrance has a portico with columns and semicircular arches. The upper part of the building has an open balcony with railings and doors flanked by two wooden double windows with a roof supported by corbels. There is a pediment with an oculus and an inscription that reads "José Julián Acosta School" which is decorated with garlands. It also possesses cornices with a parapet on the upper part. The façade has Bas-reliefs and it is divided by wooden double windows framed with rectangular-shaped moldings. There are shrubs and three flag poles with flags in front of the façade. La Constitución Avenue is in front of the school which has, automobiles, palm trees, street lights, sidewalks, and some orange traffic markers. The clocktower and the Covadonga parking garage are located behind the school. Muelle #4, the cruise ship terminal, can be partially seen in the distance. This building is orange and cream-colored. It has a sloped roof supported by pillars and two flagpoles with the Puerto Rican and United States flags can be observed in front of the main entrance. The San Juan Bay and some wagons can also be observed, as well as the hangars of the Fernando Luis Ribas Dominicci Airport, which is colloquially known as the Aeropuerto de Isla Grande, or Isla Grande Airport.